Is the emperor alive? Or is his death being kept a closely-guarded secret? It’s impossible to know for certain, since the spies and agents of the kingdom trade in misinformation and half-truths, and only heighten the tension between the brothers.In this atmosphere of palace intrigue and chicanery—as Murad acquires a reputation for overindulgence, Dara for sensitivity, and Shuja for impulsiveness—the stage seems set for a power-hungry Aurangzeb to make his ascent as emperor. However, will Aurangzeb’s quest for domination become his ultimate undoing? The Mughal High Noon, with master brushstrokes, explores questions of power, faith and contentment.

    GANNON AND ROBERT WATERSDomingos Fernandes Calabar started out as a military advisor for the Portuguese in Brazil. But to his superiors, he was still nothing more than a mameluco, a man of mixed blood. Until, that is, the Dutch arrived and he switched sides. Then the Portuguese had a new label for him: “traitorous dog.” But when Dutch admiral Maarten Tromp arrives, having barely survived the disastrous Battle of Dunkirk, Calabar’s job changes again. Now he has to help engineer a swift Dutch exodus to a safer place before word of Tromp’s defeat reaches Spanish ears. Partnered with the Sephardic pirate Moses Cohen Henriques, the two aid the battered Dutch fleet by striking at the Portuguese and Spanish, both on land and sea. Until, that is, Calabar learns that bitter personal enemies have grabbed his family, put them in chains, and sold them to a slaveship bound for the Spanish Main. Calabar must now choose: continue to help the Dutch, or save his wife and children? Tromp and other strong allies want to put an end to slavery, too, but their strategies and timetable are measured in months and years. Calabar doesn’t have that kind of time and can’t rely on their methods. The struggle to recover his family, and to free the millions more suffering in shackles, is one he must win in his own way and on his own terms. Because ultimately, this is not just  Calabar’s fight. This is Calabar’s war. About 1635: A Parcel of Rogues: "The 20th volume in this popular, fast-paced alternative history series follows close on the heels of the events in The Baltic War, picking up with the protagonists in London, including sharpshooter Julie Sims. This time the 20th-century transplants are determined to prevent the rise of Oliver Cromwell and even have the support of King Charles."—Library Journal About 1634: The Galileo Affair: "A rich, complex alternate history with great characters and vivid action. A great read and an excellent book."—David Drake "Gripping . . . depicted with power!"—Publishers Weekly About Eric Flint's Ring of Fire series: “This alternate history series is . . . a landmark . . .”—Booklist “[Eric] Flint's 1632 universe seems to be inspiring a whole new crop of gifted alternate historians.”—Booklist “ . . . reads like a technothriller set in the age of the Medicis . . . ”—Publishers Weekly

    Provinces are in rebellion, while Emperor Nero struggles to maintain the remnants of his political power, as well as his last shreds of sanity. In the province of Hispania, the governor, Servius Sulpicius Galba, marches on Rome. In his despair, Nero commits suicide. Galba, the first Emperor of Rome from outside the Julio-Claudian Dynasty, is at first viewed as a liberator, yet he soon proves to be a merciless despot, alienating even those closest to him. A member of the imperial court, and former favorite of Nero, Marcus Salvius Otho seeks to become the childless Galba’s successor. When he is snubbed for another of the new emperor’s favorites, Otho decides to take the mantle of Caesar by force. At the same time, the governor of Germania, Aulus Vitellius, is proclaimed emperor by his legions, leading Rome into civil war. In the east, the empire’s fiercest general, Flavius Vespasian, has been embroiled in suppressing the rebellion in Judea over the last two years. With nearly one third of the entire Roman Army under his command, he wields formidable power. At first attempting to stay above the fray, and with the empire fracturing into various alliances, Rome’s most loyal soldier may soon be compelled to put an end to the Reign of the Tyrants.

    

    They built it outside the Suffolk town so it would not infect the healthy with its horrors. But the town itself is long gone, washed away by the North Sea. Only the Leper House remains, a shelter for the unwanted. A bereaved man strays there on a stormy night when the bell tolls once again beneath the waves. In a nearby house, a woman waits for history to repeat itself. When time isn’t what it seems, nor is love and nor are ghosts. And nor are we. The Leper House is a 19,000-word novella, written for Kindle Singles and available here for the first time. Andrew Taylor is a British crime and historical novelist whose books include the international bestseller, The American Boy (a Richard-and-Judy selection), and the Roth Trilogy (filmed for TV as Fallen Angel). Among his many awards are the Cartier Diamond Dagger for Lifetime Excellence in crime writing. His latest novel is The Scent of Death, winner of the 2013 Historical Dagger.

