Raised by her father, owner of New York City's glamorous Gregory Hotels, after her mother's death, Nina was taught that family, reputation, and legacy are what matter most. And her boyfriend Tim, thoughtful, kind, and honest, not to mention her best friend since childhood, feels the same. But after Nina's father passes away, she learns he may not have practiced what he preached. As her world falls apart, Nina begins to question everything she thought she knew and to see the men in her life--her father, her boyfriend, and unexpectedly, her handsome and attentive boss, Rafael--in a new light. Soon Nina finds herself caught between the world she knows and loves, and a passion that could upend everything.More than Words is a heartbreaking and romantic novel about grief, loss, love, and self-discovery, and how we choose which life we are meant to live.

    And few episodes in postwar literature have the legendary stature of Hughes's romance with, and marriage to, the great American poet Sylvia Plath.The poems in Birthday Letters are addressed (with just two exceptions) to Plath, and were written over a period of more than twenty-five years, the first a few years after her suicide in 1963. Some are love letters, others haunted recollections and ruminations. In them, Hughes recalls his and Plath's time together, drawing on the powerful imagery of his work--animal, vegetable, mythological--as well as on Plath's famous verse.Countless books have discussed the subject of this intense relationship from a necessary distance, but this volume--at last--offers us Hughes's own account. Moreover, it's a truly remarkable collection of poems in its own right.

    She is exhausted from spending eternity doing her job and now she seeks someone to unburden her conscience to. Wolf Willeford, a troubled young writer, is well acquainted with death, but until now hadn’t met Death in person – a black, working-class woman who shape-shifts and does her work unseen.Enthralled by her stories, Wolf becomes Mrs Death’s scribe, and begins to write her memoirs. Using their desk as a vessel and conduit, Wolf travels across time and place with Mrs Death to witness deaths of past and present and discuss what the future holds for humanity. As the two reflect on the losses they have experienced – or, in the case of Mrs Death, facilitated – their friendship grows into a surprising affirmation of hope, resilience and love. All the while, despite her world-weariness, Death must continue to hold humans’ fates in her hands, appearing in our lives when we least expect her . . .

    There were stray people, stray dogs, stray bullets, and stray butterflies.’Fourteen-year-old Pearl France lives in the front seat of a broken down car and her mother Margot lives in the back. Together they survive on a diet of powdered milk and bug spray, love songs and stolen cigarettes.Life on the edge of a Florida trailer park is strange enough, but when Pastor Rex’s ‘Guns for God’ programme brings Eli Redmond to town Pearl’s world is upended. Eli pays regular visits to Margot in the back seat, forcing Pearl to find a world beyond the car. Margot is given a gift by Eli, a gun of her own, just like he’s given her flowers. It sits under the driver’s seat, a dark presence…Gun Love is a hypnotic story of family, community and violence. Told from the perspective of a sharp-eyed teenager, it exposes America’s love affair with firearms and its painful consequences.

    With delightfully uplifting stories and enthralling prose, DogWinks is the perfect gift for dog lovers of all backgrounds. Featuring several never-before-published and true stories about coincidences and divine intervention, DogWinks is an inspirational and entertaining book that illustrates the overwhelming power of faith and how miracles can change our lives and those of our canine companions.

    These self-healing poems and words draw on central themes of self-love, self-discovery, and empowerment. In order to survive the vicissitudes of life, You Are Here boldly reminds readers to always choose themselves, and in times where it seems impossible, to find the courage and strength to start anew.

    In the southeast Portland neighborhood of Dickman’s youth, parents are out of control and children are in chaos. With grief, anger, and, ultimately, understanding, Dickman confronts a childhood of ambient violence, well-intentioned but warped family relations, confining definitions of identity, and the deprivation of this particular Portland neighborhood in the 1980s. Wonderland reminds us that, while these neighborhoods are filled with guns, skateboards, fights, booze, and heroin, and home to punk rockers, skinheads, poor kids, and single moms, they are also places of innocence and love.

    . . . Even the most familiar poets seem somehow new within the context of Joy.”—David Skeel, Wall Street Journal “Wiman takes readers through the ostensible ordinariness of life and reveals the extraordinary.”—Adrianna Smith, The Atlantic   Christian Wiman, a poet known for his meditations on mortality, has long been fascinated by joy and by its relative absence in modern literature. Why is joy so resistant to language? How has it become so suspect in our times? Manipulated by advertisers, religious leaders, and politicians, joy can seem disquieting, even offensive. How does one speak of joy amid such ubiquitous injustice and suffering in the world? In this revelatory anthology, Wiman takes readers on a profound and surprising journey through some of the most underexplored terrain in contemporary life. Rather than define joy for readers, he wants them to experience it. Ranging from Emily Dickinson to Mahmoud Darwish and from Sylvia Plath to Wendell Berry, he brings together diverse and provocative works as a kind of counter to the old, modernist maxim “light writes white”—no agony, no art. His rich selections awaken us to the essential role joy plays in human life.

