Discussing the joys and problems that face both writer and reader, it is for those who wish to engage the art of letters at its deepest level. "These timeless poems delve into the heart of writing." - Cleveland Plain Dealer Poet

    Since that time, all levels of military have used the teaching on Sun Tzu to warfare and civilization have adapted these teachings for use in politics, business and everyday life. The Art of War is a book which should be used to gain advantage of opponents in the boardroom and battlefield alike.

    In a country where patriarchal favoritism and the primacy of sons survived multiple revolutions and an ideological earthquake, this epic novel is first and foremost about women, with the female body serving as the book’s central metaphor. The protagonist, Mother, is born in 1900 and married at seventeen into the Shangguan family. She has nine children, only one of whom is a boy—the narrator of the book. A spoiled and ineffectual child, he stands in stark contrast to his eight strong and forceful female siblings.Mother, a survivor, is the quintessential strong woman who risks her life to save several of her children and grandchildren. The writing is picturesque, bawdy, shocking, and imaginative. The structure draws on the essentials of classical Chinese formalism and injects them with extraordinarily raw and surprising prose. Each of the seven chapters represents a different time period, from the end of the Qing dynasty up through the Japanese invasion in the 1930s, the civil war, the Cultural Revolution, and the post-Mao years. Now in a beautifully bound collectors edition, this stunning novel is Mo Yan’s searing vision of twentieth-century China.

    

    Through its linguistic artistry and its philosophical subtlety, the Shobogenzo presents a thorough recasting of Buddhism with a creative ingenuity that has never been matched in the subsequent literature of Japanese Zen. With this translation of thirteen of the ninety-five essays, Thomas Cleary attempts to convey the form as well as the content of Dogen's writing, thereby preserving the instrumental structure of the original text. Together with pertinent commentary, biography, and notes, these essays make accessible to a wider audience a Zen classic once considered the private reserve of Soto monks and Buddhologists. Readers from many fields in the sciences and humanities will find themselves richly rewarded.

    There they meet the daughter of the local tailor and discover a hidden stash of Western classics in Chinese translation. As they flirt with the seamstress and secretly devour these banned works, they find transit from their grim surroundings to worlds they never imagined.

    Presents Buddhist teachings on a wide range of social and moral issues in the modern world.

    His use of it gives him yet another chance to say things never said before in prose or in verse and, as well, to bring new life to a form in which Donne talked to Death, Shelley to the West Wind, Whitman to the Earth, Pound to his Songs, O'Hara to the Sun at Fire Island.  Koch, in this new book, talks to things important in his life -- to Breath, to World War Two, to Orgasms, to the French Language, to Jewishness, to Psychoanalysis, to Sleep, to his Heart, to Friendship, to High Spirits, to his Twenties, to the Unknown. He makes of all these "new addresses" an exhilarating autobiography of a most surprising and unforeseeable kind.From the Hardcover edition.

    Rathbun told Times reporters the story of his years in Scientology and what led to his leaving. That resulted in interviews with scores of other people in the Scientology world, including former staffers, disaffected parishioners and current church members.Thus began the Times' ongoing series, "Inside Scientology," which launched with an installment called "The Truth Rundown," published in June of 2009. That initial work — the focus of this book — shed unprecedented light on the internal workings of a secretive church that generates interest around the world.

