Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    The novel describes the encounter between a visitor from the nineteenth century, William Guest, and a decentralized and humane socialist future. Set over a century after a revolutionary upheaval in 1952, these Chapters from a Utopian Romance recount his journey across London and up the Thames to Kelmscott Manor, Morris's own country house in Oxfordshire. Drawing on the work of John Ruskin and Karl Marx, Morris's book is not only an evocative statement of his egalitarian convictions but also a distinctive contribution to the utopian tradition. Morris's rejection of state socialism and his ambition to transform the relationship between humankind and the natural world, give News from Nowhere a particular resonance for modern readers. This text is based on the 1891 version, incorporating the extensive revisions made by Morris to the first edition.

    Set in the mid-19th century on New York City's Wall Street, it was also, perhaps, Herman Melville's most prescient story: what if a young man caught up in the rat race of commerce finally just said, "I would prefer not to"?The tale is one of the final works of fiction published by Melville before, slipping into despair over the continuing critical dismissal of his work after Moby-Dick, he abandoned publishing fiction. The work is presented here exactly as it was originally published in Putnam's magazine—to, sadly, critical disdain.

    This collection includes the following tales:"The Young King""The Birthday of the Infanta" "The Fisherman and his Soul""The Star-child"Readers of all ages will be delighted by these fanciful tales.

    Written with ideas on The White Goddess as a cultural/anthropological backdrop to the ancient Greek tale. What the Golden Fleece really was—a cloak tossed to earth by a drunken Zeus, a sheepskin book of alchemic secrets or the gilded epidermis of a young human sacrifice named Mr. Ram—nobody knows. But Graves is quite sure that, whatever the Golden Fleece was, the voyage of Jason & his Argonauts really happened. His story shows the legendary cruise as one of the bawdiest, bloodiest, most boisterous expeditions of all time. In I, Claudius & its Claudius the God sequel, Graves brought the teeming life of Claudian Rome so vividly alive that they became bestsellers. In the not-so-successful Wife to Mr. Milton, his blend of imagination & scholarship projected his readers into 17th-Century England & the bedchamber temper tantrums of the blind poet-politician. With Hercules & shipmates, Graves becomes an ancient Greek, moving among demigods & goddesses, myths & monsters with an easy familiarity & a wealth of erudite detail. Both sometimes seem too much of a good thing. Atomic-age readers, ill-attuned to the leisurely, formal talk of myth-age Greeks, may find themselves skipping some of the longer speeches. Most of the Argo's 50-oar crew were princes, each with a special talent & gift of the gods. The only woman aboard was a princess: Atalanta of Calydon, a virgin huntress who could outrun any man in Greece. Argus, who built the Argo, was the world's finest shipwright. Castor & Pollux, sons of Leda & Zeus-as-swan, were champion prizefighters. Nauplius, Poseidon's son, was an unrivaled navigator. Orpheus could make sticks & stones dance to his lyre. Hercules of Tiryns was the world's strongest man. He would've captained the Argonauts were it not that in moments of insanity he murdered friend & foe alike. Captaincy devolved on Jason of lolcos—a man nobody liked or trusted, but who had a power denied to all the others: women instantly fell in love with him. Even surly Hercules agreed it a quality worth all the rest. Backed by divine blessings & equinoctal winds, the Argonauts set sail. On the Island of Lemnos, peopled solely by women, they generously stopped off to help out with spring sowing. Nine months later, 200 children were born, of whom no less than 60 were said to be the spitting image of Hercules. On Samothrace, they were initiated into the sacred mysteries. The Goddess of All Being mated with the Serpent Priapus to be delivered of a bull. Then the sacred nymphs leapt on them & scratched & bit until even Hercules passed out. Thereafter, the Argonauts glowed with "a faint nimbus of light." The Argonauts boldly pushed on thru the dread Hellespont & entered the Black Sea. To their dismay, Hercules deserted, summoned home to perform another of his mighty labors. "Holy Serpents!" he growled. "Tell me what this time?" The job—cleaning the Augean Stables—didn't take long. He stayed around afterwards with the Lydian high priestess—who in due time bore male triplets. In gratitude, she taught him to spin, tying up his hair in blue braids. He was crazy about it, admitting confidentially he'd always wanted to be a woman. The Argonauts went on without Hercules. Reaching Colchis, Aphrodite won the Fleece for them. She made her son Eros wait behind a pillar with his bow until handsome Jason strode into the King of Colchis' palace. Eros shot Medea thru the heart, & the smitten princess helped to get the Fleece from her father's temple. Mythology's most famous voyage had reached its goal, but Graves takes 150 more pages to wind things up.

