Subsequent stories have won the Asimov's SF Magazine reader poll, a second Nebula Award, the Theodore Sturgeon Memorial Award, and the Sidewise Award for alternate history. He won the John W. Campbell Award for Best New Writer in 1992. Story for story, he is the most honored young writer in modern SF.Now, collected here for the first time are all seven of this extraordinary writer's stories so far-plus an eighth story written especially for this volume.What if men built a tower from Earth to Heaven-and broke through to Heaven's other side? What if we discovered that the fundamentals of mathematics were arbitrary and inconsistent? What if there were a science of naming things that calls life into being from inanimate matter? What if exposure to an alien language forever changed our perception of time? What if all the beliefs of fundamentalist Christianity were literally true, and the sight of sinners being swallowed into fiery pits were a routine event on city streets? These are the kinds of outrageous questions posed by the stories of Ted Chiang. Stories of your life . . . and others.

    The title comes from Asimov's breakthrough short story.CONTENTS:Nightfall - Astounding, Sept 1941Green Patches - Galaxy, Nov 1950Hostess - Galaxy, May 1951Breeds There a Man . . . ? - Astounding, June 1951C-Chute - Galaxy, Oct 1951In a Good Cause - "New Tales of Space & Time", 1951What If--- - Fantastic, Summer 1952Sally - Fantastic, June 1953Flies - F&SF, June 1953Nobody Here But--- - Star SF #1, 1953It's Such a Beautiful Day - Star SF #3, 1954Strikebreaker - Original SF Stories, Jan 1957Insert Knob A in Hole B - F&SF, Dec 1957The Up-to-Date Sorcerer - F&SF, July 1958Unto the Fourth Generation - F&SF, April 1959What is this Thing Called Love? - Amazing, March 1961The Machine That Won the War - F&SF, Oct 1961My Son, the Physicist - Scientific American, Feb 1962Eyes Do More Than See - F&SF, April 1965Segregationist - Abbottempo, Book 4, 1967

    Bob Johansson has just sold his software company and is looking forward to a life of leisure. There are places to go, books to read, and movies to watch. So it's a little unfair when he gets himself killed crossing the street. Bob wakes up a century later to find that corpsicles have been declared to be without rights, and he is now the property of the state. He has been uploaded into computer hardware and is slated to be the controlling AI in an interstellar probe looking for habitable planets. The stakes are high: no less than the first claim to entire worlds. If he declines the honor, he'll be switched off, and they'll try again with someone else. If he accepts, he becomes a prime target. There are at least three other countries trying to get their own probes launched first, and they play dirty. The safest place for Bob is in space, heading away from Earth at top speed. Or so he thinks. Because the universe is full of nasties, and trespassers make them mad - very mad.

    For the first time in one volume: every word Bruce Sterling has ever written on the Shapers-Mechanists Universe.In the last decade, Sterling has emerged a pioneer of crucial, cutting-edge science fiction. Now Ace Books is proud to offer Sterling's stunning world of the Schismatrix--where Shaper revolutionaries struggle against aristocratic Mechanists for ultimate control of man's destiny. This volume includes the classic full-length novel, Schismatrix, plus thousands of words of mind-bending short fiction.

    So how is it that, in competition with the worst villains the universe has to offer, he's become the proud owner of the last seedship of Earth's legendary Ecological Engineering Corps? Never mind, just be thankful that the most powerful weapon in human space is in good hands-hands which now control cellular material for thousands of outlandish creatures. With his unique equipment, Tuf is set to tackle the problems human settlers have created in colonizing far-flung worlds: hosts of hostile monsters, a population hooked on procreation, a dictator who unleashes plagues to get his own way...and in every case the only thing that stands between the colonists and disaster is Tuf's ingenuity - and his reputation as an honest dealer in a universe of rogues...Tuf Voyaging features interior illustrations by Janet Aulisio. Included in it will be her original eight illustrations, along with 28 newly commissioned ones.

    Now part of the Voyager Classics collection.The Martian Chronicles tells the story of humanity’s repeated attempts to colonize the red planet. The first men were few. Most succumbed to a disease they called the Great Loneliness when they saw their home planet dwindle to the size of a fist. They felt they had never been born. Those few that survived found no welcome on Mars. The shape-changing Martians thought they were native lunatics and duly locked them up.But more rockets arrived from Earth, and more, piercing the hallucinations projected by the Martians. People brought their old prejudices with them – and their desires and fantasies, tainted dreams. These were soon inhabited by the strange native beings, with their caged flowers and birds of flame.Contents:Rocket SummerYllaThe Summer NightThe Earth MenThe TaxpayerThe Third Expedition-And the Moon Be Still As BrightThe SettlersThe Green MorningThe LocustsNight MeetingThe ShoreInterimThe MusiciansWay in the Middle of the AirThe Naming of NamesUsher IIThe Old OnesThe MartianThe Luggage StoreThe Off SeasonThe WatchersThe Silent TownsThe Long YearsThere Will Come Soft RainsThe Million Year Picnic

    Here’s the correct version, as published in Omni, 1990." -- Terry Bisson

    Together this dynamic pair begin their journey through space aided by quotes from The Hitch Hiker's Guide "A towel is about the most massively useful thing an interstellar hitchhiker can have" and a galaxy-full of fellow travellers: Zaphod Beeblebrox - the two-headed, three-armed ex-hippie and totally out to lunch president of the galaxy; Trillian, Zaphod's girlfriend (formally Tricia McMillan), whom Arthur tried to pick up at a cocktail party once upon a time zone; Marvin, a paranoid, brilliant and chronically depressed robot; Veet Voojagig, a former graduate student who is obsessed with the disappearance of all the ball-point pens he has bought over the years.

