The city is much farther than she has ever been from her small village of Makak, but Yolisha must go. Tomorrow she has an appointment in Port-au-Prince with the doctor who understands her special illness. But she is terrified that she might lose the grasp of her mother's hand on the clattering, noisy bus crowded with people and livestock. In truth, Yolisha is frightened of anything, or anyone, that might separate her from the only anchor in her life: her mother. The next day, Yolisha is slammed with the realization that her greatest danger was not in the bus ride at all. When the earth begins violently shaking, the walls of the clinic crumble, and her mother is torn from her, she fears that her innocent wishing game might have caused the devastating earthquake that has just thrown her into a terrifying world of survival. But what if the same game can uncover hidden strength in Yolisha as she searches for her missing mother? Might the elderly man who plucks her from the rubble save her life . . . while the man's colorful and determined friend saves her soul by introducing her to the gospel? With penetrating insight, Toni Sorenson immerses you into a beautiful, beleaguered country and guides you on a poignant and compelling journey that explores questions of faith and fate, selflessness and self-preservation, the story of a girl who holds on to hope, even in an overwhelmingly hopeless situation.

    But when the baby dies of natural causes while under her roof, and knowing her neighbour will be devastated, Minnie swaps it with one of the infants in her care.Now seventeen, Jewel Nightingale knows nothing of her true origins. But assaulted by her hateful cousin and making the dreadful discovery that she is pregnant, she faces a desperate dilemma. Fleeing her job as a domestic maid, she follows an advertisement to a house in Bolton's dark slums, where a woman promises to help her when the child is born. Little does Jewel know that there’s a terrible price to pay . . .Can she keep herself – and her baby – safe? And what will happen when Jewel discovers the truth about where she came from? Gritty and page-turning historical saga set in Northern England in the late 1800s, perfect for fans of Dilly Court and Rosie Goodwin.

    Set against the world of New York publishing, McInerney provides a stunningly accomplished portrayal of people contending with early success, then getting lost in the middle of their lives.

    Telling Van Gogh’s story from an utterly new perspective—that of his personal physician, Dr. Gachet, specialist in mental illness and great lover of the arts—Wallace allows us to view the legendary painter as we’ve never seen him before.  In our narrator’s eyes, Van Gogh is an irresistible puzzle, a man whose mind, plagued by demons, poses the most potentially rewarding challenge of Gachet’s career.  Wallace’s narrative brims with suspense and rich psychological insight as it tackles haunting questions about Van Gogh’s fate. A masterly, gripping novel that explores the price of creativity, Leaving Van Gogh is a luminous story about what it means to live authentically, and the power and limits of friendship.

    He has a talent — not only can he see the beauty in everything, he can capture it, paint it. But while beauty can seduce you and art can transport you — it cannot always feed you or protect you.To survive, Pippo Lippi, orphan, street urchin, budding rogue, must first become Fra Filippo Lippi: Carmelite friar, man of God. His life will take him down two paths at once. He will become a gambler, a forger, a seducer of nuns; and at the same time he will be the greatest painter of his time, the teacher of Botticelli and the confidante of the Medicis.So who is he really — lover, believer, father, teacher, artist? Is anything true except the paintings?

    Born to the artist Orazio Gentileschi at the beginning of the 1600s, when artists were the celebrities of the day, Artemisia was apprenticed to her father at an early age, showing such remarkable talent that he viewed her as the most precious thing in his life. But at the age of seventeen Artemisia was raped by her father's best friend and partner. The Gentileschi name was dragged through scandal, for Artemisia refused, even when tortured, to deny it happened. Indeed, she went further: she dared to plead her case in court. All of Rome was riveted by the trial. Artemisia won the case, but lost the love of her father and of all of Rome. Artemisia sought revenge through her art, portraying women liberating their fellow citizens from tyrants. Her stunning works took Rome by storm, overturning the prejudices of her time and winning the admiration of patrons, courtesans, and monarchs. Lapierre brings the historical Artemisia Gentileschi to vivid life, capturing the sights, sounds, and smells of Baroque Italy as well as the life of this remarkable woman.

