His plans are to fix up the dilapidated cottage he's bought, to walk the mountains, to put his old police instincts to bed forever.Then a local boy appeals to him for help. His brother is missing, and no one in the village, least of all the police, seems to care. And once again, Cal feels that restless itch.Something is wrong in this community, and he must find out what, even if it brings trouble to his door.

    The killer is still at large, and there’s only one surviving witness—the boy whose family was killed before his eyes. Whoever committed the crimes wanted this boy to die: he’s suffered more than one hundred knife wounds and lapsed into a state of shock. Desperate for information, Linna sees only one option: hypnotism. He enlists Dr. Erik Maria Bark to mesmerize the boy, hoping to discover the killer through his eyes.It’s the sort of work that Bark has sworn he would never do again—ethically dubious and psychically scarring. When he breaks his promise and hypnotizes the victim, a long and terrifying chain of events begins to unfurl.An international sensation, The Hypnotist is set to appear in thirty-seven countries, and it has landed at the top of bestseller lists wherever it’s been published—in France, Holland, Germany, Spain, Italy, Denmark. Now it’s America’s turn. Combining the addictive power of the Stieg Larsson trilogy with the storytelling drive of The Silence of the Lambs, this adrenaline-drenched thriller is spellbinding from its very first page.

    He has planned a six-week vacation before he starts a new job at the Homicide Department. But after only a few hours in their new home, he is asked to investigate a brutal murder. The body of Jörgen Pålsson, one of Risk’s former classmates, has been found with both hands missing. Soon the bodies of more old classmates are found, and Risk finds himself in a race against time: Can they find the murderer before the entire class is killed?

    One who enabled her and her husband to carry on, when more bad things began to happen...But that woman’s husband died last week. And Jean doesn’t have to be her anymore.There’s a lot Jean hasn’t said over the years about the crime her husband was suspected of committing. She was too busy being the perfect wife, standing by her man while living with the accusing glares and the anonymous harassment. Now there’s no reason to stay quiet. There are people who want to hear her story. They want to know what it was like living with that man. She can tell them that there were secrets. There always are in a marriage. The truth—that’s all anyone wants. But the one lesson Jean has learned in the last few years is that she can make people believe anything…

    The first and only author to win back-to-back Edgars for Best Novel. Every book a New York Times bestseller. After five years, John Hart is back. Since his debut bestseller, The King of Lies, reviewers across the country have heaped praise on John Hart, comparing his writing to that of Pat Conroy, Cormac McCarthy and Scott Turow. Each novel has taken Hart higher on the New York Times Bestseller list as his masterful writing and assured evocation of place have won readers around the world and earned history's only consecutive Edgar Awards for Best Novel with Down River and The Last Child. Now, Hart delivers his most powerful story yet. Imagine: A boy with a gun waits for the man who killed his mother. A troubled detective confronts her past in the aftermath of a brutal shooting. After thirteen years in prison, a good cop walks free as deep in the forest, on the altar of an abandoned church, a body cools in pale linen… This is a town on the brink. This is Redemption Road.Brimming with tension, secrets, and betrayal, Redemption Road proves again that John Hart is a master of the literary thriller.

    She has a good job as a defence attorney, a daughter doing well in school, and even her divorce is relatively civilised - her life is just as unremarkable as she'd always hoped it would be.HIDES A DEVASTATING PASTBut Leigh's ordinary life masks a childhood which was far from average... a childhood tarnished by secrets, broken by betrayal, and finally torn apart by a devastating act of violence.BUT NOW THE PAST IS CATCHING UPThen a case lands on her desk - defending a wealthy man accused of rape. It's the highest profile case she's ever been given - a case which could transform her career, if she wins. But when she meets the accused, she realises that it's no coincidence that he's chosen her as his attorney. She knows him. And he knows her. More to the point, he knows what happened twenty years ago, and why Leigh has spent two decades running.AND TIME IS RUNNING OUTIf she can't get him acquitted, she'll lose much more than the case. The only person who can help her is her younger, estranged sister Calli, the last person Leigh would ever want to ask for help. But suddenly she has no choice...

    An ex-Marine, he talks often to the ghosts of his past - the friends he lost in the Pacific and the son who followed him into the US Army, and to his death in Vietnam.When Sheldon witnesses the murder of a woman in his apartment complex, he rescues her six-year-old son and decides to run. Pursued by both the Balkan gang responsible for the murder, and the Norwegian police, he has to rely on training from over half a century before to try and keep the boy safe. Against a strange and foreign landscape, this unlikely couple, who can't speak the same language, start to form a bond that may just save them both.An extraordinary debut, featuring a memorable hero, Norwegian by Night is the last adventure of a man still trying to come to terms with the tragedies of his life. Compelling and sophisticated, it is both a chase through the woods thriller and an emotionally haunting novel about ageing and regret.

    She is dressed in strange doll's clothes. Around her neck is an airline tag that says "I'm traveling alone." A special homicide unit in Oslo re-opens with veteran police investigator Holger Munch at the helm. Holger's first step is to persuade the brilliant but haunted investigator Mia Krüger to come back to the squad--she's been living on an isolated island, overcome by memories of her past. When Mia views a photograph of the crime scene and spots the number "1" carved into the dead girl's fingernail, she knows this is only the beginning. She'll soon discover that six years earlier, an infant girl was abducted from a nearby maternity ward. The baby was never found. Could this new killer have something to do with the missing child, or with the reclusive Christian sect hidden in the nearby woods?Mia returns to duty to track down a revenge-driven and ruthlessly intelligent killer. But when Munch's own six-year-old granddaughter goes missing, Mia realizes that the killer's sinister game is personal, and I'm Traveling Alone races to an explosive--and shocking--conclusion.

