He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    Across the globe, violent coups have been orchestrated, high-profile targets kidnapped, and world leaders dispatched at the hands of CIA agents. During the 1960s, on domestic soil, the methods used to protect their interests and themselves at the expense of the American people were no less ruthless. In CIA Rogues and the Killing of the Kennedys, Patrick Nolan fearlessly investigates the CIA’s involvement in the assassinations of President John F. Kennedy and Senator Robert F. Kennedy—why the brothers needed to die and how rogue intelligence agents orchestrated history’s most infamous conspiracy.Nolan furthers the research of leading forensic scientists, historians, and scholars who agree that there remain serious unanswered questions regarding the assassinations of John F. Kennedy fifty years ago and Robert F. Kennedy in 1968. He revisits and refutes what is currently known about Lee Harvey Oswald and Sirhan Bishara Sirhan, and offers readers a compelling profile of the CIA’s Richard Helms, an amoral master of clandestine operations with a chip on his shoulder.Bolstered by a foreword by Dr. Henry C. Lee, one of the world’s foremost forensic authorities, CIA Rogues and the Killing of the Kennedys is an unmatched effort in forensic research and detective work. As the fiftieth anniversary of the JFK assassination approaches, Nolan has made a significant contribution to the literature on that fateful day in Dallas as well as shed light on that dark night at the Ambassador Hotel. Readers interested in conspiracy, the Kennedy family, or American history will find this book invaluable.

    It dissects the failures of the Eisenhower Administration just as effectively as it details the blunders of Roosevelt, Truman, Kennedy and Johnson. It documents the concurrent decay in America's schools, churches, and press which has conditioned the American people to accept 20 years of retreat in the face of the communist enemy. You won't finish None Dare Call It Treason without concluding that America is in serious trouble.

    Dick's screenplay adaptation of one of his signature novels available for the first time in more than twenty years. Copies of the first edition of Ubik: the Screenplay now fetch more than $100 on the collector's market, when you can find them. In addition, the screenplay features an ending that differs markedly from that of the novel."Dick included far more parenthetical description and interpretation than can be standard for screenplays, and so we have here his considered, after-the-fact portraits of Glen Runciter, Ella Runciter, Joe Chip, Pat Conley, and Ubik itself. And too, with a facility that's scarce among novelists, he smoothly adapts his story to the wider, deeper ranges of the film medium. The Ubik 'ads' are much more effective as actual intrusions than as chapter headings, the soundtrack becomes a central element (and makes us wonder what music Dick would have chosen to complement some of his other novels), and he presents the dysfunctions in time and perception even more effectively when he imagines them enacted on a movie screen. In some ways, in fact, it almost seems as though we're getting a purer version of UBIK—something closer to the original conception than the text of the novel." -- Tim Powers, from his foreword

    But look closer. Lester Burnham's wife, Carolyn, regards him with contempt, his daughter, Jane, thinks he's a loser, and his boss is positioning him for the ax.Captivated by Jane's sultry high school friend Angela, Lester decides to make a few changes in his mere existence—changes that are less mid-life crisis than a life reclaimed. The freer he gets, the happier he gets, which is even more maddening to his wife and daughter. Complicating matters, Lester finds an unexpected ally in Ricky, the teenage son of the new next-door neighbors, who sees life through a camera lens that has lately focused on Jane Burnham.In pursuit of his new vision of the American dream, Lester is about to learn that the ultimate freedom comes at the ultimate price.The 1999 winner of five Academy Awards®, including Best Picture and Best Original Screenplay, American Beauty boasts an accomplished cast led by two-time Academy Award® Best Actor winner Kevin Spacey (The Usual Suspects) and Oscar® nominee Annette Bening (The Grifters). The ensemble cast also includes Thora Birch (Ghost World), Wes Bentley (The Claim), Mena Suvari (American Pie), Peter Gallagher (Mr. Deeds), Allison Janney (NBC's The West Wing), Scott Bakula (NBC's Quantum Leap), Sam Robards (A.I.: Artificial Intelligence), and Chris Cooper (Adaptation).American Beauty marks the feature film directorial debut of award-winning theater director Sam Mendes (The Blue Room, Cabaret). The film is produced by Dan Jinks (Nothing to Lose) and Bruce Cohen (The Flintstones in Viva Rock Vegas) from an original screenplay by Alan Ball (HBO's Six Feet Under). Stan Wlodkowski (One Hour Photo) and Alan Ball are the co-producers.

    Penelope Cruz, Kurt Russell, Jason Lee, Noah Taylor, and Cameron Diaz also star in this haunting investigation of beauty, love, and betrayal, which is bound to become one of the most talked about films of 2001.

    Dead MenFormer SAS trooper turned undercover cop Dan Spider Shepherd knows there are no easy solutions in the war against terrorism. But when a killer starts to target pardoned IRA terrorists, Shepherd has to put his life on the line to protect his former enemies; and as a Muslim assassin closes in on his prey, Shepherd realises that the only way to save lives is to become a killer himself. Live FireDan 'Spider' Shepherd is infiltrating a tightly-knit team of bank robbers, when a group of home-grown Islamic fundamentalist fanatics embark on a campaign of terror the like of which Britain has never seen. Car bombs and beheadings are only the prelude of what they have planned. And Shepherd is the only man who can stop them. Rough JusticeVillains across London are being beaten, crippled and killed by vigilante cops. Crime rates are falling, but the powers that be want Dan 'Spider' Shepherd to bring the wave of rough justice to an end. Shepherd has always known that there are grey areas in the fight against crime, and that sometimes justice gets lost in the process. But when his own family is brought into the firing line, Shepherd has some hard decisions of his own to make.