    An ambitious and enterprising farm girl, Alexandrie joins the prestigious Paris Opera ballet with hopes of securing not only her place in society but her family’s financial future. Her plan is soon derailed, however, when she falls in love with the enigmatic artist whose paintings of the offstage lives of the ballerinas scandalized society and revolutionized the art world. As Alexandrie is drawn deeper into Degas’s art and Paris’s secrets, will she risk everything for her dreams of love and of becoming the ballet’s star dancer?

    It was of a young woman, seated at an easel; she was painting a silk moth, its eggs nestling on a mulberry leaf.’ 1704: Anastasia is desperate to escape her controlling and volatile father and plans to marry in secret. But instead of the life she has dreamed of, she finds herself trapped in Venice, the unwilling wife of a silk weaver. Despite her circumstances, Anastasia is determined to change her fate… 2017: Millie wants more from her relationship and more from her life. So when her boss Max abruptly ends their affair, she takes the opportunity to write a feature in Italy. Staying in a gorgeous villa, Millie unexpectedly falls in love with the owner, Lorenzo. Together they begin to unravel an incredible story, threaded through generations of silk weavers. And Millie finds herself compelled to discover the identity of a mysterious woman in a portrait… A gorgeously written, richly evocative story, The Silk Weaver’s Wife is perfect for readers who love Kate Morton and Gill Paul. What everyone is saying about Debbie Rix: ‘A spellbinding, epic journey spanning centuries, across countries, continents and vast perilous oceans… The past is vividly brought back to life in great detail and in full colour, from the food they ate to the clothes they wore… I really enjoyed reading this magnificent story.’ Relax and Read Books ‘Perfect historical fiction mixed with present day. I can’t say enough how much I enjoyed this book. I gobbled it up over the afternoon and night. Definitely want to read this author again.’ Nik Book Lover ‘The book is beautifully written and the Italian setting is perfectly drawn in both modern and historical settings, with sufficient detail to bring Pisa vividly to life, clearly by someone who loves it and knows it well… this is a wonderful story.’ Being Anne Reading ‘An amazing book rich in detail and filled with characters you are rooting for… Now having read two books from Debbie Rix she has proven to me just what a storyteller she is as she takes her readers on a journey through the past to a time that should not be forgotten. This book is a beautifully crafted novel full of secrets, love, friendship and family bonds… Definitely one not to be missed.’ Shaz’s Book Blog ‘A wonderfully written novel… definitely a book to add to your library. Not only was it highly informative, but immensely entertaining.’ Historical Novel Review ‘An enchanting, engaging tale that I recommend to anyone interested in Italian history and architecture, or just a good novel.’ History and Other Thoughts ‘Debbie manages to evoke the sights, sounds and smells as though you are standing right there. A truly lovely novel.’ Reading Room with a View ‘Debbie had me completely transported back to 12th Century Pisa, and I loved every second of it.

    But when he falls in love with the Princess, Marie, daughter of his powerful patron, the Duke of Burgundy, his life begins to unravel.Made reckless by his passion for Marie, Hans accepts an invitation to visit old allies in London. But there he will find himself plunged into the final stages of the War of the Roses and embroiled in one of the greatest political mysteries of all time.At once a spellbinding historical thriller and a vivid examination of the artistic impulse, The Master of Bruges is an enthralling debut.

    R. Haldeman and John Ehrlichman are found guilty of the Watergate cover-up, the Weather Underground bombs the U.S. State Department, and Bill Gates founds Microsoft in Albuquerque, New Mexico. As Communist forces take Saigon and the Vietnam War winds down, Tray Dunaway, an ordinary teenager from a poor Southern family, longs to become part of the popular clique at school.Tray's mother, Evelyn, lies in bed most days with her bipolar tendency toward extreme highs or desperate lows. Meanwhile, Tray's grandmother Ginny, still grieving over the loss of her husband, would love to move out and find a place of her own. Maybe even a bit of romance to replace the loss she feels. But given the sorry state of the family's finances that's not possible.Then the Dunaways' luck changes. Or so it seems.Tray's father drives a down-and-out friend of the family, Pee Wee Johnson, to Hazard, Illinois, so Johnson can buy lottery tickets. As a gesture of thanks, Johnson gives a ticket to Tray's father. And what do you know? The Dunaways' are suddenly rich.When Johnson demands his cut of the winnings, Tray's dad refuses. As Evelyn's illness spirals toward madness, Johnson threatens the family. Out of time, Tray makes one poor decision after another until what initially seemed like a stroke of good fortune quickly becomes a dangerous game of life and death for the Dunaways.

