From the Irish merrows who come on land to search for human husbands to the fake Fiji Mermaid made popular by P.T Barnum, these sea maidens (and sometimes men) can be found in folklore and mythology from every tradition in the world.Inside this captivating collection, complete with beautiful illustrations throughout, you'll discover the myths surrounding these enigmatic beings, explore the common symbols associated with them, and learn tales of merfolk from around the world. Dive into Mermaids and get swept away!

    At age forty-four, with his first child on the way, Huler felt an instant bond with Odysseus, who fought for some twenty years against formidable difficulties to return home to his beloved wife and son. In reading The Odyssey, Huler saw the chance to experience a great vicarious adventure as well as the opportunity to assess the man he had become and embrace the imminent arrival of both middle age and parenthood.But Huler realized that it wasn’t enough to simply read the words on the page—he needed to live Odysseus’s odyssey, to visit the exotic destinations that make Homer’s story so timeless. And so an ambitious pilgrimage was born . . . traveling the entire length of Odysseus’s two-decade journey. In six months.Huler doggedly retraced Odysseus’s every step, from the ancient ruins of Troy to his ultimate destination in Ithaca. On the way, he discovers the Cyclops’s Sicilian cave, visits the land of the dead in Italy, ponders the lotus from a Tunisian resort, and paddles a rented kayak between Scylla and Charybdis and lives to tell the tale. He writes of how and why the lessons of The Odyssey—the perils of ambition, the emptiness of glory, the value of love and family—continue to resonate so deeply with readers thousands of years later. And as he finally closes in on Odysseus’s final destination, he learns to fully appreciate what Homer has been saying all along: the greatest adventures of all are the ones that bring us home to those we love. Part travelogue, part memoir, and part critical reading of the greatest adventure epic ever written, No-Man’s Lands is an extraordinary description of two journeys—one ancient, one contemporary—and reveals what The Odyssey can teach us about being better bosses, better teachers, better parents, and better people.From the Hardcover edition.

    Yeats included almost every sort of Irish folk in this marvelous compendium of fairy tales and songs that he collected and edited for publication in 1892.-- Yeats was fascinated by Irish myths and folklore, and joined forces with the writers of the Irish Literary Revival. He studied Irish folk tales and chose to reintroduce the glory and significance of Ireland's past through this unique literature.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Packed with photos from the new film, this book will tell you all you need to know about these amazing creatures – their appearance, appetites, homes, friends, deadly foes and much more.From Bilbo Baggins and Bag End to the Shire and the world beyond Hobbiton, The World of the Hobbits takes young readers behind the scenes, to reveal the characters and locations of the film.  With fascinating details on set-building, the challenges of using scale doubles for the tiny Hobbits, and the visual effects behind the world they inhabit.

    This book contains 400 question covering all eight of the Harry Potter movies. Questions range from Siriusly easy to Riddikulusly difficult. There's also a round of tiebreakers to settle any disputes. Will you score 10 points for Gryffindor or will you Slytherin to last place?

     Fairies, demons, four-legged fiends, and, of course, zombies: the world is filled with fantastical beings, beautiful and scary. Come meet them in this magnificently illustrated menagerie, which includes many creatures made famous by popular fantasy and sci-fi film franchises. Take a detailed look at everything from goblins, pixies, and gnomes to vampires and dragons, and discover their origins in literature, folklore, and ancient history.

    Tolkien and C. S. Lewis C.S. Lewis is the twentieth century’s most widely read Christian writer and J.R.R. Tolkien its most beloved mythmaker. For three decades, they and their closest associates formed a literary club known as the Inklings, which met weekly in Lewis’s Oxford rooms and in nearby pubs. They discussed literature, religion, and ideas; read aloud from works in progress; took philosophical rambles in woods and fields; gave one another companionship and criticism; and, in the process, rewrote the cultural history of modern times.In The Fellowship, Philip and Carol Zaleski offer the first complete rendering of the Inklings’ lives and works. C. S. Lewis accepts Jesus Christ while riding in the sidecar of his brother's motorcycle, maps the medieval and Renaissance mind, becomes a world-famous evangelist and moral satirist, and creates new forms of religiously attuned fiction while wrestling with personal crises. J.R.R. Tolkien transmutes an invented mythology into gripping story in The Lord of the Rings, while conducting groundbreaking Old English scholarship and elucidating, for family and friends, the Catholic teachings at the heart of his vision. Owen Barfield, a philosopher for whom language is the key to all mysteries, becomes Lewis's favorite sparring partner, and, for a time, Saul Bellow's chosen guru. And Charles Williams, poet, author of "supernatural shockers," and strange acolyte of romantic love, turns his everyday life into a mystical pageant.Romantics who scorned rebellion, fantasists who prized reality, wartime writers who believed in hope, Christians with cosmic reach, the Inklings sought to revitalize literature and faith in the twentieth century's darkest years--and did so in dazzling style.

