But what if the problem is not that we are all synchronized to the same motions or moments, but rather dispersed into countless different emotional micro-experiences? What if the effect of so-called social media is to calibrate the interactive spectacle so that we never fully feel the same way as other potential allies at the same time? While one person is fuming about economic injustice or climate change denial, another is giggling at a cute cat video. And, two hours late, vice versa. The nebulous indignation which constitutes the very fuel of true social change can be redirected safely around the network, avoiding any dangerous surges of radical activity. In this short and provocative book, Dominic Pettman examines the deliberate deployment of what he calls 'hypermodulation,' as a key strategy encoded into the contemporary media environment. His account challenges the various narratives that portray social media as a sinister space of synchronized attention, in which we are busily “clicking ourselves to death.” This critical reflection on the unprecedented power of the Internet requires us to rethink the potential for infinite distraction that our latest technologies now allow.

    Here, a reprinting of the seminal underground essay by Bob Black.

    A shadowy figure from Sam Jameson’s past. They invade Sam’s self-imposed exile to deliver shocking news: Alexander Wells, the man who murdered a five-year-old girl and framed Sam to take the fall, didn’t die in the fiery blast that almost claimed her life. Wells is alive. And he’s recruited a team of hardened criminal operatives with just one target in their sights: Sam Jameson. Sam soon finds herself at the mercy of forces with unthinkable reach and resources. With rogue government elements, a brutal organized crime family, and the world’s most powerful clandestine cabal all lined up against her, Sam must escape a terrifying fate at the hands of a madman to make the most difficult choice of her life. And along the way, Sam must reconcile her growing feelings for an old friend with her heartbreak over the loss of Brock James, the man she planned to spend her life with. BURN is the most explosive installment yet in Amazon #1 Bestselling Author Lars Emmerich’s runaway international hit Sam Jameson series, loved by fans of espionage, conspiracy, and crime thrillers from masters such as James Patterson, David Baldacci, Nelson DeMille, Vince Flynn, Brad Thor, Catherine Coulter, and Daniel Silva. Interview with #1 Bestselling Author Lars Emmerich
 Q: Who are your influences?
 A: Too many to list! I started out years ago as a Tom Clancy addict, and I thoroughly enjoy many of Nelson DeMille’s novels. I regularly read David Baldacci, Vince Flynn, Barry Eisler, Michael Connelly, and John Grisham. James Patterson has redefined what it means to be a working author, and I read his stuff as well. My top picks are usually espionage and private detective novels, any of the thousands of thrillers and mystery best sellers, and, of course, books featuring classic pulp heroes. And I’m greatly influenced by all sorts of nonfiction, as well. I read all the time, and I’m a bit of a magpie about the topics — science, economics, finance, politics, history, mathematics, engineering, biomechanics, medicine… It’s a big world out there, and I love learning more about it. Many of those topics find their way into my fiction, so I can justify it all as “research.” 

 Q: The Sam Jameson series has become quite a phenomenon. What do you think has been the driving force behind the books’ success?
 A: I think Sam has something of a unique voice. She says the things we all wish we could say, and she gets away with it about half of the time. The other half of the time, not so much. I think she’s also a very human heroine. She has plenty of flaws and weaknesses, yet she accomplishes some amazing things. She’s like every one of us in that regard, which resonates.

 Q: You have developed personal relationships with your readers over the years, which is a little unusual in the publishing business. Was that a conscious choice?
 A: Absolutely. Books are intimate things. They occupy a person’s mind and thoughts for hours at a time. Good books leave a lasting impression, and great books might even change the way we think about things, but all books are a relationship. I always wanted a conversation. I wanted to learn from my readers, to hear what was on their minds, to listen to their criticism and hopefully improve the books I write. It’s been extremely rewarding, and I’m hopeful it can continue for years to come.
 BURN genre information: Spy thriller, spy thrillers kindle books, best crime thrillers, conspiracy thrillers, espionage thrillers, mystery thrillers and suspense best sellers, female spy books

     Ryan Drake was your typical teenager - until his parents were coldly murdered in their house as he cowered in his bedroom. The killer roamed free, and Ryan ran away to heal. Now it's several years later, and Ryan Drake has returned. But he's not healed - he's back for revenge. He's determined to serve his own brand of justice to shake the demons that haunt him. But as he gets closer to the killer, Ryan learns that avenging his parents' death isn't going to be so easy - and he might find himself with a target on his back.

    When young Richard Gale arrives in the Arizona border town of Casita, he finds himself surrounded by Mexican and American troops, bandits and renegades—and makes an enemy of Rojas, a vicious Mexican bandit leader.

    When her father is exiled from his kingdom, Hothal disguises herself as a man and fights alongside the valient Odha, who she eventually falls deeply in love with.

    "Savoir," by Hélène Cixous, is a brief but densely layered account of her experience of recovered sight after a lifetime of severe myopia, an experience that ends with the unexpected turn of grieving for what is lost. Her literary inventiveness mines the coincidence in French between the two verbs savoir (to know) and voir (to see). Jacques Derrida's "A Silkworm of One's Own" complexly muses on a host of autobiographical, philosophical, and religious motifs—including his varied responses to "Savoir." The two texts are accompanied by six beautiful and evocative drawings that play on the theme of drapery over portions of the body.Veils suspends sexual difference between two homonyms: la voile (sail) and le voile (veil). A whole history of sexual difference is enveloped, sometimes dissimulated here—in the folds of sails and veils and in the turns, journeys, and returns of their metaphors and metonymies.However foreign to each other they may appear, however autonomous they may be, the two texts participate in a common genre: autobiography, confession, memoirs. The future also enters in: by opening to each other, the two discourses confide what is about to happen, the imminence of an event lacking any common measure with them or with anything else, an operation that restores sight and plunges into mourning the knowledge of the previous night, a "verdict" whose threatening secret remains out of reach by our knowledge.

    War Department, is thrust into a desperate chase surrounding the world’s deadliest secret…the atomic bomb. Against the steamy Panamanian backdrop, Rollie clashes with a ruthless adversary while negotiating a shadowy assemblage of spies, double agents, and alluring personalities. In a classic race against time, Rollie scrambles to prevent the secret from falling into enemy hands while trying desperately to discern friend from foe. The world, and his life, hangs in the balance. A sexy action thriller rich in espionage, intrigue, passion and romance, DEMON'S BLUFF rides a cracking plot all the way to an explosive climax.

    Poor people began to construct their own communities on unused urban lands, creating an infrastructure----roads, electricity, running water, garbage collection, and shelters----all their own. As the Iranian government attempted to evict these illegal settlers, they resisted----fiercely and ultimately successfully. This is the story of their economic and political strategies.

    Bound or beaten, naked or painted, still or spasmodic: the artist lives his or her art publicly in performance or privately in video and photography; these records form the Works section. Amelia Jones's survey examines the most significant works in the context of social history and Tracey Warr's selection of documents combines writings by artists, critics and philosophers.

    Collection of the following titles: A Bag of Gold Coin, Choice of Friends, How Friends are Parted, Tiger and the Woodpecker, Friends and Foes

    Enter Ryan Archer. As a former Marine and former FBI agent, Archer has a combination of skills and training few others can offer. When he is given the task of locating the missing girl and returning her safetly to her family, Archer finds himself investigating a mysterious, powerful, and ultimately deadly organization that will stop at nothing to protect its secrets.