Makes use of significant events in history as important elements of the story.

    Cat purr vibrating through your skin 22. Jumping on a trampoline in the rain 23. Raw cookie dough 24. Getting yourself all freaked out after a scary movie 25. Dancing like an idiot when no one is watchingWhat happened to the girl who wrote those things? I miss that girl. She used to be bold and fun. Now she's a big chicken loser.How could so much change so fast? Let's see, you could be the plain Jane daughter of two gorgeous famous people, move to a new school, have no real friends, and your mom could get sick, and, oh yeah, you could have the most embarrassing secret in the world. Yep, that about does it. So, the real question is, how do I get that girl back?

    These stories showcase Miranda Hill's astonishing range and virtuosity, introducing us to a protean variety of characters, each as well-realized as the next. Here is a writer who can seamlessly inhabit the consciousness of a sixteen-year-old navigating an embarrassing sex-ed class, a middle-aged minister experiencing a devastating crisis of faith in a 19th century rural village, a pilot's widow coping with her grief by growing an unusual "victory garden" during World War II, and well-heeled modern professional women juggling jobs, kids, and husbands, and trying to cope with the arrival of a beautiful bohemian neighbour, on a gentrified street in downtown Toronto.The qualities that unite these remarkable stories are a pervasive sense of mystery and magic, a wonderful wit and sophistication, and most surprisingly, the slight disorientation implied by the title: In Miranda Hill's beguiling universe, the "real world" is recognizable and slightly askew, as if you were experiencing one of those strange dreams where you think you are awake--or as if you've been "sleeping funny" and are on the cusp of waking into the everyday world you thought you knew.

    But war is on its way . . . London, 1938. Hanna and Jack Foster had been sent to an orphanage when their parents were killed in a train crash, but were separated when a couple adopted Jack. Bullied and treated like a slave, it soon became clear it was a dreadful mistake. In desperation, Jack takes his future into his own hands and runs away to join the merchant navy, while Hanna takes a job looking after two children. For a time, life seems good, but war is looming and threatens to take away everything Hanna holds dear . . .

    

     For Annie and Will, who have left their marriages to be together, the future is fraught with the complications of starting over. Both have left pieces of themselves behind: For Annie, it is the husband and friend she has known since childhood; for Will, it is the five-year-old daughter he adores. And for the Korean-born Sungae, one of Annie's English-as-a-second-language students, it is a search for the words that will help her resolve the sorrows of her tragic history. As Sungae struggles with the new language and with her memories, her story unfolds in ways that will have profound consequences not only for Sungae, but for Annie, Will, and their former spouses. A lyrical and deeply moving novel about love, loss, and language-and about confronting life's tough choices-The Language of Good-bye "weaves a wonderful story [about] letting go of the past and moving forward into the future" (Gail Tsukiyama, author of The Language of Threads).

    In two hundred thirty-two days, they wore out thirty-two pairs of shoes, crossed mountains, deserts, and plains, and survived a highwayman attack, flash flood, blizzards, and days without food and water. For a year, they were famous as they met governors and mayors, camped with Indians, and visited the new president-elect, William McKinley.They intended to write a book about their adventures, but because of the way their trip ended, their journals were burned. Fortunately, newspapers across the country reported on their travels, and THE YEAR WE WERE FAMOUS is based on those articles, with imagination filling the gaps between known facts.THE YEAR WE WERE FAMOUS won the Will Rogers Medallion, the Willa award from Women Writing the West, was selected by the American Library Association for its 2012 Amelia Bloomer List of Best Feminist Fiction, and won the Sue Alexander Award from the Society of Children's Book Writers and Illustrators.

    Nussbaum crafts a multifaceted portrait of a way of life hidden from most of us. In this isolated place on Chicago's South Side, friendships are forged, trust is built, and love affairs begin. It's in these alliances that the residents of this neglected community ultimately find the strength to bond together, resist their mistreatment, and finally fight back. And in the process, each is transformed.

    She's not comforted by the news that she'll be able to walk with the help of a prosthetic leg. Who cares about walking when you live to run?As she struggles to cope with crutches and a first cyborg-like prosthetic, Jessica feels oddly both in the spotlight and invisible. People who don't know what to say, act like she's not there. Which she could handle better if she weren't now keenly aware that she'd done the same thing herself to a girl with CP named Rosa. A girl who is going to tutor her through all the math she's missed. A girl who sees right into the heart of her.With the support of family, friends, a coach, and her track teammates, Jessica may actually be able to run again. But that's not enough for her now. She doesn't just want to cross finish lines herself—she wants to take Rosa with her.Winner of the Schneider Family Book Award

    As Keating turns the boys on to the great words of Byron, Shelley, and Keats, they discover not only the beauty of language, but the importance of making each moment count. But the Dead Poets pledges soon realize that their newfound freedom can have tragic consequences. Can the club and the individuality it inspires survive the pressure from authorities determined to destroy their dreams?

    

    He talks to the models, he reads hundreds of filthy readers' letters, he organises the photoshoots and even gets to direct the action. He has, according to his non-porn friends, "the best job in the world". But Godfrey Bishop has a problem. Godfrey Bishop is going through the sex drought to end all sex droughts. He hasn't been with a woman in over a year and this knee-twisting frustration is magnified a hundred times by his daily grind. He feels like Billy Bunter put in charge of the cake shop, only to have the Atkins diet forced upon him at gun point. Chuck into the mix a twelve girl orgy, a stable of alcoholic co-workers, an angry argumentative feminist, a naked run from justice and an obsessive nutty reader who thinks Godfrey is trying to scupper his chances of marrying the magazine's centre-spread girl and you have Danny King's filthiest and funniest novel yet – according to the back of the book. Godfrey Bishop has "the best job in the world" – and it's doing his f*cking head in.

    Watts, object of much curiosity and scorn, who sweeps out the ruined schoolhouse and begins to read to the children each day from Charles Dickens's classic Great Expectations.So begins this rare, original story about the abiding strength that imagination, once ignited, can provide. As artillery echoes in the mountains, thirteen-year-old Matilda and her peers are riveted by the adventures of a young orphan named Pip in a city called London, a city whose contours soon become more real than their own blighted landscape. As Mr. Watts says, “A person entranced by a book simply forgets to breathe.” Soon come the rest of the villagers, initially threatened, finally inspired to share tales of their own that bring alive the rich mythology of their past. But in a ravaged place where even children are forced to live by their wits and daily survival is the only objective, imagination can be a dangerous thing.

    He didn't expect it to be in the morgue. Or that he would accidentally discover a murder cover-up. Or that his discovery would lead him to a full-blown investigation involving bribery, kidnappings, more murders... and his best friend. And he certainly could never have predicted that Tina - loud, insanely hot, ambitious newspaper reporter Tina - would be his partner. But all of that did happen. And Christopher's life will never be the same. With plenty of plot twists, red herrings, and dry wit, The Morgue and Me is a page-turning modern take on the classic detective genre.

    Poems in English and Spanish that discuss what it means to be Puerto Rican in the United States today.