"Come See the Living Dryad" by Theodora Goss is a fantasy about a contemporary woman investigating the murder of an ancestor suffering from a rare disease who was a famous sideshow attraction in the nineteenth century.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    The family -- which refuses to believe in him -- is in Wilde's way a commentary on the British nobility of the day -- and on the Americans, too. The tale, like many of Wilde's, is rich with allusion, but ends as sentimental romance...

    What follows is the sort of dizzying, mind-expanding entertainment that only the always reliable, always astonishing Tim Powers could have written.These three men, professors in the "Consciousness Research" department at Cal Tech University, have come together to perform a seemingly impossible task. Their goal: to open a door between the world of the living and the world of the dead, and to capture the ghost of the recently deceased scientist Armand Vitrielli. For their own desperate reasons, they hope to avail themselves of the secrets Vitrielli left behind at the time of his death. Their experiment, naturally, fails to come off exactly as planned. A door between the worlds does, in fact, open, letting in something—someone—completely unexpected, and setting in motion a chain of events that will reverberate throughout the narrative.Intricate, intelligent, and always thoroughly absorbing, More Walls Broken mixes fantasy and quantum physics in utterly unique fashion. The result is a brilliantly imagined account of multiple realities and unintended consequences that is pure dazzle, pure storytelling, pure—and unmistakable—Tim Powers. In book after book, story after story, Powers has set the standard for literate imaginative fiction. With this essential, beautifully realized novella, he has done it once again.

    But what if a monster isn’t enough? Shadows gather, winter deepens, and Assevan falls farther into the dark. Pitted against monsters and men, Konrad faces deeper challenges. Darker foes. Some can rival even the Malykant’s power. Pushed beyond his endurance, challenged beyond his sanity, at long last Death’s Avenger might need a little help... Konrad Savast returns for another chilling set of adventures in the second volume of the Malykant Mysteries.

    She wanted this old Victorian for herself. The rumors the house was haunted didn’t bother Jennifer, who is a skeptic by nature. But her skepticism turns to intrigue when she finds a letter dated 1909 in the attic tucked into the folds of a wedding dress. The letter mentions a murder, but no name of the victim and is signed with only initials. Jennifer's challenge is to track down the identity of the victim, as well as the killer. However, her research brings forth two spirits, one of which is evil.

    Only one person knows the truth: Adrienne Beauvier, granddaughter of the Comte de Challembelles and cousin to the man who built the castle.Clairvoyant from the time she could talk, Adrienne’s visions show her the secrets of those around her. When her visions begin to reveal dark mysteries of her own aristocratic French family, Adrienne is confronted by her formidable Aunt Marie, who is determined to keep the young woman silent at any cost. Marie wrenches Adrienne from her home in France and takes her to America, to Miramont Castle, where she keeps the girl isolated and imprisoned. Surrounded by eerie premonitions, Adrienne is locked in a life-or-death struggle to learn the truth and escape her torment.Reminiscent of Daphne du Maurier’s Rebecca, this hauntingly atmospheric tale is inspired by historical research into the real-life Miramont Castle in Manitou Springs, Colorado.

    A collection of Ramsey campbell's horror stories, including The Church in the High Street, The Room in the Castle, The Horrors from the Bridge, The Insects from Shaggai, The Render of the Veils, The Inhabitant of the Lake, The Will of Stanley Brooke, The Moon-Lens, Before the Storm, Cold Print, Among These Pictures Are, The Tugging, The Faces at Pine Dunes, Blacked Out, and The Voice of the Beach.

    But when he’s sent to investigate the disappearance of Lionel Maudling, the owner of a grand country house whose heir may be accused for his death, he encounters a home that will lead him to nightmares he could have never imagined. Maudling’s estate houses countless books of every sort—histories, dramas, scientific treatises. But none seems to offer Soter any hint to Maudling’s whereabouts, until he’s led to an arcane London bookseller where the reclusive scholar made his last purchase. What Soter finds at the end of a twisted maze of clues is a book like no other, with a legacy that will put everything he knows in danger…An inventive horror novella from internationally bestselling author John Connolly, this is a story of madness, of obsession, and of books’ power to change the world.

    There they create the album that will make their reputation, but at a terrifying cost: Julian Blake, the group’s lead singer, disappears within the mansion and is never seen or heard from again.Now, years later, the surviving musicians, along with their friends and lovers—including a psychic, a photographer, and the band’s manager—meet with a young documentary filmmaker to tell their own versions of what happened that summer. But whose story is true? And what really happened to Julian Blake?

