As a sixteen-year-old, Tessa Cartwright was found in a Texas field, barely alive amid a scattering of bones, with only fragments of memory as to how she got there. Ever since, the press has pursued her as the lone surviving “Black-Eyed Susan,” the nickname given to the murder victims because of the yellow carpet of wildflowers that flourished above their shared grave. Tessa’s testimony about those tragic hours put a man on death row.   Now, almost two decades later, Tessa is an artist and single mother. In the desolate cold of February, she is shocked to discover a freshly planted patch of black-eyed susans—a summertime bloom—just outside her bedroom window. Terrified at the implications—that she sent the wrong man to prison and the real killer remains at large—Tessa turns to the lawyers working to exonerate the man awaiting execution. But the flowers alone are not proof enough, and the forensic investigation of the still-unidentified bones is progressing too slowly. An innocent life hangs in the balance. The legal team appeals to Tessa to undergo hypnosis to retrieve lost memories—and to share the drawings she produced as part of an experimental therapy shortly after her rescue.   What they don’t know is that Tessa and the scared, fragile girl she was have built a  fortress of secrets. As the clock ticks toward the execution, Tessa fears for her sanity, but even more for the safety of her teenaged daughter. Is a serial killer still roaming free, taunting Tessa with a trail of clues? She has no choice but to confront old ghosts and lingering nightmares to finally discover what really happened that night.   Shocking, intense, and utterly original, Black-Eyed Susans is a dazzling psychological thriller, seamlessly weaving past and present in a searing tale of a young woman whose harrowing memories remain in a field of flowers—as a killer makes a chilling return to his garden.

    Angie has no memory of the past three years, years in which she was lost to the authorities, lost to her family and friends, lost even to herself. Where has she been, who has been living her life, and what is hiding behind the terrible blankness? There are secrets you can’t even tell yourself.With a tremendous amount of courage and support from unexpected friends, Angie embarks on a journey into the darkest corners of her mind. As she unearths more and more about her past, she discovers a terrifying secret and must decide: when you remember things you wish you could forget, do you destroy the people responsible, or is there another way to feel whole again?Liz Coley’s alarming and fascinating psychological mystery is a disturbing—and ultimately empowering—page turner about accepting our whole selves, and the healing power of courage, hope, and love.

    In a series of online posts, Parker H., a young psychiatrist, chronicles the harrowing account of his time working at a dreary mental hospital in New England. Through this internet message board, Parker hopes to communicate with the world his effort to cure one bewildering patient. We learn, as Parker did on his first day at the hospital, of the facility’s most difficult, profoundly dangerous case—a forty-year-old man who was originally admitted to the hospital at age six. This patient has no known diagnosis. His symptoms seem to evolve over time. Every person who has attempted to treat him has been driven to madness or suicide. Desperate and fearful, the hospital’s directors keep him strictly confined and allow minimal contact with staff for their own safety, convinced that releasing him would unleash catastrophe on the outside world. Parker, brilliant and overconfident, takes it upon himself to discover what ails this mystery patient and finally cure him. But from his first encounter with the mystery patient, things spiral out of control, and, facing a possibility beyond his wildest imaginings, Parker is forced to question everything he thought he knew. Fans of Sarah Pinborough’s Behind Her Eyes and Paul Tremblay’s The Cabin at the End of the World will be riveted by Jasper DeWitt’s astonishing debut.

    Through the good and bad; through raising a son and sending him off to life after university. So long, in fact, that Marta finds it difficult to remember her life before Hector. He has always taken care of her, and she has always done everything she can to be a good wife—as advised by a dog-eared manual given to her by Hector’s aloof mother on their wedding day.But now, something is changing. Small things seem off. A flash of movement in the corner of her eye, elapsed moments that she can’t recall. Visions of a blonde girl in the darkness that only Marta can see. Perhaps she is starting to remember—or perhaps her mind is playing tricks on her. As Marta’s visions persist and her reality grows more disjointed, it’s unclear if the danger lies in the world around her, or in Marta herself. The girl is growing more real every day, and she wants something.

    urges.Lane is a typical teenager. Loving family. Good grades. Afterschool job at the local animal hospital. Martial arts enthusiast. But her secret obsession is studying serial killers. She understands them, knows what makes them tick.Why?Because she might be one herself.Lane channels her dark impulses by hunting criminals—delivering justice when the law fails. The vigilantism stops shy of murder. But with each visceral rush the line of self-control blurs.And then a young preschool teacher goes missing. Only to return... in parts.When Lane excitedly gets involved in the hunt for “the Decapitator,” the vicious serial murderer that has come to her hometown, she gets dangerously caught up in a web of lies about her birth dad and her own dark past. And once the Decapitator contacts Lane directly, Lane knows she is no longer invisible or safe. Now she needs to use her unique talents to find the true killer’s identity before she—or someone she loves—becomes the next victim...

    She blends in well, unremarkably pretty in her floral-print dresses and extra efficient at her low-level job. She’s just the kind of woman middle manager Steven Hepsworth likes—meek, insecure, and willing to defer to a man. No one has any idea who Jane really is. Least of all Steven.But plain Jane is hiding something. And Steven’s bringing out the worst in her.Nothing can distract Jane from going straight for his heart: allowing herself to be seduced into Steven’s bed, to insinuate herself into his career and his family, and to expose all his dirty secrets. It’s time for Jane to dig out everything that matters to Steven. So she can take it all away.Just as he did to her.

    His best friend is a 9000-year-old demon called Ruen. When his depressive mother attempts suicide yet again, Alex meets child psychiatrist Anya. Still bearing the scars of her own daughter's battle with schizophrenia, Anya fears for Alex's mental health and attempts to convince him that Ruen doesn't exist. But as she runs out of medical proof for many of Alex's claims, she is faced with a question: does Alex suffer from schizophrenia, or can he really see demons?