    There's no identification on the body. Only the dogged work of a pair of local newspapermen and a graduate student in forensics turns up any clues. But that's just the beginning of the mystery. Because the more they learn about the man and the baffling circumstances of his death, the less they understand. Was it an impossible crime? Or something stranger still...? No one but Stephen King could tell this story about the darkness at the heart of the unknown and our compulsion to investigate the unexplained. With echoes of Dashiell Hammett's The Maltese Falcon and the work of Graham Greene, one of the world's great storytellers presents a surprising tale that explores the nature of mystery itself...

    She's a binge drinker, her job with the airline making it easy to find adventure, and the occasional blackouts seem to be inevitable. She lives with them, and the accompanying self-loathing. When she awakes in a Dubai hotel room, she tries to piece the previous night back together, already counting the minutes until she has to catch her crew shuttle to the airport. She quietly slides out of bed, careful not to aggravate her already pounding head, and looks at the man she spent the night with. She sees his dark hair. His utter stillness. And blood, a slick, still wet pool on the crisp white sheets. Afraid to call the police—she's a single woman alone in a hotel room far from home—Cassie begins to lie. She lies as she joins the other flight attendants and pilots in the van. She lies on the way to Paris as she works the first class cabin. She lies to the FBI agents in New York who meet her at the gate. Soon it's too late to come clean—or face the truth about what really happened back in Dubai. Could she have killed him? If not, who did?

    One of her sources has been caught lying, and she could lose her job over it. And then she receives the first in a series of cryptic and ominous letters from an alleged killer.Wanted in connection with the fatal stabbing of a young lawyer three years earlier, Anna Kiel hasn't been seen by anyone since she left the crime scene covered in blood. The police think she's fled the country and have zero clues as to her motive. But homicide detective Erik Scháfer comes up with the first lead when the reporter who first wrote about the case is found murdered in his apartment. Has Anna Kiel struck again, or is there more than one killer at large? And why does every clue point directly to Heloise Kaldan?Meanwhile, the letters keep coming, and they hint at a connection between Anna and Heloise. As Heloise starts digging deeper, she realizes that, to tell Anna's story, she will have to revisit the darkest parts of her own past--confronting someone she swore she'd never see again.

    . .    In death, Didi Storm is finally getting the kind of publicity that eluded her in life. Twenty years ago, the ex-beauty queen worked the Vegas strip as a celebrity impersonator, too busy trying to make it big to spare much time for her daughter, Remmi. Shortly before she leaped from a San Francisco building, Didi’s profile was rising again, thanks to a tell-all book. To Detective Dani Settler, it looks like a straightforward suicide, or perhaps a promotional stunt gone wrong. But Remmi knows the truth isn’t so simple. Because though the broken body on the sidewalk is dressed in Didi’s clothes and wig, it isn’t Didi.   Remmi was fifteen when she last saw her mother. Their parting came in the aftermath of a terrible night in the Mojave desert when Remmi—who’d secretly stowed away in Didi’s car en route to meet her crush, Noah Scott—instead became witness to a mysterious rendezvous. Didi handed over one of her newborn twins to a man Remmi didn’t recognize. Subsequently, Didi disappeared, as did Remmi’s other half-sibling. Remmi has pleaded with the authorities to find them, but there have been no clues. Yet she’s always had the sense that someone is watching her . . .   If the victim isn’t Didi, who is it—and what’s the connection? Remmi is shocked when Noah resurfaces. He was also in the desert that night, and now runs his own PI firm. He too believes it’s time to find out what really happened. As they and Detective Settler dig deeper, the truth about Remmi’s missing family begins to emerge . . . a story of ruthless ambition and twisted lies that someone will kill again and again to keep hidden . . .

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    Edvardsson's A Nearly Normal Family and lauds it as a "page-turner" that forces the reader to confront "the compromises we make with ourselves to be the people we believe our beloveds expect." (NYTimes Book Review Summer Reading Issue)When the teenage daughter of responsible, upstanding parents is accused of murder, a family realizes that it isn't love that will keep them together: it's lies.Eighteen-year-old Stella Sandell stands accused of the brutal murder of a man almost fifteen years her senior. She is an ordinary teenager from a respectable local family. What reason could she have to know a shady businessman, let alone to kill him?Told in an unusual three-part structure, this gripping, domestic drama pushes a family to its limits. The father, a pastor, believes his daughter can only be innocent, despite mounting evidence. The mother, a defense attorney, believes no one is telling the truth. And the daughter, desperate for her dreams of the future, believes no one understands how far she is willing to go.In this complex, multi-layered novel, every character's loyalty and morality is tested. Are we duty-bound to defend our family, even with the evidence against them? Is anyone who they seem on the surface? And what are we willing to compromise to keep our lives, as we know them, intact?

    One night in 1987, Wieder was brutally murdered in his home and the case was never solved.Peter Katz is hell-bent on getting to the bottom of what happened that night twenty-five years ago and is convinced the full manuscript will reveal who committed the violent crime. But other people’s recollections are dangerous weapons to play with, and this might be one memory that is best kept buried.