Now the seven books of nonfiction that appeared between 1968 and 2003 have been brought together into one thrilling collection.Slouching Towards Bethlehem captures the counterculture of the sixties, its mood and lifestyle, as symbolized by California, Joan Baez, Haight-Ashbury. The White Album covers the revolutionary politics and the “contemporary wasteland” of the late sixties and early seventies, in pieces on the Manson family, the Black Panthers, and Hollywood. Salvador is a riveting look at the social and political landscape of civil war. Miami exposes the secret role this largely Latin city played in the Cold War, from the Bay of Pigs through Watergate. In After Henry Didion reports on the Reagans, Patty Hearst, and the Central Park jogger case. The eight essays in Political Fictions–on censorship in the media, Gingrich, Clinton, Starr, and “compassionate conservatism,” among others–show us how we got to the political scene of today. And in Where I Was From Didion shows that California was never the land of the golden dream.

    He’s taken sf to places it’s never been (Snow Crash, Anathem). He’s reinvented the historical novel (The Baroque Cycle), the international thriller (Reamde), and both at the same time (Cryptonomicon).Now he treats his legion of fans to Some Remarks, an enthralling collection of essays—Stephenson’s first nonfiction work since his long essay on technology, In the Beginning…Was the Command Line, more than a decade ago—as well as new and previously published short writings both fiction and non.Some Remarks is a magnificent showcase of a brilliantly inventive mind and talent, as he discourses on everything from Sir Isaac Newton to Star Wars.

    In these marvellous essays on history, politics and society, cultural critic Nadeem Farooq Paracha upturns various reductive readings of the country by revealing its multi-layered reality. With wit and insight, he investigates past events and their implications for modern-day society. Thus, one piece explores how and why Mohenjo-daro has been neglected as a historical site, and another examines how Muhammad-bin-Qasim, who briefly invaded Sindh in 713 CE, has come to be lionised as the original founder of Pakistan. There is a story about a Pakistani Jimi Hendrix who plays the guitar like a dream and also one about a medieval emperor who lives on in the swear words of a Punjabi peasant. There are essays on Pakistani pop music, on Afro-Pakistanis and on how Jhuley Lal came to be more than just a folk deity for Sindhi immigrants in India. Points of Entry examines the constant struggle between two distinct tendencies in Pakistani civic-nationalism—one modernist, the other theocratic—and the complex society it has birthed.

    In the searching of our souls demanded by this challenge . . . kindred spirits across the nation must confront the most fundamental liberal failure of the current era: the failure to embrace a moral vision of America based on the transcendent faith that human beings are more than the sum of their material appetites, our country is more than an economic machine, and freedom is not license but responsibility—the gift we have received and the legacy we must bequeath. “Although our sojourn in life is brief, we are on a great journey. For those who came before us and for those who follow, our moral, political, and religious duty to make sure that this nation, which was conceived in liberty and dedicated to the proposition that all are equal under the law, is in good hands on our watch.” —from “For America’s Sake”People know Bill Moyers mostly from his many years of path-breaking journalism on television. But he is also one of America’s most sought-after public speakers. His appearances draw sell-out crowds across the country and are among the most reproduced on the Web. “And one reason,” writes noted journalist Bill McKibben, “is that Moyers pulls no punches. His understanding of America’s history is at least as deep as his understanding of Christian tradition, which is an integral part of his background . . . With his feet firmly planted in the deepest American traditions, Bill Moyers is helping to keep alive an oratorical tradition that is fading after two centuries. Trained by his career in broadcasting, he writes for the ear, his cadences and his repetitions timed to bring an audience to full realization of its role and its power.” And that is the message of this book. Moyers on Democracy collects many of Bill Moyers’s most moving statements to connect the dots on what is happening to our country—the twinned growth of private wealth and public squalor, the assault on our Constitution, the undermining of the electoral process, the accelerating class war against ordinary (and vulnerable) Americans inherent in the growth of economic inequality, the dangers of an imperial executive, the attack on the independence of the press, the despoiling of the earth we share as our common gift—and to rekindle the reader’s conviction that “the gravediggers of democracy will not have the last word.” Richly insightful and alive with a fierce, abiding love for our country, Moyers on Democracy is essential reading in this fateful presidential year.

    From the local and mundane-crime blotters, crop prices, and Sunday sermons-to the Federalist Papers and Watergate, the press has played an outsized role in our nation's culture and history. Newspapers in America have always been the crucible where our passions and debates are tried by the only judge this nation respects: public opinion. At a time of great transition in the news media, "Deadline Artists" celebrates the relevance of the newspaper column through the simple power of excellent writing. It is an inspiration for a new generation of writers--whether their medium is print or digital-looking to learn from the best of their predecessors. Contributors include: Jimmy Breslin, Mike Royko, Murray Kempton, Ernie Pyle, Peggy Noonan, Thomas L. Friedman, David Brooks, Mitch Albom, Dorothy Thompson, Ernest Hemingway, Benjamin Franklin, Fanny Fern, Richard Harding Davis, Grantland Rice, Will Rogers, Orson Welles, Langston Hughes, Woody Guthrie, Ambrose Bierce, Mark Twain, Theodore Roosevelt, H.L. Mencken, Ben Hecht, Westbrook Pegler, Heywood Broun, Damon Runyon, W. C. Heinz, Jimmy Cannon, Red Smith, Russell Baker, Art Buchwald, William F. Buckley, Hunter S. Thompson, Pete Dexter, Carl Hiaasen, Dave Barry, Leonard Pitts, Anna Quindlen, Thomas Boswell, Tony Kornheiser, Kathleen Parker, Maureen Dowd, Bob Herbert, Michael Kinsley, Cynthia Tucker, George Will, Jack Newfield, Mike Barnicle, Pete Hamill and Steve Lopez.

