Here he recounts his life growing up in London. "I learned very early in my life that nothing was forever; so I should have been aware of disillusion in early middle age: but, somehow, we try to obliterate early warnings and go cantering along hopefully, idiotically. . . ."

    In The Last Days of Marilyn Monroe, author Donald H. Wolfe, a former Hollywood screenwriter and film editor, examines the tragic starlet’s final weeks and offers startling evidence to support his provocative claim that Marilyn’s alleged suicide was, in fact, a homicide. A powerful and intimate look into the dark side of Hollywood and John F. Kennedy’s Camelot, The Last Days of Marilyn Monroe is a must-read for movie buffs, true crime aficionados, and the many still enchanted by the Monroe magic.

    She tells of the friendships she made with many of her leading men and with women such as Joan Crawford whom she met as a youngster in a chorus line and Eleanor Roosevelt, whose President husband had a well-known crush on Myrna. Myrna Loy was not only an actress but also a woman who had political interests, championing the UN and Democratic presidential candidates from Truman onward, and was even for a time a "Washington wife". In her memoirs she presents a personal analysis of post-war politics up to and including Ronald Reagan.

    As Lucy Ricardo she was the ultimate screwball housewife, getting herself into and out of scrapes with unmatched comic finesse. Indeed, she was so funny, and so central to the cultural landscape, that we often overlook Ball's role in shaping that turf: as producer of her own show and a cofounder of a major studio, she was a pioneer, rewriting the rules and forging new paths for women in the boardroom and on the sound stage. In Ball of Fire, Stefan Kanfer goes beyond the icon to examine the difficult life and enduring work of the most influential woman in modern American comedy. Kanfer traces the arc of her career from its unlikely beginnings in a lonely and desolate childhood in upstate New York. There she discovered that making people laugh could ease the pains of a fragmented family life. But she was more than amusing. She was also beautiful, and when Lucy's adolescent attempts to crack Broadway ended in failure, she became a runway model and on a fluke, journeyed out to California to be an extra in one film. That led to another, and another, and another bottom-of-the-bill movie, until she became, in her own words, "The Queen of the B's." Ball of Fire tracks Lucy's pursuit of the superstardom that eluded her on the big screen and follows the actress through a series of disappointing affairs and sorrows until she meets a Cuban conga drummer six years her junior, and falls headlong in love with Desi Arnaz. Working with her husband, Lucille Ball becomes a different kind of comic artist in a program called "I Love Lucy," the show that is still running in more than eighty countries aroundthe globe. Taking us through the development of television both as technology and cultural phenomenon, Kanfer chronicles the difficult birth of the sitcom that changed the world. He details the early executive meetings, the rocky first productions, the shaky first weeks and the unpredicted triumph. We see all of Lucy's behind-the-scenes battles for creative control of the show; her surprising confrontation with the House Un-American Activities Committee when it was discovered that she had once registered to vote as a Communist; her groundbreaking on-air pregnancy; and a series of in-depth analyses of the classic scenes and Chaplinesque slapstick that guarantee her a permanent place in the pantheon of American comedy. Finally, we see the aftermath of her hard-won fame: the turbulent marriage and painful split from Desi, the man she never stopped loving; her second marriage; and her sad last years out of the limelight and away from the applause. This is the first biography to examine the legendary Lucille Ball in all her many dimensions: her personal struggles and the torments that forged a comic genius; and, at last, her posthumous influence on television comedy, on feminist scholars and cultural critics, and on the public at large. Ball of Fire is the definitive biography Lucy fans have been waiting for.

    He often came across as a man possessed, holding forth on culture and politics while mixing in personal revelations – all with mercurial, tongue-twisting intensity as he inhabited and shed one character after another with lightning speed.But as Dave Itzkoff shows in this revelatory biography, Williams’s comic brilliance masked a deep well of conflicting emotions and self-doubt, which he drew upon in his comedy and in celebrated films like Dead Poets Society; Good Morning, Vietnam; The Fisher King; Aladdin; and Mrs. Doubtfire, where he showcased his limitless gift for improvisation to bring to life a wide range of characters. And in Good Will Hunting he gave an intense and controlled performance that revealed the true range of his talent.Itzkoff also shows how Williams struggled mightily with addiction and depression – topics he discussed openly while performing and during interviews – and with a debilitating condition at the end of his life that affected him in ways his fans never knew. Drawing on more than a hundred original interviews with family, friends, and colleagues, as well as extensive archival research, Robin is a fresh and original look at a man whose work touched so many lives.

