Dumas transforms minor historical figures into larger- than-life characters: the Comte d’Artagnan, an impetuous young man in pursuit of glory; the beguilingly evil seductress “Milady”; the powerful and devious Cardinal Richelieu; the weak King Louis XIII and his unhappy queen—and, of course, the three musketeers themselves, Athos, Porthos, and Aramis, whose motto “all for one, one for all” has come to epitomize devoted friendship. With a plot that delivers stolen diamonds, masked balls, purloined letters, and, of course, great bouts of swordplay, The Three Musketeers is eternally entertaining.

    Terrified by his disappearance, his family must reconcile a new world of cruelty and chaos with the collapse of everything they have known. As Isaac navigates the tedium and terrors of prison, forging tenuous trusts, his wife feverishly searches for him, suspecting, all the while, that their once-trusted housekeeper has turned on them and is now acting as an informer. And as his daughter, in a childlike attempt to stop the wave of baseless arrests, engages in illicit activities, his son, sent to New York before the rise of the Ayatollahs, struggles to find happiness even as he realizes that his family may soon be forced to embark on a journey of incalculable danger. A page-turning literary debut, The Septembers of Shiraz simmers with questions of identity, alienation, and love, not simply for a spouse or a child, but for all the intangible sights and smells of the place we call home.

    His influence on some of the greatest minds of the last century—from Baudelaire and Swinburne to Nietzsche, Dostoyevsky and Kafka—is indisputable. This volume contains Philosophy in the Bedroom, a major novel that presents the clearest summation of his political philosophy; Eugénie de Franval, a novella widely considered to be a masterpiece of eighteenth-century French literature; and the only authentic and complete American edition of his most famous work, Justine. This literary portrait of Sade is completed by one of his earliest philosophical efforts, Dialogue between a Priest and a Dying Man, a selection of his letters, a fifty-page chronology of his life, two important essays on Sade, and a bibliography of his work.

    In this shocking tale of sexual deception, Gautier draws readers into the bedrooms and boudoirs of a French château in a compelling exploration of desire and sexual intrigue, and gives voice to a longing which is larger in scope, namely, the wish for completeness in oneself.

    A young Jewish professor entertains a tormented passion for the beautiful and enigmatic Sonia. She is everything that he is not: the privileged daughter of a family that is wealthy, prominent, and above all, gentile. He wins her affections, but the price is great. He must deny his origins in order to enter that jealously guarded circle of intimates composed of her family and their friends. It is a world that has no use for him and forces him into humiliating and painful compromises. Winner of the Moravia Prize for fiction, The Jewish Husband is a bittersweet story of passion and hatred, cruelty and oppression. It is an account of a country and a time about which too little has been written, and the terrible consequences of that period?s race laws. Above all, however, it is a tender love story set at a time in which the world and its inhabitants appeared to have completely lost their ability to show tenderness.

    Unbeknownst to D'Artagnan, Aramis and Porthos plot to remove the inept king and place the king's twin brother on the throne of France. Meanwhile, a twenty-three-year-old prisoner known only as "Philippe" wastes away deep inside the Bastille. Forced to wear an iron mask, Phillippe has been imprisoned for eight years, has no knowledge of his true identity, and has not been told what crime he's committed. When the destinies of the king and Phillippe converge, the Three Musketeers and D'Artagnan find themselves caught between conflicting loyalties.

    A sweeping saga, it tells the story of three school friends who meet in Moscow in the 1950s and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys—an orphaned poet; a gifted, fragile pianist; and a budding photographer with a talent for collecting secrets—struggle to reach adulthood in a society where their heroes have been censored and exiled. Rich with love stories, intrigue, and a cast of dissenters and spies, The Big Green Tent offers a panoramic survey of life after Stalin and a dramatic investigation into the prospects for integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, a love of Russian literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at fomenting paranoia, division, and self-betrayal. An artist is chased into the woods, where he remains in hiding for four years; a researcher is forced to deem a patient insane, damning him to torture in a psychiatric ward; a man and his wife each become collaborators, without the other knowing. Ludmila Ulitskaya’s big yet intimate novel belongs to the tradition of Dostoyevsky, Tolstoy, and Pasternak: a work of politics, love, and belief that is a revelation of life in dark times.

    Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

    It was also the basis for the movie, The Lost Command, starring Anthony Quinn. In his autobiography, Larteguy writes that he got the name of the book from when he was traveling with the Foreign Legion in the Sahara and came across an old Roman column at an oasis. Inscribed on the column from 2000 years before was "Titus Caius Germanicus, centurion of the Xth Legion" and underneath it from a more recent time, "Friedrich Germanicus, of the 1st R.E.P. (French Paratroop Regiment)."The story begins in May 1954 with the defeat of the French army at Dien Bien Phu. The Vietnamese victors march their French prisoners into communist re-education camps. During their time in captivity, the French paratroop officers who survive the ordeal to be repatriated, bond together and try to utilize communist "revolutionary war" tactics in order to win their next war in Algeria. The book ends with the French centurions fighting the Battle of Algiers with propaganda, torture, terror and any tactic in order to win so that the last remnants of their empire could survive. -http://www.geocities.com/jean_lartegu...

    As they travel, they write home to wives and eunuchs in the harem and to friends in France and elsewhere. Their colourful observations on the culture differences between West and East culture conjure up Eastern sensuality, repression and cruelty in contrast to the freer, more civilized West - but here also unworthy nobles and bishops, frivolous women of fashion and conceited people of all kinds are satirized. Storytellers as well as letter-writers, Montesquieu's Usbek and Rica are disrespectful and witty, but also serious moralists. Persian Letters was a succès de scandale in Paris society, and encapsulates the libertarian, critical spirit of the early eighteenth century.

    An anarchist who has been in exile from his native Spain for more than twenty years, he lives with his daughter in Paris, but in his mind he is still fighting the Spanish Civil War. He fulminates against the daily papers; he brags about his past exploits. He has become bigoted, self-important, and obsessed; a bully to his fellow exiles and a tyrant to his daughter, Pascualita. Then a family member dies in Madrid and there is an inheritance to sort out. Pascualita wants to go to Spain, which is supposedly opening up in response to the 1960s, and Don Celestino feels he has no choice but to follow. He is full of dread and desire, foreseeing a heroic last confrontation with his enemies, but what he encounters instead is a new commercialized Spain that has no time for the past, much less for him. Or so it seems. Because the last act of Don Celestino’s dizzying personal drama will prove that though “there is nothing serious . . . , there is tragedy.” An astonishing modern take on Don Quixote, Chaos and Night untangles the ties between politics and paranoia, self-loathing and self-pity, rage and remorse. It is the darkly funny final flowering of the art of Henry de Montherlant, a solitary and scarifying modern master whose work, admired by Graham Greene and Albert Camus, is sure to appeal to contemporary readers of Thomas Bernhard and Roberto Bolaño.

    Charged with brilliance and daring, hypnotic in its intensity, Beaufort is at once a searing coming-of-age story and a novel for our times--one of the most powerful, visceral portraits of the horror, camaraderie, and absurdity of war in modern fiction. Beaufort. To the handful of Israeli soldiers occupying the ancient crusader fortress, it is a little slice of hell--a forbidding, fear-soaked enclave perched atop two acres of land in southern Lebanon, surrounded by an enemy they cannot see. And to the thirteen young men in his command, Twenty-one-year-old Lieutenant Liraz Erez Liberti is a taskmaster, confessor, and the only hope in the face of attacks that come out of nowhere and missions seemingly designed to get them all killed. All around them, tension crackles in the air. Long stretches of boredom and black humor are punctuated by flashes of terror. And the threat of death is constant. But in their stony haven, Erez and his soldiers have created their own little world, their own rules, their own language. And here Erez listens to his men build castles out of words, telling stories, telling lies, talking incessantly of women, sex, and dead comrades. Until, in the final days of the occupation, Erez and his squad of fed-up, pissed-off, frightened young soldiers are given one last order: a mission that will shatter all remaining illusions--and stand as a testament to the universal, gut-wrenching futility of war.

