A detective on the edge of madness. The future of time travel at stake.January Cole’s job just got a whole lot harder.Not that running security at the Paradox was ever really easy. Nothing’s simple at a hotel where the ultra-wealthy tourists arrive costumed for a dozen different time periods, all eagerly waiting to catch their “flights” to the past.Or where proximity to the timeport makes the clocks run backward on occasion—and, rumor has it, allows ghosts to stroll the halls.None of that compares to the corpse in room 526. The one that seems to be both there and not there. The one that somehow only January can see.On top of that, some very important new guests have just checked in. Because the U.S. government is about to privatize time-travel technology—and the world’s most powerful people are on hand to stake their claims.January is sure the timing isn’t a coincidence. Neither are those “accidents” that start stalking their bidders.There’s a reason January can glimpse what others can’t. A reason why she’s the only one who can catch a killer who’s operating invisibly and in plain sight, all at once.But her ability is also destroying her grip on reality—and as her past, present, and future collide, she finds herself confronting not just the hotel’s dark secrets but her own.

    R. Martin comes the ultimate novel of revolution, rock ’n’ roll, and apocalyptic murder—a stunning work of fiction that portrays not just the end of an era, but the end of the world as we know it.Onetime underground journalist Sandy Blair has come a long way from his radical roots in the ’60s—until something unexpectedly draws him back: the bizarre and brutal murder of a rock promoter who made millions with a band called the Nazgûl. Now, as Sandy sets out to investigate the crime, he finds himself drawn back into his own past—a magical mystery tour of the pent-up passions of his generation. For a new messiah has resurrected the Nazgûl and the mad new rhythm may be more than anyone bargained for—a requiem of demonism, mind control, and death, whose apocalyptic tune only Sandy may be able to change in time . . . before everyone follows the beat.

    Too bad his superior plans to assign him to the Case Progression Unit, where the biggest threat he’ll face is a paper cut. But Peter’s prospects change in the aftermath of a puzzling murder, when he gains exclusive information from an eyewitness who happens to be a ghost. Peter’s ability to speak with the lingering dead brings him to the attention of Detective Chief Inspector Thomas Nightingale, who investigates crimes involving magic and other manifestations of the uncanny. Now, as a wave of brutal and bizarre murders engulfs the city, Peter is plunged into a world where gods and goddesses mingle with mortals and a long-dead evil is making a comeback on a rising tide of magic.

    Hello there."She felt the light on her eyelids, and knew that if she opened her eyes they would sting, and she would have to shade them with her palm and let the light bleed through a crack."Feel like talking?" A man's soft voice.And then her mind cleared enough to wonder: who was this man at her bedside?She tried to sigh, but no breath came. Her eyes flew open in alarm.In the future, love is complicated. Technology moves ever forward. To be disconnected from the maze of social networking is to be an outcast.Even death doesn't have to be the end. An impossible love story is about to unfold between a hit-and-run victim and her killer.

    Archaeologist Verity Auger specializes in the exploration of its surviving landscape. Now, her expertise is required for a far greater purpose.Something astonishing has been discovered at the far end of a wormhole: mid-twentieth century Earth, preserved like a fly in amber. Somewhere on this alternate planet is a device capable of destroying both worlds at either end of the wormhole. And Verity must find the device, and the man who plans to activate it, before it is too late—for the past and the future of two worlds…

    But even she knows that oil is outlawed, that Louisiana is half underwater, and that unmanned drones fill the sky. When her father is killed and her family is forced into Camp Patience for displaced persons, she begins to grow up shaped by her particular time and place. But not everyone at Camp Patience is who they claim to be. Eventually Sarat is befriended by a mysterious functionary, under whose influence she is turned into a deadly instrument of war. The decisions that she makes will have tremendous consequences not just for Sarat but for her family and her country, rippling through generations of strangers and kin alike.

    The novel is concerned with the conflict between the individual and the state, the punishment of young criminals, and the possibility or otherwise of redemption. The linguistic originality of the book, and the moral questions it raises, are as relevant now as they ever were.Source: anthonyburgess.org

    Now I work for the cops, helping Homicide Detective Isabella Cherabino put killers behind bars. My ability to get inside the twisted minds of suspects makes me the best interrogator in the department. But the normals keep me on a short leash. When the Tech Wars ripped the world apart, the Guild stepped up to save it. But they had to get scary to do it—real scary. Now the cops don’t trust the telepaths, the Guild doesn’t trust me, a serial killer is stalking the city—and I’m aching for a fix. But I need to solve this case. Fast. I’ve just had a vision of the future: I’m the next to die.

    Griffin and Philip Kerr, set in German-occupied London at the close of World War II, a hardened, dispirited British detective jeopardizes his own life to save someone else and achieve the impossible—some kind of redemption.London, 1946. The Nazis have won the war and now occupy Great Britain, using brutality and fear to control its citizens. They even use it to control those who work for them. John Henry Rossett, a decorated British war hero and former police sergeant, is one of those unlucky souls. He’s a man accustomed to obeying commands, but he’s now assigned a job he didn’t ask for and knows he cannot refuse: rounding up Jews for deportation, including men and women he’s known his whole life. Robbed of his family by a resistance bomb, and robbed of his humanity by the work he is forced to do, fate suddenly presents Rossett with an unexpected challenge that could change everything. He finds a boy hiding in an abandoned building and is faced with a momentous decision—to do something or to look the other way—yet whatever Rossett does, he will be pushed into a place where he could endanger all he holds dear.  Played out against a city in ruin, a place divided between the conquered and the conquerors, The Darkest Hour is a tense, driving adventure thriller, a fascinating alternate history, and the unforgettable story of a man who will be broken—or given a completely new lease on life.

