In death, he becomes really aggravating. In a farewell gesture to his three scattered offspring, he bequeaths each one of them a tarnished jewel from his declining empire.The slothful and duplicitous Ben receives the thriving auto parts plant that he already oversees. He immediately sets his sights on acquiring all three companies. Reality-challenged Ethan gains ownership of a failing distillery. Their sister, the independent Kick, reluctantly assumes the reins of Great North, a small publishing company and sometime music producer.The trio learn from the will's executor—former NHL-er turned farmer Will Montgomery—that the departing Everett has seen fit to challenge them with a series of codicils. Ben is required to fulfill a major parts contract while Ethan has to get the whisky plant back in the black. And Kick—a chronically impoverished documentary film-maker with a project on the go in Wyoming—is dismayed to learn that she is required to produce a “back tax” album with a fading country music star. The singer, Jonah Peck, proves to be every bit as cantankerous and difficult as Everett Eastman himself. Which means that Kick is out of the frying pan.And into the fire.

    A shockingly assured first collection from young poet Jesse Ball, its elegant lines and penetrating voice present a poetic symphony instead of a simple succession of individual, barely-linked poems. Craftsmanship defines this collection; it is full of perfect line-breaks, tenderly selected words, and inventive pairings. Just as impressive is the breadth and ingenuity of its recurring themes, which crescendo as Ball leads us through his fantastic world, quietly opening doors.In five separate sections we meet beekeepers and parsons, a young woman named Anna in a thin, linen dress and an old scribe transferring the eponymous March Book. We witness a Willy Loman-esque worker who "ran out in the noon street / shirt sleeves rolled, and hurried after / that which might have passed" only to be told that there's nothing between him and "the suddenness of age." While these images achingly inform us of our delicate place in the physical world, others remind us why we still yearn to awake in it every day and "make pillows with the down / of stolen geese," "build / rooms in terms of the hours of the day." Like a patient Virgil, insistent and confident, Ball escorts us through his mind, and we're lucky to follow.

    He can identify every car in town from the sound of its engine, but his world is changing faster then he can fathom. His wife has become an artist, selling sea-glass sculptures to tourists. His daughter is bound for college, while his son has turned angry and lawless. Lucky's own heart is failing him, too. An operation has kept it ticking, but he can't run the boat alone any more. As the spring lobster season opens, the only deckhand Lucky can find to help load his traps is Ronette, the not-quite-divorced wife of the local lobster wholesaler. When the two make it out to the fishing grounds, someone else's buoys are bobbing in his ancestral waters. Before he knows it, Lucky is in a lobster war and has abandoned all the rules: family, health, finance, even the rules of the sea that have guided him throughout his life. As waves of trouble turn into a flood tide, Lucky's pride propels him into an epic confrontation with his enemies and a rogue whale -- a battle his unreliable heart may not survive. The Wooden Nickel is a classic story of a man raging against a changing world, full of pathos and comedy. It is a remarkable novel by a writer with a powerful, distinct, and original voice.

     Two years. Three magnificent horses. Ten countries. A thousand stories of drug cartels, mass migration, the glorious wilderness, the old cowboy ways, the kindness of strangers and the powerful connection between man and beast. This is a tale of grit and inspiration, of Filipe and Frenchie, Bruiser and Dude chasing a dream, one hoof at a time. Please scroll up to grab your copy today!

    There is sometimes only a week or two between an event and my writing about it. I wrote about my son's surfing upon coming home from it. I wrote about the high school reunion before going to it. The result is that I am making up meanings as I go along. Which is the way I live anyway. There is a lot of detailed doubt here.In this collection of eleven pieces, originally issued as a limited hand-printed edition, Maxine Hong Kingston does not attempt to capture Hawai'i but instead and incidentally to describe her piece by piece, and hope that the sum praises her. The essays provide readers with a generous sampling of Kingston's signature: an angle of vision, exquisitely balanced and clear-sighted, that awakens one to a knowledge of things.

    At last, a place to record the books you've read. Months and years from now, this journal will help you instantly recall long-forgotten details of your reading experience. This is also the place to record books you'd like to read next (take it with you to the bookstore or library). You'll find pages to list books borrowed, lent, or given (even a place to list books you'd like to give) your book sources, and book group contact information, plus lists of acclaimed authors and titles to inspire future reading choices and a section devoted to your reading life.

