But when it does, it forebodes something ominous. For Tina, the first bolt of lightning was her Brain Tumor. Before she could recuperate from that, the second bolt sizzles through the air around her. The Other side - a world similar to ours, connected to ours - faces an impending war that can spell the end of more than one world. An ancient clan is back to wreak havoc and reduce everything to naught. As she meets strange men with stranger abilities in treacherous, testing surroundings, where everyone's after her, eager to turn the tide their way, Tina only hopes to have a home to return to.

    All stories are packed with varied set of emotions across intrigue, drama, humor, heartache, charm and delight; and all stories written to guarantee an escape into a world of love, loss, hope and longing. A nice read in these gloomy times of a lockdown.

    Mohi symbolises ""the hurting"" and Kabir is all about ""the healing"" that comes after it. A book written and illustrated by author,which is for everyone. for those who believe in love and compassion and for those who don't. Those who have healed and those who are still in process. Those who aren't able to move on and those who have successfully done it. It is for feminists, the activists, the believers, the gender norm shatterers.It is a gift, a book on its journey to make difference in it's reader's life.

    Ambedkar’s Annihilation of Caste is one of the most important, yet neglected, works of political writing from India. Written in 1936, it is an audacious denunciation of Hinduism and its caste system. Ambedkar – a figure like W.E.B. Du Bois – offers a scholarly critique of Hindu scriptures, scriptures that sanction a rigidly hierarchical and iniquitous social system. The world’s best-known Hindu, Mahatma Gandhi, responded publicly to the provocation. The hatchet was never buried.

    You have written IPS five times.’ ‘No, sir, it’s not a mistake,’ I said. ‘It is deliberate. Sir, give me IPS or nothing.’ Rakesh Maria’s entry into the elite Indian Police Service and rise to the coveted post of Mumbai’s Police Commissioner is a gripping and inspiring story. One of India’s best-known police officers, Maria’s life is the stuff police legends are made of. Time and again his bosses and various political masters took him off his regular postings to detect serious crimes. But he successfully steered challenging and monumental investigations -- the 1993 serial blasts and the audacious 26/11 terror attack being two such instances. His work confined him to the Urbs Prima in Indis for the better part of his career. It constantly kept him under the spotlight, attracting the ire of many and resulting in some deeply distressing moments. But Maria persisted and led from the front, wherever his duty took him. Just when he was about to complete his tenure as Commissioner, the sensational Sheena Bora murder case came to light. As usual, Rakesh Maria ensured that no stone was left unturned to unravel the roles of the influential accused. Just then, he was abruptly transferred on promotion. The treatment meted out to one of Mumbai’s top cops created a huge controversy. Several explanations were offered; guesses hazarded. However, Maria held his silence, as always. He was not new to controversies. They dogged him as they do all public servants who choose to act rather than take the easy way out, seeking shelter under rules of hierarchy and office. In Let Me Say It Now, Maria breaks his silence for the first time, letting the reader into his side of the stories built around him. It is the chronicle of a conscientious and steadfast cop who found himself in the midst of sensitive cases and created benchmarks in complicated investigations. The book is also an unusually frank and penetrating look into the criminal justice system and the socio-political set-up it operates in.

    Sharma shows what can and must change in India’s policies, its administration and even its attitudes. The answers he provides are not obvious, and require courage. Nor are they all comforting or conventional. Yet they could, in less time than you can imagine, unleash the creativity of a billion hopeful Indians.

    Soon they realize that life here is not just about spit and polish but six terms of adventure and achievement. It is about soaring ambition and tough challenges, a punishing regimen and endless Puttie Parades. However, rugged training and severe ragging cannot keep their spirits down for long. Weaving yarns about imaginary girlfriends, bragging about their escapades and sexual exploits, they turn from greenhorns to tough soldiers. United by their experience, these comrades-in-arms form a bond for life. Tanushree Podder, in this tongue-in-cheek saga of youth, camaraderie and growing-up, skillfully reconstructs life at NDA ? where boys become men of honour. About The Author: Eight years in the corporate sector after her MBA, Tanushree Podder decided to follow the call of her heart and quit everything to take up writing. An author of seventeen books, with two more on the editing table, she has her hands full. Boots Belts Berets is her second novel, the first one being Nurjahan's Daughter .

    She is considered one of the outstanding Indian poets writing in English, although her popularity in Kerala is based chiefly on her short stories and autobiography. Much of her writing in Malayalam came under the pen name Madhavikkutty. She was born on March 31, 1934 in Malabar in Kerala, India. She is the daughter of V.M. Nair, a former managing editor of the widely-circulated Malayalam daily Mathrubhumi, and Nalappatt Balamani Amma, a renowned Malayali poetess. In 1984, she was short-listed for the Nobel Prize for Literature along with Marguerite Yourcenar, Doris Lessing, and Nadine Gordimer. Kamala Das is probably the first Hindu woman to openly and honestly talk about sexual desires of Indian woman, which made her an iconoclast of her generation. The fact that the book has run into thirty editions is proof enough to appreciate the popularity of the book

    How did he end up this way? In an astonishing debut, Aman Sethi brings him and his indelible group of friends to life through their adventures and misfortunes in the Old Delhi Railway Station, the harrowing wards of a tuberculosis hospital, an illegal bar made of cardboard and plywood, and into Beggars Court and back onto the streets. In a time of global economic strain, this is an unforgettable evocation of persistence in the face of poverty in one of the world's largest cities. Sethi recounts Ashraf's surprising life story with wit, candor, and verve, and A Free Man becomes a moving story of the many ways a man can be free.