    His cybernetics are a decade out of date, he's got a pair of twin sister loan sharks knocking on his door, and his work scouting for a baseball league run by pharmaceutical companies is about to go belly-up. Things couldn't get much worse.Then his childhood best friend-Monsanto Mets slugger J.J. Zunz-is murdered at home plate.Determined to find the killer, Kobo plunges into the dark corners and glittering cloud condos of a world ravaged by climate change and repeat pandemics, and where genetic editing and advanced drugs mean you can have any body you want--as long as you can afford it. But even among the philosophical Neanderthals, zootech weapons, and genetically modified CEOs, there's a curveball he never could have called.

    It's an average work day. You've been wrapped up in a task, and you check the clock when you come up for air—4:44 pm. You go to check your email, and 44 unread messages have built up. With a shock, you realize it is April 4th—4/4. And when you get in your car to drive home, your odometer reads 44,444. Coincidence? Or have you just seen the edge of a rabbit hole? Rabbits is a mysterious alternate reality game so vast it uses our global reality as its canvas. Since the game first started in 1959, ten iterations have appeared and nine winners have been declared. Their identities are unknown. So is their reward, which is whispered to be NSA or CIA recruitment, vast wealth, immortality, or perhaps even the key to unlocking the secrets of the universe itself. But the deeper you get, the more deadly the game becomes. Players have died in the past—and the body count is rising. And now the eleventh round is about to begin. Enter K—a Rabbits obsessive who has been trying to find a way into the game for years. That path opens when K is approached by billionaire Alan Scarpio, the alleged winner of the sixth iteration. Scarpio says that something has gone wrong with the game and that K needs to fix it before Eleven starts or the whole world will pay the price. Five days later, Scarpio is declared missing. Two weeks after that, K blows the deadline and Eleven begins. And suddenly, the fate of the entire universe is at stake.

    Thaniel Steepleton returns home to his tiny London apartment to find a gold pocket watch on his pillow. Six months later, the mysterious timepiece saves his life, drawing him away from a blast that destroys Scotland Yard. At last, he goes in search of its maker, Keita Mori, a kind, lonely immigrant from Japan. Although Mori seems harmless, a chain of unexplainable events soon suggests he must be hiding something. When Grace Carrow, an Oxford physicist, unwittingly interferes, Thaniel is torn between opposing loyalties. The Watchmaker of Filigree Street is a sweeping, atmospheric narrative that takes the reader on an unexpected journey through Victorian London, Japan as its civil war crumbles long-standing traditions, and beyond. Blending historical events with dazzling flights of fancy, it opens doors to a strange and magical past.

    One clue in particular hints that Edward Hyde, her father’s former friend and a murderer, may be nearby, and there is a reward for information leading to his capture…a reward that would solve all of her immediate financial woes.But her hunt leads her to Hyde’s daughter, Diana, a feral child left to be raised by nuns. With the assistance of Sherlock Holmes and Dr. Watson, Mary continues her search for the elusive Hyde, and soon befriends more women, all of whom have been created through terrifying experimentation: Beatrice Rappaccini, Catherin Moreau, and Justine Frankenstein.When their investigations lead them to the discovery of a secret society of immoral and power-crazed scientists, the horrors of their past return. Now it is up to the monsters to finally triumph over the monstrous.

    A name, a time, a place.Marion Lane and the Midnight Murder plunges readers into the heart of London, to the secret tunnels that exist far beneath the city streets. There, a mysterious group of detectives recruited for Miss Brickett’s Investigations & Inquiries use their cunning and gadgets to solve crimes that have stumped Scotland Yard.Late one night in April 1958, a filing assistant for Miss Brickett’s named Michelle White receives a letter warning her that a heinous act is about to occur. She goes to investigate but finds the room empty. At the stroke of midnight, she is murdered by a killer she can’t see—her death the only sign she wasn’t alone. It becomes chillingly clear that the person responsible must also work for Miss Brickett’s, making everyone a suspect.Almost unwillingly, Marion Lane, a first-year Inquirer-in-training, finds herself being drawn ever deeper into the investigation. When her friend and mentor is framed for the crime, to clear his name she must sort through the hidden alliances at Miss Brickett’s and secrets dating back to WWII. Masterful, clever and deliciously suspenseful, Marion Lane and the Midnight Murder is a fresh take on the Agatha Christie—style locked-room mystery with an exciting new heroine detective at the helm.

    Christened “Haters” by the media, the attackers strike without warning and seemingly without reason. Within seconds, normally rational, self-controlled people become frenzied, vicious killers. As the carnage mounts, one thing soon is clear: everyone, irrespective of race, gender, age, or class, has the potential to become either a Hater or a victim. At any moment, even friends and family can turn on one another with violent intent. In the face of this mindless terror, all McCoyne can do is secure his family, seek shelter, and watch as the world falls apart. But when he bolts the front door, the question remains: Is he shutting the danger out or locking it in?