He stayed for ten years, first as a student and later as a correspondent for Time magazine. By the time he left, Karnow knew Paris so intimately that his French colleagues dubbed him "le plus parisien des Américains" --the most Parisian American. Now, Karnow returns to the France of his youth, perceptively and wittily illuminating a time and place like none other. Karnow came to France at a time when the French were striving to return to the life they had enjoyed before the devastation of World War II. Yet even during food shortages, political upheavals, and the struggle to come to terms with a world in which France was no longer the mighty power it had been, Paris remained a city of style, passion, and romance. Paris in the Fifties transports us to Latin Quarter cafés and basement jazz clubs, to unheated apartments and glorious ballrooms. We meet such prominent political figures as Charles de Gaulle and Pierre Mendès-France, as well as Communist hacks and the demagogic tax rebel Pierre Poujade. We get to know illustrious intellectuals, among them Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, and André Malraux, and visit the glittering salons where aristocrats with exquisite manners mingled with trendy novelists, poets, critics, artists, composers, playwrights, and actors. We meet Christian Dior, who taught Karnow the secrets of haute couture, and Prince Curnonsky, France's leading gourmet, who taught the young reporter to appreciate the complexities of haute cuisine. Karnow takes us to marathon murder trials in musty courtrooms, accompanies a group of tipsy wine connoisseurs on a tour of the Beaujolais vineyards, and recalls the famous automobile race at Le Mans when a catastrophic accident killed more than eighty spectators. Back in Paris, Karnow hung out with visiting celebrities like Ernest Hemingway, Orson Welles, and Audrey Hepburn, and in Paris in the Fifties we meet them too.A veteran reporter and historian, Karnow has written a vivid and delightful history of a charmed decade in the greatest city in the world.

    He was also a radical political thinker and eventual exile from France; a gifted painter and architect; a visionary who conversed with Virgil, Shakespeare, and Jesus Christ; in short, a tantalizing personality who dominated and maddened his contemporaries.

    With his research completed, all he has left to do is sit down and write. Unfortunately, he can't decide how to refer to his subject—Titian, le Titien, Vecellio, Titian Vecellio—so instead he starts watching TV continuously, until one day he decides to renounce the most addictive of twentieth-century inventions.As he spends his summer still not writing his book, he is haunted by television, from the video surveillance screens in a museum to a moment when it seems everyone in Berlin is tuned in to Baywatch.One of Toussaint's funniest antiheroes, the protagonist of Television turns daily occurrences into an entertaining reflection on society and the influence of television on our lives.

    It looks like a straight-forward sex crime, but when Superintendent Lannes is warned off the investigation, his suspicion that there is a political motive for the murder seems justified. In defiance of authority, he continues working on the case. And then another body is found...Meanwhile, the Superintendent has other troubles. His eldest son, Dominique, is at the Front, his wife, Marguerite, is depressed, and when the Battle of France breaks out, Bordeaux is filled with refugees fleeing the war. Suddenly civilian crime seems of little importance compared to the chaos that ensues.As Bordeaux becomes an occupied city, Lannes’ chief suspect is untouchable, protected by a relative in the Vichy government. Lannes himself is threatened with blackmail on account of his Jewish friends and Dominique is taken prisoner. Common sense should make Lannes abandon the investigation, but honour and a natural obstinacy lead him to pursue it. However, as events turn increasingly bleak, Lannes begins to doubt it can ever be solved...Death in Bordeaux is the first in a trilogy which will take Lannes through the war and up to the grisly, but inevitable purge of those found guilty of German collaboration. However, Death in Bordeaux is also a novel that explores the moral complexity of France’s time of trial, the horrors which afflicted France between 1940 and 1945, and the reasons why it has taken the French people so long to emerge from the shadow of war.

    She became a star almost overnight, seducing Paris’s elite and the people of its slums in equal measure with her powerful, passionate voice. No Regrets explores her rise to fame and notoriety, her tumultuous love affairs, and her struggles with drugs, alcohol, and illness, while also drawing on new sources to enhance our knowledge of little-known aspects of her life. Piaf was an unlikely student of poetry and philosophy, who aided Resistance efforts in World War II, wrote the lyrics for nearly one hundred songs (including “La Vie en rose”) and was a crucial mentor to younger singers (including Yves Montand and Charles Aznavour) who absorbed her love of chanson and her exacting approach to their métier.Here is Piaf in her own world—Paris in the first half of the twentieth century—and in ours. Burke demonstrates how, with her courage, her incomparable art, and her universal appeal, “the little sparrow” endures as a symbol of France and a source of inspiration to entertainers worldwide.

    He was a man obsessed, like many great writers, and his obsessions are still present here: his hatred of all things pretentious, his loathing of a corrupt judicial system, his damning of hypocrisy and false piety. One of the great anarchists of all time, he was nevertheless far from mad (as many pretended) and these works of fiction shed another light on this most feverish of minds. But however heavy the subject, The Mystified Magistrate is infused with a light touch; it is revealing but never offensive.

