It wasn’t long before hardships left them unable to provide.Soon, four-year-old Phyllis is plucked off her front porch, ripped away from the only family she knows, and sent to live with her grandmother Lula on an Alabama farm with no electricity, plumbing, or running water.Heartbroken by her mother’s abandonment, Phyllis struggles to acclimate to her new surroundings. Thanks to the unconditional love of Grandma Lula and the healing powers of an old, tattered quilt, she is finally able to adjust to her new life.In Quilt of Souls, Lawson documents her childhood growing up with the incredible woman who raised her and the powerful family heirloom that served as the cloth that would forever stitch their lives together.With its tales of family, despair, freedom and hope, the true story behind this deeply personal memoir serves as the inspiration for http://www.quiltofsouls.com, where individuals share relics and stories from their own family histories.

    GOLDILOCKS AND THE THREE BEARS is suitable for young readers and also as a read-aloud book to babies and toddlers.

    So does Jacqueline Bouvier Kennedy Onassis, who lives again in this "warts-and-all" portrait. It's being released on the 20th anniversary of the tragic death, in 1994, of the icon who changed America's beliefs about what a woman of style, power, and influence could accomplish "behind the throne" of men whose careers changed the course of history. During her tumultuous life, she zealously guarded her privacy and her secrets, but in the wake of her death, more and more revelations have emerged about her frustrations, her rage, her passions, her towering strengths, and her delicate fragility, which she hid from the glare of the world behind oversized sunglasses. Within this posthumous biography, a three-dimensional woman emerges through the compilation of some 1,000 eyewitness testimonials from men and women who knew her over a period of decades. The public epitome of charm, grace, and elegance, the private, chain-smoking Jackie was known for her sharp wit and her acid tongue, dissing some of the great men and women she encountered. Examples include such figures as Nancy Reagan ("I heard she used to give the best head in Hollywood when she was a starlet at MGM"); Queen Elizabeth II ("pompous, stuffy, a heavy trip, and seriously pissed off at me for turning on Philip"); or Martin Luther King, Jr. ("a terrible man and a tricky, phony, skirt-chaser and race baiter"). This outspoken testimonial to the flimsier side of Camelot contains a cornucopia of gossip and intrigue, including details about Jackie's scandalous love affairs with her two brothers-in-law (Bobby and Teddy), and her penchant for movie star seductions (Warren Beatty, Paul Newman, William Holden). Also detailed are her famous feuds with Grace Kelly, Marilyn Monroe, and Maria Callas; her almost unknown love affairs with Spain's greatest matador and with Peter Lawford; her night in Georgetown coping with LBJ's aborted seduction; her friend Rudolf Nureyev's pursuit of both her and Bobby; her interchanges with Lem Billings, JFK's homosexual "First Friend" whom Bobby defined as "Jack's other wife"); her blood feud with Christina Onassis; her sibling rivalry with Lee Radziwill; her illicit affair with a senator nicknamed "Gorgeous George; her love-hate relationship with Frank Sinatra; and her Italian fling with Fiat's kingpin, Gianni Agnelli, who taught her all about La Dolce Vita during the summer of 1962. Conceived in direct and sometimes defiant contrast to the avalanche of more breathlessly respectful testimonials to the life and legacy of "America's Queen," this book is the latest installment in Blood Moon's endlessly irreverent BABYLON series.

    She has hit rock bottom and here, for the first time, Kerry shares how bad it's really been.But this incredible story of survival charts Kerry's rise out of the mire of addiction, depression and bankruptcy. She has brought her life and health back from the brink of total collapse and has become a happy single parent and working mother of four.

    The readings have broad anthropological appeal, emphasizing cultural anthropology in the North American and European traditions.Thematic coverage begins with nineteenth-century foundations and forerunners, before moving on to the early and mid-twentieth century when anthropology comes of age. The last section looks at numerous late twentieth-century and early twenty-first-centurydevelopments in anthropological theory, including feminist anthropology, postmodernity, medical anthropology, and globalization. "

    Bockris has collected into a cogent whole the man's most brilliant moments of conversation, thinking, and interview repartee. This fascinating material, gleaned from the fertile time at Burroughs's New York headquarters, the Bunker (which was located on the Bowery, three blocks from CBGB), encompasses the years 1974 to 1980, and also includes a 1991 Burroughs interview from Interview magazine. The Beats' devotion to subjective experience has left readers with a profound amount of objective material to analyze and debate. Choice public and private utterances, hallucinatory and prescient diatribes such as these, remain rich sources of literary history. As Americans we find the Beats' approach to life romantic, even heroic. Tearing the walls down in the name of freedom and spirituality strikes a particularly pilgrimesque chord. With William Burroughs: A Report from the Bunker is a fascinating compendium of Burroughs-speak, so complete it can be considered a credo.

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    For outsiders, Pyrrus usually means a quick and painful death, but DinAlt is fleeing the crooked casino masters of Cassylia - where he just broke the bank. But DinAlt is not prepared for the hellish Pyrrus, where every living thing seems bent on exterminating mankind.In DEATHWORLD 2 (originally published as THE ETHICAL ENGINEER), Jason DinAlt finds himself on a hostile, barbarian planet where technology and civilization have almost disappeared. Using his skills, DinAlt literally reinvents the wheel in his quest to escape and return to his friends on Pyrrus.

