We beat ourselves up over our failures and, in the process, pull away from God because we subconsciously believe He tallies our defects and hangs His head in disappointment. In this newly repackaged edition--now with full appendix, study questions, and the author's own epilogue, ""Ragamuffin" Ten Years Later," Brennan Manning reminds us that nothing could be further from the truth. The Father beckons us to Himself with a "furious love" that burns brightly and constantly. Only when we truly embrace God's grace can we bask in the joy of a gospel that enfolds the most needy of His flock--the "ragamuffins."Are you bedraggled, beat-up, burnt-out?Most of us believe in God's grace--in theory. But somehow we can't seem to apply it in our daily lives. We continue to see Him as a small-minded bookkeeper, tallying our failures and successes on a score sheet.Yet God gives us His grace, willingly, no matter what we've done. We come to Him as ragamuffins--dirty, bedraggled, and beat-up. And when we sit at His feet, He smiles upon us, the chosen objects of His "furious love."Brennan Manning 's now-classic meditation on grace and what it takes to access it--simple honesty--has changed thousands of lives. Now with a Ragamuffin's thirty-day spiritual journey guide, it will change yours, too.

    However, few of us can effectively explain why certain books, movies, and songs resonate so profoundly within us. In Echoes of Eden, Jerram Barrs helps us identify the significance of artistic expression as it reflects the extraordinary creativity and unmatched beauty of the Creator God. Additionally, Barrs provides the key elements for evaluating and defining great art: (1) The glory of the original creation; (2) The tragedy of the curse of sin; (3) The hope of final redemption and renewal. These three qualifiers are then put to the test as Barrs investigates five of the world's most influential authors who serve as ideal case studies in the exploration of the foundations and significance of great art.

    Without art--music, song, dance, etc.--it would be a much poorer place. But if protestants have any vision for the arts, it tends to be a thin one. This unique book is an attempt to contribute to a robust, expansive vision for the church and the arts. Its specific aim is to show how the many parts of the landscape of church and art hold together. You can think of it as a kind of helicopter flyover, but one with expert pilots. The guides include the likes of Eugene Peterson, Lauren Winner, Jeremy Begbie, Andy Crouch, and John Witvliet, helping to inspire readers and empower pastor-leaders with a vision of the church and the arts that is compelling, far-seeing, and profoundly transformative.

    After spending over six hard years doing relief work in Somalia, and experiencing life where it looked like God had turned away completely and He was clueless about the tragedies of life, the couple had a crisis of faith and left Africa asking God, "Does the gospel work anywhere when it is really a hard place?  It sure didn't work in Somalia. Nik recalls that, “God had always been so real to me, to Ruth, and to our boys. But was He enough, for the utter weariness of soul I experienced at that time, in that place, under those circumstances?” It is a question that many have asked and one that, if answered, can lead us to a whole new world of faith. How does faith survive, let alone flourish in a place like the Middle East? How can good truly overcome such evil? How do you maintain hope when all is darkness around you? How can we say “greater is He that is in me than he that is in the world” when it may not be visibly true in that place at that time? How does anyone live an abundant, victorious Christian life in our world’s toughest places? Can Christianity even work outside of Western, dressed-up, ordered nations? If so, how?The Insanity of God tells a story—a remarkable and unique story to be sure, yet at heart a very human story—of the Ripkens’ own spiritual and emotional odyssey. The gripping, narrative account of a personal pilgrimage into some of the toughest places on earth, combined with sobering and insightful stories of the remarkable people of faith Nik and Ruth encountered on their journeys, will serve as a powerful course of revelation, growth, and challenge for anyone who wants to know whether God truly is enough.

    But what of man-made art? Much of it is devoid of sacred beauty and is often rejected by Christians. Christian artists struggle to find acceptance within the church.Encourages Christian artists in the pursuit of their calling and provides artists and non-artists alike a short introduction to thinking Christianly about the arts.

    Fascinating accounts of how God enabled the people of different pagan cultures to understand the meaning of the Gospel.

    He believes Christians should confront society and the church with the powerful impact art can convey. He believes art can faithfully chronicle the lives of ordinary people and equally express the transcendence of God. He believes that Christians should be involved in every level of the art world and in every media. Yet art and artists have not always been held in high esteem by conservative Christians. Art rarely seems to communicate clear propositional truth, rarely deals with certainties and absolutes. And the lifestyles of artists too frequently seem at odds with the gospel. So the arts have often been discouraged among Christians. Throughout this stimulating book, however, Turner builds a compelling case against such a perspective. He shows that if Jesus is Lord of all of life and creation, then art is not out of bounds for Christians. Rather it can and should be a way of expressing faith in creatively, beautifully, truthfully arranged words, sounds and sights. This stirring call is must reading for every Christian who has been drawn to the arts or been influenced by them.

    Their lives would never be the same. Yes, with God all things are possible. But the devastating news was that no cure existed to restore Martin’s short-term memory, eyesight, and other complications. The fairy-tale life Laura had dreamed of was no longer possible. And yet in struggling with God about how to live with broken dreams, Laura has found joy and a deeper intimacy with Jesus.Laura helps us understand we aren’t the only ones whose lives have taken unexpected turns. She examines the brokenness of some of the heroes of our faith, and shows how despite their flaws and flawed stories, God was able to use them in extraordinary ways. And it was not because of their faith, but because of the faithfulness of their God. God may not fix everything. In fact, although your situation might not ever change or get better, with Jesus you can.

