Rather than focusing on going to bed—and what kid wants to think about going to bed?—this book explores all of the dreamy, wonderful, strange things the next day might bring.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Christina discovers a passion for horses and riding but finds herself part of a strange household, divided by emotional undercurrents and cruelty.

    He hadn't always owned a moose. The moose came to him a while ago and he knew, just KNEW, that it was meant to be his. He thought he would call him Marcel. Most of the time Marcel is very obedient, abiding by the many rules of How to Be a Good Pet. But imagine Wilfred's surprise when one dark day, while deep in the woods, someone else claims the moose as their own...

    but what he loves most is scaring others. Last year, he invited Jim to his house for a Halloween party, but before Jim even arrived, Simon had scared him away. This year, Jim has invited Simon to his house for a party. Everything appears very un-scary, but he has some tricks up his sleeve. "The Scare" is a delightfully chilling tale about two best friends who, despite their differences, learn to enjoy the holiday together. Don't be scared!

    When did the dinosaurs live? What other animals lived at that time? Which dinosaur was biggest? How do we know about dinosaurs? Find out the answers to these questions and more as Jack and Annie track the facts. Filled with up-to-date information, photos, illustrations, and fun tidbits from Jack and Annie, the Magic Tree House Fact Trackers are the perfect way for kids to find out more about the topics they discovered in their favorite Magic Tree House adventures.From the Trade Paperback edition.

    Beginning at the Seahorse Cafe, social hub of the Old Reef, this novel takes the reader on a journey, from the doomed coral gardens of Reeftown, to a wreck and an underwater junkyard, across the expanse of the Withered Plain.

    Walking many miles to school in the dusty road, young Coretta knew, too well, the unfairness of life in the segregated south.A yearning for equality began to grow.Together with Martin Luther King, Jr., she gave birth to a vision and a journey—with dreams of freedom for all.This extraordinary union of poetic text by Ntozake Shange and monumental artwork by Kadir Nelson captures the movement for civil rights in the United States and honors its most elegant inspiration, Coretta Scott.

    With the help of two dozen pink lollipops, rubber bands, chewing gum, and a fine-toothed comb, Elmer disarms the fiercest of beasts on Wild Island.

    Whether they're singing along with Pokey Porcupine's harmonica or playing soccer with Jumper Rabbit, everyone is having fun and learning all sorts of things. These seven stories show how practicing the 7 Habits makes this possible for the whole Seven Oaks Community. From learning how to take charge of their own lives to discovering how balance is best, the Seven Oaks friends have tons of adventures and find out how each and every kid can be a happy kid!

    Now in paperback! It's 1735. Forrest Harper's life inside the Tower of London consists of three ways to pass the time: chores, chores, and more chores. His only friends are the spirited ravens he tends with his father. So when vicious Scottish Rebels are captured, Forrest can't wait to prove himself by standing guard. If only Forrest's prisoner hadn't turned out to be the noble and daring Maddy. And if only Maddy wasn't about to be executed. . . .Now, as Forrest chooses between friendship and family, safety and escape, he and Maddy must flee, somehow navigating the cold, dank corridors of the Tower.

    Barrie first created Peter Pan as a baby, living a wild and secret life with birds and fairies in the middle of London. Later Barrie let this remarkable child grow a little older and he became the boy-hero of Neverland, making his first appearance, with Wendy, Captain Hook, and the Lost Boys, in Peter and Wendy. The Peter Pan stories were Barrie's only works for children but, as their persistent popularity shows, their themes of imaginative escape continue to charm even those who long ago left Neverland. This is the first edition to include both texts in one volume and the first to a present an extensively annotated text for Peter Pan in Kensington Gardens.

    Relates the adventures of three little pigs who leave home to seek their fortunes and how they deal with the big bad wolf.

    But first they must face landmines, pirates, storms and assassins.

    Hundreds of Maasai surround an American diplomat to bestow a gift on the American people. The gift is as unsought and unexpected as it is extraordinary. A mere nine months have passed since the September 11 attacks, and hearts are raw. Tears flow freely as these legendary warriors offer their gift to a grieving people half a world away. Word of the gift will travel news wires around the globe. Many will be profoundly touched, but for Americans, this selfless gesture will have deeper meaning still. For a heartsick nation, the gift of fourteen cows emerges from the choking dust and darkness as a soft light of hope and friendship. Master storyteller Carmen Agra Deedy hits all the right notes in this story of generosity that crosses boundaries, nations, and cultures. An afterword by Wilson Kimeli Naiyomah, the Maasai warrior at the center of the story, provides additional information about his tribe and their generosity. Thomas Gonzalez's stunning paintings are saturated with rich hues of oranges and browns and blues and greens, which capture the nobility of the Maasai people and the distinctive landscape of the African plain.