    This is a volume meant for all those who want a masterly, lucid, yet eminently readable introduction to, and overview of, India's early history by one of the master-scholars of Indian history---be it students, tourists, or the interested lay reader.

    Democracy on the Road takes readers on a rollicking ride with Ruchir and his merry band of fellow writers as they talk to farmers, shopkeepers and CEOs from Rajasthan to Tamil Nadu, and interview leaders from Narendra Modi to Rahul Gandhi.No book has traced the arc of modern India by taking readers so close to the action. Offering an intimate view inside the lives and minds of India’s political giants and its people, Sharma explains how the complex forces of family, caste and community, economics and development, money and corruption, Bollywood and Godmen, have conspired to elect and topple Indian leaders since Indira Gandhi. The ultimately encouraging message of Ruchir’s travels is that, while democracy is retreating in many parts of the world, it is thriving in India.

    With him ride his wives, his sisters, his daughters, his aunts and his distant female relatives. Unhindered by a relatively recent conversion to Islam, these women will help found a culture of such magnificence and beauty that it will become a by-word for opulence in the world. These Mughal women of Hindustan—unmarried daughters, eccentric sisters, fiery milk-mothers and beautiful wives, will contribute to the great syncretic culture of the Mughals by writing biographies, building monuments, engaging in diplomacy, and patronizing the arts. And even as the zenana changes from the earlier nomadic, tented spaces to the later more sequestered grandeur within the high stone walls of mighty qilas, the influence of the women remains visible and unquestioned. This book looks at the lives of these Mughal women, and the enigma of their disappearance, except as objects of curiosity, from our collective memory.

    His exploits and the people he worked with were truly remarkable. His spying missions saw him walk back and forth 24 times from Peshawar to Kabul eluding capture and certain death. He fooled the Germans so successfully that they gave him £ 2.5 million, in today’s money, and awarded him the Iron Cross. His British spymaster was Peter Fleming, the brother of Ian Fleming, creator of James Bond. Fleming, operating from the gardens of the Viceroy’s House in wartime Delhi, gave him the code name Silver. Talwar became a spy after he helped Subhas Chandra Bose escape India via Kabul. Bose was seeking help from Germany and Japan to free India and never discovered that Talwar was betraying him to the British. Talwar settled in UP after India won independence; he died of natural causes in 1983.Based on research in previously classified files of the Indian, British, Russian and other governments, The Indian Spy tells for the first time the full story of the most extraordinary agent of World War II.

    But outside the lab, Herzog also devoted himself to what was, at the time, an unusual and even frowned-upon medium, at least artistically: color photography. Laboring away as a virtually anonymous pioneer in this field, some 20 years before William Eggleston's watershed show at the Museum of Modern Art, Herzog was quietly documenting in rich Kodachrome the streets of Vancouver: its supermarkets, gas stations, bars, urban scenery and above all its working class culture. Herzog used slide film to make his photographs, which limited his ability to exhibit them and further marginalized his work; but in recent decades, happily, this color pioneer has drawn great acclaim, and this volume, the largest Herzog monograph yet published, does marvelous justice to his rich oeuvre.

    And it witnessed the greatest naval battle of all time.In 'The Great War At Sea: 1914-1918', the historian Richard Hough tells the story of those naval battles and how they shaped the eventual outcome of the war. It is a history as much of men as of ships; men like Sir John Jellicoe, 'Jacky' Fisher, and Winston Churchill, who together succeeded in jolting the Royal Navy out of its nineteenth-century complacency. The narrative follows the race to war, including the construction of the Dreadnought, the biggest, fastest, most heavily gunned battleship in the world; and against the backdrop of feuds, scheming, and personality clashes at the Admiralty, examines the triumphs and tragedies of the great battles and campaigns. Could the appalling losses have been avoided during the Dardanelles? Was there 'something wrong with our bloody ships' as David Beatty said at Jutland? Why was the Battle of Jutland inconclusive?'A truly excellent history, technical enough for the specialist, handy and well-found for laymen, and since the Silent Service could normally be relied on for its quota of personality clashes and blazing rows, human interest is well-served. So too is drama.' Christopher Wordsworth, The Observer'An admirable book which everyone interested in the history of the war should read' - The Glasgow HeraldRichard Alexander Hough was a British author and historian specializing in maritime history.Endeavour Press is the UK's leading independent digital publisher.