    R. James.Casting the Runes, adapted by Stephen GallagherWhen academic Jo Harrington (Anna Maxwell Martin) is sent a paper—The Truth of Alchemy, by Anton Karswell—for peer review, she pulls no punches. Jo writes that the paper has no place in a serious academic publication and that Karswell is a half-bright fool. When the editor writes a rejection note to Karswell, he inadvertently includes Jo’s entire email. Occultist Karswell (Reece Shearsmith) doesn’t take kindly to criticism.On the tube home with her partner Edward Dunning (Tom Burke), Jo spots a poster with her name on it. It reads: "In memory of Joanne Harrington, MLitt, PhD, died September eighteenth, three days were allowed." Is there anything that Edward can do to save Jo from this curse?Lost Hearts, adapted by A. K. BenedictTeenager Stephanie Elliot (Rosa Coduri) is taken to Aswarby House to be fostered by Mrs. Bunch (Susan Jameson). Stephanie strikes up a friendship with Ben (Bill Milner), the adopted son of charismatic community leader Mr. Abney (Jeff Rawle). He tells her that Mr. Abney is a good man—he even took in a child refugee last year, but she stole from him and ran away. Stephanie is troubled by voices and visions of a dead girl clutching at her chest, and when Ben disappears she begins to suspect that all is not right in Aswarby House.The Treasure of Abbot-Thomas, adapted by Jonathan BarnesWhen former Somerton school pupil Greg Parsbury (Robert Bathurst) meets history teacher Mika Chantry (Pearl Mackie) at a memorial service for schoolmaster Sam Abbot-Thomas, he begs for her help. Greg has been sent a postcard by the estate of the mysterious and charismatic Abbot-Thomas. On it is a strange inscription in Latin, which he believes to be an inaugural clue in a treasure hunt much like the elaborate treasure hunts Abbot-Thomas used to set back in the 1970s. There were rumors that Abbot-Thomas possessed a hidden fortune, and Parsbury and Chantry set out to find it.A View from a Hill, adapted by Mark MorrisComedian and podcaster Paul Fanshawe (Andy Nyman) and his wife, Sarah (Alice Lowe), visit the Cotswolds on holiday, trying to rebuild their lives after the death of their young son, Archie. While out walking, they spot a beautiful abbey across the valley on Gallows Hill, but when they reach it, they find the building is little more than rubble. While Sarah explores, Paul records commentary for his podcast. Sarah thinks she hears children’s laughter, but there’s no one there. Later that night, she listens to the recording and hears a child’s voice whisper, "Mummy." Sarah is convinced that Archie is trying to reach them and wants to return to the ruins. But something far worse is waiting for them on Gallows Hill.

    R. James is widely regarded as the father of the modern ghost story, and his tales have influenced horror writers from H. P. Lovecraft to Stephen King. First published in the early 1900s, they have never been out of print, and are recognized as classics of the genre. This collection contains some of his most chilling tales, including A View from a Hill, Rats, A School Story, The Ash Tree, and The Story of a Disappearance and an Appearance. Read by BAFTA and Emmy-award winning actor Derek Jacobi, and with haunting and evocative music, these tales cannot fail to send a shiver down your spine.

    Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls... But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them.

    KONRATH: “Scar Tissue will make your heart race and your heart ache, often in the same sentence.” Not only that, but buying this collection helps battle real-life heartache—50% of every e-book sold is donated to fighting pediatric cancer. Marcus Sakey’s thrillers have won numerous awards and been translated into twenty languages. Celebrities like Ben Affleck and Tobey Maguire have snatched up his film rights. Now from the “modern master of suspense” (Chicago Sun-Times) comes seven stories of men and women pushed to—and beyond—the ragged edge: --* “The Desert Here and the Desert Far Away”Nick is back from Iraq, or so he keeps telling himself. But an old squad mate shows there are some battlefields you can’t leave behind. (Twice short-listed for Best Short Story of 2009)* “Gravity and Need”After having sex with a total stranger atop a $3000 television, you’re supposed to walk away. But for two lonely people, that’s just the beginning of a very complicated relationship.* “No One”The line between love and obsession is stretched razor-taut in this story where nothing is as it seems—and no one can be trusted.* “Cobalt”In this comic send-up the dotcom era, as the world panics over the last days of Y2K, one man searches for his soul. If he could only remember where last he saw it…* “The Time Before the Last”The shortest story I’ve ever written. It’s also inspired three paintings and made my wife cry.* “As Breathing”Billy Dexter has sworn off killing. But when he falls in love with the wrong woman, Dex discovers murder is a hard habit to break.* “The Days When You Were Anything Else”Frank has been many things: a conman, a hustler, a thief. But when his little girl finds herself in desperate trouble, he has one final shot at becoming something that matters.--These seven stories “contain some of the best writing in crime fiction today. You're in for quite a ride.” (J.A. Konrath). And it’s a ride you can feel good about, with 50% of every sale going to defeat pediatric cancer.---A PERSONAL NOTE FROM MARCUS---In 2010, two of the best people I know received unimaginable news: their four-year-old son had an incurable brain tumor. Julian Boivin was a superhero in training, and fought an epic battle. But in the end, cancer stole this beautiful boy. Nothing can make that right. But the Team Julian Foundation is trying to give other kids a fighting chance against this devastating disease. To help, I’m donating 50% of the proceeds from every single copy of SCAR TISSUE sold to pediatric cancer research. It’s a small way to work toward a big change. Want to get more involved? Visit TeamJulianFoundation.com.---MARCUS SAKEY IS:---“A brilliant writer.” -The Huffington Post “Brainy, twisty, twisted, and entirely ingenious.” -Gillian Flynn, bestselling author of GONE GIRL“One of our best storytellers.” -Michael Connelly, bestselling author of THE LINCOLN LAWYER“Exactly the electric jolt crime fiction needs.” -Dennis Lehane, bestselling author of MYSTIC RIVER“The new reigning prince of crime fiction.” -The Chicago Tribune

    Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew. The house is the kind of wrong place where you can lose yourself and find things you'd rather not have. Over the course of a few nights, the boy tries to map out his house in an effort that puts his little brother in the worst danger, and puts him in the position to save them . . . at terrible cost.

    Slowly, but surely, the conviction had been gaining upon me that, let the mystery of River Hall be what it would, no ordinary explanation could account for the phenomena which it had presented to tenant after tenant; and my own experiences in the house, slight though they were, tended to satisfy me there was something beyond malice or interest at work about the place.