A little girl called Mirror and her shape-shifting guardian Goliath Honeyflower are washed up on the shores of Victorian England. Something has been wrong with Mirror since the day her grandfather locked her inside a mysterious clock that was painted all over with ladybirds. Mirror does not know what she is, but she knows she is no longer human. John Loveheart, meanwhile, was not born wicked. But after the sinister death of his parents, he was taken by Mr. Fingers, the demon lord of the underworld. Some say he is mad. John would be inclined to agree. Now Mr Fingers is determined to find the little girl called Mirror, whose flesh he intends to eat, and whose soul is the key to his eternal reign. And John Loveheart has been called by his otherworldly father to help him track Mirror down...

    Right-wing evangelist Godwin Mann isn’t about to let that continue, and his intolerant brand of fundamentalism has struck a chord with the residents. But Mann goes too far when he descends into the pit where the ancient being who’s been worshipped by the Druids for centuries is said to dwell.What emerges is no longer Mann, but a demon in Mann’s shape, and only the town’s outcasts can see that something is horribly wrong. Slowly, as the evil spreads, Moonwell becomes cut off from the rest of the world. Telephone lines become disconnected. Roads no longer lead out of town. And the monster’s power only grows... and grows.

    The repercussions will be felt for generations...Sixteen-year-old photography enthusiast Zoey has been fascinated by the haunted, burnt-out ruins of Medwyn Mill House for as long as she can remember--so she and her best friend, Poulton, run away from home to explore them. But are they really alone in the house? And who will know if something goes wrong?In 1851, seventeen-year-old Roan arrives at the Mill House as a ward--one of three, all with something to hide from their new guardian. When Roan learns that she is connected to an ancient secret, she must escape the house before she is trapped forever.1583. Hermione, a new young bride, accompanies her husband to the wilds of North Wales where he plans to build the largest water mill and mansion in the area. But rumors of unholy rituals lead to a tragic occurrence and she will need all her strength to defeat it.Three women, centuries apart, drawn together by one Unholy Pact. A pact made by a man who, more than a thousand years later, may still be watching...

    Tilly's seance --Mrs. Amworth --In the tube --Roderick's story --Reconciliation --Face --Spinach --Bagnell terrace --A tale of an empty house --Naboth's vineyard --Expiation --Home sweet home --"And no bird sings" --Corner house --Corstophine --Temple --Step --Bed by the window --James Lamp --Dance --Hanging of Alfred Wadham --Pirates --Wishing-well --Bath-chair --Monkeys --Christopher comes back --Sanctuary --Thursday evenings --Psychical mallards --Clonmel witch burning.

    Her childhood was filled with seances, scam mediums and talk of ghostly presences.When Mara finally left her family's home, she vowed she would never allow superstition or false religion into her life again. Now she's ready to start over with her fiance, Neil, in a world based on rationality and facts.But her past isn't ready to let her go just yet.Mara and Neil purchase Blackwood House, a derelict property outside of town. They're warned about strange occurrences in the crumbling building. Doors open by themselves, voices whisper in the night, bloody handprints appear on the walls, and cold spots linger in the basement, where the house's original owner was murdered.But Blackwood was dirt-cheap and came with a large plot of overgrown land. Mara loves her new home, and disregards the warnings.Because ghosts aren't real......are they?

    In the case of Thomas Ligotti, the response has invariably been to the effect that he never has any idea what he is going to produce in the future, if anything. Since he began publishing in the early 1980s, this answer has perhaps seemed somewhat disingenuous. Some may have thought that it was an affectation or diversionary tactic. After all, books under his name have since appeared on a somewhat regular, if not exactly prolific, schedule. But as the years went by, it became more and more apparent that Ligotti’s output was at best haphazard. A chapbook here, a slim or full-fledged story collection there, a book of poetry or unclassifiable prose out of nowhere, and then at some point a quasi-academic statement of his philosophical ideas and attitudes. Such a scattered crop of writings is not unheard-of, but for one who toils in the genre of horror, whose practitioners are commonly hard at work on a daily basis, it does seem as paltry as it is directionless. Accordingly, the present volume is another unexpected contribution to Ligotti’s desultory offerings. And no one could be as surprised by its appearance as he was. As anyone knows who has followed his interviews and obsessions as they appear in his fiction, Ligotti must take his literary cues from a lifetime of, let us say, whimsical pathologies. Other authors may suffer writer’s block. In the present case, the reason may be dubbed “existence block,” one that persisted for some ten years. This is less than an ideal development for anyone, but for a word-monger it can spell the end. And yet the end did not arrive. During 2012, it seemed that it might in the form of a sudden collapse and subsequent hospitalization prefigured—one might speculate—by the abdominal crisis suffered by the character Grossvogel in Ligotti’s story “The Shadow, The Darkness.” Yet like the agony endured by the aforementioned figure, the one in question led only to a revitalization of creativity. This revitalization may not be exactly spectacular, but all the same here it is. Throughout Ligotti’s “career” as a horror writer, many of his stories have evolved from physical or emotional crises. And so it was with the surgical trauma that led to the stories in The Spectral Link, an event that is marginally mentioned in the first of these stories, “Metaphysica Morum.” In the second story, “The Small People,” Ligotti returns, although not precisely in the usual fashion, to his fixation with uncanny representations of the so-called human being. Having nearly ceased to exist as he lay on the surgeon’s table, the imposing strangeness of the nature and vicissitudes of this life form once again arose in his imagination. So what project and publications are forthcoming from Thomas Ligotti? As ever, not even he knows.

