The girl’s murder would be the catalyst for an epic saga that to this day holds a singular place in America’s collective imagination—a saga that would climax in 1915 with the lynching of Leo Frank, the Cornell-educated Jew who was convicted of the murder. The case has been the subject of novels, plays, movies and even musicals, but only now, with the publication of And the Dead Shall Rise, do we have an account that does full justice to the mesmerizing and previously unknown details of one of the most shameful moments in the nation’s history.In a narrative reminiscent of a nineteenth-century novel, Steve Oney recounts the emerging revelations of the initial criminal investigation, reconstructs from newspaper dispatches (the original trial transcript mysteriously disappeared long ago) the day-to-day intrigue of the courtroom and illuminates how and why an all-white jury convicted Frank largely on the testimony of a black man. Oney chronicles as well the innumerable avenues that the defense pursued in quest of an appeal, the remarkable and heretofore largely ignored campaign conducted by William Randolph Hearst and New York Times publisher Adolph Ochs to exonerate Frank, the last-minute commutation of Frank’s death sentence and, most indelibly, the flawlessly executed abduction and brutal lynching of Frank two months after his death sentence was commuted.And the Dead Shall Rise brings to life a Dickensian cast of characters caught up in the Frank case—zealous police investigators intent on protecting their department’s reputation, even more zealous private detectives, cynical yet impressionable factory girls, intrepid reporters (including a young Harold Ross), lawyers blinded by their own interests and cowed by the populace’s furor. And we meet four astonishing individuals: Jim Conley, who was Frank’s confessed “accomplice” and the state’s star witness; William Smith, a determined and idealistic lawyer who brilliantly prepared Conley for the defense’s fierce cross-examination and then, a year later, underwent an extraordinary change of heart; Lucille Frank, the martyred wife of the convicted man; and the great populist leader Tom Watson, who manipulated the volatile and lethal outrage of Georgians against the forces of Northern privilege and capital that were seeking to free Frank.And the Dead Shall Rise also casts long-awaited fresh light on Frank’s lynching. No participant was ever indicted, and many went on to prominent careers in state and national politics. Here, for the first time, is the full account of the event—including the identities of the influential Georgians who conceived, carried out and covered up the crime. And here as well is the story of the lynching’s aftermath, which saw both the revival of the Ku Klux Klan and the evolution of the Anti-Defamation League.At once a work of masterful investigative journalism and insightful social history, And the Dead Shall Rise does complete justice to one of history’s most repellent and most fascinating moments.

    Focusing on two romances - Jessica's dizzying infatuation with a hugely successful young heroin dealer, Boy George, and Coco's first love with Jessica's little brother, Cesar - Random Family is the story of young people trying to outrun their destinies. Jessica and Boy George ride the wild adventure between riches and ruin, while Coco and Cesar stick closer to the street, all four caught in a precarious dance between survival and death. Friends get murdered; the DEA and FBI investigate Boy George; Cesar becomes a fugitive; Jessica and Coco endure homelessness, betrayal, the heartbreaking separation of prison, and, throughout it all, the insidious damage of poverty.Charting the tumultuous cycle of the generations - as girls become mothers, boys become criminals, and hope struggles against deprivation - LeBlanc slips behind the cold statistics and sensationalism and comes back with a riveting, haunting, and true story.

    In 1828, when New York City purchased this narrow, two-mile-long island in the East River, it was called Blackwell’s Island. There, over the next hundred years, the city would send its insane, indigent, sick, and criminal. Told through the gripping voices of Blackwell’s inhabitants, as well as the period’s city officials, reformers, and journalists (including the famous Nellie Bly), Stacy Horn has crafted a compelling and chilling narrative.  Damnation Island recreates what daily life was like on the island, what politics shaped it, and what constituted charity and therapy in the nineteenth century. Throughout the book, we return to the extraordinary Blackwell’s missionary Reverend French, champion of the forgotten, as he ministers to these inmates, battles the bureaucratic mazes of the Corrections Department and a corrupt City Hall, testifies at salacious trials, and in his diary wonders about man’s inhumanity to man.   For history fans, and for anyone interested in the ways we care for the least fortunate among us, Damnation Island is an eye-opening look at a closed and secretive world. With a tale that is exceedingly relevant today, Horn shows us how far we’ve come—and how much work still remains.

    He explains how the mafia began, how it responds to threats and challenges, and introduces us to the real-life characters that inspired the American imagination for generations, making the mafia an international, larger than life cultural phenomenon. Dickie's dazzling cast of characters includes Antonio Giammona, the first "boss of bosses''; New York cop Joe Petrosino, who underestimated the Sicilian mafia and paid for it with his life; and Bernard "the Tractor" Provenzano, the current boss of bosses who has been hiding in Sicily since 1963.

    Yet how much do we really know about the world that policing inhabits and reveals? In his deeply revealing new book, John Sutherland invites us to step behind the cordon tape and bear witness to the things that he has seen in his twenty-five years of service with the Metropolitan Police. Tackling ten of the biggest challenges facing society today - from alcohol abuse, drug addiction and domestic violence to knife crime, terrorism and sexual offences - we are introduced to people who have been pushed to the limits and beyond. In doing so, we gain a clearer sense of what needs to be done to make our neighbourhoods safer and to transform the lives of those we live alongside. Eye-opening, courageous and moving, CROSSING THE LINE is a book that will change the way you see the world around you.

