Gad was adopted by a white Jewish family in Chicago. For her parents, it was love at first sight--but they quickly realized the world wasn't ready for a family like theirs.Marra's biological mother was unwed, white, and Jewish, and her biological father was black. While still a child, Marra came to realize that she was "a mixed-race, Jewish unicorn." In black spaces, she was not "black enough" or told that it was OK to be Christian or Muslim, but not Jewish. In Jewish spaces, she was mistaken for the help, asked to leave, or worse. Even in her own extended family, racism bubbled to the surface.Marra's family cut out those relatives who could not tolerate the color of her skin--including her once beloved, glamorous, worldly Great-Aunt Nette. After they had been estranged for fifteen years, Marra discovers that Nette has Alzheimer's, and that only she is in a position to get Nette back to the only family she has left. Instead of revenge, Marra chooses love, and watches as the disease erases her aunt's racism, making space for a relationship that was never possible before.The Color of Love explores the idea of yerusha, which means inheritance in Yiddish. At turns heart-wrenching and heartwarming, this is a story about what you inherit from your family--identity, disease, melanin, hate, and most powerful of all, love. With honesty, insight, and warmth, Marra B. Gad has written an inspirational, moving chronicle proving that when all else is stripped away, love is where we return, and love is always our greatest inheritance.

    Eve bears the burden of a secret: Two weeks before Tam died, Eve and Tam argued so vehemently that they did not speak again. Her sister was famous, acclaimed for her career as a TV journalist and her devoted marriage. But Tam, too, had a secret, revealed the day after the funeral, one that inverts the story Eve has told herself since their childhood. In the aftermath, Eve is forced to revise her version of her fractured family, her sister’s accomplishments and vaunted marriage, and her own impeded ambition in work and love.Day by day as the family sits shiva, the stories unfold, illuminating the past​ to shape the present. Evening explores the dissonant love between sisters, the body in longing, the pride we take in sustaining our illusions, and the redemption that is possible only when they are dispelled.

    But this book is not about the success stories. It's a paean to the bunglers, the blockheads, and the just plain weird-Jews who were flung from small, impoverished eastern European towns into the urban shtetls of New York and Warsaw, where, as they say in Yiddish, their bread landed butter side down in the dirt. These marginal Jews may have found their way into the history books far less frequently than their more socially upstanding neighbors, but there's one place you can find them in force: in the Yiddish newspapers that had their heyday from the 1880s to the 1930s. Disaster, misery, and misfortune: you will find no better chronicle of the daily ignominies of urban Jewish life than in the pages of the Yiddish press.An underground history of downwardly mobile Jews, Bad Rabbi exposes the seamy underbelly of pre-WWII New York and Warsaw, the two major centers of Yiddish culture in the late nineteenth and early twentieth centuries. With true stories plucked from the pages of the Yiddish papers, Eddy Portnoy introduces us to the drunks, thieves, murderers, wrestlers, poets, and beauty queens whose misadventures were immortalized in print. There's the Polish rabbi blackmailed by an American widow, mass brawls at weddings and funerals, a psychic who specialized in locating missing husbands, and violent gangs of Jewish mothers on the prowl-in short, not quite the Jews you'd expect. One part Isaac Bashevis Singer, one part Jerry Springer, this irreverent, unvarnished, and frequently hilarious compendium of stories provides a window into an unknown Yiddish world that was.

    Though supposedly "cured," he is still prone to retreating into his own mind or erupting in wordless rages. The adults' inability to make him better - or even to give his affliction a name - forces Judy to ask larger questions: If God could perform miracles for her sainted ancestors, why can't He cure Nachum? And what of the other stories her family treasured?Judy starts to negotiate with God, swinging from holy tenets to absurdly hilarious conclusions faster than a Talmudic scholar: she goes on a fast to nab coveted earrings; she fights with her siblings at the dinner table for the ultimate badge of honor ("Who will survive the next Holocaust?"); and she adamantly defends her family's reputation when, scandalously, her parents are accused of having fallen in love---which is absolutely not what pious people do.For all its brutal honesty about this insular community, This is Not a Love Story is ultimately a story of a family like so many others, whose fierce love for each other and devotion to their faith pulled them through the darkest time in their lives.

    . . about Judaism. And no one is more surprised than she is.Hurwitz was the quintessential lapsed Jew—until, at age thirty-six, after a tough breakup, she happened upon an advertisement for an introductory class on Judaism. She attended on a whim, but was blown away by what she found: beautiful rituals, helpful guidance on living an ethical life, conceptions of God beyond the judgy bearded man in the sky—none of which she had learned in Hebrew school or during the two synagogue services she grudgingly attended each year. That class led to a years-long journey during which Hurwitz visited the offices of rabbis, attended Jewish meditation retreats, sat at the Shabbat tables of Orthodox families, and read hundreds of books about Judaism—all in dogged pursuit of answers to her biggest questions. What she found transformed her life, and she wondered: How could there be such a gap between the richness of what Judaism offers and the way so many Jews like her understand and experience it?Sarah Hurwitz is on a mission to close this gap by sharing the profound insights she discovered on everything from Jewish holidays, ethics, and prayer to Jewish conceptions of God, death, and social justice. In this entertaining and accessible book, she shows us why Judaism matters and how its message is more relevant than ever, and she inspires Jews to do the learning, questioning, and debating required to make this religion their own.