    It contains a broad spectrum of his work, from his first published story, "Nunivak Snowflakes," through "The Receivers" and "Monkey Suit," both published within the last year, plus an introduction by his friend, and former Boskone Guest, Stephen Baxter. It is well-known that the scope of Dr. Reynolds' stories is vast; his Revelation Space stories alone attest to that. This collection shows his impressive range, from the claustrophobic Antarctic station, "Byrd Land Six," to the branespanning "Tiger, Burning," to the millennia-long quest of "Fury." His viewpoints are as varied as his constant production of big, new ideas. A lone artist calmly painting the universe. A planetary ecological struggle reduced to a game. A fleeing assassin drawn into an alien rescue between the stars. The full-color dust jacket is by John Picacio, the Boskone 47 Official Artist.Table of Contents:-Introduction by Stephen Baxter-Nunivak Snowflakes-Monkey Suit-The Fixation-Feeling Rejected-Fury-Stroboscopic-The Receivers-Byrd Land Six-The Star Surgeon's Apprentice-On the Oodnadatta-Fresco-Viper-Soirée-The Sledge-Maker's Daughter-Tiger, Burning

    Exploratory teams are accompanied by Company-supplied security androids, for their own safety.But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid — a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth.

    It was first published in October 1957 by Bantam Books (catalogue number A1672) and already reprinted a month later. It includes the following stories (magazines in which the stories originally appeared given in parentheses):"Pilgrimage to Earth" (Playboy 1956/9; also known as "Love, Incorporated")"All the Things You Are" (Galaxy 1956/7)"Trap" (Galaxy 1956/2)"The Body" (Galaxy 1956/1)"Early Model" (Galaxy 1956/8)"Disposal Service" (Bluebook 1955/1)"Human Man's Burden" (Galaxy 1956/9)"Fear in the Night" (Today's Woman 1952)"Bad Medicine" (Galaxy 1956/7)"Protection" (Galaxy 1956/4)"Earth, Air, Fire and Water" (Astounding 1955/7)"Deadhead" (Galaxy 1955/7)"The Academy" (If 1954/8)"Milk Run" (Galaxy 1954/9)"The Lifeboat Mutiny" (Galaxy 1955/4)

    But that’s what backup hard drives are for. And Li should know; she’s been hacking her memory for fifteen years in order to pass as human. But no memory upgrade can prepare Li for what she finds on Compson’s World: a mining colony she once called home and to which she is sent after a botched raid puts her on the bad side of the powers that be. A dead physicist who just happens to be her cloned twin. A missing dataset that could change the interstellar balance of power and turn a cold war hot. And a mining “accident” that is starting to look more and more like murder...Suddenly Li is chasing a killer in an alien world miles underground where everyone has a secret. And one wrong turn in streamspace, one misstep in the dark alleys of blackmarket tech and interstellar espionage, one risky hookup with an AI could literally blow her mind.

    Now, he’s sure he’ll be the first person to die there.After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won’t have time to starve to death. The damaged machinery, unforgiving environment, or plain-old “human error” are much more likely to kill him first. But Mark isn’t ready to give up yet. Drawing on his ingenuity, his engineering skills — and a relentless, dogged refusal to quit — he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?

    In the festering sewers below a darker game is afoot: a Wall Street takeover artist has been murdered, and Gant’s crusading ex-wife, Joan Fine, has been hired to find out why. The year is 2023, and Ayn Rand has been resurrected and bottled in a hurricane lamp to serve as Joan's assistant; an eco-terrorist named Philo Dufrense travels in a pink-and-green submarine designed by Howard Hughes; a Volkswagen Beetle is possessed by the spirit of Abbey Hoffman; Meisterbrau, a mutant great white shark, is running loose in the sewers beneath Times Square; and a one-armed 181-year-old Civil War veteran joins Joan and Ayn in their quest for the truth. All of whom, and many more besides, are caught up in a vast conspiracy involving Walt Disney, J. Edgar Hoover, and a mob of homicidal robots.

    Cultures collide in real life and virtual reality. The city is literally a weed, its growth left unchecked. Life is cheap, and data is cheaper.When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik—a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation—a shifting, flowing stream of consciousness—are just the beginning of irrevocable change.At Central Station, humans and machines continue to adapt, thrive...and even evolve.