Gumball thinks he’s the coolest kid on the block, but his little sister Anais begs to differ, and Darwin just wants to keep them all out of trouble.

    . . obsessively detailed [comics] feel like [they've] been shot straight from his brain onto the page." - Village Voice Puke Force is social satire written dark and dense across Brian Chippendale's deconstructed multiverse of walking, talking M&Ms, hamsters, and cycloptic-yet-glamorous trivia hosts. In scathingly funny single-page strips that build and build, he takes on social media narcissism, governmental propaganda, racism, and a culture of violence, skewering the malice of the right and the hypocrisies of the left. A bomb explodes in a coffee shop: the incident is played out over and over again from the perspective of each table in the shop, revisiting moments from ten and twenty years before. We see the inevitable as the characters bicker or celebrate, unaware of what's coming. Throughout this dystopic graphic novel, Chippendale uses humor and a frantic drawing style to show how the insidious nature of corporate greed and the commodification of everything have warped society into a killing machine. Sardonic and self-aware, Puke Force asks all the right questions, providing a startling and on-point take on contemporary social issues. Chippendale's artwork makes each panel a masterpiece of thrumming linework and lo-fi magic, as his storytelling wends and winds its way to a fascinating conclusion.

    In this volume, Alcibiades the wizard’s giant eye cannot stop crying, flooding the entire dungeon. They must find the Giant who gave his eye to remedy this rather wet situation. We also discover the origin of John-John the Terrible, the monster split into two living halves.

    Get ready for the epic battle Marvel fans have been waiting for with previews and an in-side look into the Monsters Unleashed event!

    The London streets aren't safe, but Constantine is on the case! Includes Hellblazer chapters writtn by Delano, Azzarello, Gaiman, Ennis and Ellis.

    Compared to Tatsumi's earlier stories, this collection paints a much more pessimistic world. The stories run on a different beat. The banality of modern life and its values bleed through. Yoshihiro Tatsumi plumbs the depths of the lost Japanese youth of the 1970s. Today, 'youth' of every age group appreciates Yoshihiro Tatsumi. They are attracted to him because they connect with the struggles and the darkness of modern life which he portrays.

    The entire run has been collected in nine trade paperback editions. The final monthly issue, number 66, was published in July 2000.Preacher follows the story of Preacher Jesse Custer, his best friend, and his girlfriend, as they explore a world that fuses Southern culture and supernatural elements, especially religious ones, in a way that is highly provocative, exploratory, and controversial.Preacher draws on movies, particularly Westerns, for many of its stylistic elements.

    What happens when a new gang of metahumans shows up in town? And what happens when one of them is way, way stronger than Barry? And what about when Barry discovers that the love of his life is in a secret relationship with one of his co-workers?? All this and more in our stunning first chapter!

    Brad is a good guy, but his abusive father is making his life hell. Greg is full of money, but he's as aimless as he is rich. Each one thinks that challenging Mother Nature is somehow going to fix whatever issues they're dealing with. That is if they ever get their Jeep out of the increasingly bizarre swamp that they are trapped in.

    What if you can restart your life with a different setting just like a game? DONG TAE always get bullied by his classmates, but TAE BIN, sits right next to him, is handsome and popular at school; and now, TAE BIN suggests DONG TAE to play a little game.

    Visually spectacular, shockingly violent, and singularly horrifying, Gantz is a relentless fever dream of consummate skill and fiendish imagination. This value-priced omnibus collection features 680 pages of havoc and horror!Kei Kurono's work as a Gantz alien fighter is a hellish nightmare, but his life as a high-school student is looking up, with a new ladylove opening his heart. But when his beloved is threatened by a Gantz-obsessed schoolmate on a shooting rampage, Kei must face the murderous student without his Gantz suit for protection!Collects Gantz individual volumes 10, 11, and 12.

    He's a synthetic man! She's a mutant sorceress! Once they were outcasts, but now they have each other, and a love which can withstand every danger they face! Steve Englehart and Richard Howell present…Vision and the Scarlet Witch!

    Get an exclusive, behind-the-scenes at the incredible RESURRXION titles including X-MEN GOLD, ROYALS, X-MEN BLUE, and so much more!

    After spending thousands of Sunday afternoons gazing at his grandfather’s collections of old newspaper comics, he picked up a pen and started drawing monkeys with striped tails and top hats. He now writes and draws the comic book Sock Monkey as well as the weekly strip "Maakies," which has won him three Eisner Awards and has been animated for Saturday Night Live. He lives in Pasadena, California with his wife and daughters.

    Because I was trapped in Texas at the time, I needed to believe that the broken tractor out back was a car of the future. Japanese, I’ll say, because of the exotic far-awayness of Japan from Texas, and because of the Japanese monster movies and woodblock prints that reached out to me in Texas. Japanese monster movies are part of the fabric of Texas.”In 1983, Panter finally got a chance to fully explore this world, and share it with an audience, when the L.A. Reader published the first 63 strips. A few years later, the Japanese reggae magazine Riddim picked up the strip, and Panter continued the saga of Dal Tokyo in monthly installments for over a decade.But none of these conceptual descriptions will prepare the reader for the confounding visual and verbal richness of Dal Tokyo, as Panter’s famous “ratty line” collides and colludes with near-Joycean wordplay, veering from more or less intelligible jokes to dizzying non-sequiturs to surreal eruptions that can engulf the entire panel in scribbles. One doesn't read Dal Tokyo; one is absorbed into it and spit out the other side.