While out celebrating with a group of friends a few nights before the wedding, Michael suddenly and unexpectedly finds himself enclosed in a coffin equipped only with a flashlight, a dirty magazine, a walkie-talkie, and a tiny breathing tube. It's all in good fun — payback for the grief his mates suffered due to his own penchant for tomfoolery — that is until the four are killed in a drunk driving accident just moments after leaving Michael completely alone and buried alive.Detective Superintendent Grace—himself dealing with the pain of losing his wife—is brought on to the case when Ashley reports Michael missing. Suspicions are raised when Michael's only friend not at the bachelor party refuses to cooperate, and Ashley's faithfulness—not to mention her increasingly mysterious past—are suddenly thrown in to question. As Superintendent Grace soon discovers, one man's disaster is another man's fortune.

    A day of dark impulses. A day to snatch a child from the streets ...The abduction of five-year-old Matthew Farraday provokes a national outcry and a desperate police hunt. And when a picture of his face is splashed over the newspapers, psychotherapist Frieda Klein is left troubled: one of her patients has been relating dreams in which he has a hunger for a child. A child he can describe in perfect detail, a child the spitting image of Matthew.Detective Chief Inspector Karlsson doesn't take Frieda's concerns seriously until a link emerges with an unsolved child abduction twenty years ago and he summons Frieda to interview the victim's sister, hoping she can stir hidden memories. Before long, Frieda is at the center of the race to track the kidnapper.But her race isn't physical. She must chase down the darkest paths of a psychopath's mind to find the answers to Matthew Farraday's whereabouts.And sometimes the mind is the deadliest place to lose yourself.

    . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy--and long dead--steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.But D.C. Griffiths is no ordinary cop. She's earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there's that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.Ignoring orders and protocol, Fiona begins to explore far beyond the rich man's credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she's only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks--not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.

    But did she arrange her own murder?One bright spring morning in London, Diana Cowper – the wealthy mother of a famous actor - enters a funeral parlor. She is there to plan her own service.Six hours later she is found dead, strangled with a curtain cord in her own home.Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric investigator who’s as quick with an insult as he is to crack a case. Hawthorne needs a ghost writer to document his life; a Watson to his Holmes. He chooses Anthony Horowitz.Drawn in against his will, Horowitz soon finds himself at the center of a story he cannot control. Hawthorne is brusque, temperamental and annoying but even so his latest case with its many twists and turns proves irresistible. The writer and the detective form an unusual partnership. At the same time, it soon becomes clear that Hawthorne is hiding some dark secrets of his own.New York Times bestselling author of Magpie Murders and Moriarty, Anthony Horowitz has yet again brilliantly reinvented the classic crime novel, this time writing a fictional version of himself as the Watson to a modern-day Holmes.A masterful and tricky mystery that springs many surprises, The Word is Murder is Anthony Horowitz at his very best.

    Then John Bristow walks through his door with an amazing story: His sister, the legendary supermodel Lula Landry, famously fell to her death a few months earlier. The police ruled it a suicide, but John refuses to believe that. The case plunges Strike into the world of multimillionaire beauties, rock-star boyfriends, and desperate designers, and it introduces him to every variety of pleasure, enticement, seduction, and delusion known to man.

    So the murderer has killed himself; that just saves the time and cost of a trial. But a second murder days later bears haunting similarities to the first, even though once more the murderer swiftly confesses and kills himself.Detective Inspector Anthony McLean is investigating the discovery of a dead girl, walled up in the basement of an old Edinburgh mansion. She has been brutally murdered, her internal organs removed and placed around her in six preserving jars. The evidence suggests this all happened over sixty years ago, an attempt to re-enact an ancient ceremony that by trapping a demon in the dead girl’s body would supposedly confer immortality on the six men who took one of her organs each.McLean’s grandmother – the woman who raised him after his parents were killed when he was a young boy – dies after months in a coma following a stroke. On top of this he has to investigate a series of unusual, violent suicides and a cat-burglar who targets the homes of the recently dead. But as another prominent Edinburgh businessman is killed, he begins to suspect that there may be a connection between the murders, the suicides and the ritual killing of the girl found in the basement. The same names keep cropping up. He just can’t find a rational explanation as to how that connection works.As he digs deeper, and as the coincidences stack up, McLean is forced to consider an irrational explanation. Could there really be something evil stalking the city he has sworn to protect? And if so, how on earth can he hope to stop it?

    It's the name the media has given a brutal murderer who has beaten four young women to death before setting their bodies ablaze in secluded areas of London's parks. And now there's a fifth. Maeve Kerrigan is an ambitious detective constable, keen to make her mark on the murder task force. Her male colleagues believe Maeve's empathy makes her weak, but the more she learns about the latest victim, Rebecca Haworth, from her grieving friends and family, the more determined Maeve becomes to bring her murderer to justice. But how do you catch a killer no one has seen when so much of the evidence has gone up in smoke? Maeve's frenetic hunt for a killer in Jane Casey's gripping series debut will entrance even the most jaded suspense readers.