    Nell Martin is moving again, this time to the Winslow Grand Hotel, built in 1878. As Nell is settling in, strange things begin to happen. Doors lock of their own accord, writing appears on bathroom walls--and most horrifying of all--visions of a dead boy permeate her waking life. Thinking it was her mind playing tricks on her, she soon finds the past and the present colliding as she learns horrific details of a murder that happened at the hotel in 1905 involving a girl named Lea.Nell and a mysterious bellboy must relive that day in hopes of finally breaking a curse that imprisons them both. And Nell discovers what truly links her to the history of the Winslow Grand Hotel.

    But when they arrive at high school, things change. Gretchen begins to act….different. And as the strange coincidences and bizarre behavior start to pile up, Abby realizes there’s only one possible explanation: Gretchen, her favorite person in the world, has a demon living inside her. And Abby is not about to let anyone or anything come between her and her best friend. With help from some unlikely allies, Abby embarks on a quest to save Gretchen. But is their friendship powerful enough to beat the devil?

    But on the eve of her eighteenth birthday, she learns that she is connected to these creatures--and to the land itself--in a way she never imagined.A southern gothic fairy tale from the creator of smash hit The Sixth Gun, beautifully and hauntingly realized by B.P.R.D.'s Tyler Crook!Collecting: Harrow County 1-4

    Such a thing is not unheard of. There are only so many options for an unmarried girl in 1850s Philadelphia. Only, when Molly arrives, she discovers her aunt is very much real, exceedingly wealthy, and with secrets of her own. Secrets and wealth she intends to share--for a price.Molly's estranged aunt Ava, has built her empire by robbing graves and selling the corpses to medical students who need bodies to practice surgical procedures. And she wants Molly to help her procure the corpses. As Molly learns her aunt's trade in the dead of night and explores the mansion by day, she is both horrified and deeply intrigued by the anatomy lessons held at the old church on her aunt's property. Enigmatic Doctor LaValle's lessons are a heady mixture of knowledge and power and Molly has never wanted anything more than to join his male-only group of students. But the cost of inclusion is steep and with a murderer loose in the city, the pursuit of power and opportunity becomes a deadly dance.

    In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    They are drawn to the suspiciously inexpensive Cliff End, feared amongst locals as a place of disturbance and ill omen. Gradually, the Fitzgeralds learn of the mysterious deaths of Mary Meredith and another strange young woman. Together, they must unravel the mystery of Cliff End's uncanny past - and keep the troubled young Stella, who was raised in the house as a baby, from returning to the nursery where something waits to tuck her in at night... The second in Tramp's Recovered Voices series, this strange, bone-chilling story was first published in 1942, and was adapted for the screen as one of Hollywood's most successful ghost stories, The Uninvited, in 1944.

    Precociously bright, they spend their evenings in their parents’ attic discussing the macabre and unexplained, zealously rereading books on folklore, hauntings and the supernatural. In particular, they are obsessed with photographs of ghostly apparitions and the mix of terror and delight they provoke in their otherwise boring and safe childhoods.But when Tim and Abi decide to fake a photo of a ghost to frighten an unpopular school friend, they set in motion a deadly and terrifying chain of events that neither of them could have predicted, and are forced to confront the possibility that what began as a callous prank might well have taken on a malevolent life of its own.

    Perchance to Dream contains a selection of Beaumont’s finest stories, including five that he later adapted for Twilight Zone episodes.Beaumont dreamed up fantasies so vast and varied they burst through the walls of whatever box might contain them. Supernatural, horror, noir, science fiction, fantasy, pulp, and more: all were equally at home in his wondrous mind. These are stories where lions stalk the plains, classic cars rove the streets, and spacecraft hover just overhead. Here roam musicians, magicians, vampires, monsters, toreros, extraterrestrials, androids, and perhaps even the Devil himself. With dizzying feats of master storytelling and joyously eccentric humor, Beaumont transformed his nightmares and reveries into impeccably crafted stories that leave themselves indelibly stamped upon the walls of the mind. In Beaumont’s hands, nothing is impossible: it all seems plausible, even likely.

    Its impeccable recreation of small-town life and its skillful handling of the theme of personality transference between thirteen-year-old twins led to widespread critical acclaim for the novel, which was successfully filmed from Thomas Tryon's own screenplay.This edition features original artwork by surrealist artist Harry O. Morris.