Rescued against his will, the narrator is obliged to attend sessions with a well-intentioned but naïve therapist. This sets the story in motion, leading us back to the narrator’s violent childhood in a war-torn country, forward into his current life in the smoky émigré cafés, and out into the frozen nighttime streets of Montreal. Bold, haunting, and emotionally trenchant, Cockroach is a powerful story of immigrant experience, indignation, and unrelenting fortitude.

    After nearly two years in prison for the crime of stealing his own grain, Ukrainian immigrant Teodor Mykolayenko is a free man. While he was gone, his wife, Maria; their five children; and his sister, Anna, struggled to survive on the harsh northern Canadian prairie, but now Teodor—a man who has overcome drought, starvation, and Stalin's purges—is determined to make a better life for them. As he tirelessly clears the untamed land, Teodor begins to heal himself and his children. But the family's hopes and newfound happiness are short-lived. Anna's rogue husband, the arrogant and scheming Stefan, unexpectedly returns, stirring up rancor and discord that will end in violence and tragedy.Under This Unbroken Sky is a mesmerizing tale of love and greed, pride and desperation, that will resonate long after the last page is turned. Shandi Mitchell has woven an unbearably suspenseful story, written in a language of luminous beauty and clarity. Rich with fiery conflict and culminating in a gut-wrenching climax, this is an unforgettably powerful novel from a passionate new voice in contemporary literature.

    In fact, there are more than a few of the best examples of native storytelling ever published. Thomas King, author of the acclaimed Medicine River and Green Grass, Running Water, and the newly released Truth and Bright Water, has proven he has a magical gift, a fresh voice and a special brand of wit and comic imagination. One Good Story, That One is steeped in native oral tradition, led off by a sly creation tale, introducing the traditional native trickster coyote. Weaving the realities of native history and contemporary life through the story, King recounts a parodic version of the Garden of Eden story, slyly pulling our leg and our funnybone.A collection that is rich with strong characters, alive with crisp dialogue and shot through with the universal truths we are all searching for, One Good Story, That One is one great read.

    The blog is smart, thoughtful, funny, and bold, brazenly taking on various injustices in the lives of women. But it's the blogger Eve's post about the controversial entrepreneur behind XY, a new chain of high-end strip clubs opening up across the country that sets off a firestorm. In a matter of hours, the Eve of Equality website crashes, its Twitter count jumps from a paltry 19 followers to nearly 250,000, and Eve is suddenly lauded as the new voice of feminism.   But who is the Eve behind Eve of Equality? Well... not who you might think. Meet Everett Kane, aspiring writer and fervent feminist. He writes his erudite blog in his apartment, at his kitchen table, conveniently but unexpectedly located right above one of the aforementioned XY strip clubs.Hilarious and smart, and offering thoughtful commentary on a subject that is flooding our headlines, newsfeeds, Twitter streams, and society, Poles Apart is Terry Fallis at his best, confirming his status as a king of CanLit comedy.

    Then her blackouts begin, as do the visits from a mysterious customer who offers help for Maggie's blackouts and her project of investigating her mother's past in the American South. Is Maggie breaking down in the way her mother did, or is her "madness" a distinctive show of grief? Nobody really knows, not her father, her boyfriend or her psychiatrist, and especially not Maggie, who has to make some crazy decisions in order to work to feel sane again. A vivid look at the various confusions that can set in after a trauma and an insightful, gently funny portrait of a woman in her early twenties, especially relatable to readers who grew up in the eighties and nineties, Magnified World dramatizes the battle between the head and the heart and the limitations of both in unlocking something as complicated as loss.

    A series of minority governments, and endless Quebec referendums (designed to lose narrowly, to keep the money coming) have left Canada almost ungovernable. When the Governor General resigns in disgrace and the House of Windsor implodes in London, a media baron launches the idea of a Canadian king or queen elected by lottery.It starts as a joke — except that the lucky winner, King John, a bright and charismatic guy from Toronto, knows exactly what people want. Soon Quebec is gone, while Toronto’s surprise bid to leave Canada is averted by shifting his official residence, the new seat of power, to the Toronto waterfront. Many good things happen, and the politicians go along for the ride. And the blockades of Native lands are ended for good, after John is heroically wounded keeping the peace at risk to his life.His popularity soars and Canadian morale soars with it. Soon the rest of the world is taking notice of this model leader. In the United States, the blue states look enviously northward. Then Canada’s king, ignoring assassination threats, goes on a formal visit to Washington. . .From the Hardcover edition.

