And in a little farmhouse in the furthest corner, a young woman has a difficult decision to make…Life on Appleyard Farm is all Freya Sherbourne has ever known. Having spent her childhood playing in the emerald green meadows and berry picking until sunset, Freya intends to call the farmhouse home forever. But when her father suddenly passes away and Appleyard Farm goes up for sale, Freya’s world comes crashing down.Holding back the tears, she starts packing boxes while waiting for a buyer. Now the river no longer sparkles, and the apples taste a little less sweet. Until Freya learns the exciting news that her best friends Merry and Willow are moving nearby to open a local shop. And when someone from her past re-emerges, handsomer than ever and offering to mend the cracks in her broken heart, Freya’s eyes begin to twinkle once again.But falling in love is scary, especially when you don’t know what the future holds. And when Freya discovers that her new love has been keeping a secret, one that threatens both their fragile relationship and the farm, she risks losing everything.With the clock ticking, will Freya choose to follow her heart or save the farm? Or can she find a way to do both?Told in four parts, this is a gorgeous story about love, friendship and new beginnings. Fans of Jenny Colgan, Lucy Diamond and Debbie Johnson should grab a cup of hot chocolate, curl up on the sofa and prepare to be carried away!A Year at Appleyard Farm was previously published as four short stories: Merry Mistletoe, Spring Fever, Gooseberry Fool, and Blackberry Way.

    An absurdist short story collection about the woes of 21st-century living--from an author whose writing is "moving and necessary, not to mention frequently hilarious" (Miranda July)College students, recent graduates, and their parents work at Denny's, volunteer at a public library in suburban Florida, attend satanic ska/punk concerts, eat Chinese food with the homeless of New York City, and go to the same Japanese restaurant in Manhattan three times in two sleepless days, all while yearning constantly for love, a better kind of love, or something better than love, things which--much like the Loch Ness Monster--they know probably do not exist, but are rumored to exist and therefore "good enough."

    Across thirteen stories, this collection explores the thin border between magic and grief.

       When Mrs. Sorensen’s husband dies, she rekindles a long-dormant love with an unsuitable mate in “Mrs. Sorensen and the Sasquatch.” In “Open the Door and the Light Pours Through,” a young man wrestles with grief and his sexuality in an exchange of letters with his faraway beloved. “Dreadful Young Ladies” demonstrates the strength and power—known and unknown—of the imagination.  In “Notes on the Untimely Death of Ronia Drake,” a witch is haunted by the deadly repercussions of a spell. “The Insect and the Astronomer” upends expectations about good and bad, knowledge and ignorance, love and longing. The World Fantasy Award–winning novella The Unlicensed Magician introduces the secret magical life of an invisible girl once left for dead—with thematic echoes of Barnhill’s Newbery Medal–winning novel, The Girl Who Drank the Moon.

    Now he gives birth to a cast of gruesomely sympathetic children – misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and the tragedy of these dark yet simple beings – hopeful, hapless heroes who appeal to the ugly outsider in all of us, and let us laugh at a world we have long left behind (mostly anyway).

    It is time to rewrite the stories. We are no longer the hero’s love interest. Neither do we believe in happily ever after. We do not wish to dance to anybody else’s tunes. We choose our path. We make mistakes. We learn from them. We love. We lose. We age. We evolve. These are stories of women. Different women. For we cannot and should not stereotype women. These stories are of relationships. These stories touch upon social issues. These stories may inspire you. These stories make you feel like you are not alone. These stories may surprise you. These stories may entertain you. I hope everybody would be able to pick something they like.

    His is a voice combining humor and pathos with an edginess creating fresh new stories that are being published in great literary journals regularly.A boy acts out at the death of his father and abandonment by his brother through a savage playground beating; a young man confronts his own troubled history when asked to hire on his girlfriend's strung-out brother in an attempt to keep him out of prison; a teenage babysitter works through a scorching-hot summer afternoon that will prove to alter her life forever; a grieving widower finds comfort in the unlikeliest of places, a recently-built casino; an itinerant farm worker visits the same former lover in South Dakota year after year while following the Harvest north; two friends search for excuses and fail to claim responsibility for their own decisions after one loses his father, and the other's house burns to the ground; and a taxidermist falls in love with the ex-wife of his high school bully and tries to convince her to marry him despite her son who seems to share his father's bullying mentality."A brilliant, sometimes heartbreaking debut by this gifted young writer and Columbia writing teacher. Cross captures the angst and tenderness of the young men and women growing up in the rust belt with little hope and less luck. The moments of grace and redemption shine through. I loved every story." —Linda Bubon, Women & Children First Bookstore"There are countless moments like this in Fires of Our Choosing, lines that appear true from the moment they’ve been written and hang in the back of the mind for days afterwards... With Fires of Our Choosing, Cross climbs boldly into the ring with the greats, if only to deliver a decisive knockout punch." —Urban Waite, Fiction Writers Review"Cross offers no apologies for his characters: their poor choices, their lack of moral fortitude, their betrayals of each other and the poverty of their surroundings and, often, themselves; he leaves these things alone. They are who they are, and if dignity has been denied them by the rest of us, including us story-tellers, it is restored by this collection. That he has undertaken to serve as their raconteur should place Cross on the radar of all the big prizes that gift those blessed with talent, compassion and fearlessness, particularly during this present moment in our history." —Ru Freeman, Huffington PostEugene Cross was born and raised in Erie, Pennsylvania and received an MFA from the University of Pittsburgh. His stories have appeared in Narrative Magazine (which named him one of "20 Best New Writers" and his story "Harvester's" a "Top Five Story of 2009-2010"), American Short Fiction, Story Quarterly, TriQuarterly, and Callalloo among other publications. His work was also listed among the 2010 Best American Short Stories' 100 Distinguished Stories. He is the recipient of scholarships from the Bread Loaf Writers' Conference and the Chautauqua Writers' Festival, and the winner of the 2009 Dzanc Prize for Excellence in Literary Fiction and Community Service. He currently lives in Chicago where he teaches in the Fiction Department at Columbia College Chicago.

    Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron’s stories have garnered critical acclaim and have been reprinted in numerous year’s best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.Barron returns with his third collection, The Beautiful Thing That Awaits Us All. Collecting interlinking tales of sublime cosmic horror, including “Blackwood’s Baby”, “The Carrion Gods in Their Heaven”, and “The Men from Porlock”, The Beautiful Thing That Awaits Us All delivers enough spine-chilling horror to satisfy even the most jaded reader.

    . . or not.Joining these haunting works are stories linked to Tremblay’s previous novels. The tour de force metafictional novella Notes from the Dog Walkers deconstructs horror and publishing, possibly bringing in a character from A Head Full of Ghosts, all while serving as a prequel to Disappearance at Devil’s Rock. “The Thirteenth Temple” follows another character from A Head Full of Ghosts—Merry, who has published a tell-all memoir written years after the events of the novel. And the title story, Growing Things, a shivery tale loosely shared between the sisters in A Head Full of Ghosts, is told here in full.From global catastrophe to the demons inside our heads, Tremblay illuminates our primal fears and darkest dreams in startlingly original fiction that leaves us unmoored. As he lowers the sky and yanks the ground from beneath our feet, we are compelled to contemplate the darkness inside our own hearts and minds.Growing things --Swim wants to know if it's as bad as swim thinks --Something about birds --The getaway --Nineteen snapshots of Dennisport --Where we all will be --The teacher --Notes for "The Barn in the Wild" --_______ --Our town's monster --A haunted house is a wheel upon which some are broken --It won't go away --Notes from the dog walkers --Further questions for the somnambulist --The ice tower --The society of the monsterhood --Her red right hand --It's against the law to feed the ducks --The thirteenth temple --Notes --Acknowledgments --Credits

    The caller is a girl who says she has been kidnapped and will die if Aashna doesn't help her. Before Aashna can get details about the girl and her whereabouts, the phone gets cut off. Who was she and why did her voice sound eerily familiar? Will Aashna be able to help her?Maanvi's life has always been about making everyone around realize that she is worthy too. From her test grades to her body type, everyone always had a piece of advice to give or some judgement to pass. How does Maanvi get affected by these? Does she manage to prove her worth to the world?These and six other stories in this collection covering a range of genres including romance, mystery, horror, thriller and much more. Delve in for a delightful reading journey!

    In eight tragi-comic stories, Einstein's Beach House: Stories features ordinary men and women rising to life's extraordinary challenges.

    Lacy starts on a journey to find to find the man that could change her life. As Lacy gets closer to finding the man, circumstances force her to do something that she will regret for the rest of her life. This explosive coming-of-age story set in the late 1970s is full of twists and turns, forgiveness and courage.

    He’s become more of a recluse cutting off communication with his parents and most of the outside world. He talks mainly through his YouTube channel “Nic Says” and his cold, spine tingling rants are very disturbing; especially to the young women at his University campus. He does not take rejection well and he’s got sweet revenge on his mind. But what’s even more alarming is that he’s got a sympathiser who’s got even bigger ideas. Are they part of a murder club? Detective Jack Creed needs to stop this attack. He’s got 48 hours to stop the perpetrator or witness Australia’s greatest mass University shooting. Australian author C T Mitchell is Australia's newest detective mystery, suspense and thriller writer with crime fiction plots centred around the seaside town of Cabarita Beach and the Northern Rivers District, in far north New South Wales, Australia.

    She feel that neither she nor the baby's father can provide adequate care for the child. The Salems adopt the child and raise him as their own for two years--until Lori and her boyfriend decide they want their son back. The dramatic courtroom struggle seems ripped from today's headlines.