    Her lips parted as if to speak. Her dead body frozen in the ice…She is not the only one.When a young boy discovers the body of a woman beneath a thick sheet of ice in a South London park, Detective Erika Foster is called in to lead the murder investigation.The victim, a beautiful young socialite, appeared to have the perfect life. Yet when Erika begins to dig deeper, she starts to connect the dots between the murder and the killings of three prostitutes, all found strangled, hands bound and dumped in water around London.What dark secrets is the girl in the ice hiding?As Erika inches closer to uncovering the truth, the killer is closing in on Erika.The last investigation Erika led went badly wrong… resulting in the death of her husband. With her career hanging by a thread, Erika must now battle her own personal demons as well as a killer more deadly than any she’s faced before. But will she get to him before he strikes again?A #1 international bestseller, The Girl in the Ice is a page-turning thriller packed with suspense. If you like Angela Marsons, Rachel Abbott and Karin Slaughter, discover Rob Bryndza’s series today.

    As hunger and thirst set in, only one walks away alive.It’s a game more twisted than any Detective Helen Grace has ever seen. If she hadn’t spoken with the shattered survivors herself, she almost wouldn’t believe them.Helen is familiar with the dark sides of human nature, including her own, but this case—with its seemingly random victims—has her baffled. But as more people go missing, nothing will be more terrifying than when it all starts making sense....

    Three women who, in some way or another, know the meaning of betrayal...For team leader Rachael Lambert the project is the perfect opportunity to rebuild her confidence after a double-betrayal by her lover and boss, Peter Kemp. Botanist Anne Preece, on the other hand, sees it as a chance to indulge in a little deception of her own. And then there is Grace Fulwell, a strange, uncommunicative young woman with plenty of her own secrets to hide...When Rachael arrives at the cottage, however, she is horrified to discover the body of her friend Bella Furness. Bella, it appears, has committed suicide - a verdict Rachael finds impossible to accept.Only when the next death occurs does a fourth woman enter the picture - the unconventional Detective Inspector Vera Stanhope, who must piece together the truth from these women's tangled lives...

    To that moment when the masked man appeared from the doorway of the church and looked into his eyes.‘Is there anything distinctive, Sarge?’ asks Nielsen.‘Yes’, he says, with the sudden sense that memory is important.‘There were tears in his eyes.’DS Aector McAvoy is a man with a troubled past. His unwavering belief in justice has made him an outsider in the police force he serves.When three seemingly unconnected people are brutally murdered in the weeks before Christmas, the police must work quickly to stop more deaths. It is only McAvoy who can see the connection between the victims. A killer is playing God – and McAvoy must find a way to stop the deadly game.

    The Met's crack murder squad, AMIP, is called out by nervous CID detectives to a grim discovery. Five bodies, all young women, all ritualistically murdered and dumped on wasteland near the Dome. As each post-mortem reveals a singular, horrific signature linking the victims, officers realize that they are on the trail of that most dangerous offender: a sexual serial killer. Detective Inspector Jack Caffery - young, driven, unshockable - finds himself facing both hostility within the force and echoes of his past in this, his first case with AMIP. Haunted by the memory of a death long ago, he employs every weapon forensic science can offer for he knows it is only a matter of time before this chaotic, sadistic killer strikes again.

    He leaves no clues and the police are helpless.When his name is found carved into the charred remains of the third victim, disgraced detective Washington Poe is brought back from suspension and into an investigation he wants no part of.Reluctantly partnered with the brilliant but socially awkward civilian analyst, Tilly Bradshaw, the mismatched pair uncover a trail that only he is meant to see. The elusive killer has a plan and for some reason Poe is part of it.As the body count rises, Poe discovers he has far more invested in the case than he could have possibly imagined. And in a shocking finale that will shatter everything he's ever believed about himself, Poe will learn that there are things far worse than being burned alive...

    Perhaps not consciously. Perhaps not yet. But they know. When eight-year-old Daisy Mason vanishes from her family’s Oxford home during a costume party, Detective Inspector Adam Fawley knows that nine times out of ten, the offender is someone close to home. And Daisy’s family is certainly strange—her mother is obsessed with keeping up appearances, while her father is cold and defensive under questioning. And then there’s Daisy’s little brother, so withdrawn and uncommunicative . . . DI Fawley works against the clock to find any trace of the little girl, but it’s as if she disappeared into thin air—no one saw anything; no one knows anything. But everyone has an opinion, and everyone, it seems, has a secret to conceal.

    Still under psychological evaluation, Fawkes returns to the force eager for a big case. When his former partner and friend, Detective Emily Baxter, calls him to a crime scene, he's sure this is it: the body is made of the dismembered parts of six victims, sewn together like a puppet--a corpse that becomes known as "The Ragdoll."Fawkes is tasked with identifying the six victims, but that gets dicey when his reporter ex-wife anonymously receives photographs from the crime scene, along with a list of six names, and the dates on which the Ragdoll Killer plans to murder them.The final name on the list is Fawkes.Baxter and her trainee partner, Alex Edmunds, hone in on figuring out what links the victims together before the killer strikes again. But for Fawkes, seeing his name on the list sparks a dark memory, and he fears that the catalyst for these killings has more to do with him--and his past--than anyone realizes.With a breakneck pace, a twisty plot, and a wicked sense of humor, Ragdoll announces the arrival of the hottest new brand in crime fiction.