    Now she turns her steely gaze on the multiple threats to Russian stability, among them President Putin himself.Putin's Russia depicts a far-reaching state of decay. Politkovskaya describes an army in which soldiers die from malnutrition, parents must pay bribes to recover their dead sons' bodies, and conscripts are even hired out as slaves. She exposes rampant corruption in business, government, and the judiciary, where everything from store permits to bus routes to court appointments is for sale. And she offers a scathing condemnation of the ongoing war in Chechnya, where kidnappings, extrajudicial killings, rape, and torture are begetting terrorism rather than fighting it.Sounding an urgent alarm, Putin's Russia is both a gripping portrayal of a country in crisis and the testament of a great and intrepid reporter.

    An extraordinary account that follows the author through the invasion of the Netherlands, home life under the Nazis, Buchenwald death camp and escape, the French Underground, D-Day with the American 101st Airborne Division, the liberation of France and service in the Dutch Marines in the Asian campaign. A book that would not have been written if some had not been teaching the Holocaust had not occurred.

    prison system, tracking down a chameleon con artist in Europe, or riding in a cyclone-tossed skiff with a scientist hunting the elusive giant squid, David Grann revels in telling stories that explore the nature of obsession and that piece together true and unforgettable mysteries.Each of the dozen stories in this collection reveals a hidden and often dangerous world and, like Into Thin Air and The Orchid Thief, pivots around the gravitational pull of obsession and the captivating personalities of those caught in its grip. There is the world's foremost expert on Sherlock Holmes who is found dead in mysterious circumstances; an arson sleuth trying to prove that a man about to be executed is innocent, and sandhogs racing to complete the brutally dangerous job of building New York City's water tunnels before the old system collapses. Throughout, Grann's hypnotic accounts display the power-and often the willful perversity-of the human spirit.Compulsively readable, The Devil and Sherlock Holmes is a brilliant mosaic of ambition, madness, passion, and folly.

    Crescent and Star is Stephen Kinzer's compelling report on the truth about this nation of contradictions - poised between Europe and Asia, caught between the glories of its Ottoman past and its hopes for a democratic future, between the dominance of its army and the needs of its civilian citizens, between its secular expectations and its Muslim traditions.Kinzer vividly describes Turkey's captivating delights as he smokes a water pipe, searches for the ruins of lost civilizations, watches a camel fight, and discovers its greatest poet. But he is also attuned to the political landscape, taking us from Istanbul's elegant cafes to wild mountain outposts on Turkey's eastern borders, while along the way he talks to dissidents and patriots, villagers and cabinet ministers. He reports on political trials and on his own arrest by Turkish soldiers when he was trying to uncover secrets about the army's campaigns against Kurdish guerillas. He explores the nation's hope to join the European Union, the human-rights abuses that have kept it out, and its difficult relations with Kurds, Armenians, and Greeks.Will this vibrant country, he asks, succeed in becoming a great democratic state? He makes it clear why Turkey is poised to become "the most audacious nation of the twenty-first century."

    "Pioneer Girl Perspectives" further demonstrates the importance of Wilder as an influential American author whose stories of growing up on the frontier remain relevant today.

    In this extraordinary book Julia Blackburn follows Goya through the remaining thirty-five years of his life. It was a time of political turmoil, of war, violence and confusion, and Goya transformed what he saw happening in the world around him into his visionary paintings, drawings and etchings.These were also years of tenderness for Goya, of intimate relationships with the Duchess of Alba and with Leocadia, his mistress, who was with him to the end. Julia Blackburn writes of the elderly painter with the intimacy of an old friend, seeing through his eyes and sharing the silence in his head, capturing perfectly his ferocious energy, his passion and his genius.

    The result is both a defense of freedom of speech and a critique of the likeability factor that can impede it.

    Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

    They include introductions for books of avant-garde poets; collaborations with visual artists, and articles for publications such as The New York Review of Books, The London Review of Books, and October.One section focuses on writers and literary works: strange tales from classical and modern China; the Psalms in translation: a skeptical look at E. B. White’s New York. Another section is a continuation of Weinberger’s celebrated political articles collected in What Happened Here: Bush Chronicles (a finalist for the National Books Critics Circle Award), including a sequel to “What I Heard About Iraq,” which the Guardian called the only antiwar “classic” of the Iraq War. A new installment of his magnificent linked “serial essay,” An Elemental Thing, takes us on a journey down the Yangtze River during the Sung Dynasty.The reader will also find the unlikely convergences between Samuel Beckett and Octavio Paz, photography and anthropology, and, of course, oranges and peanuts, as well as an encomium for Obama, a manifesto on translation, a brief appearance by Shiva, and reflections on the color blue, death, exoticism, Susan Sontag, and the arts and war.

    Road Work gathers the best of his award-winning writing, from his breakout stories for the Philadelphia Inquirer to his influential pieces in the Atlantic on the conflicts in Afghanistan and Iraq. Whether traveling to Zambia, where a team of antipoachers fights to save the black rhino, to Guantánamo Bay to expose the controversial ways America is fighting its war on terror, or to a small town in Rhode Island to penetrate the largest cocaine ring in history, Bowden takes us down rough roads previously off limits—and gives us another gripping read.