    16 pages of photos. Author Taylor confronts the comic genius with both humor and pathos.

    Every morning, Anjelica and her brother visited their father while he took his breakfast in bed. “What news?” he’d ask. “I’d seen him the night before,” Anjelica recalls. “There wasn’t much to report.” So she became a storyteller.In London, where she lives with her mother and brother in the early sixties when her par­ents separate, Huston encounters the Rolling Stones and Fleetwood Mac. She understudies Marianne Faithfull in Hamlet. Seventeen, striking, precocious, but still young and vulnerable, she is devastated when her mother dies in a car crash.Months later she moves to New York, falls in love with the much older, brilliant but disturbed photographer Bob Richardson, and becomes a model. Living in the Chelsea Hotel, working with Richard Avedon and other photographers, she navigates a volatile relationship and the dynamic cultural epicenter of New York in the seventies.A Story Lately Told ends as Huston launches her Hollywood life. The second part of her story—Watch Me—opens in Los Angeles in 1973 and will be published in Fall 2014. Beguiling and beautifully written, Huston’s memoir is a treasure.

    The stunned public turned for solace to Debbie’s only remaining child, Todd Fisher, who somehow retained his grace and composure under the glare of the media spotlight as he struggled with his own overwhelming grief.The son of "America’s Sweethearts" Debbie Reynolds and Eddie Fisher, Todd grew up amid the glamorous wealth and pretense of Hollywood. Thanks to his funny, loving, no-nonsense mother, Todd remained down to earth, his own man, but always close to his cherished mom, and to his sister through her meteoric rise to stardom and her struggle with demons that never diminished her humor, talent, or spirit.Now, Todd shares his heart and his memories of Debbie and Carrie with deeply personal stories from his earliest years to those last unfathomable days. His book, part memoir, part homage, celebrates their legacies through a more intimate, poignant, and often hilarious portrait of these two remarkable women than has ever been revealed before.With thirty-two pages of never-before-seen photos and memorabilia from his family’s private archives, Todd’s book is a love letter to a sister and a mother, and a gift to countless fans who are mourning the deaths of these two unforgettable stars.

    Yes, you totally recognize her. And, odds are, you already feel like she’s your friend. In her first book of essays, I Don’t Know What You Know Me From, Greer writes about everything you would hope to hear from your best friend: how a midnight shopping trip to Walgreens can cure all; what it’s like to wake up one day with stepchildren; and how she really feels about fans telling her that she’s prettier in person. Yes, it’s all here—from the hilarious moments to the intimate confessions.But Judy Greer isn’t just a regular friend—she’s a celebrity friend. Want to know which celebs she’s peed next to? Or what the Academy Awards are actually like? Or which hot actor gave her father a Harley-Davidson? Don’t worry; Greer reveals all of that, too. You’ll love her because, besides being laugh-out-loud funny, she makes us genuinely feel like she’s one of us. Because even though she sometimes has a stylist and a makeup artist, she still wears (and hates!) Spanx. Because even after almost twenty years in Hollywood, she still hasn’t figured everything out—except that you should always wash your face before bed. Always.

    Miss Crawford rose from being a telephone operator in Kansas City to glamour, glitter, romance and ultimate stardom.

