Asked by author Alexandra del Torre to provide as much detail as possible, they held nothing back in their retelling of these intensely intimate encounters. In “Lesbian Firsts,” you will hear from real lesbians and read about their real first times, including:HEATHER, a 24-year-old high school English teacher who discovered her lesbianism with a volleyball teammate at the age of 19.MEGHAN, a 32-year-old attorney who lost her lesbian virginity to her first-year dormmate in college.KRISTEN, a 26-year-old accountant who discovered her preference for women at 18 during a sleepover with her more advanced 22-year-old friend, Michelle.MARIA, a 36-year-old basketball coach who found sapphic love in a locker room shower with a teammate.KORI, a 28-year-old makeup artist who, at 18, was stimulated in a movie theatre by her cousin’s suave, butch neighbor.DEBBIE, a 41-year-old psychologist whose first lesbian experience came at age 30, following her divorce from her husband of two years. Trapped overnight during a rainstorm at her book club friend’s house, Debbie discovers pleasures she never knew with a man.JENNIFER, a 34-year-old police officer who lost her lesbian virginity on the same night she gained the legal right to drink – her 21st birthday. A mysterious stranger in a lesbian bar introduces Jennifer to strap-on sex in the bathroom, much to her delight.DIANE, a 25-year-old assistant book editor who engaged in her first lesbian sexual encounter with her current boss when she was a 20-year-old intern at a publishing company.TAYLOR, a 37-year-old personal chef who, as a student at a women’s Catholic college, shared an intimate encounter with a classmate in her car during half-time of a school basketball game.SARAH, a 22-year-old flight attendant who found lesbian love in the skies with a flirtatious flight attendant who was serving as her mentor when she was a 20-year-old trainee.***

    She has been raped, tortured and abused. She no longer trusts anyone but the siblings who endured the same abuse as her. The years of abuse have led the fragile Butterflii to commit the ultimate crime… murder.She is deemed mentally unstable and her crime lands her in the infamous mental hospital St. Elizabeth’s in S.E. Washington, DC where she meets the only person she feels she has a connection to, Georgia Marks. Georgia is the complete opposite of Butterflii, she is beautiful and smart and seems to have everything under control, except one thing…her drug problem. Georgia battles her own demons which stems from a past of her abuse of the drug, Love Boat, that runs rampant through the DMV streets at an all time high.Her addiction to the powerful drug LB, the death of her brother Emilio accompanied by a heist gone wrong, places Georgia in St. Elizabeth’s along with Butterflii when they decide being locked up in St. Elizabeth’s is something they can no longer withstand. Together, they break free from bondage and develop something they have never felt for anyone…love. The two girls embark on a journey to find themselves and make a way to survive in a world that has shunned and turned its back on them, only to find that the bond they thought could never be broken will be, by a twist of fate, that will devastate the unsuspecting Butterflii who refuses to forgive.Exhale II: A Sister's LoveLife for the Fields women ain’t never been no crystal stair. Touche and Shyra Fields were abandoned by their mother and repeatedly victimized at the hands of their father. They witnessed a world some could hardly imagine, let alone live through.After the death of their sisters Butta and Reese, the youngest women of the Fields Family find themselves being bounced around through group homes and foster care until Touche is finally of age to be free of her past.She makes an attempt at finding out who murdered her sisters, but because of her uncontrollable temper, Touche’s plans go horribly wrong one week before she's released from the same system she feels failed her. From the man suspected of the death of her two older sisters, to her mother who abandoned her and her siblings, Touche is on a path of self-destruction and is willing to take the chance of losing her freedom and her life to finally be able to Exhale.

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    Escaping into her research, Constance decodes the Gustav Manuscript, and discovers a pair of comedies that she believes are the source for Shakespeare's Othello and Romeo and Juliet. Transported into the world of her theory, she comes face-to-face with Desdemona and Juliet and discovers that, far from shrinking violets, they are hellions full of surprises. What follows is a riotous retelling of theatrical legend that brings Constance out of her gloom and straight into a new and confident self.

    Or so they think.

    This screenplay featured in the 2019 Black List, and is now in development with Olivia Wilde attached as director. Wilde will also appear in the film alongside Florence Pugh, Chris Pine, Shia LaBeouf and Dakota Johnson.