    Her mentor from grad school offers her a chance to write for a prestigious magazine about the Bakken oil boom in North Dakota. Elinor grew up near the Bakken, raised by an overbearing father and a distant Korean mother who met and married when he was stationed overseas. After decades away from home, Elinor returns to a landscape she hardly recognizes, overrun by tens of thousands of newcomers. Surrounded by roughnecks seeking their fortunes in oil and long-time residents worried about their changing community, Elinor experiences a profound sense of alienation and grief. She rages at the unrelenting male gaze, the locals who still see her as a foreigner, and the memories of her family’s estrangement after her mother decided to escape her unhappy marriage, leaving Elinor and her sister behind. The longer she pursues this potentially career-altering assignment, the more her past intertwines with the story she’s trying to tell, revealing disturbing new realities that will forever change her and the way she looks at the world.With spare and graceful prose, O Beautiful presents an immersive portrait of a community rife with tensions and competing interests, and one woman’s attempts to reconcile her anger with her love of a beautiful, but troubled land.

    For two years he recorded travels, observations, and meditations on art and life as he moved across America and down to Mexico and back. In 1957, Kerouac sat down with the fifteen handwritten sketch notebooks he had accumulated and typed them into a manuscript called Book of Sketches; he included a handful of new sketches he had written that year. Published now for the first time, and with an introduction by George Condo, Book of Sketches offers an intimate glimpse of Kerouac at a key period of his literary career.

    When Bellinger reveals that he has written a screenplay with Nakayama in mind, Jun is intrigued. But he begins to worry that someone might delve too deeply into the past, and uncover the events that led to the abrupt end of his career in 1922. These events include the changing social and racial tides in California—and the unsolved murder of his favorite director, Ashley Bennett Tyler.Spurred on by his fear of a potential "misunderstanding," Jun begins to track down his surviving acquaintances from his years as Perennial Pictures' greatest star. In the process, he recounts the lives of several other figures from the silent film era: Elizabeth Banks, the working-class girl from St. Louis who becomes a major Hollywood diva; Nora Minton Niles, the dreamy, childlike teenage actress controlled by her ambitious mother; Hanako Minatoya, the elegant actress and playwright who serves as Jun's inspiration and foil; and Ashley Bennett Tyler, the British director whose guiding hand turns Jun into a star. But what Jun ultimately discovers is far more complex and personal than even he could have imagined.Revoyr's stunning new novel alternates between the 1960s and the height of the silent film era. It is also the story of a man caught between worlds: Jun must try to please both his Japanese and American fans, and while he is adored by moviegoers—especially women—he's despised by public officials, who see him as a threat to American power and racial purity.The Age of Dreaming explores the history of Los Angeles, the heady beginnings of the movie industry, and the interplay of race and celebrity. It is part historical novel, part mystery, and part unfulfilled love story, all told through the voice of a forgotten star who must gradually come to terms with his past.

    For more than a half century, Arthur Schlesinger, Jr. was at the vital center of American political and cultural life. From his entrance into political leadership circles in the 1950s through his years in the Kennedy White House and up until his very last days, he was that rare thing, a master historian who enjoyed an extraordinary eyewitness vantage on history as it was being made. On intimate terms with many of the most prominent political, cultural and intellectual figures of the last fifty years, he was a man whose proximity to power never obscured his appreciation for the reality of those who have none. For that capacity for empathy and for much else, he was often called American liberalism's greatest voice. For most of his adult life, Arthur Schlesinger, Jr. dutifully recorded his experiences and opinions in journals that, until now, have never been seen. Edited by his oldest sons, they offer remarkably fresh and lucid observations on a half century of public life, and a rare and privileged view into the mind of one of America's most distinguished men of letters. Frank, revelatory, suffused with wit and humanity, these entries offer an intimate history of postwar America, from his days on Adlai Stevenson's campaign team to his years in JFK and RFK's inner circle, through to the election of George W. Bush. They contain his candid reminiscences about many of the signal events of our time - the Bay of Pigs, the devastating assassinations of the 1960s, Vietnam, Watergate, the fall of the Soviet Union, Bush v. Gore. These journals also offer an extraordinary window into the lives of the wide range of politicians, intellectuals, writers and actors who were his friends - from the Kennedys to the Clintons, from Henry Kissinger to Adlai Stevenson, from Norman Mailer to Lauren Bacall. Together they form an astonishingly vivid portrait of American politics and culture in the second half of the 20th century - one that only a man who knew everyone and missed nothing, could provide. Arthur Schlesinger, Jr. was one of America's greatest moral and intellectual forces, and the publication of his journals is both itself an epic event in the history of American letters, and a fitting opportunity to celebrate this most remarkable American life.

