His friend and mentor, the poet Osip Mandelstam, has been arrested, tortured, and sent into exile. Meanwhile, a mysterious agent of the secret police has developed a growing obsession with exposing Bulgakov as an enemy of the state. To make matters worse, Bulgakov has fallen in love with the dangerously candid Margarita. Facing imminent arrest, and infatuated with Margarita, he is inspired to write his masterpiece, The Master and Margarita, a scathing novel critical of both power and the powerful.

    A historical investigation with references to a wealth of sources, this book also features remarkable quotes from travelers passing through. A list of these includes artistic giants (such as writers Dostoyevsky, Tolstoy, Ostrovsky, Doblin, and Brodsky), political and cultural icons (like the German general Ludendorff and Emperors Napoleon as well as Alexander), and compelling European personas going back to the 14th century, who, though forgotten, are representative of their generation. The subtitle refers to the fact that until quite recently, ethnic Lithuanians rarely made up a majority among the inhabitants of Vilnius. Published by Baltos Iankos, Vilnius, distributed by CEU Press.

    In Russia to this day Lenin inspires adulation. Everywhere, he continues to fascinate as a man who made history, and who created a new kind of state that would later be imitated by nearly half the countries in the world.Lenin believed that the 'the political is the personal', and while in no way ignoring his political life, Sebestyen focuses on Lenin the man - a man who loved nature almost as much as he loved making revolution, and whose closest ties and friendships were with women. The long-suppressed story of his ménage a trois with his wife, Nadezhda Krupskaya, and his mistress and comrade, Inessa Armand, reveals a different character to the coldly one-dimensional figure of legend.Told through the prism of Lenin's key relationships, Sebestyen's lively biography casts a new light on the Russian Revolution, one of the great turning points of modern history.

    But until now, we have known only half the story. With the end of the cold war, decades of secrets have been exposed, bringing with them a remarkable opportunity: the unmasking of the true heroes and villains behind one of the most exciting races in history.At the center of this exhilarating, fast-paced account are Wernher von Braun, the camera-friendly former Nazi scientist who led the American rocket design team, and Sergei Korolev, the chief Soviet designer and former political prisoner whose identity was a closely guarded state secret. These rivals were opposite in every way, save for one: each was obsessed by the idea of launching a man to the Moon. Korolev told his wife, "In every century men were looking into the sky and dreaming. And now I'm close to the greatest dream of mankind."In attempting to fulfill this dream, Korolev was initially hampered by a budget so small that his engineers were forced to repurpose cardboard boxes as drafting tables. Von Braun, meanwhile, was eventually granted almost limitless access to funds by an American government panicked at the thought that their cold war enemy might take the lead in the exploration of space. Korolev, whose family life was destroyed by his long sentence in the Gulag, was constantly aware that any false move would finish his career or even his life. His rival, on the other hand, enjoyed remarkable celebrity in America and was even the subject of a 1960 biopic.In this extraordinary book, Deborah Cadbury combines sheeradventure and nail-biting suspense with a moving portrayal of the space race's human dimension. Using source materials never before seen, she reveals that the essential story of the cold war is a mind-bending voyage beyond the bounds of the Earth, one marked by espionage, ambition, ingenuity, and passion.

    Many kept diaries and wrote letters home: from an English nurse who had already survived the sinking of the Titanic; to the black valet of the US Ambassador, far from his native Deep South; to suffragette leader Emmeline Pankhurst, who had come to Petrograd to inspect the indomitable Women’s Death Battalion led by Maria Bochkareva.Helen Rappaport draws upon this rich trove of material, much of it previously unpublished, to carry us right up to the action – to see, feel and hear the Revolution as it happened to a diverse group of individuals who suddenly felt themselves trapped in a ‘red madhouse.’

    On the way he bestows upon angels, fellow passengers, and the world at large a magnificent monologue on alcohol, politics, society, alcohol, philosophy, the pains of love, and, of course, alcohol.

    In part it is a memoir of the three "Factories" that influenced his development as a human being and as a writer, yet the events depicted within the book are fictionalized and conveyed with the poetic verve and playfulness of form that have made Shklovsky a major figure in twentieth-century world literature. In addition to its fictional and biographical elements, Third Factory includes anecdotes, rants, social satire, literary theory, and anything else that Shklovsky, with an artist's unerring confidence, chooses to include.

    

    The siege was not lifted for two and a half years, by which time some three quarters of a million Leningraders had died of starvation.Anna Reid's Leningrad is a gripping, authoritative narrative history of this dramatic moment in the twentieth century, interwoven with indelible personal accounts of daily siege life drawn from diarists on both sides. They reveal the Nazis' deliberate decision to starve Leningrad into surrender and Hitler's messianic miscalculation, the incompetence and cruelty of the Soviet war leadership, the horrors experienced by soldiers on the front lines, and, above all, the terrible details of life in the blockaded city: the relentless search for food and water; the withering of emotions and family ties; looting, murder, and cannibalism- and at the same time, extraordinary bravery and self-sacrifice.Stripping away decades of Soviet propaganda, and drawing on newly available diaries and government records, Leningrad also tackles a raft of unanswered questions: Was the size of the death toll as much the fault of Stalin as of Hitler? Why didn't the Germans capture the city? Why didn't it collapse into anarchy? What decided who lived and who died? Impressive in its originality and literary style, Leningrad gives voice to the dead and will rival Anthony Beevor's classic Stalingrad in its impact.