    One day, a mysterious package arrives on his doorstep, pulling him into a mesmerizing adventure to uncover the tangled history that binds the two sides of his family. For generations, the men of the al-Raqb family have served as watchmen of the storied Ibn Ezra Synagogue in Old Cairo, built at the site where the infant Moses was taken from the Nile. Joseph learns of his ancestor Ali, a Muslim orphan who nearly a thousand years earlier was entrusted as the first watchman of the synagogue and became enchanted by its legendary--perhaps magical--Ezra Scroll. The story of Joseph's family is entwined with that of the British twin sisters Agnes and Margaret, who in 1897 depart their hallowed Cambridge halls on a mission to rescue sacred texts that have begun to disappear from the synagogue.The Last Watchman of Old Cairo is a moving page-turner of a novel from acclaimed storyteller Michael David Lukas. This tightly woven multigenerational tale illuminates the tensions that have torn communities apart and the unlikely forces--potent magic, forbidden love--that boldly attempt to bridge that divide.Praise for The Last Watchman of Old Cairo"A beautiful, richly textured novel, ambitious and delicately crafted, The Last Watchman of Old Cairo is both a coming-of-age story and a family history, a wide-ranging book about fathers and sons, religion, magic, love, and the essence of storytelling. This book is a joy."--Rabih Alameddine, author of the National Book Award finalist An Unnecessary Woman

    In 1944, the United States finally acted. That year, Franklin D. Roosevelt created the War Refugee Board, and put a young Treasury lawyer named John Pehle in charge.Over the next twenty months, Pehle pulled together a team of D.C. pencil pushers, international relief workers, smugglers, diplomats, millionaires, and rabble-rousers to run operations across four continents and a dozen countries. Together, they tricked the Nazis, forged identity papers, maneuvered food and medicine into concentration camps, recruited spies, leaked news stories, laundered money, negotiated ransoms, and funneled millions of dollars into Europe. They bought weapons for the French Resistance and sliced red tape to allow Jewish refugees to escape to Palestine. In this remarkable work of historical reclamation, Holocaust historian Rebecca Erbelding pieces together years of research and newly uncovered archival materials to tell the dramatic story of America's little-known efforts to save the Jews of Europe.

    As a social space it rivaled—and in some ways surpassed—the synagogue as the primary gathering place for the Jewish community. In popular culture it has been the setting for classics like When Harry Met Sally. And today, after a long period languishing in the trenches of the hopelessly old-fashioned, it is experiencing a nostalgic resurgence. Pastrami on Rye is the first full-length history of the New York Jewish deli. The deli, argues Ted Merwin, reached its full flowering not in the immigrant period, as some might assume, but in the interwar era, when the children of Jewish immigrants celebrated the first flush of their success in America by downing sandwiches and cheesecake in theater district delis. But it was the kosher deli that followed Jews as they settled in the outer boroughs of the city, and that became the most tangible symbol of their continuing desire to maintain a connection to their heritage. Ultimately, upwardly mobile American Jews discarded the deli as they transitioned from outsider to insider status in the middle of the century. Now contemporary Jews are returning the deli to cult status as they seek to reclaim their cultural identities. Richly researched and compellingly told, Pastrami on Rye gives us the surprising story of a quintessential New York institution.

    Yet only one visionary man-Heniek Corben- can see him and hear him. Heniek soon realizes that Cohen has become an ibbur-a spirit. But how and why has he taken this form? As Cohen recounts his disturbing and moving story, small but telling inconsistencies appear in his narrative. Heniek begins to believe that Cohen is not the secular Jew he claims to be, but may, in fact, be a student of practical Kabbalah-of magic. Why is he lying? And what is the importance of the anagrams he creates for the names of his friends and relatives? Heniek traces his suspicions and comes to an astonishing conclusion-one that has consequences for his own identity and life, and perhaps for the reader's as well.

    Yet, as a young adult, she shocked everyone who knew her ("But you were elected Class Flirt in high school!") and became a rabbi. What was not surprising, however, was that she built her own big, unwieldy family through both birth and adoption, something she had intended from childhood. With three daughters and two sons ("We produce girls and import boys"), this unique family becomes a metaphor for the world's contradictions and complexities-a microcosm of the tragedy and joy, hope and despair, cruelty and compassion, predictability and absurdity of this world we all live in. A meditation on identity, faith, and belonging-one that's as funny as it is moving-Casting Lots will resonate with anyone who has struggled to find their place in the world and to understand the significance of that place.

