This rare opportunity took the famous travellers not only to Moscow and Stalingrad - now Volgograd - but through the countryside of the Ukraine and the Caucasus. A RUSSIAN JOURNAL is the distillation of their journey and remains a remarkable memoir and unique historical document. Steinbeck and Capa recorded the grim realities of factory workers, government clerks, and peasants, as they emerged from the rubble of World War II. This is an intimate glimpse of two artists at the height of their powers, answering their need to document human struggle

    Ursula Burton was friendly but reserved, and spoke English with a slight foreign accent. By all accounts, she seemed to be living a simple, unassuming life. Her neighbors in the village knew little about her.They didn’t know that she was a high-ranking Soviet intelligence officer. They didn’t know that her husband was also a spy, or that she was running powerful agents across Europe. Behind the facade of her picturesque life, Burton was a dedicated Communist, a Soviet colonel, and a veteran agent, gathering the scientific secrets that would enable the Soviet Union to build the bomb.This true-life spy story is about the woman code-named “Sonya.” Over the course of her career, she was hunted by the Chinese, the Japanese, the Nazis, MI5, MI6, and the FBI—and she evaded them all. Her story reflects the great ideological clash of the twentieth century—between Communism, Fascism, and Western democracy—and casts new light on the spy battles and shifting allegiances of our own times.With unparalleled access to Sonya’s diaries and correspondence and never-before-seen information on her clandestine activities, Ben Macintyre has written a history of a legendary secret agent, a woman who influenced the course of the Cold War and helped plunge the world into a decades-long standoff between nuclear superpowers.

    It has been translated into fifteen languages, sold more than 12 million copies, and is the basis for an award-winning German entry at the 2002 Cannes Film Festival. Recounting an incredible real-life adventure, it tracks the destiny of German soldier Clemens Forrell who, in the aftermath of WWII, was sentenced to twenty-five years of forced labor in a lead mine in the barren eastern reaches of Siberia.Subjected to the brutality of the camp and the climate, Forrell dreamed continuously of escape—and then daringly effected it. From East Cape across the vast trackless wastes of Siberia, for thousands of miles and three years, with fear as his most intimate companion, Forrell fled treachery and endured some of the most inhospitable conditions on earth. In a long series of taped interviews with esteemed German author Josef M. Bauer, Forrell unfolded his remarkable story of survival. Bauer not only reconstructs Forrell's arduous journey to the Iranian frontier and freedom; he also poignantly evokes the emotional content of Forrell's brave quest—emerging as an affecting portrait of a man who strove and triumphed against all odds.

    She taught herself to read, and supported her extended family working as a secretary for the notorious NKVD (which became the KGB) and later as a lieutenant for the Red Army. Her family, including 4-year-old Yulia, moved to the U.S. in the wake of Chernobyl and forged a new life. Soviet Daughter united two generations of strong, independent women against a sweeping backdrop of the history of the USSR. Like Sarah Glidden in How to Understand Israel in 60 Days or Less , or Marjane Satrapi in Persepolis , Alekseyeva deftly combines compelling stories of women finding their way in the world with an examination o the ties we all have with out families, ethnicities, and the still-fresh traumas of the 20th century.

    Filled with chilling tales of looted palaces and burning estates, of desperate flights in the night from marauding peasants and Red Army soldiers, of imprisonment, exile, and execution, it is the story of how a centuries’-old elite, famous for its glittering wealth, its service to the Tsar and Empire, and its promotion of the arts and culture, was dispossessed and destroyed along with the rest of old Russia.Yet Former People is also a story of survival and accommodation, of how many of the tsarist ruling class—so-called “former people” and “class enemies”—overcame the psychological wounds inflicted by the loss of their world and decades of repression as they struggled to find a place for themselves and their families in the new, hostile order of the Soviet Union. Chronicling the fate of two great aristocratic families—the Sheremetevs and the Golitsyns—the book reveals how even in the darkest depths of the terror, daily life went on. Told with sensitivity and nuance by acclaimed historian Douglas Smith, Former People is the dramatic portrait of two of Russia’s most powerful aristocratic families, and a sweeping account of their homeland in violent transition.

    Boris Bibikov - Owen Matthews's grandfather - kissed his wife and two young daughters good-bye and disappeared inside the car. His family never saw him again. His wife would soon vanish as well, leaving Lyudmila and Lenina alone to drift across the vast Russian landscape during World War II . Separated as the Germans advanced in 1941, they were miraculously reunited against all odds at the war's end. Some twenty-five years later, in the early 1960s, Mervyn Matthews - Owen's father - followed a lifelong passion for Russia and moved to Moscow to work for the British embassy. He fell in and out with the KGB, and despite having fallen in love with Lyudmila, he was summarily deported. For the next six years, Mervyn worked day and night to get Lyudmila out of Russia, and when he finally succeeded, they married. Decades on from these events, Owen Matthews - then a young journalist himself in Russia - came upon his grandfather's KGB file recording his "progress from life to death at the hands of Stalin's secret police." Excited by its revelations, he has pieced together the tangled and dramatic threads of his family's past and present, making sense of the magnetic pull that has drawn him back to his mother's homeland. Stalin's Children is an indelible portrait of Russia over seven decades and an unforgettable memoir about how we struggle to define ourselves in opposition to our ancestry only to find ourselves aligning with it.

