Just to give her cheating husband a dose of how it feels. She sought a one night stand; but instead, stumbled upon a serendipitous situation. Nothing should have come from it, but it changed the dynamics of her marriage. A bed unmade… Niecey had always piqued his senses; just as much then as she does now. Although she is considered off limits, it doesn’t stop Asad from seizing the opportunity once it presents itself. He could care less about boundaries. But as bad as he wants her, he knows he could never have her. Two things prevent him from wanting more of her: One, he is about to go away to prison for a few years; and two, he knows she doesn’t want anything more. He understands that he was only something she needed for that night. Those few years have passed; and through familiar circumstances, they have to face one another again. Asad is a young arrogant tatted up diabolical thug known for his churlish disposition. His mouth is reckless, his attitude sucks, and empathetic he is not. Niecey is an entrepreneur, beautiful, and well-off. She’s flawed, but has learned to love herself anyway. They’re not a likely pair, but those factors don’t matter much when they touch. The connection and unquestionable sexual chemistry between them turns their reunion into an ongoing carnal affair. However, things take a turn in a direction Niecey wasn’t intending. The bed has been made… Neither can contend the interdependence that exists between them. Succumbing to its power, they can no longer deny love’s right to live. But how deep will Niecey let their situation get before she can no longer keep the truth away, and from hurting everyone she cherishes, including Asad? Now they must lie in the bed they’ve made…

    In his early teens, Keys bribed his way into Buddy Holly's garage band rehearsals. He took up the saxophone because it was the only instrument left unclaimed in the school band, and he convinced his grandfather to sign his guardianship over to Crickets drummer J.I. Allison so that he could go on tour as a teenager.Keys spent years on the road during the early days of rock 'n' roll with hitmakers like Bobby Vee and the various acts on Dick Clark's Caravan of Stars Tour, followed by decades as top touring and session sax man for the likes of Mad Dogs and Englishmen, George Harrison, John Lennon, and onto his gig with The Rolling Stone from 1970 onward. Every Night's a Saturday Night finds Keys setting down the many tales of an over-the-top rock 'n' roll life in his own inimitable voice.Augmented by exclusive contributions with famous friends like Keith Richards, Joe Crocker, and Jim Keltner, Every Night's a Saturday Night paints a unique picture of the coming-of-age of rock 'n' roll.

    It is a tale of two generations of characters brought jarringly together by the tragic sweep of war, where personal lives - the struggle to survive, raise a family, find happiness - are inextricable from the history playing out around them.Propelled by the same storytelling instinct that made The Kite Runner a beloved classic, A Thousand Splendid Suns is at once a remarkable chronicle of three decades of Afghan history and a deeply moving account of family and friendship. It is a striking, heart-wrenching novel of an unforgiving time, an unlikely friendship, and an indestructible love - a stunning accomplishment.--front flap

    A raw, no-holds-barred memoir from one of the most popular—and polarizing—figures in sports entertainment and professional mixed martial arts, Death Clutch is an essential volume for every WWE and Ultimate Fighting fan.

    Nearly two decades on, though, Aaron "Gene Ween" Freeman and Mickey "Dean Ween" Melchiondo preside over one of the most devoted cult fan bases in American music. So how exactly did Ween manage to transcend joke-band oblivion?One answer is that, in the years following their MTV breakthrough, Ween gradually polished their output, turning their staunchly primitive musical sketches into hi-fi paintings. Chocolate and Cheese, released in 1994, marked Freeman and Melchiondo's first crucial steps in this direction. Based on new, in-depth interviews with both members of Ween, as well as producer Andrew Weiss and associates ranging from Josh Homme (Queens of the Stone Age) to Spike Jonze, this book explores the song-by-song creation of Chocolate and Cheese and how the album served as a bridge between Ween's original two-guys-and-a-4-track incarnation and the rich, virtuosic rock & roll force they would later become.

    Instead, he gives you a jaw-dropping, uncensored insider’s look into the world of music, movies, and television and its biggest stars, starting in the sixties and continuing through to the new century. Richard takes you on a journey that few have experienced: from his early days as a student at Oxford to the wild, lascivious nights of being a disco DJ touring the clubs of Europe, to coming to America and working with Michael Jackson, Barbra Streisand, and Sarah Jessica Parker and finally breaking through into the L.A. radio scene and becoming the number one morning drive personality in California. From his TV and radio shows to his feature films and live gigs, Richard shares stories that have until now remained secret. His unique perspective will take you on the road with Depeche Mode, to Australia with Spandau Ballet, into the recording studio with Morrissey, and onto the main stage at Live Aid with Duran Duran. He opens up about his friendships with Michael Hutchence and George Michael, as well as his passionate love affair with Terri Nunn of Berlin. This is a no-holds-barred look at life, sex, and death, set to a pulsing backbeat of music. For the first time, Richard Blade shares his extraordinary story, allowing us to see the world through his eyes.