    The conventions of the Egyptian upper-middle class are laid bare in this dazzling novel, which exposes startling sexual hypocrisies and portrays a now vanished polyglot world of horse-racing, seaside promenades, and elegant night clubs. Hamdi-Ali senior is an old-time patriarch with more than a dash of strong Turkish blood. His handsome elder son, a promising horse jockey, can't afford sexual frustration, as it leads him to overeat and imperil his career, but the woman he lusts after won't let him get beyond undoing a few buttons. Victor, the younger son, takes his pleasure with other boys. But the true heroine of the story—richly evoked in a pungent upstairs/downstairs mix—is the raucous, seductive city of Alexandria itself. Published in Hebrew in 1978, Alexandrian Summer appears now in translation for the first time.Yitzhak Gormezano Goren was born in Alexandria, Egypt, in 1941 and immigrated to Israel as a child. A playwright and novelist, Goren studied English and French literature at the Hebrew University of Jerusalem and Tel Aviv University. In 1982, he cofounded the Bimat Kedem Theater.“Helps show why postwar Alexandria inspires nostalgia and avidity in seemingly everyone who knew it … The result is what summer reading should be: fast, carefree, visceral, and incipiently lubricious.”— The New Yorker“Luminous … One of the great triumphs of Alexandrian Summer is the richness of the evocation of this city and the multiple cultures pressed within it … A sultry eroticism pervades.”— The Forward"Alexandria, a lush paradise by the sea, comes to antic, full-bodied life ... Gormezano Goren’s characters are vividly depicted as they grow up or grow older in a city of conflicting loyalties, riven by resentment, ready to revolt. Readers will be transported."—Publishers Weekly"This novel recalls one gloriously golden summer in a cosmopolitan city on the verge of upheaval ... Fluidly written and soberly enticing."—Library Journal"A gifted writer ... Gormezano Goren defines the city and its ambiance in lush, sensuous terms ... He also describes so well the Diaspora Jew’s knack for downplaying the danger of gathering storms of hatred, a tendency not limited to Alexandria or to any particular era of exile."—The Jerusalem Post"A powerful novel of tensions–sexual, familial, religious, and political–and an affecting but unsparing portrait of the petit bourgeois world of Egyptian Jews standing obliviously on the edge of a precipice. Alexandria-–sensual and enchanting-–shimmers in these pages." —Dalia Sofer, author of The Septembers of Shiraz"A fine work of art . . . riveting from the first page to the last."—Zo Haderekh"A reason to rejoice. . . . You can't help but keep on smiling with great pleasure."—Maariv"A profound literary experience."—Ahshav

    Born to a Siberian woman and an African athlete who came to compete in the 1980 Moscow Olympics, Mbobo must navigate the complexities of being a fatherless, mixed-raced boy in the shaky terrain of the Soviet Union before its collapse.

    Her recent troubles—widowhood, a failing business, an unemployed middle-aged son—are only the latest in a litany spanning dozens of countries, scores of marriages, and hundreds of children. In the 2,000 years since she made a spiritual bargain to save the life of her first son back in Roman-occupied Jerusalem, she’s tried everything to free herself, and only one other person in the world understands: a man she once loved passionately, who has been stalking her through the centuries, convinced they belong together forever.But as the twenty-first century begins and her children and grandchildren—consumed with immortality in their own ways, from the frontiers of digital currency to genetic engineering—develop new technologies that could change her fate and theirs, Rachel knows she must find a way out.Gripping, hilarious, and profoundly moving, Eternal Life celebrates the bonds between generations, the power of faith, the purpose of death, and the reasons for being alive.