Trade paperback.

    He has been a basement- dweller, gallery troll, and a purveyor of forbidden notions. Originally distributed into the world as Xeroxed pamphlets, these “underground comix” reflect the true nature of its nomenclature: Here are the archeological findings of the subterranean ruins of the psyche. Finally, these scattered elements have been compiled into a compact, lushly illustrated bedside reader. Give your cerebellum a tug and become a spelunker of the subconscious as we trespassamong the scorched archaic wastelands of the offspring of apes and fools. Here we find the profane, beautiful progeny of prurient ideals. Immerse yourself in the nocturnal meanderings of unnamed protagonists. Ponder the uncomfortable sexuality of the twins, Cochlea Eustachia. Recoil at the doings of a dwarfish malefactor in Hail Jeffrey, or simply stare at the pretty pictures. Suffice to say that readers of The Squirrel Machine will not be disappointed.The author instructs you not misuse this tome. Poke it gently with a long stick, if you must. Careful, it might ruin the carpet. Placate it with a belly-rub or sweet pastry before it attacks the children. Don’t worry, your tongue won’t stick. If it fits, don’t shove it in too quickly. Keep it as your own cherished object; a shameful, guarded secret. The filter for reality’s blinding glare. Detritus of the Under-Brain. The Unspeakable Thing You Always Knew.FOLLY: The Consequences Of Indiscretion. By one of the most inscrutable and discomforting cartoonists alive.

    It follows a troubled teenage boy through the transformative years of high school as he redefines his friends, his interests, and his life path. When the boy's uncle, a police officer, gets kicked out of the family's basement apartment and transferred to the countryside, April moves in. She's a college student, mysterious and cool, and she quickly takes a shine to the boy. The boy's own interests quickly fade away: he stops engaging in casual sex, taking drugs, and testing the limits of socially acceptable (and legal) behavior. Instead, he hangs out with April and her friends, a bunch of highly evolved big kids who spend their days at the campus swimming pool. And slowly, the boy begins to change, too.Eerie and perfectly paced, DeForge's Big Kids muses on the complicated, and often contradictory, feelings people struggle with during adolescence, the choices we make to fit in, and the ways we survive times of change. Like Ant Colony and First Year Healthy, Big Kids is a testimony to the harshness and beauty of being alive.

    The comics here are sophisticated, unusual narratives about animal musicians, mischievous children, cavemen and heavenly bodies.

    The book is divided into six chapters, each focusing on a theme; one is a series of eerily compelling portraits based on a dozen family photographs Doucet found discarded in a garbage can in Berlin. In another series, Doucet explores gender issues as no one else can with twenty hilarious, somewhat unflattering portraits of the "modern man." She deftly explores other themes, ranging from fortune cookies to female sexuality (go figure ), and everything is neatly encompassed in this sharply-designed art book. Julie Doucet is internationally renowned for her wry, sexually-charged work, a sort of "female R. Crumb" of comics. She is the author of four books, including the 2000 Firecracker Award-Winner "My New York Diary. "

    With no shortage of sprawling high-concept, spine-chilling thrills, and inspired art, the Clive Barker Omnibus is a great launching point into his dark universe.

    After spending thousands of Sunday afternoons gazing at his grandfather’s collections of old newspaper comics, he picked up a pen and started drawing monkeys with striped tails and top hats. He now writes and draws the comic book Sock Monkey as well as the weekly strip "Maakies," which has won him three Eisner Awards and has been animated for Saturday Night Live. He lives in Pasadena, California with his wife and daughters.

    Dear Julia, is the story of how he got there. Boyd's vivid memory of the past and shaky comprehension of the present give clues to the events that lead him to the edge: his childhood, his parents, and a particular trip to Tucson, Arizona where everything began to go terribly awry. Brian Biggs tells the tale with deft wit and a sharp eye, leaving crumbs both verbal and visual along the reader's path to the climactic end. Also available is the Dear Julia, short film directed by Alistair Banks Griffin.

    But the concept falls under such an absurdly large umbrella and can manifest in so many different ways. Art can be self indulgent, goofy, serious, altruistic, evil, or expressive, or any number of other things. But how can it truly make lasting, positive change? In Why Art?, acclaimed graphic novelist Eleanor Davis (How To Be Happy) unpacks some of these concepts in ways both critical and positive, in an attempt to illuminate the highest possible potential an artwork might hope to achieve. A work of art unto itself, Davis leavens her exploration with a sense of humor and a thirst for challenging preconceptions of art worth of Magritte, instantly drawing the reader in as a willing accomplice in her quest.

    Their lives and stories intertwine and relate inevitably to each other in ways that point to the mystery of life.

    But when she buys a mysterious old cat costume, she and Kim find themselves in wholly new territory: the lost world of Alias the Cat who, in 1915, appeared not only in a comic strip and film serial, but in real life as a freedom-fighting superhero.When Kim begins to research this forgotten figure, he uncovers one almost unbelievable story after another: about the Furries, a tiny subculture of people who dress up as cartoon animals in order to have sex; about Keller and Frankie, two seamen stranded on a Pacific island, forced to make cat toys to appease the natives; about the secret lover of Alias’s alter ego, Malek Janochek; and, of course, about Deitch’s own Waldo the Cat, the common thread weaving the stories together as Kim and Pam move toward a fateful showdown in Midgetville...New Jersey, of course.Alias the Cat is Kim Deitch at his eye-catching, mind-bending best.

    Check it out."—Frank Santoro on Malachi Ward's Ritual Three: Vile Decay, The Comics JournalA collection of hauntingly beautiful science fiction and horror short stories by Prophet and Ritual artist Malachi Ward. Collects stories from Mome, Study Group Magazine, Sundays, Best American Comics 2013, and more.In a dozen stories Malachi explores and blends the classic themes of fantasy and science fiction using a range of illustration techniques and styles. In "Utu" a Shaman arrives at an outpost with prognostications of a terrible war. He claims his visions come from a mysterious god, but can he be trusted? In "Hero for Science" a time-travelling rescue mission turns dour when a team member goes native. In "The Scout" while retrieving information in a remote cave, a scout encounters another version of himself.Malachi Ward is the creator of the Ritual comic book series from Revival House Press, The Expansion series with Matt Sheean, The Scout, Utu, and Top Five, which is included in the 2013 edition of Best American Comics. Malachi has done work for Brandon Graham's Prophet, Mome, Nobrow, and Study Group Comics. He is currently an artist on the Image Comics series Prophet Strikefile.

    - A new quarterly anthology of the best new talent in the sequential arts- In color, part-color, and black-and-white- The regular roster of artists gives the series a concrete identity- Quarterly schedule allows readers to look forward to favorite artists on a regular basis- Created for a general audience of literature fans, with a focus on contemporary fiction and narrative

    Telling the story of humanity's first attempts to colonise distant planets, this is the tale of Kim and his companions and the strange creatures and perilous dangers they face in the unknown worlds.

    On his way home, he hits a flying whale with his car, opening the beast's mouth to find a boy from a parallel universe named Jacobus. Chief discovers that a society of insect monsters want to kill this boy due to a mysterious virus that grows on his hand. He becomes a father figure to the boy and trains him how to survive insect monsters by becoming a great American ass-kicker.