Based on Crystal's one-man Broadway show of the same name, "700 Sundays"--referring sadly to the time shared by an adoring father and his devoted son--offers a heartfelt, hilarious memoir.

    To give her film an epic scope — which it has — Gerwig drew from Louisa May Alcott’s classic novel, Alcott’s life and letters, and her own (seamlessly incorporated) original material.Find the screenplay here: https://pmcvariety.files.wordpress.co...

    It is a telling of the balance between love and perseverance. Tesoro is an unearthing of the sacred connections that make a person whole; the treasure we forever keep with us when we learn from those we love, when we mourn those we've lost, and what grows in between. "This is that bittersweet moment in the process of growing up - seeing the humanity of your loved ones, their choices, your existence and the role all of these things play in your family. This is the moment that leads you to take a harder look at yourself and how you have ultimately been shaped by everything that came before you. This is the moment, these are the feelings; this is Yesika Salgado's Tesoro." - NPR Books

    When unplanned pregnancy threatens to derail everything, she fears life is over. Instead, she discovers motherhood to be her new calling. For thirteen years she and her son Charlie are a unit and her world is complete. Everything changes when violence erupts at Charlie’s school. As she reaches out via text in desperation, only the words and the animated ellipsis on the phone screen offer a buffer between life and death. Can she save the person on the other end of the messages in time, and in the process can she save herself too?

    In addition to Jeff Bridges, whose portrayal of The Dude has become iconic, and John Goodman, his bowling buddy, the film stars Steve Buscemi, Julianne Moore, John Turturro, Willem Dafoe, Sam Elliot, and Ben Gazzara. Not given to talking publicly about their work, the Coens gave access to Tricia Cooke and William Preston Robertson to interview the cast and crew. In a prose style that complements the Coens filmic one, the book discusses the Coens oeuvre, the themes of their films, their atypical brand of humor, their craft, and their artistic vision. Several scenes of The Big Lebowski are examined closely to see how the movie goes from idea to reality, making this an ideal book for fans, filmmakers, and filmmaking students."

    He is one of those rare chefs who is simply born. He is an artist."And so begins the rise of Hassan Haji, the unlikely gourmand who recounts his life’s journey in Richard Morais’s charming novel, The Hundred-Foot Journey. Lively and brimming with the colors, flavors, and scents of the kitchen, The Hundred-Foot Journey is a succulent treat about family, nationality, and the mysteries of good taste.Born above his grandfather’s modest restaurant in Mumbai, Hassan first experienced life through intoxicating whiffs of spicy fish curry, trips to the local markets, and gourmet outings with his mother. But when tragedy pushes the family out of India, they console themselves by eating their way around the world, eventually settling in Lumière, a small village in the French Alps.The boisterous Haji family takes Lumière by storm. They open an inexpensive Indian restaurant opposite an esteemed French relais—that of the famous chef Madame Mallory—and infuse the sleepy town with the spices of India, transforming the lives of its eccentric villagers and infuriating their celebrated neighbor. Only after Madame Mallory wages culinary war with the immigrant family, does she finally agree to mentor young Hassan, leading him to Paris, the launch of his own restaurant, and a slew of new adventures.The Hundred-Foot Journey is about how the hundred-foot distance between a new Indian kitchen and a traditional French one can represent the gulf between different cultures and desires. A testament to the inevitability of destiny, this is a fable for the ages—charming, endearing, and compulsively readable.

    Debuting at the Richard Rodgers Theatre in 1990, Lost in Yonkers went on to win four Tony Awards, including Best Play, as well as the Pulitzer Prize, and tells the moving drama about the cruelties and painful memories that scar a family.It is New York, 1942. After the death of their mother, two young brothers are sent to stay with their formidable grandmother for the longest ten months of their lives. Grandmother Kurnitz is a one-woman German front—a refugee and a widow who has steeled her heart against the world. Her coldness and intolerance have crippled her own children: the boys' father has no self-esteem . . . their Aunt Gert has an embarrassing speech impediment . . . their Uncle Louie is a small-time gangster . . . and their Aunt Bella has the mentality of a child. But it is Bella's hunger for affection and her refusal to be denied love that saves the boys—and that leads to an unforgettable, wrenching confrontation with her mother. Filled with laughter, tears, and insight, Lost in Yonkers is yet another heartwarming testament to Neil Simon's talent.

