Stone has created a pageant of stories of the great westward drive.

    The trail met its end in 1869 with the completion of the transcontinental railway. Western Passage is a detailed account of the Oregon Migration of 1843 in a "historical fiction" setting. In this context, the reader can enjoy the adventure as a participant, rather than as a student or scholar. During its twenty-five year history, the Oregon Trail essentially changed every year. From its rough beginnings grew an organized route. By 1846 ferries serviced most of the major river crossings, and fully-stocked supply depots awaited hungry travelers. Due to all the livestock driven west, the trail became a mile-wide swath of trampled ground, providing an easy road with no need for a guide. During the summers of 1849 and 1850, over 100,000 miners also followed the Oregon Trail, enroute to the California gold fields. By the 1850s, Mormons were using the trail as a source of income, supplying emigrants with food and equipment. As the railroad extended further west, many people took the train as far as they could before switching to the trail. Only the 1843 migration held the true adventure of entering an unknown land. Guides were needed to show the way; dangerous river crossings taxed the courage of everyone; the existing fur trading posts were unable to supply necessary food and other equipment; and the first emigrants had to build their own road because the Oregon Trail did not yet exist. Wagons had never been taken all the way to Oregon, and it was entirely possible that this great experiment might end in tragedy. It is this migration, 1843, to which we often attribute the adventure and romanticism of the Oregon Trail. While researching this book, I found information to be both scarce and scattered, requiring many months to form an outline of the complexity of this event. The popular myth of western migration, championed by film and television, depicts a wagon train of smiling emigrants, traveling down a well-worn road and fighting Indians at every turn. The truth is considerably different. Research sources included the Oregon Historical Society, several Oregon historical libraries, the Oregon State Archives, numerous probate records, military discharge papers, newspaper clippings, trail diaries, and cemetery headstones. I suspect that other sources of information are hidden away in the attics of various descendents, information that is essentially not available to the public. Appendix A provides a listing of the known emigrants that were part of the 1843 Oregon Emigrating Company, along with some brief biographical data. This appendix is nonfiction, providing new knowledge to the scholarly community and, it is hoped, inspiring other researchers to help fill in the gaps. The Oregon Migration of 1843 was a watershed moment in American history. It marked the end of the trapping era and the beginnings of civilization on the Western frontier. You are about to become part of that experience. Enjoy the journey! T. J. Hanson July, 2001

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    John Boessenecker now restores this incredible Ranger to his proper place alongside such fabled lawmen as Wyatt Earp and Eliot Ness. Here is a grand adventure story, told with grace and authority by a master historian of American law enforcement. Frank Hamer can rest easy as readers will finally learn the truth behind his amazing career, spanning the end of the Wild West through the bloody days of the gangsters.” --Paul Andrew Hutton, author of The Apache WarsTo most Americans, Frank Hamer is known only as the “villain” of the 1967 film Bonnie and Clyde. Now, in Texas Ranger, historian John Boessenecker sets out to restore Hamer’s good name and prove that he was, in fact, a classic American hero.From the horseback days of the Old West through the gangster days of the 1930s, Hamer stood on the frontlines of some of the most important and exciting periods in American history. He participated in the Bandit War of 1915, survived the climactic gunfight in the last blood feud of the Old West, battled the Mexican Revolution’s spillover across the border, protected African Americans from lynch mobs and the Ku Klux Klan, and ran down gangsters, bootleggers, and Communists. When at last his career came to an end, it was only when he ran up against another legendary Texan: Lyndon B. Johnson.Written by one of the most acclaimed historians of the Old West, Texas Ranger is the first biography to tell the full story of this near-mythic lawman.

    Even though the past two years have witnessed the Red Sox' finally putting an end to the Curse of the Bambino and the White Sox' bringing a championship to the South Side of Chicago for the first time in eighty-seven years, the sad truth is that the 2005 and 2006 seasons may be remembered as much for the league's scandals and blockbuster free-agent signings as they are for historic accomplishments on the field. Something has gone horribly wrong with the game, and according to Schmidt, it's time to do something about it.Clearing the Bases is a much-needed call to arms by one of baseball's most respected players. Drawing on his experiences as a third baseman, a manager, and, most recently, a fan, Schmidt takes on everything from skyrocketing payrolls, callous owners, and unapproachable players to inflated statistics, and, of course, ersatz home run kings. With bold and spirited counsel, Schmidt offers his own prescription for restoring integrity to the game and bringing baseball back, once and for all, to its rightful place.More than just an old-timer's screed against the modern game, however, Clearing the Bases goes beyond the BALCO investigation and never-ending free-agent bonanzas that dominate the back pages. It also examines all that's right -- and what still needs work -- with our national pastime, including interleague play, expansion, and, most surprisingly, better all-around hitters.Riveting, wise, and illuminating, Clearing the Bases is a Hall of Famer's look at how Major League Baseball has lost its way and how it can head back home.