    A divided populace who sees him as savior or sinner. Streets filled with guns. Anger toward those who can't speak English. The presence of the Klan. A media in its infancy, awakening to their ability to sway public discourse. This is not modern day America, but postwar Texas. Beeville was the most American of small towns--the place that GIs had fantasized about while fighting through the ruins of Europe, a place of good schools, clean streets, and churches. Old West justice ruled, as evidenced by a 1947 shootout when outlaws surprised popular sheriff Vail Ennis at a gas station and shot him five times, point blank, in the belly. Ellis managed to draw his gun and put three bullets in each assailant; he reloaded and put in each three more. Then he drove himself sixteen miles to a hospital. Time Magazine's full-page article on the shooting was seen by some as a referendum on law enforcement owing to the sheriff's extreme violence, but telegrams, cards, and flowers from all across America poured into the Beeville's tiny post office. Most of Beeville took comfort in knowing that Ennis kept them safe, that Texas was still Texas Yet when a second violent incident threw Ennis into the crosshairs of public opinion once again, his downfall was orchestrated by an unlikely figure: his close friend and Beeville's favorite son, Johnny Barnhart. Feeling the town had to take responsibility for the violence, Barnhart confronted and overthrew Ennis in the election of 1952: a landmark standoff between old Texas, with its culture of cowboy bravery and violence, and urban Texas, with its lawyers, oil institutions, and a growing Mexican population. The town would never be the same again. The Last Sheriff of Texas is a riveting narrative about the postwar American landscape, an era grappling with the same issues we continue to face today. Debate over excessive force in law enforcement, Anglo-Mexican relations, racism, gun control, the influence of the media, urban-rural conflict, the power of the oil industry, mistrust of politicians and the political process--all have surprising historical precedence in the story of Vail Ennis and Johnny Barnhart.

    Dramatically and entertainingly, Bad Paper reveals why. It tells the story of Aaron Siegel, a former banking executive, and Brandon Wilson, a former armed robber, who become partners and go in quest of "paper"—the uncollected debts that are sold off by banks for pennies on the dollar. As Aaron and Brandon learn, the world of consumer debt collection is an unregulated shadowland where operators often make unwarranted threats and even collect debts that are not theirs.Introducing an unforgettable cast of strivers and rogues, Jake Halpern chronicles their lives as they manage high-pressure call centers, hunt for paper in Las Vegas casinos, and meet in parked cars to sell the social security numbers and account information of unsuspecting consumers. He also tracks a "package" of debt that is stolen by unscrupulous collectors, leading to a dramatic showdown with guns in a Buffalo corner store. Along the way, he reveals the human cost of a system that compounds the troubles of hardworking Americans and permits banks to ignore their former customers. The result is a vital exposé that is also a bravura feat of storytelling.

    With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Based on interviews with Lansky's close friends & criminal associates, with law enforcement experts, & with members of Lansky's own family, & using previously unpublished documents written by Lansky himself, this is both the biography of a mob operator & a social history of American crime.

    Others claim innocence. At least three cheer for their favorite football teams. Death waits for us all, but only those sentenced to death know the day and the hour—and only they can be sure that their last words will be recorded for posterity. Last Words of the Executed presents an oral history of American capital punishment, as heard from the gallows, the chair, and the gurney. The product of seven years of extensive research by journalist Robert K. Elder, the book explores the cultural value of these final statements and asks what we can learn from them. We hear from both the famous—such as Nathan Hale, Joe Hill, Ted Bundy, and John Brown—and the forgotten, and their words give us unprecedented glimpses into their lives, their crimes, and the world they inhabited. Organized by era and method of execution, these final statements range from heartfelt to horrific. Some are calls for peace or cries against injustice; others are accepting, confessional, or consoling; still others are venomous, rage-fueled diatribes. Even the chills evoked by some of these last words are brought on in part by the shared humanity we can’t ignore, their reminder that we all come to the same end, regardless of how we arrive there. Last Words of the Executed is not a political book. Rather, Elder simply asks readers to listen closely to these voices that echo history. The result is a riveting, moving testament from the darkest corners of society.

    From being taken under the wing of old time gangster Bumpy Johnson, through one of the most successful drug smuggling operations, to being sentenced to seventy years in prison, Original Gangster is a chilling look at the rise and fall of a modern legacy.   Frank Lucas realized that in order to gain the kind of success he craved he would have to break the monopoly that the Italian mafia held in New York. So Frank cut out middlemen and began smuggling heroin into the United States directly from his source in the Golden Triangle by using coffins. Making a million dollars per day selling "Blue Magic"--what was known as the purest heroin on the street--Frank Lucas became one of the most powerful crime lords of his time, while rubbing shoulders with the elite in entertainment, politics, and crime. After his arrest, Federal Judge Sterling Johnson, the special narcotics prosecutor in New York at the time of Lucas' crimes, called Lucas and his operation "one of the most outrageous international dope-smuggling gangs ever, an innovator who got his own connections outside the U.S. and then sold the narcotics himself in the street." T his powerful memoir reveals what really happened to the man whose career was dramatized in the 2007 feature film American Gangster, exposing a startling look at the world of organized crime.

