Whedon fans will enjoy a discussion of issues that are both funny and profound, from the significance of Angel's mommy issues and the best way to conduct government experiments on vampires to what could drive a man to become a cannibalistic Reaver and the psychological impact of being one girl in all the world chosen to fight the forces of darkness.

    It’s easy to see why. Whedon, who got his start writing for Roseanne, dreamed of writing movie screenplays. He got his shot when he sold his script for Buffy the Vampire Slayer, but the movie fell far short of his hopes for it. After a few years of working as a script doctor, Whedon got the chance to doBuffy again, this time as a TV show.Few expected it to succeed, but Whedon’s humor and intelligence shone through in the scripts, and viewers quickly became attached to the engaging, witty characters. Buffy kept getting better: each season of the show featured a complex story arc possessed of a real sense of danger and further developed the characters. The last few years have brought the Buffy spin-off Angel, the lamentably canceled Firefly (a space western), and the comic book Fray. Engaging and filled with fun quotes, this is a must-read for Whedon’s many fans.

    Whether you're a seasoned Slayerette or a novice, this bumper guide to the complete seven series is your indispensable companion to Buffy's universe.

    Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero - the figure, often a female, who suffers pain and fright but eventually rises to vanquish the forces of oppression.

    The star of the show, Sarah Michelle Gellar is only 24, but she already has to her credit five films, two soap operas and a global hit-TV show. Buffy fans up and down the country thirst for details about Gellar's life, and this biography will undoubtedly quench that thirst. It's filled with dozens of exclusive photos and original information on every aspect of her career. BITE ME! spotlights Sarah's role in the show and features entertaining commentary on each episode, as well as background information about the stories in them.

    Offering in-depth commentary on the making of the series, the book explores the characters and mythology of the Buffy universe and follows the evolution of all seven seasons. Die-hard Whedon fans will also find insider information on his involvement in other projects, including Angel, Firefly, and more. Housed in a foil-stamped slipcase, this volume features more than 120 images, including rare behind-the-scenes photos, sketches, props and memorabilia from the Twentieth Century Fox archives, along with stills from the most pivotal on-screen moments. Tucked in the inside cover of the case is an envelope holding “Slayer Lore: Texts and Magicks for the Battle.” These 13 removable pieces are replicas of the ancient spells and prophecies the characters used on-screen to defeat vampires, demons, and other monsters, making this the ultimate treasure-trove for every Buffy fan.

    'Writing as good as that for Hill Street Blues, The Simpsons or...Alan Bleasdale at his best' said the Guardian as far back as season one. 'The only show outside Larry Sanders where you rewind to confirm that the wit was that dark' said the style gurus on Uncut four seasons later. 'Wittier than The West Wing' affirmed Time magazine. On the internet, fan sites abound with choice quotes painstakingly culled from favourite episodes, and no episode review is complete without a 'best dialogue' postcript. THE QUOTABLE SLAYER collects of hundreds of quotes from all seven seasons of the show, categorised by character and by subject and illustrated in both black and white and colour. Whether pithy or moving, funny or profound: the complete range of this remarkable drama is here for fans to refer to again and again.

    From what was wrong with the pilot to what was right with the Reavers, from the use of Chinese to how correspondence between Joss and network executives might have gone, from a philosopher’s perspective on “Objects in Space” to a sex therapist’s analysis of Inara, Finding Serenity is filled with writing as exciting, funny and enthralling as the show itself.

    Buffy and Xander arrive too late to stop Willow from taking revenge on Warren for the murder of Tara, and now they stand helpless as Willow determines to use whatever magick it takes to bring her lover back from the grave.

    Willow decides to stick with the class on her own, however, and this once-shy wallflower is pleased to find herself way bitten with the acting bug.It's no surprise to Buffy and the Scoobs, then, when Willow decides to pitch in with the drama club's latest production. Of course, Sunnydale being Hellmouth Central, Willow soon discovers a link between drama and magick; in fact, many ancient Greek performances were actually invocations to the Gods. Spike, who in his pre-vamp days had been a great patron of the arts, confirms this fact. He "also" takes an unusual level of interest in Willow's extracurricular activities. When strange paranormal occurrences -- and the appearance of a ghost or two -- threaten Willow's safety, the witch starts to wonder if it isn't time to exit, stage left....

    These scripts are the shooting drafts, and contain production notes, cut dialogue and different scenes.

    SPIKE Sulking around the Slayer in Sunnydale, the vampire Spike has often run into demons intent on punishing him for throwing in with the White Hats. But when there are hints of a more organized campaign dedicated to vanquishing the vampire with a chip in his head, Spike sets off on the trail of whoever's put a hit out on him. Meanwhile, in the City of Angels, the vampire with a soul finds that the search for a mystical object is tied to his days as the vicious Angelus. Then Spike -- his former partner in carnage -- arrives in L.A. Each nursing a grudge, and with the specter of Buffy in both of their (cold, dead) hearts, the two vampires reluctantly work together...until their torturous past catches up with them!

    An analysis of Victorian women writers, this pathbreaking book of feminist literary criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that "the personal was the political, the sexual was the textual."Contents:The Queen's looking glass: female creativity, male images of women, and the metaphor of literary paternity --Infection in the sentence: the women writer and the anxiety of authorship --The parables of the cave --Shut up in prose: gender and genre in Austen's Juvenilia --Jane Austen's cover story (and its secret agents) --Milton's bogey: patriarchal poetry and women readers --Horror's twin: Mary Shelley's monstrous Eve --Looking oppositely: Emily Brontë's bible of hell --A secret, inward wound: The professor's pupil --A dialogue of self and soul: plain Jane's progress --The genesis of hunger, according to Shirley --The buried life of Lucy Snowe --Made keen by loss: George Eliot's veiled vision --George Eliot as the angel of destruction --The aesthetics of renunciation --A woman, white: Emily Dickinson's yarn of pearl.

    One girl in all the world, to find the vampires where they gather, and to stop the spread of their evil and the swell of their numbers. In our time, that girl is Buffy Summers. But Buffy is merely one Slayer in an eternal continuum of warriors for the Powers That Be.We've known of others; The Primal Slayer, who stalked the earth and the forces of darkness in fierce solitude... Nikki, the funky hipster whose demise at Spike's hands lent an urban edge to his wardrobe and a bigger bounce to his swagger. Slayers by nature have a limited life expectancy; for each one who falls, another rises to take her place.Tales of the Slayer, Vol. 1, chronicles Slayers past who have influenced -- and are influenced by -- the traditions and mythologies of yore. From ancient Greece, to aristocratic Slayers holding court in revolution-era France, to the legend of the Bloody Countess Elizabeth Bathory, to 1920's Munich, each girl has a personal history, a shared moral code, and a commitment to conquer evil, regardless of the cost...Contents:A Good Run, Greece, 490 B.C.E. / Greg RuckaThe White Doe, London, 1586 / Christie GoldenDie Blutgrafin [The Blood Countess], Hungary, 1609 / Yvonne NavarroUnholy Madness, France, 1789 / Nancy HolderMornglom Dreaming, Kentucky, 1886 / Doranna Durgin>Silent Screams, Germany, 1923 / Mel OdomAnd White Splits the Night, Florida, 1956 / Yvonne Navarro

    The show is so snarky, so smart, and so savvy, that the detective show’s biggest mystery is why more people aren’t watching.This collection of essays on the show’s first two seasons explores the noir roots of Veronica’s blond locks, and the sharp writing and killer plot twists that have catapulted Veronica Mars to the top of smart viewers’ must-watch lists.