    His classmates cannot make him come down, not even by pelting him with rocks. So to prove to Pierre-Anthon that life has meaning, the children decide to give up things of importance. The pile starts with the superficial—a fishing rod, a new pair of shoes. But as the sacrifices become more extreme, the students grow increasingly desperate to get Pierre-Anthon down, to justify their belief in meaning. Sure to prompt intense thought and discussion, Nothing—already a treasured work overseas—is not to be missed.

    I never dreamt it would be like this.'Frequently affecting...intriguing, almost incantatory' TelegraphTracey Emin's Strangeland is her own space, lying between the Margate of her childhood, the Turkey of her forefathers and her own, private-public life in present-day London. Her writings, a combination of memoirs and confessions, are deeply intimate, yet powerfully engaging. Tracey retains a profoundly romantic world view, paired with an uncompromising honesty. Her capacity both to create controversies and to strike chords is unequalled in British life. A remarkable book - and an original, beautiful mind.'As spare and poignant as one of Emin's line drawings' Marie Claire

    Though it sold miserably, the record made music history by documenting a burgeoning regional sound, the raw fusion of heavy metal and punk rock that we now know as grunge. But it wasn’t until five years later, with the seemingly overnight success of Nirvana’s “Smells Like Teen Spirit,” that grunge became a household word and Seattle ground zero for the nineties alternative-rock explosion.Everybody Loves Our Town captures the grunge era in the words of the musicians, producers, managers, record executives, video directors, photographers, journalists, publicists, club owners, roadies, scenesters and hangers-on who lived through it. The book tells the whole story: from the founding of the Deep Six bands to the worldwide success of grunge’s big four (Nirvana, Pearl Jam, Soundgarden and Alice in Chains); from the rise of Seattle’s cash-poor, hype-rich indie label Sub Pop to the major-label feeding frenzy that overtook the Pacific Northwest; from the simple joys of making noise at basement parties and tiny rock clubs to the tragic, lonely deaths of superstars Kurt Cobain and Layne Staley.Drawn from more than 250 new interviews—with members of Nirvana, Pearl Jam, Soundgarden, Alice in Chains, Screaming Trees, Hole, Melvins, Mudhoney, Green River, Mother Love Bone, Temple of the Dog, Mad Season, L7, Babes in Toyland, 7 Year Bitch, TAD, the U-Men, Candlebox and many more — and featuring previously untold stories and never-before-published photographs, Everybody Loves Our Town is at once a moving, funny, lurid, and hugely insightful portrait of an extraordinary musical era.

    This is Jaden pretending not to notice. . . .Jaden McEntyre and Parker Whalen are a wrong fit from the start. Jaden is driven and focused, Harvard Med School within reach. Parker has a past-a reputation-and the rumors about his mysterious habits abound. So there's no reason why, when they're assigned to work together on a project in English, they should discover they have anything in common, or even like each other, and they definitely shouldn't be falling in love.As they bond over Edith Wharton's tragic novella, Ethan Frome, the "bad boy" vibe Parker plays begins to dissipate. Soon, Jaden finds herself shedding her own "good girl" image: sneaking around to be with him, confiding in him, and ultimately falling hard for this leather-wearing, motorcycle-driving loner who plays into the rebel stereotype.Still, Jaden can't shake the feeling that there's more to Parker than he's letting on. He's hiding something from her, and discovering the truth means reconciling the Parker she's grown to love with the person he really is. Because it's possible that his life inside the classroom-everything Jaden knows-is one massive lie.

    A little studying would reveal that the most powerful light source known to man isn't "lightsabers," nor do we salt the roads when it snows "to make them taste better." But where's the fun in that? From the same wellspring of failure as the million-selling F in Exams series, this special pop quiz collection will amuse and entertain anyone preparing to face down a test paper as well as those just glad to be far away from a classroom.

    With it landed Bowie s Stardust alter-ego: A glitter-clad, mascara-eyed, sexually-ambiguous persona who kicked down the boundaries between male and female, straight and gay, fact and fiction into one shifting and sparkling phenomenon of 70s self-expression. Together, Ziggy the album and Ziggy the stage spectacular propelled the softly spoken Londoner into one of the world s biggest stars.A key passenger on this glam trip into the stratosphere was fellow Londoner and photographer Mick Rock. Rock bonded with Bowie artistically and personally, immersed himself in the singer s inner circle, and, between 1972 and 1973, worked as the singer s photographer and videographer.This collection, featuring around 50 percent previously unpublished images, brings together spectacular stage shots, iconic photo shoots, as well as intimate backstage portraits. With a lenticular cover of different headshots, it celebrates Bowie s fearless experimentation and reinvention, while offering privileged access to the many facets of his personality and fame. Through the aloof and approachable, the playful and serious, the candid and the contrived, the result is a passionate tribute to a brilliant and inspirational artist whose creative vision will never be forgotten.