Eavesdropping and exploring; savaging our bodies, saving our souls. They are monsters, saviours, victims, childhood friends. Some have called them genies: these are the Djinn. And they are everywhere. On street corners, behind the wheel of a taxi, in the chorus, between the pages of books. Every language has a word for them. Every culture knows their traditions. Every religion, every history has them hiding in their dark places. There is no part of the world that does not know them.They are the Djinn. They are among us.With stories from: Nnedi Okorafor, Neil Gaiman, Helene Wecker, Amal El-Mohtar, Catherine King, Claire North,  E.J. Swift, Hermes (trans. Robin Moger), Jamal Mahjoub, James Smythe, J.Y. Yang, Kamila Shamsie, Kirsty Logan, K.J. Parker, Kuzhali Manickavel, Maria Dahvana Headley, Monica Byrne, Saad Hossein, Sami Shah, Sophia Al-Maria and Usman Malik.

    It’s how so many of our most beloved stories start.Fairy tales have dominated our cultural imagination for centuries. From the Brothers Grimm to the Countess d’Aulnoy, from Charles Perrault to Hans Christian Anderson, storytellers have crafted all sorts of tales that have always found a place in our hearts.Now a new generation of storytellers have taken up the mantle that the masters created and shaped their stories into something startling and electrifying.Packed with award-winning authors, this anthology explores an array of fairy tales in startling and innovative ways, in genres and settings both traditional and unusual, including science fiction, western, and post-apocalyptic as well as traditional fantasy and contemporary horror.From the woods to the stars, The Starlit Wood: New Fairy Tales takes readers on a journey at once unexpected and familiar, as a diverse group of writers explore some of our most beloved tales in new ways across genres and styles.

    Indeed, it can be argued that the "new space opera" is one of the defining streams of modern SF.Now, World Fantasy Award-winning anthologists David G. Hartwell and Kathryn Cramer have compiled a definitive overview of this subgenre, both as it was in the days of the pulp magazines, and as it has become in 2005. Included are major works from genre progenitors like Jack Williamson and Leigh Brackett, stylish midcentury voices like Cordwainer Smith and Samuel R. Delany, popular favorites like David Drake, Lois McMaster Bujold, and Ursula K. Le Guin, and modern-day pioneers such as Iain M. Banks, Steven Baxter, Scott Westerfeld, and Charles Stross.

    So what will future wars be like? And what will cause them: religion, politics, resources, refugees, or advanced weaponry itself? Watson and Whates present a collection of gripping SF stories which explores a daunting gamut of possible future conflicts: nuclear tactics and enhanced soldiery, terrorism and cyberware, intelligent robotic machines and even war with aliens.

    The longest, loneliest railroad on Earth. A North Korean nuke hitting Tokyo, a hollow asteroid full of automated rice paddies, and a specialist in breaking up “virtual” marriages. And yes, giant robots. These thirteen stories from and about the Land of the Rising Sun run the gamut from fantasy to cyberpunk, and will leave you knowing that the future is Japanese! Contributors:-Pat Cadigan-Toh EnJoe-Project Itoh-Hideyuki Kikuchi-Ken Liu-David Moles-Issui Ogawa-Felicity Savage-Ekaterina Sedia-Bruce Sterling-Rachel Swirsky-TOBI Hirotaka-Catherynne M. Valente

    These visionary stories explore prediction science, quantum computing, real-time translation, machine learning, and much more. The authors used inside access to leading-edge work from Microsoft Research as inspiration, crafting pieces that predict the near-future of technology%mdash;and examine its complex relationship to our core humanity.Future Visions features contributions from: Elizabeth BearGreg BearDavid BrinNancy KressAnn LeckieJack McDevittSeanan McGuireRobert J. Sawyer…along with a short graphic novel by Blue Delliquanti and Michele Rosenthal, plus original illustrations by Joey Camacho.These are some of today’s most visionary creators—and they’ve joined together to give us a preview of tomorrow.