    Well, that is what Rosie did.Buying the house was an accident. She only went out for bananas.Rosie embarks on renovating her 22 room ‘new’ home in Italy with a non-negotiable move-in date of Christmas Eve.Surrounded by a cast of interesting characters, the Irish woman learns the Italian way of life and house renovating in the country she wants to call home. But when the project manager goes AWOL, non-Italian speaking Rosie has no option but to take control with the help of a translation app.With no heating, windows disappearing, mystery holes in the garden, water flooding down the stairs, a pandemic destroyed business and with a move-in date that seems more laughable than doable, Rosie begins to question if she was crazy to follow through on her fabulous midlife crisis dream of renovating a villa in Italy.

    Biss doesn’t just love Beethoven more than other music, he loves it more than most things. It’s the lens through which he understands the world, and has been since he can remember. But in Unquiet Biss reveals the full extent to which Beethoven is also a ruthless lens through which he views himself.Biss provides listeners front and center access to his long overdue confrontation with a painful truth: Living with Beethoven has essentially amounted to severing all meaningful ties with himself. As we learn in rich detail, amidst the treasures Beethoven’s music has gifted Biss also lies searing self-doubt and heaps of crippling anxiety. Biss’s raw self-reflection is delivered through pitch-perfect prose, delving deep into the fascinating paradox that the greatest pleasure in his life is also responsible for imprisoning him. Beethoven’s defining personal characteristic, for example—his unwavering self-conviction and weapons-grade callousness—only served to mock Biss’s own perceived shortcomings and vulnerabilities. This captivating combination of wit and wisdom Biss readily shares is only interrupted by something even more extraordinary—his new interpretations of movements from seven of Beethoven's sonatas, including the Pathetique and Tempest, and his groundbreaking, awe-inducing final sonatas.Unquiet both begins and ends with Jonathan Biss staring down the daunting complexity and infinite majesty of Beethoven's last piano sonatas. But between these two points, the singular pianist has traversed a world of healing. An immeasurable weight has been lifted from him—by him. And we have witnessed its dramatic rise. While his journey is a fantastically unique one, if we listen close, we can hear ours too. An endless battle to confront and quiet our greatest pain so that we can embrace something even greater. Take a moment, and heed the sound.

    This Library of America volume—the most extensive and authoritative one-volume collection ever published—covers five decades of Washington’s astonishingly active life and brings together over 440 letters, orders, addresses, and other writings.Among the early writings included are the journal Washington kept at age sixteen while surveying the Shenandoah Valley frontier and the dramatic account of the winter journey he made through the Pennsylvania wilderness in 1753 while on a diplomatic mission. Some two dozen letters written during the French and Indian War, including first-hand accounts of the controversial forest skirmish that sparked those hostilities and of Braddock’s bloody defeat, record Washington’s early encounters with the harsh challenges of military command.An extensive selection of letters, orders, and addresses from the Revolutionary War make manifest Washington’s determined leadership of the Continental Army through the years of defeat and deprivation. Included are accounts of battles; letters to Congress and state governments vividly describing the army’s desperate need of supplies; Washington’s journal of the victorious Yorktown campaign; and letters and addresses showing how Washington upheld the supremacy of civil power in the new republic by peaceably disbanding the army at the end of the war.Letters from the Confederation period (1783–1789) show Washington’s pleasure at returning to his Mount Vernon home, his continued interest in Western land speculation and river navigation, his growing concern with the weaknesses of the Articles of Confederation, and his role in the framing and ratification of the Constitution. The writings from his two terms as President of the United States show how Washington strove to establish enduring republican institutions, to build public trust in the new government, to avoid the divisions of party and faction, and to maintain American neutrality during the war between Britain and Revolutionary France. Also included in the volume are letters revealing his close and careful management of Mount Vernon and his evolving attitudes toward slavery.Washington’s writings demonstrate the keen, practical intelligence that distinguished his leadership in war and peace, as well as the patriotism, dignity, and devotion to the cause of republican government that won the admiration and trust of his contemporaries and his heirs.

    

    In a brief period of time she made twenty-six pictures, became one of the country's top box-office attractions, and then disappeared. After twenty years of rumors, the same girl made headlines when she was "rediscovered" as a waitress in a New York restaurant. Now she makes perhaps the boldest headlines of all with this book--for these are the uninhibited reminiscences of Constance Ockleman, who was made by Hollywood into Veronica Lake.

    Belet wages war against one of the worst sins of his (and our) time - backbiting - better known to us as detraction (telling the faults of others without cause). Most of us do not realize how evil this sin is. In fact, many of us don't think it's a sin at all. After ruining someone's reputation, or satisfying our anger (and yes, our hatred) by spewing out every bad thing we can say about someone, we justify ourselves by saying, "Well, it's true!" We even think we are acting justly by giving someone what they deserve.. Due to our lack of charity and also to our pride, little do we see things from God's point of view, to whom these are vile sins - a form of hatred of neighbor - a failure to do the two things necessary - to love God and our neighbor (Matt. 22:37-40). In explaining this sin of backbiting, properly called detraction, Fr. Belet quotes the best men of Western Civilization: Aristotle, Plato, Horace, Seneca, Pliny, the Roman Emperor Constantine, King David, Isaiah, Saints James, Luke, Matthew, Paul, John Chrysostom, Jerome, Cassian, Gregory the Great, Augustine, Bernard, Thomas Aquinas, and many others. A very helpful book for those who wish to know to meaning of backbiting---and how to avoid it.

    Juan Galit preaches anarchy to pave the way for an overthrow of societal ills and kills Kabisang Leon, evil personified representing Filipinos who have connived with the Americans in subjugating the lower classes.