His poetry & prose have increasingly influenced major writers. To his masterpiece A Season in Hell is here added Rimbaud's longest & possibly greatest single poem The Drunken Boat, with the original French en face Illuminations, Rimbaud's major works are available as bilingual New Directions Paperbooks. The reputation of A Season in Hell, which is a poetic record of a man's examination of his own depths, has steadily increased over the years. Upon the 1st publication of Varese's translation by New Directions, the Saturday Review wrote: "One may at last suggest that the translation of A Season in Hell has reached a conclusive point..." Concerning the 25-stanza The Drunken Boat, Dr Enid Starkie of Oxford University has written: "(It's) an anthology of separate lines of astonishing evocative magic which linger in the mind like isolated jewels." Rimbaud's life was so extraordinary that it has taken on the quality of a myth. A biographical chronology is included.

    frequently anthologized poem

    E. Cummings's biographer, include his most popular poems, spanning his earliest creations, his vivacious linguistic acrobatics, up to his last valedictory sonnets. Also featured are thirteen drawings, oils, and watercolors by Cummings, most of them never before published.The selection includes most of the favorites plus many fresh and surprising examples of Cummings's several poetic styles. The corrected texts established by George J. Firmage have been used throughout.

    . .”In the midst of the broken consciousness of mid-twentieth century suffering anguish of separation from my own body and its natural infinity of feeling its own self one with all self, I instinctively seeking to reconstitute that blissful union which I experience so rarely. I took it to be supernatural an gave it holy Name thus made hymn laments of longing and litanies of triumphancy of Self over mind-illusion mechano-universe of un-feeling Time in which I saw my self my own mother and my very nation trapped desolate our worlds of consciousness homeless and at war except for the original trembling of bliss in breast and belly of every body that nakedness rejected in suits of fear that familiar defenseless living hurt self which is myself same as all others abandoned scared to own unchanging desire for each other. These poems almost unconscious to confess the beatific human fact, the language intuitively chosen as in trance & dream, the rhythms rising on breath from belly thru breast, the hymn completed in tears, the movement of the physical poetry demanding and receiving decades of life while chanting Kaddish the names of Death in many worlds the self seeking the Key to life found at last in our self.

    It is the story of an ignorant Castillian peasant and multiple murderer, and it tells of the savage impulses behind his crimes and his redeeming characteristics.

    Poems: Keats contains a full selection of Keats's work, including his lyric poems, narrative poems, letters, and an index of first lines.

    The title, Regarding Wave,reflects "a half-buried series of word origins dating back through theIndo-European language: intersections of energy, woman, song and 'GoneBeyond Wisdom.'" Central to the work is a cycle of songs for Snyder'swife, Masa, and their first son, Kai. Probing even further than Snyder'sprevious collection of poems, The Back Country, this newvolume freshly explores "the most archaic values on earth… the fertilityof the soil, the magic of animals, the power-vision in solitude, theterrifying initiation and rebirth, the love and ecstasy of the dance,the common work of the tribe…”

    Eliot’s The Waste Land, Pablo Neruda’s Residencia en la tierra, and Federico Garcia Lorca’s Poeta en Nueva York. It marks a major departure from the light-hearted tone of the poet's earlier verse, which was notably influence by Andalusian folksong. It is at once intensely imaginative and intimately realistic, a lyrical illumination of the poet’s “dark night of the soul.”Rafael Alberti, born in 1902, is the last surviving member of the so-called Generation of 1927 that included such notable Spanish poets Federico García Lorca, Vincente Alexandre, Pedro Salinas, Jorge Guillen, and Luis Cernuda.Christopher Sawyer-Laucanno lives in Massachusetts and teaches in the program in Writing and Humanistic Studies at MIT.

    One of the most significant writers of the New York School—which unofficially included John Ashbery, Frank O'Hara, and Kenneth Koch, among others—Schuyler was strongly influenced by both art and music in his work, often incorporating rapid shifts in sound, shape, and color within his poems that almost gave his work the effect of a collage and engendered comparisons with Whitman and Rimbaud.

    For fans stirred by the cerebral lyrics of SOAD albums Hypnotize, Mesmerize, Steal This Album!, Toxicity, and their first, self-titled breakthrough—and for everyone enthusiastic about Serj’s solo album, Imperfect Harmonies—this essential, one-of-a-kind collection of Tankian’s innermost thoughts and feelings is a must-read. Unique illustrations punctuate nearly 70 poems—almost none of which have ever been published before. Glaring through Oblivion is an indispensable find for any true fan.

    K. Williams by turns ruminative, stalked by "the conscience-beast, who harries me," and "riven by idiot vigor, voracious as the youth I was for whom everything was going too slowly, too slowly." Poems about animals and rural life are set hard by poems about shrapnel in Iraq and sudden desire on the Paris Métro; grateful invocations of Herbert and Hopkins give way to fierce negotiations with the shades of Coleridge, Dostoevsky, and Celan. What the poems share is their setting in the cool, spacious, spotlit, book-lined place that is Williams's consciousness, a place whose workings he has rendered for fifty years with inimitable candor and style.

    John of the Cross inspired this revised edition of the English translation of his writings. The result is an edition that preserves the true meaning of the great mystic's writings, presents them as clearly as possible, and at the same time gives the reader the doctrinal and historical information that will lead to a deeper understanding and appreciation of the teachings of the Mystical Doctor. Included in The Collected Works are St. John's poetry, The Ascent of Mount Carmel, The Dark Night, The Spiritual Canticle, and The Living Flame of Love, as well as his letters and other counsels. There is a general introduction for the entire work and brief, enlightening introductions for each specific work, explaining theme and structure. Enhancing these are the new footnotes, glossary of terms, and index.

    But when he admits his deception, the countess is faced with a social dilemma. A painful and hilarious comedy for anyone who has ever fallen in love with someone they shouldn’t have fallen in love with, The Dog in the Manger was part of the Royal Shakespeare Company’s acclaimed Spanish Golden Age Season in 2004.

    An unusually rich selection from Byron's letters and journals accompanies the poems. The critical essays offer an integrated view of Byron's achievement as well as analyses of its different facets. Published for the first time is Bergen Evans's general essay Lord Byron's Pilgrimage; other essays are by John D. Jump, Michael G. Cooke, Francis Berry, Robert F. Gleckner, James R. Thompson, Frank D. McConnell, Leslie A. Marchand, and E. D. Hirsch, Jr. A special section, Images of Byron, presents 26 views of Byron as artist and as the epitome of the Romantic hero, ranging from the perspectives of his contemporaries to those of such modern writers as James Joyce, Virginia Woolf, T. S. Eliot, and Albert Camus. A Chronology sets forth the main events of Byron's life, and a Selected Bibliography lists sources for further study.

    In response he began to write daily prose-poem letters to Yesenin. Through this one-sided correspondence, Harrison unloads to this unlikely hero, ranting and raving about politics, drinking problems, family concerns, farm life, and a full range of daily occurrences. The rope remains ever present.Yet sometime through these letters there is a significant shift. Rather than feeling inextricably linked to Yesenin's inevitable path, Harrison becomes furious, arguing about their imagined relationship: "I'm beginning to doubt whether we ever would have been friends."In the end, Harrison listened to his own poems: "My year-old daughter's red robe hangs from the doorknob shouting Stop."