    It has been produced and taught all over the world. Its companion play, The Destiny of Me, is the stirring story of an AIDS activist forced to put his life in the hands of the very doctor he has been denouncing.

    This is where they send the new, the under-qualified, the old. And most of all the British. Mars is full of blonde Americans. It's like they're building the master race out there.Billions of miles from home, the lone research base on Pluto has lost contact with Earth. Unable to leave or send for help, the skeleton crew sit waiting.Waiting.Waiting long enough for time to start eating away at them.To lose all sense of it.To start seeing things in the dark outside.Alistair McDowall's play X premiered at the Royal Court on 30 March 2016 in the Jerwood Theatre Downstairs.

    The four hour-plus play begins with a soliloquy in which he explains his cynical disillusionment with love.Each act focuses on a different phase in Arnold's life. In the first, Arnold meets Ed, who is uncomfortable with his bisexuality. In the second, one year later, Arnold meets Alan, and the two settle down into a blissful existence that includes plans to adopt a child, until tragedy strikes. In the third, several years later, Arnold is a single father raising gay teenager David. Arnold is forced to deal with his mother's intolerance and disrespect when she visits from Florida.

    Amy is curled up on the locker room floor. DRY LAND is a play about abortion, female friendship, and resiliency, and what happens in one high school locker room after everybody’s left.

    a visionary work that bridges the history and culture of two worlds."--Frank Rich, New York TimesBased on a true story that stunned the world, and inspired by Giacomo Puccini's opera Madama Butterfly, M. Butterfly was an immediate sensation when it premiered in 1988. It opens in the cramped prison cell where diplomat Rene Gallimard is being held captive by the French government--and by his own illusions. He recalls a time when Song Liling, the beautiful Chinese diva, touched him with a love as vivid, as seductive--and as elusive--as a butterfly.How could he have known that his true love was, in fact, a spy for the Chinese government--and a man disguised as a woman? The diplomat relives the twenty-year affair from the temptation to the seduction, from its consummation to the scandal that ultimately consumed them both.M. Butterfly is one of the most compelling, explosive, and slyly humorous dramas ever to light the Broadway stage, a work of unrivaled brilliance, illuminating the conflict between men and women, the differences between East and West, racial stereotypes--and the shadows we cast around our most cherished illusions.The original cast included John Lithgow as Gallimard and BD Wong as Song Liling. During the show's 777-performance run, David Dukes, Anthony Hopkins, Tony Randall, and John Rubinstein were also cast as Gallimard. Hwang adapted the play for a 1993 film directed by David Cronenberg, starring Jeremy Irons and John Lone.TEXT OF THE BROADWAY REVIVAL

    Complete vocal score to the Broadway sensation with 11 songs: The Best of Times * I Am What I Am * A Little More Mascara * Look over There * Song on the Sand (La Da Da Da) * With You on My Arm * and more.

    A transvestite and celebrated antiques dealer who successfully navigated the two most oppressive regimes of the past century-the Nazis and the Communists--while openly gay and defiantly in drag, von Mahlsdorf was both hailed as a cultural hero and accused of colluding with the Stasi. In an attempt to discern the truth about Charlotte, Doug Wright has written "at once a vivid portrait of Germany in the second half of the twentieth century, a morally complex tale about what it can take to be a survivor, and an intriguing meditation on everything from the obsession with collecting to the passage of time" (Hedy Weiss, Chicago Sun-Times).

    The gaucheness, the rush of excitement, and the inarticulate tenderness of young love are beautifully captured in writing of great truth and delicacy. Only the most irrational of homophobes could fail to be moved by it."—Daily Telegraph"Deliciously upbeat ... seldom has there been a play which so exquisitely and joyously depicts what it's like to be sixteen, in the first flush of love and full of optimism. Truly a most unusual and beautiful thing."—Guardian"An unfakeably truthful portrait of adolescent self-discovery, showing sensitivity and fun pushing up like wild flowers through the concrete crevices of a Thamesmead estate. This is the most heartening working-class comedy since A Taste of Honey."—Independent on Sunday

    She doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn’t know is that Eli has been a teenager for a very long time…Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013.