    in a long-sealed cave in a remote region of China. Among them, written in Chinese, were scrolls that recounted a history of Jesus' life and teachings in beautiful Taoist concepts and imagery that were unknown in the West. These writings told a story of Christianity that was by turns unique and disturbing, hopeful and uplifting. The best way to describe them is collectively, with a term they themselves use: The Jesus Sutras. The origins of Christianity seem rooted in Western civilization, but amazingly, an ancient, largely unknown branch of Christian belief evolved in the East. Eminent theologian and Chinese scholar Martin Palmer provides the first popular history and translation of the sect's long-lost scriptures--all of them more than a thousand years old and comparable in significance to the Dead Sea Scrolls. Gathered, deciphered, and interpreted by a team of expert linguists and scholars, these sacred texts present an inspiring use of Jesus' teachings and life within Eastern practices and meditations--and provide an extraordinary window into an intriguing, profoundly gentler, more spiritual Christianity than existed in Europe or Asia at the time, or, indeed, even today. Palmer has devoted more than a decade to seeking the extant writings and other evidence of this lost religion. His search was triggered by an encounter with an immense, mysterious carved (stele) stone from the 8th century that resides in a Chinese museum collection called the Forest of Stones. The Chinese text on this stonecommemorates the founding of a " religion of light" in China by a great Western teacher and features a unique cross that merges Taoist symbolism with the Christian cross. The scrolls, the stone, and a strange map of the area around a hallowed temple (where Lao Tzu wrote the Tao Te Ching before disappearing forever) gave Palmer enough information to rediscover one of the earliest Christian monasteries. At the site was an 8th century pagoda still intact, and within it, in 1998, Palmer and his team found more evidence, including statues, underground passageways, and artifacts, that helped them uncover and recreate the era and rituals of the Taoist Christians. The Taoist Christians, who wrote the Jesus Sutras recognized equality of the sexes, preached against slavery, and practiced nonviolence toward all forms of life. In particular, this tradition offered its followers a more hopeful vision of life on earth and after death than the dominant Eastern religions, teaching that Jesus had broken the wheel of karma and its consequent punishing, endless reincarnations. Vividly re-creating the turbulence of a distant age that is remarkably evocative of our own times, Palmer reveals an extraordinary evolution of spiritual thought that spans centuries. A thrilling modern quest that is also an ancient religious odyssey, The Jesus Sutras shares a revolutionary discovery with profound historical implications--imparting timeless messages and lessons for men and women of all backgrounds and faiths.

    When Robert Creeley died in March 2005, he was working on what was to be his final book of poetry. In addition to more than thirty new poems, many touching on the twin themes of memory and presence, this moving collection includes the text of the last paper Creeley gave—an essay exploring the late verse of Walt Whitman. Together, the essay and the poems are a retrospective on aging and the resilience of memory that includes tender elegies to old friends, the settling of old scores, and reflective poems on mortality and its influence on his craft. On Earth reminds us what has made Robert Creeley one of the most important and affectionately regarded poets of our time.

    The Hundred Days’ Reform that followed was a moment of unprecedented change and extraordinary hope—brought to an abrupt end by a bloody military coup. Dashed expectations would contribute to the revolutionary turn that Chinese history would soon take, leading in time to the deaths of millions.Peach Blossom Paradise, set at the time of the reform, is the story of Xiumi, the daughter of a wealthy landowner and former government official who falls prey to insanity and disappears. Days later, a man with a gold cicada in his pocket turns up at his estate and is inexplicably welcomed as a relative. This mysterious man has a great vision of reforging China as an egalitarian utopia, and he will stop at nothing to make it real. It is his own plans, however, which come to nothing, and his “little sister” Xiumi is left to take up arms against a Confucian world in which women are chattel. Her campaign for change and her struggle to seize control over her own body are continually threatened by the violent whims of men who claim to be building paradise.

    But wealth and position could not shield Adeline from a childhood of appalling emotional abuse at the hands of a cruel and manipulative Eurasian stepmother. Determined to survive through her enduring faith in family unity, Adeline struggled for independence as she moved from Hong Kong to England and eventually to the United States to become a physician and writer.A compelling, painful, and ultimately triumphant story of a girl's journey into adulthood, Adeline's story is a testament to the most basic of human needs: acceptance, love, and understanding. With a powerful voice that speaks of the harsh realities of growing up female in a family and society that kept girls in emotional chains, Falling Leaves is a work of heartfelt intimacy and a rare authentic portrait of twentieth-century China.

    As reported by a much-followed columnist and awarded journalist, these rich, fascinating, and occasionally disturbing stories of settlements follow people living throughout New Zealand, from Kawakawa in the north to Mosgiel in the south, and Samoa and Antarctica overseas. Funny, moving, and at times terrifying, this book provides a platform from which New Zealand reveals itself and proves that rarely are people and places as they first appear.

    But six weeks later, a second examination revealed there was no cancer -- he had won "a reprieve from death." Faced with a repressive cultural environment and the threat of a spell in a prison farm, Gao fled Beijing and began a journey of 15,000 kilometers into the remote mountains and ancient forests of Sichuan in southwest China. The result of this epic voyage of discovery is Soul Mountain.Bold, lyrical, and prodigious, Soul Mountain probes the human soul with an uncommon directness and candor and delights in the freedom of the imagination to expand the notion of the individual self.