    Reveals the inside story of how a special team of FBI agents used high-tech bugs and informants to crack the case against John Gotti.

    At the Justice Department in 1964, he investigated the murder of three civil rights workers—an infamous event that inspired the film Mississippi Burning. He led the national Legal Services Program for the poor, prosecuted organized crime in New York, defended peace activist Philip Berrigan, and represented CIA operative Sid Gottlieb. As a counsel to the Senate Watergate Committee, Lenzner investigated Nixon’s dirty tricks and followed the money trail that led to the Watergate burglary and cover-up. He was the first person to deliver a congressional subpoena to a sitting U.S. president. He uncovered cost overruns of the Alaska oil pipeline, helped identify the Unabomber, investigated the circumstances of Princess Diana’s death, and cleared Hugo Chavez of false corruption charges. Lenzner also worked with President Clinton’s defense team during the impeachment hearings.The Investigator is a riveting personal account: Lenzner astounds with anecdotes of scandal and intrigue, offers lessons in investigative methods, and provides an eye-opening look behind some of the most talked-about media stories and world events of our time.

    In Brazil's biggest city, a mysterious prisoner orders hit men to gun down forty-one police officers and prison guards in two days. In southwest Mexico, a meth maker is venerated as a saint while enforcing Old Testament justice on his enemies.A new kind of criminal kingpin has arisen: a hybrid of CEO, terrorist, and part rock star, commanding guerrilla attacks, strong-arming governments, and taking over much of the world's trade in narcotics, guns, and humans. What they do affects you now--from the gas in your car, to the gold in your jewelry, to the tens of thousands of Latin Americans calling for refugee status in the United States. Gangster Warlords is the first definitive account of the crime wars unleashing humanitarian disaster in Central and South America and the Caribbean, regions largely abandoned by the United States after the Cold War. Author of the critically acclaimed El Narco, Ioan Grillo has covered Latin America since 2001 and gained access up the cartel chain of command in what he calls the new battlefields of the Americas. Moving between militia-controlled ghettos and the halls of top policymakers, Grillo provides a disturbing new understanding of a war that has spiraled out of control--and needs to be confronted now.

    Until it was destroyed from within by drugs, greed, and the decline of its traditional crime Family values. And by guys like Sal Polisi. He was born in Brooklyn—the same place that spawned Murder, Inc., Al Capone, and John Gotti, the future Mob godfather who became his friend. Polisi was raised on a family legacy that led him into the life he loved as a member of the Colombos, one of the New York Mob’s feared Five Families, and came of age when the Mafia was at the height of its vast wealth and power. Known by his Mob name, Sally Ubatz (“Crazy Sally”), he ran an illegal after-hours gambling den, The Sinatra Club, that was a magic kingdom of crime and a hangout for up-and-coming mobsters like Gotti and the three wiseguys immortalized in Martin Scorsese’s GoodFellas—Henry Hill, Jimmy Burke, and Tommy DeSimone. For Polisi, the nonstop thrills of glory days spent robbing banks, hijacking trucks, pulling daring heists—and getting away with it all, thanks to cops and public servants corrupted by Mob money—were fleeting. When he was busted for drug trafficking, and already sickened by the bloodbath that engulfed the Mob as it teetered toward extinction, he flipped and became one of a breed he had loathed all his life—a rat. In this riveting, pulse-pounding, and, at times, darkly hilarious first-person chronicle of his brazen crimes, wild sexual escapades, and personal tragedies, Polisi tells his story of life inside the New York Mob in a voice straight from the streets. With shocking candor, he draws on a hard-won knowledge of Mob history to paint a neverbefore- seen picture of the inner workings of the Mob and the larger-than-life characters who populated a once extensive and secret underworld that, thanks to guys like him, no longer exists. *** I was always a street guy. I was into robbing and stealing and gambling and loan sharking. I wasn’t involved in the bigmoney sit-downs, the labor racketeering and construction company shakedowns, the Garment District and garbage and cement company kickbacks. . . . For guys like me and Fox, my blood brother and crime partner, the thing we loved about being in that life was the action, the excitement. . . .We were in it for the money, sure. But it was the danger, the thrills that made the life of crime something special. A guy like John Gotti was different. He was far more ambitious than me and Fox. He wasn’t just in it for the rush and the riches. He wanted the power and the glory. John Gotti’s tragedy, if you can call it that, was that he was born too late for the old-school gangster crown that he craved. He began his rise as the Mob was beginning to crumble; by the time he got to the top, the bottom had dropped out. From the beginning, John was charismatic and smart. He just wasn’t cut out to be godfather. Once he became boss, he drove the bus right off the bridge. Or maybe it was the bus that drove him. Either way, I watched him go. Here’s how it all happened.