    The Wood family is much like its close, Catholic, immigrant neighbors, all dependent on a father’s wages from the Oxford Paper Company. Until the sudden death of Dad, when Mum and the four closely connected Wood girls are set adrift. Funny and to-the-bone moving, When We Were the Kennedys is the story of how this family saves itself, at first by depending on Father Bob, Mum’s youngest brother, a charismatic Catholic priest who feels his new responsibilities deeply. And then, as the nation is shocked by the loss of its handsome Catholic president, the televised grace of Jackie Kennedy—she too a Catholic widow with young children—galvanizes Mum to set off on an unprecedented family road trip to Washington, D.C., to do some rescuing of her own. An indelible story of how family and nation, each shocked by the unimaginable, exchange one identity for another.

    This biography makes use of archive material to piece together his private as well as public life in an effort to give a complete picture of Lenin in all his different roles. Through the prism of Lenin's career, the author examines events such as the October Revolution and the ideas of Marxism-Leninism, the one-party state, economic modernization, dictatorship and the politics of inter-war Europe. He casts light on the nature of the state and society left behind by Lenin, a state and society which has not entirely disappeared after the collapse of the Soviet regime in 1991.

    Two years later she was killed by American forces not far from where she worked. Written between 1968 and 1970, her diary speaks poignantly of her devotion to family and friends, the horrors of war, her yearning for her high school sweetheart, and her struggle to prove her loyalty to her country. At times raw, at times lyrical and youthfully sentimental, her voice transcends cultures to speak of her dignity and compassion and of her challenges in the face of the war’s ceaseless fury.The American officer who discovered the diary soon after Dr. Tram’s death was under standing orders to destroy all documents without military value. As he was about to toss it into the flames, his Vietnamese translator said to him, “Don’t burn this one. . . . It has fire in it already.” Against regulations, the officer preserved the diary and kept it for thirty-five years. In the spring of 2005, a copy made its way to Dr. Tram’s elderly mother in Hanoi. The diary was soon published in Vietnam, causing a national sensation. Never before had there been such a vivid and personal account of the long ordeal that had consumed the nation’s previous generations.Translated by Andrew X. Pham and with an introduction by Pulitzer Prize winner Frances FitzGerald, Last Night I Dreamed of Peace is an extraordinary document that narrates one woman’s personal and political struggles. Above all, it is a story of hope in the most dire of circumstances—told from the perspective of our historic enemy but universal in its power to celebrate and mourn the fragility of human life.

    It begins in New York, where Barack Obama learns that his father—a figure he knows more as a myth than as a man—has been killed in a car accident. This sudden death inspires an emotional odyssey—first to a small town in Kansas, from which he retraces the migration of his mother’s family to Hawaii, and then to Kenya, where he meets the African side of his family, confronts the bitter truth of his father’s life, and at last reconciles his divided inheritance.

    The gulag memoirs of a brave woman, a distinguished dissident and poet--Ratushinskaya gives her account of the four years she spent in a "strict regime" labor camp at Barashevo, where she endured several types of abuse.

    Brought up in Russia but taken on visits to Scotland, Eugenie Fraser marvelously evokes a child's reactions to two totally different environments, sets of customs, and family backgrounds. With the events of 1914 to 1920—the war with Germany, the Revolution, the murder of the Tsar, and the withdrawal of the Allied Intervention in the north—came the disintegration of Russia and of family life. The stark realities of hunger, deprivation, and fear are sharply contrasted with the adventures of childhood. The reader shares the family's suspense and concern about the fates of its members and relives with Eugenie her final escape to Scotland.

    For almost a century, historians have speculated about the role this improbable holy man played in the start of the Russian Revolution and the demise of the Romanov dynasty. But in 1995, a lost file from the State Archives of Russia mysteriously turned up, a file containing the extensive and often explicit testimony of both Rasputin's inner circle and those who kept him under police surveillance.The first to draw on this substantial amplification of the record as well as numerous archival sources, Edvard Radzinsky, author of the bestselling STALIN and THE LAST TSAR, masterfully reconstructs the life of this remarkable man who rose to prominence in the twentieth-century Russia. From the complexities of Rasputin's religious calling to controversial nature of his relationship with the tsarina and his coterie of female followers, from the extent of his influence at court to the spellbinding details of his brutal death, THE RASPUTIN FILE dispels the contradictory myths in an utterly convincing, definitive portrait that is every bit as mesmerizing as the legend.

    It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

    Some of the more amusing anecdotes involve a pair of rabbit-skin capes that begin shedding at the most inopportune moments and an episode in which the girls are stranded atop Notre Dame cathedral at midnight. And, of course, there's romance, in the form of handsome young doctor Tom Newhall and college "Lothario" Avery Moore.