    But as Karina Longworth reminds us, long before the Harvey Weinsteins there was Howard Hughes—the Texas millionaire, pilot, and filmmaker whose reputation as a cinematic provocateur was matched only by that as a prolific womanizer.His supposed conquests between his first divorce in the late 1920s and his marriage to actress Jean Peters in 1957 included many of Hollywood’s most famous actresses, among them Billie Dove, Katharine Hepburn, Ava Gardner, and Lana Turner. From promoting bombshells like Jean Harlow and Jane Russell to his contentious battles with the censors, Hughes—perhaps more than any other filmmaker of his era—commoditized male desire as he objectified and sexualized women. Yet there were also numerous women pulled into Hughes’s grasp who never made it to the screen, sometimes virtually imprisoned by an increasingly paranoid and disturbed Hughes, who retained multitudes of private investigators, security personnel, and informers to make certain these actresses would not escape his clutches.Vivid, perceptive, timely, and ridiculously entertaining, Seduction is a landmark work that examines women, sex, and male power in Hollywood during its golden age—a legacy that endures nearly a century later.

    The arc of Lyle Talbot’s career is in fact the story of American entertainment. Born in 1902, Lyle left his home in small-town Nebraska in 1918 to join a traveling carnival. From there he became a magician’s assistant, an actor in a traveling theater troupe, a romantic lead in early talkies, then an actor in major Warner Bros. pictures with stars such as Humphrey Bogart and Carole Lombard, then an actor in cult B movies, and finally a part of the advent of television, with regular roles on The Adventures of Ozzie and Harriet and Leave It to Beaver. Ultimately, his career spanned the entire trajectory of the industry.In her captivating, impeccably researched narrative—a charmed combination of Hollywood history, social history, and family memoir—Margaret Talbot conjures warmth and nostalgia for those earlier eras of ’10s and ’20s small-town America, ’30s and ’40s Hollywood. She transports us to an alluring time, simpler but also exciting, and illustrates the changing face of her father’s America, all while telling the story of mass entertainment across the first half of the twentieth century.

    

    These were recognized as high-quality, definitive film portraits, which revitalized the genre and made it a mainstay of television programming.This is their insiders’ view of the famous and the powerful: Katharine Hepburn, James Stewart, Johnny Carson, Frank Sinatra, Lew Wasserman, Ronald Reagan, Paul Newman, Joanne Woodward, Jane Fonda, Richard Dreyfuss, Audrey Hepburn, and Bette Davis, among others. Kramer and Heeley’s behind the scenes stories of the productions and the personalities involved are amusing, sometimes moving, often revealing, and have never been told before.

    Almost half a century after Cary Grant’s retirement from the screen, he remains the quintessential romantic comic movie star. He stopped making movies when his daughter was born so that he could be with her and raise her, which is just what he did. Good Stuff is an enchanting portrait of the profound and loving relationship between a daughter and her father, who just happens to be one of America’s most iconic male movie stars.Cary Grant’s own personal childhood archives were burned in World War I, and he took painstaking care to ensure that his daughter would have an accurate record of her early life. In Good Stuff, Jennifer Grant writes of their life together through her high school and college years until Grant’s death at the age of eighty-two. Cary Grant had a happy way of living, and he gave that to his daughter. He invented the phrase “good stuff” to mean happiness. For the last twenty years of his life, his daughter experienced the full vital passion of her father’s heart, and she now—delightfully—gives us a taste of it. She writes of the lessons he taught her; of the love he showed her; of his childhood as well as her own . . . Here are letters, notes, and funny cards written from father to daughter and those written from her to him . . . as well as bits of conversation between them (Cary Grant kept a tape recorder going for most of their time together).She writes of their life at 9966 Beverly Grove Drive, living in a farmhouse in the midst of Beverly Hills, playing, laughing, dining, and dancing through the thick and thin of Jennifer's growing up; the years of his work, his travels, his friendships with “old Hollywood royalty” (the Sinatras, the Pecks, the Poitiers, et al.) and with just plain-old royalty (the Rainiers) . . . We see Grant the playful dad; Grant the clown, sharing his gifts of laughter through his warm spirit; Grant teaching his daughter about life, about love, about boys, about manners and money, about acting and living.Cary Grant was given the indefinable incandescence of charm. He was a pip . . . Good Stuff captures his special quality. It gives us the magic of a father’s devotion (and goofball-ness) as it reveals a daughter’s special odyssey and education of loving, and being loved, by a dad who was Cary Grant.