    Encyclopedia covering different versions of the Arthurian cycle, with brief entries for characters, authors, texts, places, and themes.

    The tales of the Norse Gods, of the giants, demons, trolls and dwarves still have the power to fascinate more than a thousand years after they were first told.

    M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, How Fiction Works is a scintillating study of the magic of fiction--an analysis of its main elements and a celebration of its lasting power. Here one of the most prominent and stylish critics of our time looks into the machinery of storytelling to ask some fundamental questions: What do we mean when we say we "know" a fictional character? What constitutes a telling detail? When is a metaphor successful? Is Realism realistic? Why do some literary conventions become dated while others stay fresh?James Wood ranges widely, from Homer to Make Way for Ducklings, from the Bible to John le Carré, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, How Fiction Works will be enlightening to writers, readers, and anyone else interested in what happens on the page.

    Inlanders may be skeptical regarding the sometimes miraculous, often horror-filled tales that make up coastal folklore, but Outer Bankers accept the incredible as fact.The phenomena of the Outer Banks range from phosphorescent lights appearing and disappearing over Pamlico Sound to the strange fate of a crewless ship marooned on deadly Diamond Shoals. Legendary heroes such as Captain Jim Baum Gaskill are often truly heroic.. or they may be scurrilous, like Old Quork and Blackbeard. But they all loom larger than life, with deeds and personalities unique to coastal Carolina. But this book is more than a collection of coastal legends. It is an affectionate portrait of the people who daily pull a living out of the treacherous waters of the Atlantic... and a tribute to the hardiness and courage that has made the Banker a rare breed... a breed whose true stories are, indeed, stranger than fiction.

    But the sources of our knowledge about these societies are relatively few, leaving the gods of the North shrouded in mystery. In compiling this dictionary Rudolf Simek has made the fullest possible use of the information available -Christian accounts, Eddic lays, the Elder Edda, runic inscriptions, Roman authors (especially Tacitus), votive stones, place names and archaeological discoveries. He has adhered throughout to a broad definition of mythology which presents the beliefs of the heathen Germanic tribes in their entirety: not only tales of the gods, but beings from lower levels of belief: elves, dwarfs and giants; the beginning and end of the world; the creation of man, death and the afterlife; cult, burial customs and magic - an entire history of Germanic religion. RUDOLF SIMEK is Professor of Medieval German and Scandinavian literature at the University of Bonn in Germany.

    We meet the Greek gods on Olympus and Norse gods in Valhalla. We follow the drama of the Trojan War and the wanderings of Odysseus. We hear the tales of Jason and the Golden Fleece, Cupid and Psyche, and mighty King Midas. We discover the origins of the names of the constellations. And we recognize reference points for countless works of art, literature, and cultural inquiry--from Freud's Oedipus complex to Wagner's Ring Cycle of operas to Eugene O'Neill's Mourning Becomes Electra. Praised throughout the world for its authority and lucidity, Mythology is Edith Hamilton's masterpiece--the standard by which all other books on mythology are measured.

    Carole Silver here draws on sources ranging from the anthropological, folkloric, and occult to the legal, historical, and medical. She is the first to anatomize a world peopled by strange beings who have infiltrated both the literary and visual masterpieces and the minor works of the writers and painters of that era.Examining the period of 1798 to 1923, Strange and Secret Peoples focuses not only on such popular literary figures as Charles Dickens and William Butler Yeats, but on writers as diverse as Thomas Carlyle, Arthur Conan Doyle, and Charlotte Mew; on artists as varied as mad Richard Dadd, Aubrey Beardsley, and Sir Joseph Noel Paton; and on artifacts ranging from fossil skulls to photographs and vases. Silver demonstrates how beautiful and monstrous creatures--fairies and swan maidens, goblins and dwarfs, cretins and changelings, elementals and pygmies--simultaneously peopled the Victorian imagination and inhabited nineteenth-century science and belief. Her book reveals the astonishing complexity and fertility of the Victorian consciousness: its modernity and antiquity, its desire to naturalize the supernatural, its pervasive eroticism fused with sexual anxiety, and its drive for racial and imperial dominion.