    But God can become present to us in surprising ways through our everyday routines. Framed around one ordinary day, this book explores daily life through the lens of liturgy, small practices and habits that form us. Each chapter looks at something making the bed, brushing her teeth, losing her keys that the author does in the day. Drawing from the diversity of her life as a campus minister, Anglican priest, friend, wife, and mother, Tish Harrison Warren opens up a practical theology of the everyday. Each activity is related to a spiritual practice as well as an aspect of our Sunday worship. Come and discover the holiness of your every day."

    Now these two outstanding Catholic apologists tell in their own words about the incredible spiritual journey that led them to embrace Catholicism. Scott Hahn was a Presbyterian minister, the top student in his seminary class, a brilliant Scripture scholar, and militantly anti-Catholic ... until he reluctantly began to discover that his enemy had all the right answers. Kimberly, also a top-notch theology student in the seminary, is the daughter of a well-known Protestant minister, and went through a tremendous dark night of the soul after Scott converted to Catholicism. Their conversion story and love for the Church has captured the hearts and minds of thousands of lukewarm Catholics and brought them back into an active participation in the Church. They have also influenced countless conversions to Catholicism among their friends and others who have heard their powerful testimony. Written with simplicity, charity, grace and wit, the Hahns' deep love and knowledge of Christ and of Scripture is evident and contagious throughout their story. Their love of truth and of neighbor is equally evident, and their theological focus on the great importance of the family, both biological and spiritual, will be a source of inspiration for all readers.

    It is a book for teenagers about martyrdom, containing dozens of profiles of figures ranging from Stephen, whose martyrdom is described in the Book of Acts, to "Anila and Perveen," two teenage Pakistani girls and Christian believers. In 1997, Perveen was killed for running away in order to avoid marrying a Muslim man; Anila was imprisoned for helping her friend escape. In an introduction to the book, Michael Tait explains its purpose: "In a world built on free will instead of God's will, we must be the Freaks. While we may not be called to martyr our lives, we must martyr our way of life. We must put our selfish ways to death and march to a different beat. Then the world will see Jesus." The book's design is hip and easy to read, and its summary of Christian persecutions that continue today is useful--and frightening.

    Mary's, Oxford, to join the Roman Catholic church. Perhaps no one took greater offense than Protestant clergyman Charles Kingsley, whose scathing attacks against Newman's faith and honor inspired this brilliant response. Apologia Pro Vita Sua, Newman's spiritual autobiography, explores the depths and nature of Christianity with flowing prose and a conversational style that has ensured its status as a classic."False ideas may be refuted by argument, but by true ideas alone are they expelled. I will vanquish," Newman promised, "not my accuser, but my judges." His honest and passionate defense consists of a personal history of his religious convictions, from earliest memory through the Oxford movement and his ultimate conversion. His concluding point-by-point refutation of Kingsley's charges features thought-provoking contentions that strike at the very roots of the principles underlying Protestantism. Newman won respect and admiration with his Apologia, a work that has helped clarify perceptions of Roman Catholicism among readers of every faith.

    She found him when she was a young adult mired in spiritual busyness and when she was a new bride with doubts about whether her fledgling marriage would survive. She found him alone in the night as she cradled her longing for babies who did not come. She found him as she kissed the faces of children on another continent who had lived years without a mommy’s touch.In Every Bitter Thing Is Sweet, Hagerty masterfully draws from the narrative of her life to craft a mosaic of a God who leans into broken stories. Here readers see a God who is present in every changing circumstance. Most significantly, they see a God who is present in every unchanging circumstance as well.Whatever lost expectations readers are facing—in family, career, singleness, or marriage—Every Bitter Thing Is Sweet will bring them closer to a God who longs for them to know him more. What does it look like to know God’s nearness when life breaks? What does it mean to receive his life when earthly life remains barren? How can God turn the bitterness of unmet desire into new flavors of joy?With exquisite storytelling and reflection, Hagerty brings readers back to hope, back to healing, back to a place that God is holding for them alone—a place where the unseen is more real than what the eye can perceive. A place where every bitter thing is sweet.

    Steering away from abstractions, Peterson challenges conventional wisdom regarding church marketing, mega pastors, and the church’s too-cozy relationship to American glitz and consumerism to present a simple, faith-based description of what being a minister means today. In the end, Peterson discovers that being a pastor boils down to “paying attention and calling attention to ‘what is going on now’ between men and women, with each other and with God.”

    In Holy the Firm she writes about a moth consumed in a candle flame, about a seven-year-old girl burned in an airplane accident, about a baptism on a cold beach. But behind the moving curtain of what she calls "the hard things -- rock mountain and salt sea," she sees, sometimes far off and sometimes as close by as a veil or air, the power play of holy fire.This is a profound book about the natural world -- both its beauty and its cruelty -- the Pulitzer Prize-winning Dillard knows so well.