    In these films, based on the colors of the French flag and the principles of liberty, equality and fraternity--the three ideals of the French Revolution--Kieslowski has crafted three parables of contemporary existence. In "Blue," Julie loses her child and husband in a car crash. In order to shield herself from the intensity of her grief, she strips away all remnants of her former life. This attempt is doomed to failure as music inexorably brings her back to a purpose in life. In "White," Karol, a Polish hairdresser, is divorced and abandoned by his beautiful French wife and finds himself destitute on the Paris streets. He meets a fellow Pole, who ingeniously smuggles him back to Warsaw in a suitcase. Working on the black market, he soon rises to the top of Poland's emerging capitalist class. Still obsessively haunted by the image of his wife, Karol sets out to make her pay the price for her betrayal. The third and final part of the trilogy, "Red," explores a strange, tentative relationship that gradualy grows between a beautiful young model and an embittered, retired judge. It is through the wisdom of her innocence that he finds the courage to engage with life again. Kieslowski brings the trilogy to a close with an event that weaves the disparate threads into a seamless work of art.

    The play had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan.In The Revisionist, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their relationship develops, she reveals details about her postwar past that test their ideas of what it means to be a family.

     It is DC Jane Dixon's first week on Kendal's CID team. Her new boss, DI Andy Hall, gives her an open file to review, and it's a far from straightforward case. A woman has died in suspicious circumstances in a Windermere caravan park, and although her husband is suspected there's not a shred of solid evidence against him. Can Jane move the case forward, or will a cold-blooded killer really get away with murder? The rest of the team is busy too, because a vulnerable teenager from a troubled family has gone missing from home. There's nothing to suggest that the boy has been abducted, so what could have caused him to run away from home? DS Ian Mann, a tough ex-military man, and DC Ray Dixon are both heavily involved in the investigation. This story introduces key members of the investigative team, as well as many of the themes that are developed in the full-length Lakeland Murders novels: including a strong sense of place, and an understanding that while justice usually prevails it is rarely complete, or completely fair. Reader reviews for the full-length novels in the Lakeland Murders series include: 'Well developed, realistic, relatable characters, great plot, believable detailed scenes, good action sequences. Recommend to those that appreciate British detective novels. Always devour Lakeland murder mysteries.' 'Love J J Salkeld's books, his understanding of police procedure, his ability to draw his characters out into real people is, I believe, up there with the best of them and it is good to find crime stories set in Cumbria for a change.' 'Salkeld is good. Not just as a writer of gripping detective stories; but even more for his feisty exposure of the lunacies of institutions, hierarchies, and power. A refreshing and enlightening anarchist - much needed in these jaded, compliant and consumptive times.'

    Avery was tried for the murder of a twenty-nine-year-old mill worker, Sarah Marie Cornell. It was the first time a clergyman had ever been tried for murder in the United States and the first time an American murder trial became headline news. From this factual base, Mary Cable weaves a chilling novel of gothic desires and conflicting classes. She creates a rich atmosphere to show New England as it was then - simple, puritanical, superstitious, and unsentimental - on the brink of emerging from the eighteenth century into an industrial and far-more-complicated age. This dramatic, compelling story is as much about a time and place as it is about a notorious murder trial. A work of poetic intensity, Avery’s Knot is finally a classic, tragic tale of a woman caught between passion and puritanism.

    Originally published in Paris, this is a collection of Hollywood's darkest and best kept secrets from the pen of Kenneth Anger, a former child movie actor who grew up to become one of America's leading underground film-makers.

    In Fritz Lang's first sound film from 1931, Peter Lorre delivers a haunting performance as a serial killer--a whistling pedophile hunted by the police and brought to trial by the forces of the Berlin underworld.In 1990, a young painter, Jon J Muth, continued his rise in the comic book industry by adapting the story of M into a four-issue comic book miniseries. Muth's photorealistic illustrations paved the way for the acceptance of painted comics, influencing a generation of artists who followed him.Long out of print, these four issues are collected together for the first time as a hardcover graphic novel.

    She becomes addicted to diet pills in her obsessive quest, while her junkie son, Harry, along with his girlfriend, Marion, and his best friend, Tyrone, have devised an illicit shortcut to wealth and leisure by scoring a pound of uncut heroin. Entranced by the gleaming visions of their futures, these four convince themselves that unexpected setbacks are only temporary. Even as their lives slowly deteriorate around them, they cling to their delusions and become utterly consumed in the spiral of drugs and addiction, refusing to see that they have instead created their own worst nightmares."Selby's place is in the front rank of American novelists. HIs work has the power, the intimacy with suffering and morality, the honesty and moral urgency of Doestoevsky's. To understand Selby's work is to understand the anguish of America." - The New York Times Book Review

    Bret Easton Ellis trains his incisive gaze on the kids at self-consciously bohemian Camden College and treats their sexual posturings and agonies with a mixture of acrid hilarity and compassion while exposing the moral vacuum at the center of their lives. The Rules of Attraction is a poignant, hilarious take on the death of romance.