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

    At once a self-styled social scientist, a spy in the baffling adult world surrounding him, and a budding, hormone-driven emotional explorer, Oliver is stealthily (and perhaps a bit more nervously than he’d ever admit) nosing his way forward through the murky and uniquely perilous waters of adolescence. His objectives? Uncovering the secrets behind his parents’ teetering marriage, unraveling the mystery that is his alluring and equally quirky classmate Jordana Bevan, and understanding where he fits in among the pansexuals, Zoroastrians, and other mystifying, fascinating beings in his orbit.“It’s in my interests to know about my parents’ mental problems,” he reasons. Thus, when he discovers that his affable dad is quietly struggling with depression, Oliver marshals all the daytime-TV pop-psychology wisdom at his command–not to mention his formidable, uninhibited powers of imagination–in order to put things right again. But a covert expedition into the mysterious territory of middle-aged malaise is bound to be tricky business for a teenager with more to learn about the agonies and ecstasies of life than a pocket thesaurus and his “worldly” school chum Chips can teach him. Ready or not, however, Oliver is about to get a crash course. His awkwardly torrid and tender relationship with Jordana is hurtling at the speed of teenage passion toward the inevitable magic moment . . . and whatever lies beyond. And his boy-detective exploits have set him on a collision course with the New Age old flame who’s resurfaced in his mother’s life to lead her into temptation with lessons in surfing, self-defense . . . and maybe seduction. Struggling to buoy his parents’ wedded bliss, deep-six his own virginity, and sound the depths of heartache, happiness, and the business of being human, what’s a lad to do? Poised precariously on the cusp of innocence and experience, yesterday’s daydreams and tomorrow’s decisions, Oliver Tate aims to damn the torpedoes and take the plunge.

    As she learns the truth behind her marriage, she is faced with realizing not all fairytales have happy endings.MEET TAYLOR ROSS, Taylor has made a life for herself as one of the most talented artists of her generation. When Taylor tries to take on mental illness, she is faced with the reality that some things in life cannot be fixed with a paint brush.MEET JACQUELINE “JACKIE” MCKINLEY, after years of waiting for her big Hollywood break, Jackie gets an opportunity of a lifetime that changes her life forever. But was the price of fame worth it?What happens when the life you thought you were going to have is hit with the Reality in Chaos? Through life’s unexpected twist and turns, one thing is consistent for these women; their friendship and sisterhood.

    Even Trevor himself begins to doubt when his "pay it forward" plan seems to founder on a combination of bad luck and the worst of human nature.In the end, Pay It Forward is the story of seemingly ordinary people made extraordinary by the simple faith of a child. In the tradition of the successful and inspirational television show Touched by an Angel, and the phenomenally successful novel and film Forrest Gump, Pay It Forward is a work of charm, wit, and remarkable inspiration, a story of hope for today and for many tomorrows to come.

    

    The evening consisted of six Durang one act plays. It was directed by Walter Bobbie; set was by Derek McLane, costume by David C. Woolard, lighting by Brian Nason, sound design by Tony Meola; production stage manager was Perry Cline, stage manager was Greg Fletcher. Durang/Durang is an evening of six one acts. It is thus not a full length play, but it is a full evening.

    As her high school friends and boyfriend Murph head off to college, Anna still struggles to overcome the wounds of her past while navigating the challenges of the future. Anna wants to confide in Bridgett and Frances, the youngest and oldest of her siblings, but her family’s reticent past, despite their efforts to change, stops her. Meanwhile, as Anna’s friends of the fifth floor are released, they go on with their interrupted lives, and each is tested differently on the lessons they learned together. Nine years later, everyone receives a mailed letter from Jonny Love, a friend who Anna hasn’t seen or heard from since her days on the fifth floor. In the third book of The Fifth Floor trilogy, author Julie Oleszek reunites the patients of the locked psychiatric ward at Advocate Hospital.

    They share their secrets and dreams, and help each other be strong when beloved Mother must leave to nurse Father, who is wounded in the Civil War. The passing years bring more adventures and romance—the first wedding, a broken heart, a trip to Europe—and the girls are young women. This book shows vividly the joys of growing up in a loving family.Cover illustration by Al Leiner.-from the back cover