    Butler82 • Blued Moon • (1984) • novelette by Connie Willis113 • A Message to the King of Brobdingnag • (1984) • novelette by Richard Cowper135 • The Affair • (1984) • shortstory by Robert Silverberg153 • Press Enter [] • (1984) • novella by John Varley207 • New Rose Hotel • (1984) • shortstory by William Gibson219 • The Map • [Solar Cycle] • (1984) • shortstory by Gene Wolfe232 • Interlocking Pieces • (1984) • shortstory by Molly Gloss239 • Trojan Horse • (1984) • novelette by Michael Swanwick269 • Bad Medicine • (1984) • novelette by Jack Dann291 • At the Embassy Club • (1984) • shortstory by Elizabeth A. Lynn301 • Pursuit of Excellence • (1984) • novelette by Rena Yount319 • The Kindly Isle • (1984) • shortstory by Frederik Pohl341 • Rock On • (1984) • shortstory by Pat Cadigan350 • Sunken Gardens • [Shaper/Mechanist] • (1984) • shortstory by Bruce Sterling365 • Trinity • (1984) • novella by Nancy Kress409 • The Trouble With the Cotton People • (1984) • shortstory by Ursula K. Le Guin420 • Twilight Time • (1984) • novelette by Lewis Shiner440 • Black Coral • (1984) • novelette by Lucius Shepard466 • Friend • (1984) • novelette by James Patrick Kelly and John Kessel484 • Foreign Skins • (1984) • novelette by Tanith Lee511 • Company in the Wings • (1983) • shortstory by R. A. Lafferty524 • A Cabin on the Coast • (1984) • shortstory by Gene Wolfe536 • The Lucky Strike • (1984) • novelette by Kim Stanley Robinson569 • Honorable Mentions: 1984 • essay by Gardner Dozois

    But she has something other thieves don’t… tiny puppet-like friends: some made of wood, some of metal. They don’t entirely trust her, and she doesn’t entirely understand them, but their partnership mostly works.After a surprising discovery shakes their world to the core, Coppelia and her friends must reexamine everything they thought they knew about their world, while attempting to save their city from a seemingly impossible new threat.

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    Wright

    Featuring new fiction by Hao Jingfang (translated by Ken Liu), Sam J. Miller, Amal El-Mohtar, Richard Bowes, and Sunny Moraine, classic fiction by Ann Leckie, essays by Jim C. Hines, Erika McGillivray, Michi Trota, and Keidra Chaney, poetry by Isabel Yap, Mari Ness, and Rose Lemberg, interviews with Hao Jingfang (translated by Ken Liu) and Ann Leckie, by Deborah Stanish, a cover by Julie Dillon, and an editoral by Lynne M. Thomas and Michael Damian Thomas. Contents:FictionThe Heat of Us: Notes Toward an Oral History by Sam J. MillerFolding Beijing by Hao Jingfang, translated by Ken LiuLove Letters to Things Lost and Gained by Sunny MoraineAnyone With a Care for Their Image by Richard BowesPockets by Amal El–MohtarThe Nalendar by Ann LeckiePoetryAfter the Moon Princess Leaves by Isabel YapAfter the Dance by Mari Nessarchival testimony fragments / minersong by Rose LembergEditorialsThe Uncanny Valley by Lynne M. Thomas & Michael Damian ThomasEssaysThank You, Again, Kickstarter Backers!The Politics of Comfort by Jim C. HinesAge of the Geek, Baby by Michi TrotaThe Evolution of Nerd Rock by Keidra ChaneyThe Future’s Been Here Since 1939: Female Fans, Cosplay, and Conventions by Erica McGillivrayInterviewsInterview: Hao Jingfang by Deborah Stanish, translated by Ken LiuInterview: Ann Leckie by Deborah Stanish

    The Mars of the movies and the imagination, an endless bastion of opportunities for a colonist with some guts. But she’s trapped in Mexico City, enduring the drudgery of an unkind metropolis, working as a rent-a-friend, selling her blood to old folks with money who hope to rejuvenate themselves with it, enacting a fractured love story. And yet there’s Mars, at the edge of the silver screen, of life. It awaits her.Note: official publication date is December 2017 but only for IndieGoGo backers. Wide release for everyone else on July 2018.

    In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    Mensah and follows the events in Exit Strategy.Home: Habitat, Range, Niche, Territory was originally given free to readers who pre-ordered Martha’s Murderbot novel, Network Effect.