Curtis is the basis for a resonant exploration of history and family, landscape and legacy.The Shadow Catcher dramatically inhabits the space where past and present intersect, seamlessly interweaving narratives from two different eras: the first fraught passion between turn-of-the-twentieth-century icon Edward Curtis (1868-1952) and his muse-wife, Clara; and a twenty-first-century journey of redemption. Narrated in the first person by a reimagined writer named Marianne Wiggins, the novel begins in Hollywood, where top producers are eager to sentimentalize the complicated life of Edward Curtis as a sunny biopic: "It's got the outdoors. It's got adventure. It's got the do-good element." Yet, contrary to Curtis's esteemed public reputation as servant to his nation, the artist was an absent husband and disappearing father. Jump to the next generation, when Marianne's own father, John Wiggins (1920-1970), would live and die in equal thrall to the impulse of wanderlust.Were the two men running from or running to? Dodging the false beacons of memory and legend, Marianne amasses disparate clues -- photographs and hospital records, newspaper clippings and a rare white turquoise bracelet -- to recover those moments that went unrecorded, "to hear the words only the silent ones can speak." The Shadow Catcher, fueled by the great American passions for love and land and family, chases the silhouettes of our collective history into the bright light of the present.

    But in Guy's case, the legend is one of betrayal and infamy. For the scandal of his embezzlement brought down the delicately balanced structure of the Stock Exchange. The long-honored system of self-government by mutual trust among gentlemen came to an end with the default of one of its brightest stars.The story of Guy's fall is told by the three persons most intimately concerned: Guy himself, Rex Geer, his closest friend, and Angelica, his wife. We see him first through his own eyes — embittered, oddly proud of his peculiar distinction, and entirely unrepentant — the golden boy, the Wall Street manipulator, and finally the old man determined to justify himself to the grandchildren he will never see.Rex and Angelica in turn pick up the same threads of the story, but the threads change color subtly as they pass through different hands. In the end, the reader must decide for himself which is the real Guy Prime.Louis Auchincloss brings to the financial world the same authority and understanding he brought to the worlds of the law (Powers of Attorney), the private school (The Rector of Justin), and the old families of New York (Portrait in Brownstone). Virgilia Peterson, writing in the New York Times Book Review, called The Rector of Justin "not only a passionately interesting, but a spiritually important study of the American character of, and for our time." Her words hold true for The Embezzler.

    A kind, sensitive, family man, he is also prone to irascible outbursts against the people he must work for, now that he can no longer make his living from the sea.Pierce's one great passion, a fifty-foot fishing boat called Spartina, lies unfinished in his back yard. Determined to get the funds he needs to buy her engine, he finds himself taking a foolish, dangerous risk. But his real test comes when he must weather a storm at sea in order to keep his dream alive. Moving and poetic, Spartina is a masterly story of one man's ongoing struggle to find his place in the world.

    The reader is drawn as if by magnetic force into a world rendered in breathtaking, painterly detail. These stories are marvelous entertainments, rich with amusement, yet Taylor renders his characters truly and understands them in a profoundly meaningful way.

    Summering at her country home in Maine, Katherine Congreve is afraid John Shipley's son will blame her for his father's approaching divorce.

    But instead of the abstract canvases of the Pollocks and Rothkos, he stubbornly hewed to painting one subject the female nude. When he died in 2001, he left behind a wife, Abigail, an autistic son, and a sister, Maxine, herself a notable abstract painter all duly noted in the New York Times obituary.What no one knows is that Oscar Feldman led an entirely separate life in Brooklyn with his longtime mistress, Teddy St. Cloud, and their twin daughters. As the incorrigibly bohemian Teddy puts it, "He couldn't live without a woman around. It was like water to a plant for him." Now two rival biographers, book contracts in hand, are circling around Feldman's life story, and each of these three women, Abigail, Maxine, and Teddy, will have a chance to tell the truth as they experienced it.The Great Man is a scintillating comedy of life among the avant-garde of the untidy truths, needy egos, and jostlings for position behind the glossy facade of artistic greatness. Not a pretty picture but a provocative and entertaining one that incarnates the take-no-prisoners satirical spirit of Dawn Powell and Mary McCarthy.