    R. James is best remembered for his ghost stories which are widely regarded as among the finest in English literature. One of James' most important achievements was to redefine the ghost story for the new century by dispensing with many of the formal gothic trappings of his predecessors, and replacing them with more realistic contemporary settings.According to James, a story must "put the reader into the position of saying to himself: 'If I'm not careful, something of this kind may happen to me!'"

    A number of wonderful fantasy novels, including Stardust by Neil Gaiman, Jonathan Strange and Mr Norrell by Susanna Clarke, and The Prestige by Christopher Priest, owe their inspiration to works by nineteenth-century writers ranging from Jane Austen, the Brontës, and George Meredith to Charles Dickens, Anthony Trollope, and William Morris. And, of course, the entire steampunk genre and subculture owes more than a little to literature inspired by this period.Queen Victoria’s Book of Spells is an anthology for everyone who loves these works of neo-Victorian fiction, and wishes to explore the wide variety of ways that modern fantasists are using nineteenth-century settings, characters, and themes. These approaches stretch from steampunk fiction to the Austen-and-Trollope inspired works that some critics call Fantasy of Manners, all of which fit under the larger umbrella of Gaslamp Fantasy. The result is eighteen stories by experts from the fantasy, horror, mainstream, and young adult fields, including both bestselling writers and exciting new talents such as Elizabeth Bear, James Blaylock, Jeffrey Ford, Ellen Kushner, Tanith Lee, Gregory Maguire, Delia Sherman, and Catherynne M. Valente, who present a bewitching vision of a nineteenth century invested (or cursed!) with magic.The Line-up:“Queen Victoria’s Book of Spells” by Delia Sherman“The Fairy Enterprise” by Jeffrey Ford“From the Catalogue of the Pavilion of the Uncanny and Marvelous, Scheduled for Premiere at the Great Exhibition (Before the Fire)” by Genevieve Valentine“The Memory Book” by Maureen McHugh“La Reine D’Enfer” by Kathe Koja“Briar Rose” by Elizabeth Wein“The Governess” by Elizabeth Bear“Smithfield” by James P. Blaylock“The Unwanted Women of Surrey” by Kaaron Warren“Charged” by Leanna Renee Hieber“Mr. Splitfoot” by Dale Bailey“Phosphorus” by Veronica Schanoes“We Without Us Were Shadows” by Catherynne M. Valente“The Vital Importance of the Superficial” by Ellen Kushner and Caroline Stevermer“The Jewel in the Toad Queen’s Crown” by Jane Yolen“A Few Twigs He Left Behind” by Gregory Maguire“Their Monstrous Minds” by Tanith Lee“Estella Saves the Village” by Theodora Goss

     Emperor Vespasian has ordered a push further into Germania than the legions have ever been and an enemy army is gathering to meet them. What neither side is prepared for is the darker force that they will both face. Indiscriminate and incapable of mercy, the new enemy will drive the Romans to the very brink of destruction. The Gates of Hades have opened and the Roman Legions must face what has escaped.

    Little is known of her during her 30 plus years as a slave in Tennessee, or her life shortly thereafter. Her arrival and subsequent life in Cascade, Montana would make her a legend. Enjoy this great, inspiring and very humorous story of one amazing woman!