    The first study of Lafayette to appear in almost ten years, Saint Bris’ new volume recounts the young Lafayette's personal friendship with George Washington, who went so far as to refer to Lafayette as his “adopted son,” and his pivotal role as Washington’s aide-de-camp in helping establish the fledgling American nation.Lafayette’s presence at the British surrender at Yorktown is a stark reminder of just how closely our forefather's victory hinged on the help of our French allies, who were roused into action by Lafayette himself. equally absorbing and less well known is Lafayette's idealistic but naive efforts to plant the fruits of the American-style democracy he so admired in the unreceptive soil of his homeland.

    'Brave Frenchmen, will you not surrender?' Cambronne answered, 'Merde!'A tense, dramatic account of the Battle of Waterloo - and how a rain shower changed history - from Victor Hugo's epic novel Les Misérables.

    Featuring handwritten text paired with sweet illustrations and a tactile cover with foil-stamped and debossed details, this giftable volume sheds new light on the woman behind some of the last century's most iconic designs—from her impoverished childhood in an orphanage to her dreams of becoming a singer and her tumultuous love affairs with Europe's elite. Brimming with excerpts from Chanel's own letters and diaries, these pages reveal the passion and vision of one of the most celebrated fashion designers of all time.

    Le Road Trip combines the appeal of the iconic American quest with France's irresistible allure, offering readers a totally new perspective of life on the road.Le Road Trip tells the story of one idyllic French honeymoon trip, but it is also a witty handbook of tips and advice on how to thrive as a traveler, a captivating visual record with hundreds of watercolor illustrations, and a chronicle depicting the incomparable charms of being footloose in France. Armchair travelers, die-hard vagabonds, art journalists, and red wine drinkers will all find something to savor in this story.

    This proved disastrous for French naval power in the region, and sparked the rise of a golden age of piracy.Tracing the lives of fabled pirates like the Chevalier de Grammont, Nikolaas Van Hoorn, Thomas Paine, and Jean Comte d'Estrées, The Lost Fleet portrays a dark age, when the outcasts of European society formed a democracy of buccaneers, settling on a string of islands off the African coast. From there, the pirates haunted the world's oceans, wreaking havoc on the settlements along the Spanish mainland and -- often enlisted by French and English governments -- sacking ships, ports, and coastal towns.More than three hundred years later, writer, explorer, and deep-sea diver Barry Clifford follows the pirates' destructive wake back to Venezuela. With the help of a lost map, drawn by the captain of the lost French fleet, Clifford locates the site of the disaster and wreckage of the once-mighty armada.

    Having overcome the obstacles of starting to renovate her dream home - an ancient, dilapidated barn - and fitting in with the peculiarities of the locals, Janine is now the go-to expat in the area for those seeking to get to grips with a very different way of life. In this book, Janine regales us with the delights and dramas of a year attempting to live the rural idyll. Each month brings to light a new aspect of life in the French countryside: snow in January, resulting in a broken arm, which in turn leads to an etiquette lesson at the local hospital; wild winds in February; cuckoos in March; and giant hailstones in July that destroy cars and houses and bring the villagers closer together. Told with warmth and humour, My Good Year in France showcases a uniquely French way of life: where two eternally ambitious expats drag a neglected farmhouse to life, and deal with the accompanying disasters, learn to grow vegetables, discover how to cook, and stumble across the hidden gems of this very special part of the world. ________________Praise for Janine Marsh's My Good Life in France:'Warm, uplifting, and effervescent ... Janine's voice and humor bubble right off the page, making you want to pack your bags and visit her fixer-upper home in rural France' - Samantha Verant, author of Seven Letters from Paris'If you've ever dreamed of discovering "the real France", you won't want to miss this delightful book' - Keith Van Sickle, author of One Sip at a Time: Learning to Live in Provence

    The volcano's massive sulfate dust cloud enveloped the Earth, cooling temperatures and disrupting major weather systems for more than three years. Communities worldwide endured famine, disease, and civil unrest on a catastrophic scale.Here, Gillen D'Arcy Wood traces Tambora's global and historical reach: how the volcano's three-year climate change regime initiated the first worldwide cholera pandemic, expanded opium markets in China, and plunged the United States into its first economic depression. Bringing the history of this planetary emergency to life, Tambora sheds light on the fragile interdependence of climate and human societies to offer a cautionary tale about the potential tragic impacts of drastic climate change in our own century.

    But when Eduardo meets the beautiful Mrs. Hart on his latest con, he takes a risk that forces him back to the city he loved and left behind—Paris. There he assembles his team of con artists for their final and most ambitious theft, one that will enable them to leave the game forever: The Mona Lisa.But when a member of the team turns up missing, and Mr. Hart shows up in Paris, Valfierno and his crew must stay one step ahead of a relentless police inspector, endure a devastating flood, and conquer their own doubts to keep the priceless painting in play—and survive.Based on the actual theft of the Mona Lisa from the Louvre in 1911, and published on the 100th anniversary of the crime, Stealing Mona Lisa is a sophisticated, engaging caper, complete with a richly imagined group of con artists and a historical mystery that will keep you guessing until the very end.Stealing Mona Lisa is a Kirkus Reviews Best of 2011 Mysteries title. One of Library Journal's Best Mystery Books of 2011

    She had fled home, had escaped like a wounded animal, wounded in fact most deeply by those words which she ceaselessly repeated to get all their sense and bearing: "You know very well that there can be no question of marriage between us--but only of love."