    In a cold parsonage on the gloomy Yorkshire moors, a family seems cursed with disaster. A mother and two children dead. A father sick, without fortune, and hardened by the loss of his two most beloved family members. A son destroyed by alcohol and opiates. And three strong, intelligent young women, reduced to poverty and spinsterhood, with nothing to save them from their fate. Nothing, that is, except their remarkable literary talent.So unfolds the story of the Brontë sisters. At its center are Charlotte and the writing of Jane Eyre. Delicately unraveling the connections between one of fiction's most indelible heroines and the remarkable woman who created her, Sheila Kohler's Becoming Jane Eyre will appeal to fans of historical fiction and, of course, the millions of readers who adore Jane Eyre.

    For if each of A.S. Byatt's narratives is in some way inspired by a painting of Henri Matisse, each is also about the intimate connection between seeing and feeling--about the ways in which a glance we meant to be casual may suddenly call forth the deepest reserves of our being. Beautifully written, intensely observed, The Matisse Stories is fiction of spellbinding authority."Full of delight and humor...The Matisse Stories is studded with brilliantly apt images and a fine sense for subtleties of conversation and emotion."--San Francisco Chronicle

    One broken hero. With danger looming, will they uncover more than they bargained for?A determined Duchess...Lady Anna Trevallyn, Duchess Wrexford, does not possess the typical qualities of the Boston elite. Confident and strong, she refuses to accept her place as a second-class citizen in a man's world--especially when her best friend, Libby, unexpectedly disappears without a trace. Unwilling to leave it to the men to uncover, she's determined to get answers.A damaged Prince...His Royal Highness, Prince Penforth Armstrong-Leeds, will do anything to locate his sister, Libby. Sharing resources, knowledge, and time with the beautiful and intelligent Lady Anna is an added advantage. Pen has secretly admired Anna from afar for years, but his war wound forces him to remain at bay.An unlikely pair...As Pen and Anna delve for answers beneath high society's gilded exterior, their feelings for one another intensify. Now, they must navigate their strong feelings while locating Libby before her reputation is permanently destroyed. With time running out, will they uncover the truth before lives are lost and hearts broken?This is the first in a Victorian Romance series featuring strong and feisty heroines at the forefront of the new age in 1890s America.Read each story as a stand-alone, or read the series in order.If you enjoy Gothic Victorian historical romantic suspense stories, such as those made popular by Victoria Holt, Deanna Raybourn, Anna Lee Huber, Christi Caldwell or Dorothy Eden, you'll love this series by historical romance author, Ava Rose.The Boston Heiresses series:1 - Not Quite a Duchess2 - Not Quite a Baroness3 - Not Quite a Lady4 - Not Quite a Princess

    `Maud could tell the whole story, but she will not.' 1876 On the wet cobbled streets of Chelsea, London harassed artist Jimmy Whistler argues with his client. The argument: that Mr Whistler's two peacocks that now adorn Mr Leyland's dining room, are to one man a disgrace and to the other, a masterpiece. Stuck in the middle is the one person who knows the artist, his creative vision and his soul more than any other, his model, his lover, Miss Maud Franklin. We follow Maud, a young artist herself who must play the part of wife in the life of a painter crippled by rumours and debts. But it's only a part, no muse ever had the rights of a wife... A beautiful and compelling blend of naivety and strength, Maud is an irresistible character spinning through a world of beauty and sacrifice, art and ambition.

    When she married Theo van Gogh, Johanna had everything she wanted - a husband who adored her, an exciting life as part of Paris's thriving art scene, and escape from a doting but oppressive father. Her happiness evaporated with Vincent's suicide. Shattered by his brother's death, Theo suffered a mental collapse from which he never recovered. When he died, Johanna was left with an infant son and an art collection most thought worthless. The Impressionist and Independent artists Theo had championed, such as Monet and Gauguin, were considered incompetents by all but the most avant-garde critics. Determined not to live with her parents, Johanna supported herself and her child by opening a boardinghouse, which shortly became a gathering place for the literati and modern artists of Amsterdam, as well as the feminists of that period.