    What if you could change it back? Stephen King’s heart-stoppingly dramatic new novel is about a man who travels back in time to prevent the JFK assassination—a thousand page tour de force. Following his massively successful novel Under the Dome, King sweeps readers back in time to another moment—a real life moment—when everything went wrong: the JFK assassination. And he introduces readers to a character who has the power to change the course of history.Jake Epping is a thirty-five-year-old high school English teacher in Lisbon Falls, Maine, who makes extra money teaching adults in the GED program. He receives an essay from one of the students—a gruesome, harrowing first person story about the night 50 years ago when Harry Dunning’s father came home and killed his mother, his sister, and his brother with a hammer. Harry escaped with a smashed leg, as evidenced by his crooked walk. Not much later, Jake’s friend Al, who runs the local diner, divulges a secret: his storeroom is a portal to 1958. He enlists Jake on an insane—and insanely possible—mission to try to prevent the Kennedy assassination.So begins Jake’s new life as George Amberson and his new world of Elvis and JFK, of big American cars and sock hops, of a troubled loner named Lee Harvey Oswald and a beautiful high school librarian named Sadie Dunhill, who becomes the love of Jake’s life—a life that transgresses all the normal rules of time.

    When an enigmatic stranger steals her heart, can she know he wants her for the right reasons?London 1808: Widowed at the age of twenty, Ann has no optimism for the future. At the beck and call of her domineering mother she longs to make a new life for herself with the legacy left by her late husband. But it's not that easy. Not when it means leaving her sisters behind. Her world is turned upside down when a curious gentleman stops to speak to her. Chas is new to the area, but he seems to know a lot about her … and he certainly looks well-to-do. Could he be her saviour? With newfound hope Ann dares to dream again, but Chas has a secret. Something he refuses to share. As their friendship grows, there are those who want to keep them apart … but when Ann stumbles upon Chas’s past, she realises that only she can decide what their future holds. Inspired by the compelling family history of author V L McBeath, The Young Widow is a standalone story in The Ambition & Destiny Series. Set in Georgian-era London, forty years before the start of this historical family saga, The Young Widow adds another dimension to this epic series. Get your copy today. Please Note: The Young Widow is written in UK English. Other books in The Ambition & Destiny Series: Prequel: Condemned by Fate Part 1: Hooks & Eyes Part 2: Less Than Equals Part 3: When Time Runs Out Part 4: Only One Winner Part 5: Different World

    Face to face. One machine against another.It was shortly after the outbreak of the First World War. Martin Falconer and his friend, Frank, were anxious to ‘get into the scrap’ as soon as possible, their youth blinding them to the real danger of it all.Geoffrey, Martin’s elder brother, knew that it wasn’t a game. He had fought in the trenches, been wounded and had seen friends die.For Geoffrey the R.F.C. offered an opportunity to escape the mud and horror of the Front, while for Martin and Frank it was the chance to be in at the start of a totally different kind of fighting. They were to be pioneers.A scintillating, full-throttle thriller of the First World War, perfect for fans of W. E. Johns, Derek Robinson and Geoffrey Wellum.

    A young man is given a new start in life as a result of an impulsive action, beginning a journey that will take him to the far reaches of the known world to watch - and sometimes to partake in - the rise and fall of mighty empires.

    When she lost the printing business that was their livelihood soon after they had lost both their mother and father, they also lost the home in which they had both been born. Relegated to a life in a grey tenement, and long hours of Ada working in the Bow match factory and little Emma selling wares on the cold, unaccommodating streets of east London, the sisters had nothing but each other. What they shared now was a life without warmth, a life of disadvantage, a life where roast lamb and gravy was no more than a shared illusion, where Christmas was not a day apart from any other. And then Ada was forced to enter into a contract with a monster. Would he sell her to the highest bidder just as he had done to so many women before? What would become of little Emma if she were taken from her? Everett Floyd was known to be heartless. How was it that two young, vulnerable and innocent girls could melt his icy heart without even trying? In an age of misery where money distinguished people - and separated lives - could two very different worlds come together to heal the pain of the past and bring a new reality?

    Discovered by the police, Bincy is taken to an orphanage, where she learns that Mama is not the only person who doesn't want her. In truth, nobody wants her, and Bincy is forced to cling to the orphanage bully Mae for comfort. As the years pass, Mae forces Bincy to do everything she demands, from picking on the younger girls to giving up her meager allotment of food. When Bincy is betrayed by Mae, she's sent to work in a manor house as a scullery maid. That's where Bincy meets two young men: Judd, the street urchin who comes into the cellar to scavenge for food, and Henry, the charismatic young master of the house. Despite Judd's warnings, Bincy finds herself falling for Henry. But when Henry demands more from her than she's willing to give, Bincy has to make a choice: give herself to him or face her greatest fear of being alone and discarded once more.