    "Possesses the suspense and chilling impact of Lord of the Flies." Washington Post Book World.

    The marriage of the young Irish Catholic woman to an older English man is thought scandalous, but they work happily together, playing music to accompany the films. When George succumbs to illness and dies, leaving Janie with one young child and another on the way, the unscrupulous Joey Elias tries to take over the business. But Janie guards the theatre with a shotgun, and still in mourning, re-opens it herself. “If there was no real bliss in Janie’s life,” recounts her grandson, “there were moments of triumph.”One night, deceived by the bank manager and Elias into believing she will lose her mortgage, Janie resolves to go and ask for money from the Catholic houses. Elias has sent out men to stop her, so she leaps out the back window and with a broken rib she swims in the dark across the icy Miramichi River, doubting her own sanity. Yet, seeing these people swayed into immoral actions because of their desire to please others and their fear of being outcast, she thinks to herself that “…all her life she had been forced to act in a way uncommon with others… Was sanity doing what they did? And if it was, was it moral or justified to be sane?” Astonishingly, she finds herself face to face that night with influential Lord Beaverbrook, who sees in her tremendous character and saves her business. Not only does she survive, she prospers; she becomes wealthy, but ostracized. Even her own father helps Elias plot against her. Yet Janie McLeary King thwarts them and brings first-run talking pictures to the town. Meanwhile, she employs Rebecca from the rival Druken family to look after her children. Jealous, and a protégé of Elias, Rebecca mistreats her young charges. The boy Miles longs to be a performer, but Rebecca convinces him he is hated, and he inherits his mother’s enemies. The only person who truly loves her, he is kept under his mother’s influence until, eventually, he takes a job as the theatre’s projectionist. He drinks heavily all his life, tends his flowers, and talks of things no-one believes, until the mystery at the heart of the novel finally unravels.“At six I began to realize that my father was somewhat different,” says Miles King’s son Wendell, who narrates the saga in an attempt to find answers in the past and understand “how I was damned.” It is a many-layered epic of rivalries, misunderstandings, rumours; the abuse of power, what weak people will do for love, and the true power of doing right; of a pioneer and her legacy in the lives of her son and grandchildren.“David Adams Richards is perhaps the greatest Canadian writer alive,” wrote Lynn Coady in the Vancouver Sun. From this winner of the Giller Prize and the Governor General’s Award comes a story of a woman’s determined struggle against small town prejudice, and her son’s long battle against deceit. Richards’ own family ran Newcastle’s Uptown Theatre from 1911 to 1980, and Janie is based on his grandmother. Cast upon this history is a drama that explores morality and “the question of how one should live,” as The Atlantic Monthly said of Mercy Among the Children, his previous novel.Reviewers agree that Richards’ fiction sits firmly in the tradition of Tolstoy and Dostoevsky by concerning itself explicitly with good and evil and the human freedom to choose between them. Once again, in River of the Brokenhearted, his twelfth novel, Richards has created a work of compassion and assured, poetic sophistication which finds in the hearts of its characters venality and goodwill, cruelty and love.From the Hardcover edition.

    It's 2008 and Liam Greenwood is a carpenter, fallen from a ladder and sprawled on his broken back, calling out from the concrete floor of an empty mansion. It's 1974 and Willow Greenwood is out of jail, free after being locked up for one of her endless series of environmental protests: attempts at atonement for the sins of her father's once vast and violent timber empire. It's 1934 and Everett Greenwood is alone, as usual, in his maple syrup camp squat when he hears the cries of an abandoned infant and gets tangled up in the web of a crime that will cling to his family for decades. And throughout, there are trees: thrumming a steady, silent pulse beneath Christie's effortless sentences and working as a guiding metaphor for withering, weathering, and survival. A shining, intricate clockwork of a novel, Greenwood is a rain-soaked and sun-dappled story of the bonds and breaking points of money and love, wood and blood—and the hopeful, impossible task of growing toward the light.

    It is an astounding work of literature that questions the loyalties of friends, family and the heart. At the centre of this story is a mystery: the suspected murder of a child. This sweeping tale immerses us in St. John's, Princeton and North Carolina at the close of the nineteenth century. Landish Druken is a formidable figure: broader than most doorways, quick-witted and sharp-tongued. As a student at Princeton, he is befriended by George Vanderluyden, son of one of the wealthiest men in America. Years later, when Landish and his adopted son turn to Vanderluyden for help, he invites them to his self-constructed castle and pulls them into his web of lies and deceit.