    Every summer the family stays in a beautiful house on the coast at Ballyconnigor. It is here, one summer, that Eamon reflects on his life as a judge.

    Brought together one sweltering afternoon to stand guard over an ammunition dump threatened by a forest fire, they discover in each other an unexpected capacity for recklessness and violence. Far from being alarmed by this discovery, they are exhilarated by it; they emerge from their common danger full of confidence in their own manhood and in the bond of friendship they have formed.This confidence is shaken when a series of thefts occur. The author embraces the perspectives of both the betrayer and the betrayed, forcing us to participate in lives that we might otherwise condemn, and to recognize the kinship of those lives to our own.

    Things stay with us—souvenirs with memories attached. We can't always choose what to keep, what to throw away.Nathan's parents devised cautionary tales for him and his sister—gruesome stories about predatory cars racing along the "Big Street" at one end of their neighborhood, or dope fiends lurking in the woods behind their house and ready to plunge hypodermics into the skin of foolish young trespassers. These stories served their purpose during Nathan's gullible childhood, essentially constructing an invisible fence around the yard and keeping the boy close to home where he'd be safe.Such barriers are not so easy to discard in later life. As an adult, Nathan no longer believes his parents' stories, and yet they still confine him. He lives cautiously, avoiding serious relationships, avoiding risk. But despite his efforts, something from his parents' cautionary tales threatens to creep beneath that invisible border…and the enclosed yard might not be as safe and secure as it always seemed…

    At first there is triumph in this, not least for the father who had spurred him on, but later "alienated from his class, and with nowhere yet to go" Colin finds himself struggling to remain in the place that made him.Saville won the Booker prize in 1976.

    The stories of these three men are narrated by Pan Viadomsky, an anti-Semitic Polish scholar who claims to have discovered the lost Fifth Gospel, containing the life of Christ according to his betrayer, Judas Iscariot. With unparalleled historical immediacy, Asch's inspired work presents a sweeping panorama of the Holy Land nearly two thousand years ago.

    James's --The worm in the apple --The trouble of Marcie Flint --The bella lingua --The Wrysons --The country husband --The duchess --The scarlet moving van --Just tell me who it was --Brimmer --The golden age --The lowboy --The music teacher --A woman without a country --The death of Justina --Clementina --Boy in Rome --A miscellany of characters that will not appear --The chimera --The seaside houses --The angel of the bridge --The brigadier and the golf widow --A vision of the world --Reunion --An educated American woman --Metamorphoses --Mene, mene, tekel, upharsin --Montraldo --The ocean --Marito in città --The geometry of love --The swimmer --The world of apples --Another story --Percy --The fourth alarm --Artemis, the honest well digger --Three stories --The jewels of the Cabots.

    Full of wit and disdain, he records the mounting tensions on the ancient, stinking warship where officers, sailors, soldiers and emigrants jostle in the cramped spaces below decks. Then a single passenger, the obsequious Reverend Colley, attracts the animosity of the sailors, and in the seclusion of the fo'castle something happens to bring him into a 'hell of degradation', where shame is a force deadlier than the sea itself.

    Radical groups plot revolution, runaway kids prowl the streets, cops are at their wits end, and work is hard to get, even for hookers. Hobie McNutt, a seventeen year old runaway from West Virginia drifts into a commune of young revolutionaries. It's a warm, dry place, and the girls are very available. But Hobie becomes involved in an increasingly vicious struggle for power in the group, and in the mounting violence of their political actions. His father Hunter, who has been involved in a brave and dangerous campaign to unseat a corrupt union president in the coal miners union, leaves West Virginia to hunt for his runaway son. To make ends meet, he takes day-labor jobs in order to survive while searching for him. Living parallel lives, their destinies ultimately movingly collide in this sprawling classic of radicalism across the generations, in the vein of Pete Hamill, Jimmy Breslin, and Richard Price.

    Dunyazade, Scheherazade's kid sister, holds the destiny of herself and the prince who holds her captive.Perseus, the demigod who slew the Gorgon Medusa, finds himself at forty battling for simple self-respect like any common mortal.Bellerophon, once a hero for taming the winged horse Pegasus, must wrestle with a contentment that only leaves him wretched.