    In “Casualties,” Tsabari takes us into the military—a world every Israeli knows all too well—with a brusque, sexy young female soldier who forges medical leave forms to make ends meet. Poets, soldiers, siblings and dissenters, the protagonists here are mostly Israelis of Mizrahi background (Jews of Middle Eastern and North African descent), whose stories have rarely been told in literature. In illustrating the lives of those whose identities swing from fiercely patriotic to powerfully global, The Best Place on Earth explores Israeli history as it illuminates the tenuous connections—forged, frayed and occasionally destroyed—between cultures, between generations and across the gulf of transformation and loss.

    With cinematic power and beauty, bestselling author David Laskin limns his own genealogy to tell the spellbinding tale of the three drastically different paths that his family members took across the span of 150 years. In the latter half of the nineteenth century Laskin’s great-great-grandfather, a Torah scribe named Shimon Dov HaKohen, raised six children with his wife, Beyle, in a yeshiva town at the western fringe of the Russian empire. The pious couple expected their sons and daughters to carry the family tradition into future generations. But the social and political upheavals of the twentieth century decreed otherwise. The HaKohen family split off into three branches. One branch emigrated to America and founded the fabulously successful Maidenform Bra Company; one branch went to Palestine as pioneers and participated in the contentious birth of the state of Israel; and the third branch remained in Europe and suffered the Holocaust. In tracing the roots of his own family, Laskin captures the epic sweep of twentieth-century history. A modern-day scribe, Laskin honors the traditions, the lives, and the choices of his ancestors: revolutionaries and entrepreneurs, scholars and farmers, tycoons and truck drivers. The Family is an eloquent masterwork of true grandeur—a deeply personal, dramatic, and universal account of a people caught in a cataclysmic time in world history.

     1943. Tasa Rosinski and five relatives, all Jewish, escape their rural village in eastern Poland avoiding certain death and find refuge in a bunker beneath a barn built by their longtime employee. A decade earlier, ten-year-old Tasa dreams of someday playing her violin like Paganini. To continue her schooling, she leaves her family for a nearby town, joining older cousin Danik at a private Catholic academy where her musical talent flourishes despite escalating political tension. But when the war breaks out and the eastern swath of Poland falls under Soviet control, Tasa's relatives become Communist targets, her new tender relationship is imperiled, and the family's secure world unravels. From a peaceful village in eastern Poland to a partitioned post-war Vienna, from a promising childhood to a year living underground, Tasa's Song celebrates the enduring power of the human spirit."

    Traveling halfway across the world, he lands in the lush and exotic Burmese kingdom of Pegu—an alien place, yet one where the jewel trader is not shunned for his faith. There is a price for his newfound freedom, however. Local custom demands that Abraham perform a duty he finds troubling and barbaric . . . and thus Mya, barely more than a girl, arrives to share his bed. Gently banishing his despair, awakening something profound within him, Mya ultimately accepts Abraham's protection and, unexpectedly, his love. But great social and political upheaval threatens to violently transform the Peguan empire—with devastating consequences for Abraham and Mya and their dreams for the future.

    Her life may not seem thrilling – living with her widowed mother, majoring in economics, working in an elegant dress store after classes to put away money for graduate school – but she’s determined to make a better life for herself and her mom. One night, she comes home to see the light is out again over the door. That old fuse box? Again? Except when Marianne gets inside, she stumbles over something, and it’s immediately clear what has happened: her mother has been murdered. The NYPD is stumped. Marianne’s father, an army captain, was killed in battle when she was a year old, and whatever other family she has are so distant she’s never met them. Whom can she turn to? Marianne does what strong women always do: She turns to herself. With help from Laurie Fishbein, her BFF since second grade, she becomes her own private detective to solve the case of her lifetime.Susan Isaacs was dubbed “Jane Austen with a shmear” on NPR’s Fresh Air. Among her thirteen novels are Almost Paradise, Shining Through and After All These Years. She has written screenplays for two films, Compromising Positions (adapted from her novel) and Hello Again, as well as a nonfiction work, Brave Dames and Wimpettes: What Women are Really Doing on Page and Screen. Currently, she serves as chairman of the literary organization Poets & Writers. A member of the National Book Critics Circle, she has reviewed for New York Times, the Los Angeles Times, the Chicago Tribune, the Washington Post, and Newsday. She is a past president of Mystery Writers of America and belongs to the Creative Coalition, PEN, and the International Association of Crime Writers. Susan is a trustee emerita of the Queens College Foundation and on the board of the Jewish Theological Seminary. Among her honors are the John Steinbeck award, the Writers for Writers award, and the Marymount Manhattan Writing Center prize. She has worked gathering support for the National Endowment of the Arts Literature Program and on many anti-censorship campaigns. She lives on Long Island where she’s at work finishing her new novel, Violet Hopkins. Cover design by Kristen Radtke.