    In the process, they created one of the most enduring icons of the American West: the Pony Express. Daring young men with colorful names like “Bronco Charlie” and “Sawed-Off Jim” galloped at speed over a vast and unforgiving landscape, etching an irresistible tale that passed into myth almost instantly. Equally an improbable success and a business disaster, the Pony Express came and went in just eighteen months, but not before uniting and captivating a nation on the brink of being torn apart. Jim DeFelice’s brilliantly entertaining West Like Lightning is the first major history of the Pony Express to put its birth, life, and legacy into the full context of the American story.The Central Overland California and Pikes Peak Express Company—or “Pony Express,” as it came to be known—was part of a plan by William Russell, Alexander Majors, and William Waddell to create the next American Express, a transportation and financial juggernaut that already dominated commerce back east. All that stood in their way were almost two thousand miles of uninhabited desert, ice-capped mountains, oceanic plains roamed by Indian tribes, whitewater-choked rivers, and harsh, unsettled wilderness.The Pony used a relay system of courageous horseback riders to ferry mail halfway across a continent in just ten days. The challenges the riders faced were enormous, yet the Pony Express succeeded, delivering thousands of letters at record speed. The service instantly became the most direct means of communication between the eastern United States and its far western territories, helping to firmly connect them to the Union.Populated with cast of characters including Abraham Lincoln (news of whose electoral victory the Express delivered to California), Wild Bill Hickock, Buffalo Bill Cody (who fed the legend of the Express in his Wild West Show), and Mark Twain (who celebrated the riders in Roughing It), West Like Lightning masterfully traces the development of the Pony Express and follows it from its start in St. Joseph, Missouri—the edge of the civilized world—west to Sacramento, the capital of California, then booming from the gold rush. Jim DeFelice, who traveled the Pony’s route in his research, plumbs the legends, myths, and surprising truth of the service, exploring its lasting relevance today as a symbol of American enterprise, audacity, and daring.

     Gunslingers rubbed shoulders with Mexican outlaws in this rough and rugged country where there were “men with money looking to become millionaires, land-grabbers, experienced and inexperienced miners, quacks, professional deceivers, publicity men lauding gold mines that do not exist.” In the midst of all these dangerous and scheming men were the black-robed Sisters of Charity, one of whom was Sister Blandina Segale. Born in northern Italy she had moved with her family to Cincinnati at the age of four. Twelve years later she took her vows and boarded a stagecoach to Trinidad, Colorado, to begin life as a missionary. As the introduction states, this is an inspiring record of educational and charitable work carried on for many years in Colorado and New Mexico for Indian and Mexican, Catholics and non-Catholics, rich and poor, the criminal and law abiding. From 1872 through to 1893 she worked with the communities of Trinidad, Santa Fe and Albuquerque to suppress violence, educate and care for those she could, all the while providing religious council and comfort to the people of these wild lands. Throughout these years she kept a journal and wrote letters that would eventually become the basis for the book At the End of the Santa Fe Trail which provides fascinating insight into one nun’s perspective on life in the far west. Particularly fascinating is the relationships she builds with some of the notorious figures of the Old West, including Billy the Kid. “The story is told for the most part by means of extracts from Sister Blandina's journal and her letters to her sister. They reveal a very human figure, with a well-developed sense of humor and a fine measure of moral courage to buttress her religious faith.” Kirkus Reviews Sister Blandina Segale was an Italian-born American religious sister and missionary. During the course of her life she served as an educator and social worker who worked in Ohio, Colorado and New Mexico, assisting Native Americans, Hispanic settlers and European immigrants. The Roman Catholic Archdiocese of Santa Fe has opened a process to canonize Segale, for which it has received the permission of the Holy See. For this, she is honored by the Catholic Church with the title of Servant of God. She is the first individual in New Mexico's 400-year history with the Roman Catholic Church to have a cause opened for their beatification and canonization. Her book At the End of the Santa Fe Trail was first published in 1932 and reprinted in 1948. She passed away in 1941.

    Ambushed while guiding a horse drive, Owen Burke somehow needs to find the bandits who attacked him while evading capture by the man who thinks he was behind the raid.