    Caught between the giants of the Soviet Union and the Third Reich, Latvia, Lithuania, and Estonia became pawns in the desperate battle for control of Eastern Europe throughout the course of World War II. This is a story of conquest and exploitation, of death and deportation and the fight for survival both by countries and individuals. The three states were repeatedly occupied -- by the Soviet Union in 1939, by Germany in 1941, and again by the Soviet Union in 1944-45. In each case, local government organizations and individuals were forced to choose between supporting the occupying forces or forming partisan units. Many would be caught up in the bitter fighting in the region and, in particular, in the huge battles for the Courland bridgehead during Operation Bagration when hundreds of thousands of soldiers would fight and die in the last year of the war. Over 300,000 Soviet troops would be lost during the repeated assaults on the 'Courland Cauldron' before 146,000 German and Latvian troops were finally forced to surrender. No mercy was shown and all Latvians, Lithuanians, and Estonians who fought for Germany were executed. By the end of the war, death and deportation had cost the Baltic States over 20 percent of their total population and the iron curtain would descend on the region for over four decades. Using numerous first-hand accounts and detailed archival research, Prit Buttar weaves a magisterial account of the bitter fighting on the Eastern Front and the three small states whose fates were determined by the fortunes and misfortunes of war.

    They met "only a few miles," as President Truman noted, "from the war-shattered seat of Nazi power" – around a baize-covered table in the Cecilienh of Palace at Potsdam, a suburb of Berlin, a place they later remembered vividly for its hardy mosquitos and muggy heat.First in Tehran (November 1943), then in Yalta (February 1945), the Allied powers had met, engaging in the cordial horse-trading of properties and promises, to perpetuate a united military front against Germany. Potsdam, however, was different. With Germany defeated, the Allies knew victory in the Far East was imminent. The objective was no longer how to unite for victory, but how instead to divide the spoils and create a new balance of power. In The Deal, Charles L. Mee, Jr., demonstrates how, with national self-interest the primary motivation, peace was destined to be sacrificed to deliberate discord. If Allied harmony would stand in the way of expanding "spheres of influence," then it would become necessary to maintain the political expedient of aggression. What did each power want and were these objectives of sufficient importance to warrant forfeiting peace? Would the outcome have been different had Churchill's rhetoric been less powerfully disruptive, had Stalin been surer of domestic calm, had Truman been more open? Would the history of the world of the last sixty years been the same?Here is Truman, meeting Stalin for the first time, keeping from him the report of the atomic bomb test, secretly deciding to drop the bomb on Japan, and maneuvering to prevent Stalin from joining the war in the Far East.Here is Churchill, his health failing, his mind occupied with the fear that the coming election would end his career, and in the course of his often rambling talks, uttering for the first time the "iron curtain" phrase that was to describe world policy for years to come.And here is Stalin, always the last to arrive, always surrounded by a massive guard, waving aside for the time being the idea of democratic elections in any countries the Communists controlled, losing out on his battle for the biggest reparations from Germany but winning a big slice of Germany for Poland and of Poland for Russia.Through logbooks, eyewitness accounts, and conference transcripts, Mee vividly reconstructs this moment in history, when three men met to forge a peace and a new face for Western Europe, a tri-partite declaration of the Cold War.

    His novellas are celebrated as being in the tradition of great nineteenth-century Russian writing. In "Another Life," a woman suddenly widowed attempts to grasp the memory of her brilliant, erratic husband, and to understand their life together. "The House on the Embankment" is the story of an academic opportunist who rises to apparatchik but suffers the oppression of society, friends, and most of all his inability to make decisions.

    Yuri Gagarin is one of the great heroes of the twentieth century, but the details of his life and the Russian space effort have been shrouded in secrecy: even the names of the engineers who worked with Gagarin were a mystery to the West for many years.Starman is the first book to tell the compelling story behind Gagarin's life and his audacious first flight into space aboard a converted nuclear weapon.He was once the most famous man in the world yet in his life, as in death, he was a man the world knew almost nothing about.

     This is history with a heartbeat, and it could not be more engrossing."—Foreign AffairsOne of the world’s leading scholars offers a fresh interpretation of the linked origins of World War I and the Russian Revolution.World War I and the Russian Revolution together shaped the twentieth century in profound ways. In The End of Tsarist Russia, Dominic Lieven connects for the first time the two events, providing both a history of the First World War’s origins from a Russian perspective and an international history of why the revolution happened.Based on exhaustive work in seven Russian archives as well as many non-Russian sources, Dominic Lieven’s work is about far more than just Russia. By placing the crisis of empire at its core, Lieven links World War I to the sweep of twentieth-century global history. He shows how contemporary issues such as the struggle for Ukraine were already crucial elements in the run-up to 1914.By incorporating into his book new approaches and comparisons, Lieven tells the story of war and revolution in a way that is truly original and thought-provoking.

    It signaled the beginning of the end for the Third Reich of Adolf Hitler; it foretold the Russian juggernaut that would destroy Berlin and make the Soviet Union a superpower. As Winston Churchill characterized the result of the conflict at Stalingrad: " the hinge of fate had turned." William Craig, author and historian, has painstakingly recreated the details of this great battle: from the hot summer of August 1942, when the German armies smashed their way across southern Russia toward the Volga River, through the struggle for Stalingrad-a city Hitler had never meant to capture and Stalin never meant to defend-on to the destruction of the supposedly invincible German Sixth Army and the terror of the Russian prison camps in frozen Siberia. Craig has interviewed hundreds of survivors of the battle-both Russian and German soldiers and civilians-and has woven their incredible experiences into the fabric of hitherto unknown documents. The resulting mosaic is epic in scope, and the human tragedy that unfolds is awesome.