    W. Schultz (1859–1947) was an author, explorer, and historian known for his historical writings of the Blackfoot Indians in the late 1800s, when he lived among them as a fur trader. In 1907, Schultz published My Life as an Indian, the first of many future writings about the Blackfeet that he would produce over the next thirty years. Schultz lived in Browning, Montana. This Plains veteran's book "In the Great Apache Forest " was published in 1920 and is “real stuff,” vivid and exciting, with the value that comes from firsthand knowledge. Considered one of the best of Schultz' Indian stories, "In the Great Apache Forest," is the true story of 17-year-old George Crosby who being too young to serve his country in France becomes a member of the forest service in Arizona, where he encounters troublesome outlaws and helps to rout them. This book satisfies the reader's love of a struggle for he is fighting not merely the forest fires but real flesh and blood villains. The book introduces incidentally considerable interesting information about the Hopi Indians and a plea for fairer treatment of them. It is while at his lookout station high up on a hilltop that Crosby is visited by a group of Hopi Indians. One of these, trained in an American school, tells of the Indian customs. It is with these Indians' help he is able to protect the forest from a group of left-wing "fire bug" activists seeking to burn it down (members of the Industrial Workers of the World). Other antagonists include a giant grizzly and an Army deserter---both intent on causing havoc. A bit of mystery adds to the interest. The geography on which this adventure unfolds is Apache National Forest which covered most of Greenlee County, Arizona southern Apache County, Arizona, and part of western Catron County, New Mexico. Here is a high country; the altitude of Greer is 8500 feet, and south of it there is a steady rise for eleven miles to the summit of the range, Mount Thomas, 11,460 feet. And here, covering both slopes of the White Mountains, is the largest virgin forest that we have outside of Alaska, the Apache National Forest. It is about a hundred miles wide, and more than that in length, and contains millions of feet of centuries-old Douglas fir, white pine, and spruce. The great forest still harbors an abundance of game animals and birds, and its cold, pure streams are full of trout. Here the sportsman could still find in 1918 grizzly bears, some of them of great size. There were black bears, also, and mule deer and Mexican whitetail deer, and of wild turkeys and blue grouse great numbers. Cougars, wolves, coyotes, and lesser prowlers of the night were quite numerous and in most of the streams the beavers were ever at work upon their dams and lodges. Of Crosby and his home range, Schultz writes: "George Crosby was born and has lived all of his seventeen years, in Greer, a settlement of a halfdozen pioneer families located on the Little Colorado River, in the White Mountains, Arizona, The settlers of Greer are a hardy people. Theirs is one continuous struggle with Nature for the necessities of life. It was then, at the opening of the war, that George Crosby considered what he could do for the good cause. Came the summer of 1918, and the Supervisor of the Apache National Forest found himself woefully short of men, and the dreaded fire season coming on. The most of his rangers, fire lookouts, and patrols had gone to the war, and he could not find enough men of the right sort to take their places. . . . With this introduction, I let George tell his story, a story that I found exciting enough. "

    Then along came the Vietnam War. It seemed he fulfilled his destiny there, becoming someone Radio Hanoi dubbed "the mad dog." This is what is known about his exploits in-country.

    Set in a fictional community, these linked stories are alive with the people, gossip, humor, and legends of Japanese America in the 1930s and 1940s.Replaces ISBN 9780295961675

    Here are the voices of Tamsen Donner and young Virginia Reed, members of the ill-fated Donner party; Patty Sessions, the Mormon midwife who delivered five babies on the trail between Omaha and Salt Lake City; Rachel Fisher, who buried both her husband and her little girl before reaching Oregon. Still others make themselves heard, starting out from different places and recording details along the way, from the mundane to the soul-shattering and spirit-lifting.

    Ilin Cheung was my wife on paper. In deed, she belonged to Yi-Tung Szeto. In debt, I also belonged to him. He was my father, paper too."Steer Toward Rock, Fae Myenne Ng's heartbreaking novel of unrequited love, tells the story of the only bachelor butcher at the Universal Market in San Francisco. Jack Moon Szeto--that was the name he bought, the name he made his life by--serves the lonely grass widows whose absentee husbands work the farmlands in the Central Valley. A man who knows that the body is the only truth, Jack attends to more than just their weekly orders of lamb or beef.But it is the free-spirited, American-born Joice Qwan with whom Jack falls in love. A woman whose life is guided by more than simple pain, Joice hands out towels at the Underground Bathhouse and sells tickets at the Great Star Theatre; her mother cleans corpses. Joice wants romance and she wants to escape Chinatown, but Jack knows that she is his ghost of love, better chased than caught.It is the 1960s and while the world is on the edge of an exciting future, Jack has not one grain of choice in his life. When his paper wife arrives from China he is forced to fulfill the last part of his contract and to stand before the law with the woman who is to serve as mistress to his fake father. Jack has inherited a cruel cultural legacy. A man with no claim to the past, his only hope is to make a new story for himself, one that includes both Joice and America.Not since Bone, Fae Myenne Ng's highly praised debut novel, has a work so eloquently revealed the complex loyalties of Chinese America. Steer Toward Rock is the story of a man who chooses love over the law, illuminating a part of U.S. history few are aware of, but one that has had echoing effects for generations.