    Born to a Methodist preacher in 1853, near Bonham, Texas, Wes Hardin killed his first man, a former slave of his uncle’s, at the tender age of 15. Fearing that he’d receive unfair treatment in a Union occupied state where one third of the police force were former slaves, Hardin went into hiding.The authorities wasted no time in discovering Wes Hardin, but when they sent three Union soldiers to arrest him, Hardin confronted his pursuers: ‘thus it was by the fall of 1868 I had killed four men and was myself wounded in the arm’.Knowing he could not return, Hardin travels with outlaws, drives cattle, and gambles his way across the state. In his biography he details the mounting body count, and justifies every shootout, claiming to have ‘never killed a man wantonly or in cold blood’.Throughout this lively account, Hardin narrates in meticulous detail the various troubles he runs into, including his encounter with the famous “Wild Bill” Hickock. He negotiates the quarrels and the blood feuds of his late teens and early twenties with surprising good fortune, even managing to find time to marry and have children, before capture in his mid twenties. In the ten years between his first killing in 1868 and his final capture, he killed more than a score of men and became the most wanted fugitive of his time.The imprisonment of Wes Hardin marks the end of the journal, which remains the only authentic autobiography of a wild west gunslinger to date. Written during his time in prison, it is an understandably biased tale, but nonetheless a unique and gripping first-person account of an interesting life and an interesting period in American history.This version of Hardin’s autobiography also includes several other materials from the original publishers, dealing with Wes Hardin’s release and subsequent shooting in 1895.John Wesley Hardin (May 26, 1853 – August 19, 1895) was an American Old West outlaw, gunfighter, and controversial folk icon. His memoir was published the year after his death in 1896. For details of other books published by Albion Press go to the website at www.albionpress.co.uk. Albion Press is an imprint of Endeavour Press, the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    When Edward is tragically killed, Viola survives the best way she can, and ends up becoming partner with another widow in a laundry and dressmaking business, barely making ends meet. When her partner deserts her and her husband's debts threaten to destroy her, Viola offers William Donovan - a self-made Irish man - a deal he can't resist. She offers to be his personal mistress for three months; in return, Donovan agrees to house and feed her, which allows Viola to turn down the advances of Paul Lennox, a treacherous man whom she loathes. As Viola and William start to trust each other - much to both of their surprise - things heat up as Lennox plots to kidnap Viola. But will the growing bond between Viola and her Irish devil prove strong enough to overcome the dangerous circumstances that are headed their way?

    She is the girl with the blue tattoo.The story behind the distinctive tattoo is the stuff of legends. Some believed it was placed on her face during her captivity, following the brutal murders of her family members and the kidnapping of her and her sister. Others believe it was placed on her after her return.Rumors swelled. Her tattoo became a symbol of Native barbarianism and the triumph of American goodness, but like many stories of that era, the truth is far more complicated.This short book details the murders, her captivity, the aftermath, and her baffling return to her captors. Unravel the mystery of the woman who would become famous for all the wrong reasons and discover what her life story says about cultural identity, the power of resiliency, and what happens when fact and fiction bend and twist to muddy the waters.Read on to find out the truth!

    It has been translated into every major language on Earth and dozens of minor ones; it has spawned entire genres of animation, and had more books written about it than all but a handful of American Presidents. Even its minor characters have become iconic, and the titular family is recognizable in almost every corner of the planet. It is a definitive and truly global cultural phenomenon, perhaps the biggest of the television age. As of this writing, if you flip on FOX at 8pm on Sundays, you will see a program that bills itself as "The Simpsons". It is not "The Simpsons". That show, the landmark piece of American culture that debuted on 17 December 1989, went off the air more than a decade ago. The replacement is a hopelessly mediocre imitation that bears only a superficial resemblance to the original. It is the unwanted sequel, the stale spinoff, the creative dry hole that is kept pumping in the endless search for more money. It is Zombie Simpsons.

    The Homesman is a devastating story of early pioneers in 1850s American West. It celebrates the ones we hear nothing of: the brave women whose hearts and minds were broken by a life of bitter hardship. A spokesman; must be found to escort a handful of them back East to a sanitarium. When none of the countys men steps up, the job falls to Mary Bee Cuddy& ex-teacher, spinster, indomitable and resourceful. Brave as she is, Mary Bee knows she cannot succeed alone. The only companion she can find is the low-life claim jumper George Briggs. Thus begins a trek east, against the tide of colonization, against hardship, Indian attacks, ice storms, and loneliness; a timeless classic told in a series of tough, fast-paced adventures. In an unprecedented sweep, Glendon Swarthouts novel won both the Western Writers of America's Spur Award and the Western Heritage Wrangler Award. A new afterword by the author's son Miles Swarthout tells of his parents Glendon and Kathryn's discovery of and research into the lives of the often forgotten frontier women who make The Homesman as moving and believable as it is unforgettable.

    Ambrose, a dual biography of two great nineteenth century warriors, General Custer and Crazy Horse, culminating in the Battle of Little Bighorn.

    And they all go back to one source: The Authentic Life of Billy, the Kid, published in 1882 by the man who killed Billy, Sheriff Pat Garrett.Frederick Nolan, an authority on the American Southwest, examines the legends introduced by The Authentic Life and shows how Garrett's book is responsible for misconceptions about the Kid's early life and his short, violent career. Many inaccuracies in The Authentic Life can be attributed to a ghostwriter, Marshall Ashmun "Ash" Upson, but Garrett's contributions also are flawed. As Nolan reveals, the sheriff glossed over events that made him look less than perfect.This new edition, complete with the original text, corrects Upson's errors, amplifies Garrett's narrative, and elucidates the causes and course of the Lincoln County War in New Mexico during the 1870s. Nolan provides an introduction that reappraises the last fatal meeting of Garrett and Billy the Kid, as well as a postscript about the snakebitten life of the sheriff after the moment that made him famous.