It's easy to see why Mr. Martin, who wrote the film...was moved to reinvent this role...Mr. Martin's screenplay is bighearted and funny.' The New York Times

    Arcadia received the Evening Standard, the Oliver, and the Critics Awards and The Real Thing won a Tony Award.

    The next day, a dazed and confused Pete Dayton is found in Madison's cell. Dayton has no memory of how he came to be there. Madison has gone missing. What follows may be reality or it may be part of a highly organized hallucination that Fred Madison is undergoing. Lost Highway refuses to yield its secrets readily. It communicates, not just through words, but through images and - most of all - through the mental states these words and images conjure up.

    Zits cover his entire body; his skin is aflame with bright red, pus-filled sores. He has become an outcast in his school and the other kids call him Toad.But what they don't know is the pus leaking from Kip's acne is actually a powerful narcotic that produces strong psychedelic effects. Soon, everyone in school will want a taste of his hallucinogenic cream and this former-loser will become the most popular kid in school. But once you lick the Toad, there's no going back to normal drugs. His classmates just can't get enough. And as their addiction grows, they will stop at nothing to get it...In the spirit of Street Trash and Class of Nukem' High comes a novel about growing up, finding yourself, and tripping on bodily fluids. Shane McKenzie and Eraserhead Press present a bizarro high school drama drenched in Technicolor-splatter!

    Brazenly satirical yet deeply human, Little Miss Sunshine introduces audiences to one of the most endearingly fractured families in recent cinema history. Meet the Hoovers, a motley six-member family who treks from Albuquerque to Redondo Beach, California, to fulfill the deepest wish of seven-year-old Olive, an ordinary little girl with big dreams.Starring Greg Kinnear, Toni Collette, Steve Carell, Abigail Breslin, Paul Dano, and Alan Arkin, the film strikes a nerve with everyone who's ever been awestruck by how their muddled families seem to make it after all. On the way the family must deal with crushed dreams, heartbreak, and a broken-down VW bus, leading up to the surreal Little Miss Sunshine competition itself. On their travels through this bizarrely funny landscape, the Hoovers learn to trust and support each other along the path of life, no matter what the challenge.

    Pinter took more than a year to conceive and write the screenplay and called the experience "the best working year of my life." Although never produced, Harold Pinter's The Proust Screenplay is considered one of the greatest adaptations for the cinema ever written. With fidelity to Proust's text, the screenplay is an extraordinary re-creation by one of the leading playwrights of our time. It is, in its way, a unique collaboration between two extraordinary writers united across more than half a century and two different cultures by a special concern for time and memory.

    David J. Schow ... Thomas Tessier... F. Paul Wilson... Richard Christian Matheson ... Nancy A. Collins... Graham Masterton ... Pay Garton ... Rex Miller ... and ten other stars of today's shock fiction know what metalheads and moralists, punksters and preachers have known all along. Rock and roll. With its hot licks and raw glitter, has a dark side too - where the party stops and the terror begins.Put on your headphones. Open this electrifying book. Rock to the world of horror where martyred musical super-legends return from the dead at 120 decibels... where radio stations sponsor ghastly giveaways that no living soul could want ... where other-earthly pirates bootleg not records, but human souls... where people are strange ... and the devil rocks all night.THE NEW SOUND OF HORRORCONTENTSStephen King - You Know They've Got a Hell Of A BandF. Paul Wilson - Bob Dylan, Troy Jonson, and The Speed QueenDavid J. Schow - OdeedNancy A. Collins - Vargr RuleRonald Kelly - Blood Suede ShoesDon D'Ammassa - The Dead Beat SocietyGraham Masterton - Voodoo ChildPaul Dale Anderson - Rites Of SpringMichael E. Garrett - Dedicated To The One I LoatheBrian J. Hodge - RequiemR. Patrick Gates - Heavy MetalRex Miller - BunkyBill Mumy & Peter David - The Black '59Richard Christian Matheson - GroupiesMichael Newton - ReunionMark Verheiden - BootlegRay Garton - Weird GigJohn L. Byrne - Hide In Plain SightThomas Tessier - Addicted To loveJohn Shirley - Flaming Telepaths