    He saw me. My heart gave up."Guess what?" he'd tell me."What?" I'd say."I've got something that'll make you smile today," he'd reply.I fell. Hard.But he was someone else's...Could we pretend otherwise?Wane:God, how it pains to be a mortal.I saw her. She saw me. My soul awakened."Did you know?" she'd tell me."What?" I'd say."Life's too short to not laugh," she'd reply.I plummeted. Strongly.But I belonged to someone else...Could we pretend otherwise? This book has mentions of sexual assault, suicide, and bullying. If any of the given topics are a trigger to you in any manner of the way, then a consideration is advised.

    They remove the books that patrons no longer check out. And they put back the books they treasure. Annie Spence, who has a decade of experience as a Midwestern librarian, does this not only at her Michigan library but also at home, for her neighbors, at cocktail parties—everywhere. In Dear Fahrenheit 451, she addresses those books directly. We read her love letters to The Goldfinch and Matilda, as well as her snarky break-ups with Fifty Shades of Grey and Dear John. Her notes to The Virgin Suicides and The Time Traveler’s Wife feel like classics, sure to strike a powerful chord with readers. Through the lens of the books in her life, Annie comments on everything from women’s psychology to gay culture to health to poverty to childhood aspirations. Hilarious, compassionate, and wise, Dear Fahrenheit 451 is the consummate book-lover's birthday present, stocking stuffer, holiday gift, and all-purpose humor book.

    They speak in the shorthand they have invented, complete one another’s sentences, and help each other through every daily and existential dilemma. When Chris tells Kathryn about his feelings for Emily, a vivacious young woman he sees often at the Laundromat, Kathryn encourages her boyfriend to pursue this other woman—certain that her bond with Chris is strong enough to weather a little side dalliance.As Kathryn and Chris stumble into polyamory, Next Year, For Sure tracks the tumultuous, revelatory, and often very funny year that follows. When Chris’s romance with Emily grows beyond what anyone anticipated, both Chris and Kathryn are invited into Emily’s communal home, where Kathryn will discover new romantic possibilities of her own. In the confusions, passions, and upheavals of their new lives, both Kathryn and Chris will be forced to reconsider their past and what they thought they knew about love.Offering a luminous portrait of a relationship from two perspectives, Zoey L. Paterson has written an empathic, beautiful, and tremendously honest novel about a great love pushed to the edge. Deeply poignant and hugely entertaining, Next Year, For Sure shows us what lies at the mysterious heart of relationships, and what true openness and transformation require.

    Parker’s collection is hyper-contemporary, drawing on what it means to be alive today when our phones autocorrect our texts and we’ve given into a kind of living that prioritizes work, money, and power over justice, equality, and happiness.

    Rather than quibble, Short opts for inclusiveness. Here is a dazzling array: 100s of pieces (under 1250 words) from 24 Western countries, written over five centuries by more than 200 contributors, including major authors of every era. Fables, histories, aphorisms, anecdotes, faux dictionary entries, a faux job application, hint fiction, lists, tableaus, meditations, chants, rants, and much more. Intensely pleasurable.Contributors include: Montaigne, von Kleist, Leopardi, Poe, Baudelaire, Bierce, Chopin, Stein, Jacob, Woolf, Kafka, J. Roth, Toomer, Borges, Queneau, Kunitz, Beckett, Milosz, Cortazar, Paz, Barthes, Calvino, O'Hara, Merwin, Lispector, Transtromer, Sanchez, Edson, Simic, Atwood, Valenzuela, Wideman, L. Davis, Komunyakaa, A. Carson, Forche, Harjo, Hempel, Wenderoth, Keret, B. Marcus, A. Bender, Eggers, B. Lerner, T. Brimhall.

    Now, Tyson invites us to go behind the scenes of his public fame by unveiling his candid correspondence with people across the globe who have sought him out in search of answers. In this hand-picked collection of one hundred letters, Tyson draws upon cosmic perspectives to address a vast array of questions about science, faith, philosophy, life, and of course, Pluto. His succinct, opinionated, passionate, and often funny responses reflect his popularity and standing as a leading educator.Tyson’s 2017 bestseller Astrophysics for People in a Hurry offered more than one million readers an insightful and accessible understanding of the universe. Now, revealing Tyson’s most candid and heartfelt writing yet, Letters from an Astrophysicist introduces us to a newly personal dimension of Tyson’s quest to understand our place in the cosmos.

    That same night, as darkness fell, Stéphane huddled in a tent with his wife, Alison, and their older son, Julian, trying to understand what seemed inconceivable. “It’s just the three of us now,” Alison said over the sounds of a light rain and, nearby, the rushing river. “We cannot do it alone. We have to stick together.”Disaster Falls chronicles the aftermath of that day and their shared determination to stay true to Alison’s resolution. Gerson captures the different ways of grieving that threatened to isolate each of them in their post-Owen worlds and then, with beautiful specificity, shows how he and Alison preserved and reconfigured their marriage from within. Blending family history (including the “good death” of his father, which offers a very different perspective on mortality) and the natural history of the river, he provides an expansive, unflinching meditation on loss, our responsibilities toward our children, and the stories we tell ourselves in the wake of traumatic events.Slowly, inexorably, Gerson writes his way back to Owen, straight to the singularity that cleaved his life into before and after, creating a portrait of grief iridescent in its fullness, and unexpectedly consoling.