She used to work on the factory line, but now an early bus takes her across the bridge into New York City. Momma is a stonecutter now, helping to build the Cathedral of Saint John the Divine. She works all day on just one stone, and little John and his two sisters wonder how she does it. Finally, Momma’s stone is finished, and little John can’t wait to see it. But when he arrives at the cathedral, he’s confused. Where is Momma’s name? How will all the people know this is Momma’s art? This touching story from a child’s perspective, based on real events, lovingly shows the grace and dignity of having pride in one’s work — and in one’s Momma. Gorgeously illustrated with the illuminated artwork of William Low, the transcendent beauty of Saint John’s Cathedral radiates with warmth and light.

    Nicholas". No one claimed authorship until 13 years later. Clement Clarke Moore, a professor and poet, said that he wrote the piece for his children. Unbeknownst to him, his housekeeper had sent it to the newspaper to be published. However, the family of Henry Livingston Jr. contended that their father had been reciting “A Visit from St. Nicholas” for 15 years prior to publication. Regardless of the true author, the poem is now a Christmas classic.

    Paula grew up in the deep south, in a world where whites had and blacks did not. With an activist father and a community of leaders surrounding her, including Uncle Martin (Martin Luther King), Paula watched and listened to the struggles, eventually joining with her family--and thousands of others--in the historic march from Selma to Montgomery.Poignant, moving, and hopeful, this is an intimate look at the birth of the Civil Rights Movement.

    The appendixes include texts of some of King's most famous speeches.

    He took photos of his family, classmates, and anyone who would sit still for a portrait. By the fifth grade, James was the school photographer and unofficial town photographer. Eventually he outgrew his small town and moved to the exciting, fast-paced world of New York City. After being told by his boss that no one would want his or her photo taken by a black man, James opened his own portrait studio in Harlem. He took photographs of legendary figures of the Harlem Renaissance politicians such as Marcus Garvey, performers including Florence Mills, Bill Bojangles Robinson, and Mamie Smith and ordinary folks in the neighborhood too. Everyone wanted fancy portraits by James Van Der Zee. Winner of Lee & Low's New Voices Award, Take a Picture of Me, James Van Der Zee! tells the story of a groundbreaking artist who chronicled an important era in Harlem and showed the beauty and pride of its people.

    A tiny creature comes to save her under the condition that she has three chances to guess his name right.West Indian

    Gorey tells the tale of 26 children (each representing a letter of the alphabet) and their untimely deaths in rhyming dactylic couplets, accompanied by the author's distinctive black and white illustrations. It is one of Edward Gorey's best-known books, and is the most notorious amongst his roughly half-dozen mock alphabets.[2] It has been described as a "sarcastic rebellion against a view of childhood that is sunny, idyllic, and instructive". The morbid humor of the book comes in part from the mundane ways in which children die, such as falling down the stairs or choking on a peach. Far from illustrating the dramatic and fantastical childhood nightmares, these scenarios instead poke fun at the banal paranoias that come as a part of parenting.

    Full-color illustrations. 50,000

    Folami Abiade, Dinah Johnson, Carole Boston Weatherford, Dakari Hru, Michael Burgess, E. Ethelbert Miller, Lenard D. Moore, David Anderson, Angela Johnson, Sonia Sanchez, and Davida Adedjouma all contribute. Javaka Steptoe, who also offers a poem, employs an inventive range of media to bring each of the poems to life. In Daddy's Arms I Am Tall testifies to the powerful bond between father and child, recognizing family as our greatest gift, and identifying fathers as being among our most influential heroes.

    The princess claims it wasn't the "silly pea" that kept her awake--it was that crazy pile of mattresses--while the pea complains that the princess snores. Snow White pleads with the witch and then boldly stands up to the witch's mirror. Goldilocks writes a letter of apology, and Officer Bruin makes promises as her surveys the crime scene in the bears' home. This book contains a bewitching brew of voices--bragging, warning, wondering... Prepare to be surprised.Prepare to be dazzled. Prepare for magic.

    . ." The market is full of wonderful things, but Saruni is saving his precious coins for a red and blue bicycle. How happy he will be when he can help his mother carry heavy loads to market on his very own bicycle--and how disappointed he is to discover that he hasn't saved nearly enough! Determination and generosity are at the heart of this satisfying tale, set in Tanzania and illustrated with glowing watercolors that capture the warmth of Saruni's family and the excitement of market day.

    But soon a trumpet makes a duet, a french horn a trio, and so on until the entire orchestra is assembled on stage. Written in elegant and rhythmic verse and illustrated with playful and flowing artwork, this unique counting book is the perfect introduction to musical groups. Readers of all ages are sure to shout “Encore!” when they reach the final page of this joyous celebration of classical music.

    The New York Times praised it as "a compassionate and sensitive portrayal of history.”After World War I, large numbers of African Americans began leaving their homes in the rural South in search of employment, and a better life, in the industrial cities of the North like Chicago and Pittsburgh.Jacob Lawrence chronicled their journey of hope in his sixty-panel Migration Series, a flowing narrative sequence of paintings that can now be found divided between the Museum of Modern Art and the Phillips Collection.In this profound picture book, Lawrence brings all those landmark paintings together and pairs them with poetic text that further explores the experience of those enduring this mass exodus. From dealing with poor working conditions and competition for living space to widespread prejudice and racism, this is the story of strength, courage, and hope of the more than six million African Americans who were trying to build better lives for themselves and their families.This book features an introduction from Lawrence—whose family was part of this great migration—about its personal significance as well as a poem by Newbery Honor author Walter Dean Myers.ALA Notable BookALA Booklist Editors’ ChoiceIRA/CBC Teachers' ChoiceNotable Children's Trade Book in the Field of Social Studies (NCSS/CBC)Carter G. Woodson Outstanding Merit Book

    He just sat on his front steps and watched the clouds gather in the sky. A strong breeze shook the tree in front of his house, and Max saw two heavy twigs fall to the ground.So begins this story of a young boy's introduction to the joys of making music.Max picks up the sticks and begins tapping out the rhythms of everything he sees and hears around him...the sound of pigeons startled into flight, of rain against the windows, of distant church bells and the rumble of a subway. And then, when a marching band rounds Max's corner, something wonderful happens.Brian Pinkney's rhythmic text and lively pictures are certain to get many a child's foot tapping, many a youngster drumming.

    It cannot tell my story. If you want to know who I am, you have got to come inside and open your heart way wide.Race matters, but only so much--what's most important is who we are on the inside. Looking beyond skin, going straight to the heart, we find in each other the treasures stored down deep. Learning to cherish those treasures, to be all we imagine ourselves to be, makes us free.This award-winning book, celebrates all that makes us unique and different and offers a strong, timely and timeless message of loving yourself and others.