    As a critic, she became the most provocative and influential voice of her time. More than a commentator on her era, she helped shape it. This volume brings together four essential works of the 1960s and 70s, books whose intelligence and brilliant style confirm her credo that “the highest duty of a writer is to write well—to leave the language in better rather than worse shape after one’s passage…Language is the body, and also the soul, of consciousness.”With the publication of her first collection of critical essays, Against Interpretation (1966), Sontag took her place at the forefront of a period of cultural and political transformation. “What is important now,” she wrote, “is to recover our senses…In place of a hermeneutics we need an erotics of art.” Against Interpretation’s treatment of an astonishing range of subjects—camp sensibility, the films of Robert Bresson and Alain Resnais, the aesthetics of science-fiction and “happenings,” the work of such modern thinkers as Simone Weil and Antonin Artaud, Michel Leiris and Claude Lévi-Strauss—reveals Sontag as a catalyzing figure who opened provocative perspectives on every subject she addressed.In Styles of Radical Will (1969), Sontag collected two of her longest and most ambitious essays, “The Aesthetics of Silence” and “The Pornographic Imagination,” along with penetrating studies of Ingmar Bergman, Jean-Luc Godard, and the Romanian philosopher E. M. Cioran (one of many important modern writers Sontag introduced to American readers), and “Trip to Hanoi,” the record of a journey made at the height of the Vietnam War, reflecting both her deepening political involvement and the relentless analysis of her own motives that accompanied it.On Photography (1977) began as a review of an exhibit of Diane Arbus photographs and quickly evolved into an extended meditation on the premises and implications of photography as an art. Dazzlingly suggestive on every page, restlessly refusing to fall back on easy resolutions, it shows Sontag at the peak of her ability to connect disparate fields of thought and action, bringing aesthetics, history, politics, and philosophy into a common vision.Sontag’s own medical crisis led her to write Illness as Metaphor (1978), undoubtedly the most influential of her writings. Her precise delineation of the stereotypes and fantasies attached to illnesses—here, tuberculosis and cancer—played a major part in realizing her stated goal: “an elucidation of those metaphors, and a liberation from them.” The courage and clarity of her writing, her impatience with lazy assumptions and inherited biases, are evident on every page.This volume also includes six previously uncollected essays—studies of William S. Burroughs and the painter Francis Bacon, and a series of reflections on beauty, aging, and the emerging feminist movement—along with a chronology of Sontag’s life and explanatory notes.

    Presents the screenplay of the classic cult film by Bruce Robinson, with an introduction by the director.

    The story was collected in his anthology Welcome To The Monkey House. The story centers on a character named Harry Nash, who is an extremely shy & characterless small-town man. However, whenever he takes a part in the local, amateur theater production he becomes the character to an overwhelming extent. Soon Helene Shaw, a recent addition to the town, falls in love with Nash--or with his character in the play.

    In this fictional memoir, Birdwell plays for the New York Rangers hockey team and relates her experiences as the team's goaltender.

    "Complete Novels" gathers all of Welty's longer fiction, from "The Robber Bridegroom" (1942) to her Pulitzer Prize-winning "The Optimist's Daughter" (1972).

    

    . ."It is a period of civil war. Rebel spaceships, striking from a hidden base, have won their first victory against the evil Galactic Empire."INTERIOR: REBEL BLOCKADE RUNNER--MAIN HALLWAYThe awesome seven-foot-tall Dark Lord of The Sith makes his way into the blinding light of the main passageway. This is Darth Vader, right hand of the Emperor.VADER: Commander, tear this ship apart until you've found those plans and bring me the Ambassador. I want her alive! *****Even the best actors, the most talented director, and the most amazing special effects can't make a great movie without a superb story to build on. Now here is the complete screenplay of the cornerstone  film that launched a science fiction phenomenon. Experience the capture of Princess Leia by Lord Darth Vader and the evil minions of the Empire . . . Farmboy Luke Skywalker's discovery of her desperate message hidden in the droid R2-D2 . . . Luke's fateful meetings with legendary Jedi Knight Obi-Wan Kenobi and intergalactic smuggler Han Solo . . . And the climactic battle to destroy the sinister Death Star. Fully illustrated with the original storyboard art--and featuring hightlights of the famous Rolling Stone interview with George Lucas--this definitive volume is a must for every Star Wars library.

    "Ikiru "(1952) tells the painful and intimate story of a Japanese civil servant coming to terms with old age and death. In "Seven Samurai "(1954) the inhabitants of a small Janpanese village employ a roaming band of samurai to defend them. In "Throne of Blood" (1957), based on "Macbeth," a samurai is encouraged by his wife to kill his lord.This edition also includes a critical introduction to each screenplay.