    Accident or suicide?On the other side of the world, a young woman walks out of a sandstorm in sub-Saharan Africa. In the labyrinth of the Niger Delta, a young boy learns to survive by navigating through the gas flares and oil spills of a ruined landscape. In the seething heat of Lagos City, a criminal cartel scours the internet looking for victims.Lives intersect, worlds collide, a family falls apart. And it all begins with a single email: “Dear Sir, I am the son of an exiled Nigerian diplomat, and I need your help ...”419 takes readers behind the scene of the world’s most insidious internet scam. When Laura’s father gets caught up in one such swindle and pays with his life, she is forced to leave the comfort of North America to make a journey deep into the dangerous back streets and alleyways of the Lagos underworld to confront her father’s killer. What she finds there will change her life forever...

    Set in the stark, confining atmosphere of a Newfoundland milltown, this semi-autobiographical novel tells the story of the Stone family-caught in relentless poverty and tyranized by Saul Stone, an illiterate man whose primitive fury warps and twists his wife and children. A brilliant portrayal of existence bereft of tende ess, House of Hate is a Tale of human ordeal and of an anguished striving for love in the midst of bitte ess. It is, as Farley Mowet has observed, a book unique in Canadian Literature. Percy Janes is a Canadian author who was raised in Newfoundland and retu ed there to live after extended travels in Europe.

    But in a Scarborough subdivision populated by newcomers from all over the world, a series of sudden catastrophic events reveals that not everyone’s dreams come true. Moving from house to house, Carrianne Leung explores the inner lives behind the tidy front gardens and picture-perfect windows, always returning to June, an irrepressible adolescent Chinese-Canadian coming of age in this shifting world. Through June and her neighbours, Leung depicts the fine line where childhood meets the realities of adult life, and examines, with insight and sharp prose, how difficult it is to be true to ourselves at any age.

    The sun is drawing the damp from earth still heavy with the end of a long Quebec winter, the budding branches of the trees along rue Fabre and in Parc Lafontaine of the Plateau Mont Royal ache to release their leaves into the warm, clear air heralding the approach of summer.Seven women in this raucous Francophone working-class Montreal neighbourhood are pregnant—only one of them, “the fat woman,” is bearing a child of true love and affection. Next door to the home that is by times refuge, asylum, circus-arena, confessional and battleground to her extended family, with ancient roots in both rural Quebec and the primordial land of the Saskatchewan Cree, stands an immaculately kept but seemingly empty house where the fates, Rose, Mauve, Violet and their mother Florence, only ever fleetingly and uncertainly glimpsed by those in a state of emotional extremis, are knitting the booties of what will become the children of a whole new nation.In this first of six novels that became his Chronicles of the Plateau Mont Royal, Tremblay allows his imagination free reign, fictionalizing the lives of his beloved characters, dramatized so brilliantly in his plays and remembered so poignantly in his memoirs.“The fat woman” both is and is not Michel Tremblay’s mother—her extended family and neighbours more than a symbol of a colonized people: abandoned and mocked by France; conquered and exploited by England; abused and terrorized by the Church; and forced into a war by Canada supporting the very powers that have crushed their spirit and twisted their souls since time immemorial. This is a “divine comedy” of the extraordinary triumphs and tragedies of ordinary people caught up by circumstances that span the range of the ridiculous to the sublime.

    Aidan and Martha Connor now spend alternate months of the year working at an energy site up north to support their children, Cora and Finn. But soon the family fears they’ll have to leave Big Running for good. And as the months go on, plagued by romantic temptations new and old, the emotional distance between the once blissful Aidan and Martha only widens.Between his accordion lessons and reading up on Big Running’s local flora and fauna, eleven-year-old Finn Connor develops an obsession with solving the mystery of the missing fish. Aided by his reclusive music instructor Mrs. Callaghan, Finn thinks he may have discovered a way to find the fish, and in turn, save the only home he’s ever known. While Finn schemes, his sister Cora spends her days decorating the abandoned houses in Big Running with global flair—the baker’s home becomes Italy; the mailman’s, Britain. But it’s clear she’s desperate for a bigger life beyond the shores of her small town. As the streets of Big Running continue to empty Cora takes matters—and her family’s shared destinies—into her own hands.In Our Homesick Songs, Emma Hooper paints a gorgeous portrait of the Connor family, brilliantly weaving together four different stories and two generations of Connors, full of wonder and hope. Told in Hooper’s signature ethereal style, each page of this incandescent novel glows with mythical, musical wonder.