    John Watson. Recently discharged from the military, Watson takes a room with an amazing young man — the arrogant crime expert, Sherlock Holmes. Their investigation of a bizarre crime proves to be an auspicious beginning for one of the most illustrious crime-solving partnerships of all time.The second tale, The Sign of Four, is an incredible story of greed and revenge in which Holmes and Watson accompany a beautiful young woman on a mission that leads to a terrifying, one-legged man in the dark heart of London.A thrilling experience for legions of Holmes fans, these exciting tales will also serve as an excellent introduction to readers who have never made the acquaintance of this incomparable detective and his colleague.

    But when she falls in love with Bosinney, a penniless architect who utterly rejects the Forsyte values, their affair touches off a series of events which can only end in disgrace and disaster.John Galsworthy tackles his theme of the demise of the upper-middle classes with irony and compassion.

    The work of English clergyman, educator and Shakespearean scholar Edwin A. Abbott (1838-1926), it describes the journeys of A. Square [sic – ed.], a mathematician and resident of the two-dimensional Flatland, where women-thin, straight lines-are the lowliest of shapes, and where men may have any number of sides, depending on their social status.Through strange occurrences that bring him into contact with a host of geometric forms, Square has adventures in Spaceland (three dimensions), Lineland (one dimension) and Pointland (no dimensions) and ultimately entertains thoughts of visiting a land of four dimensions—a revolutionary idea for which he is returned to his two-dimensional world. Charmingly illustrated by the author, Flatland is not only fascinating reading, it is still a first-rate fictional introduction to the concept of the multiple dimensions of space. "Instructive, entertaining, and stimulating to the imagination." — Mathematics Teacher.

    M. Barnard." Louisa May Alcott's novel of romance and sexual intrigue is one of her lesser-known gems. Its tone and characterizations strike a markedly different chord from her best-known works, such as "Little Women" and "Little Men," and it remains a popular addition to her oeuvre.

    Finally resorting to medication, he instantly falls into a deep sleep that lasts two hundred years. Upon waking in the twenty-second century to a strange and nightmarish place, he slowly discovers he is master of the world, revered by an adoring populace who consider him their leader. Terrified, he escapes from his chamber seeking solace—only to realize that not everyone adores him, some even wish to harm him.

    Four men struggle for survival after escaping from a sinking ship and into a small open boat.

    Ramsay, the tragic yet absurd Mr. Ramsay, and their children and assorted guests are on holiday on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Woolf constructs a remarkable, moving examination of the complex tensions and allegiances of family life and the conflict between men and women.As time winds its way through their lives, the Ramsays face, alone and simultaneously, the greatest of human challenges and its greatest triumph—the human capacity for change.

    One day she walks out of her office, acquires a gaudy new outfit, adopts a girlier tone of voice, and heads to the airport to fly south. On the plane she takes a seat between two men. One is delighted with her company, the other is deeply perturbed. So begins an unnerving journey into the darker recesses of human nature.

    Initially sceptical, Hannay nonetheless harbours the man—but one day returns home to find him murdered... An obvious suspect, Hannay flees to his native Scotland, pursued by both the police and a cunning, ruthless enemy. His life and the security of Britain are in grave peril, and everything rests on the solution to a baffling enigma: what are the 'thirty nine steps?'

    Moving to the town of Christminster where he finds work as a stonemason, Jude meets and falls in love with his cousin Sue Bridehead, a sensitive, freethinking 'New Woman'.