    They’re well aware that the first forty-eight hours are critical and after that, the odds usually point to a worst-case scenario. And despite Stevie Clark’s youth, he knows that, too; he’s seen the cop shows. He knows what each ticking moment may mean for Jude, his cousin and best friend.That, and there was that boy, Max Larsen...the one from years ago, found dead after also disappearing under mysterious circumstances. And then there were the animals: pets gone missing out of yards. For years, the residents of Deer Valley have murmured about these unsolved crimes…and that a killer may still be lurking around their quiet town. Now, fear is reborn—and for Stevie, who is determined to find out what really happened to Jude, the awful truth may be too horrifying to imagine.

    When Roger Huntington comes home from college for the summer and is met by his best friend, Tooth, he knows they're going to have a good time. A summer full of beer, comic books, movies, laughs, and maybe even girls. So much pain. The sun is high and the sky is clear as Roger and Tooth set out to shoot beer cans at Bobcat Mountain. Just two friends catching up on lost time, two friends thinking about their futures, two friends-- So much blood. --suddenly thrust in the middle of a nightmare. Forced to fight for their life against a sadistic killer. A killer with an arsenal of razor sharp blades and a hungry dog by his side. So much death. If they are to survive, they must decide: are heroes born, or are they made? Or is something more powerful happening to them? And more importantly, how do you survive when all roads lead to death!

    . . Eve Singer needs death. With her career as a TV crime reporter flagging, she’ll do anything to satisfy her ghoulish audience.The killer needs death too. He even advertises his macabre public performances, where he hopes to show the whole world the beauty of dying.When he contacts Eve, she welcomes the chance to be first with the news from every gory scene. Until she realizes that the killer has two obsessions.One is public murder. And the other one is her . . .

    Jess had done the research. Success requires precision: a dark room, a mirror, a candle, salt, and four teenage girls. Each of them--Jess, Shauna, Kitty, and Anna--must link hands, follow the rules . . . and never let go. A thrilling fear spins around the room the first time Jess calls her name: "Bloody Mary. Bloody Mary. BLOODY MARY." A ripple of terror follows when a shadowy silhouette emerges through the fog, a specter trapped behind the mirror. Once is not enough, though--at least not for Jess. Mary is called again. And again. But when their summoning circle is broken, Bloody Mary slips through the glass with a taste for revenge on her lips. As the girls struggle to escape Mary's wrath, loyalties are questioned, friendships are torn apart, and lives are forever altered.A haunting trail of clues leads Shauna on a desperate search to uncover the legacy of Mary Worth. What she finds will change everything, but will it be enough to stop Mary--and Jess--before it's too late?

    After a death row conviction, media frenzy, and the release of an unauthorized biography, her thirty-year-old daughter Edie Beckett is just trying to survive out of the spotlight. She’s a recovering alcoholic with a dead-end city job and an unhealthy codependent relationship with her brother.Edie also has a disturbing secret: a growing obsession with the families of Lilith’s victims. She’s desperate to see how they’ve managed—or failed—to move on. While her escalating fixation is a problem, she’s careful to keep her distance. That is, until she crosses a line and a man is found murdered.Edie quickly becomes the prime suspect—and while she can’t remember everything that happened the night of the murder, she’d surely remember killing someone. With the detective who arrested her mother hot on her trail, Edie goes into hiding. She’s must get to the truth of what happened that night before the police—or the real killer—find her. Unless, of course, she has more in common with her mother than she’s willing to admit…

    Haunted by her absence--and her ghost--Aaron goes through her belongings, where he finds a receipt for a motel room in another part of the country. Piloted by grief and an increasing sense of curiosity, Aaron embarks on a journey to discover what Allison had been doing in the weeks prior to her death.Yet Aaron is unprepared to discover the dark secrets Allison kept, the death and horror that make up the tapestry of her hidden life. And with each dark secret revealed, Aaron becomes more and more consumed by his obsession to learn the terrifying truth about the woman who had been his wife, even if it puts his own life at risk.

    The two disciplines collide in The Church of Dead Girls, a lyrical novel that inspired Stephen King to comment, "If ever there was a tale for a moonless night, a high wind and a creaking floor, this is it ... I don't expect to read a more frightening novel this year." Aurelius is a drowsy bedroom community in upstate New York that is rocked by a vicious, seemingly random killing. A woman is found murdered in her bed, her left hand missing. Just when the grisly details begin to fade, a young girl vanishes. The only clue: a bag with the girl's washed and folded clothes and a mannequin's left hand. Soon two more girls disappear, and when clues remain elusive, conjecture and rumour take over. The town awakens to a nightmare of suspicion and vigilantism. As the killer spirals in to kill again, the town spins out of control, and The Church of Dead Girls heads to a jolting conclusion. It'll give you goosebumps even if you read it at the beach.

    An isolated incident, say the experts. The experts are wrong. Across the world, children are killing their families. Is violence contagious? As chilling murders by children grip the country, anthropologist Hesketh Lock has his own mystery to solve: a bizarre scandal in the Taiwan timber industry.Hesketh has never been good at relationships: Asperger's Syndrome has seen to that. But he does have a talent for spotting behavioral patterns and an outsider's fascination with group dynamics. Nothing obvious connects Hesketh's Asian case with the atrocities back home. Or with the increasingly odd behavior of his beloved stepson, Freddy. But when Hesketh's Taiwan contact dies shockingly and more acts of sabotage and child violence sweep the globe, he is forced to acknowledge possibilities that defy the rational principles on which he has staked his life, his career, and, most devastatingly of all, his role as a father.Part psychological thriller, part dystopian nightmare, The Uninvited is a powerful and viscerally unsettling portrait of apocalypse in embryo.