But then a voluptuous young widow badgers Rabo into telling his life story—and Vonnegut in turn tells us the plain, heart-hammering truth about man’s careless fancy to create or destroy what he loves.

    ‘We’re going to be fine.’ He looks around, but there’s nothing out here: nothing but the bottomless black universe on their left, the Earth suspended in glorious technicolour to their right.Carys and Max have ninety minutes of air left.None of this was supposed to happen.But, perhaps this doesn’t need to be the end…Adrift in space with nothing to hold on to but each other, Carys and Max can’t help but look back at the well-ordered world they have left behind – at the rules they couldn’t reconcile themselves to, and a life to which they might now never return.For in a world where love is banned, what happens when you find it?Hold Back the Stars is a love story like no other.

    Will you flip forward fetchingly to find love with the bantering baronet Sir Benedict Granville? Or turn the page to true love with the hardworking, horse-loving highlander Captain Angus McTaggart? Or perhaps race through the chapters chasing a good (and arousing) man gone mad, bad, and scandalous to know, Lord Garraway Craven? Or read on recklessly and take to the Continent as the “traveling companion” of the spirited and adventuresome Lady Evangeline? Or yet some other intriguing fate? Make choices, turn pages, and discover all the daring delights of the multiple (and intertwining!) storylines. And in every path you pick, beguiling illustrations bring all the lust and love to life.

    Walter tells the story of Matt Prior, who’s losing his job, his wife, his house, and his mind—until, all of a sudden, he discovers a way that he might just possibly be able to save it all . . . and have a pretty damn great time doing it.

    DID YOU MYTH THEM?You probably saw the press conference. Nine months ago, Zeus's murder catapulted the Greek gods back into our world. Now they revel in their new temples, casinos, and media empires—well, all except Apollo. A compulsive overachiever with a bursting portfolio of godly duties, the amount of email alone that he receives from rapacious mortals turns each of his days into a living hell.Yet there may be hope, if only he can return Zeus to life! With the aid of Thalia, the muse of comedy and science fiction, Apollo will risk his very godhood to help sarcastic TV producer Tracy Wallace and a gamer-geek named Leif—two mortals who hold the key to Zeus's resurrection. (Well, probably. Prophecies are tricky buggers.)Soon an overflowing inbox will be the least of Apollo’s troubles. Whoever murdered Zeus will certainly kill again to prevent his return, and avoiding them would be far easier if Apollo could possibly figure out who they are.Even worse, the muse is starting to get cranky.Discover a world where reality TV heroes slay actual monsters and the gods have their own Twitter feeds: Zeus Is Dead: A Monstrously Inconvenient Adventure!

    We had a flood plan in place. We could even have dealt with zombies. Probably.But no one expected the end to be quite so . . . sticky . . . or strawberry scented.

    God, demon, monster, and sorcerer alike plot to regain what was theirs.1913, Salem, Massachusetts – Sarah Engelmann’s life is full of friends, books, and avoiding the pressure to choose a husband, until an ominous vision and the haunting call of an otherworldly trumpet shake her. When she stumbles across a gruesome corpse, she fears that her vision was more of a premonition. And when she sees the murdered boy moving through the crowd at an amusement park, Sarah is thrust into a dark battle she does not understand. With the help of Alex, an attractive Greek immigrant who knows a startling amount about the undead, Sarah sets out to uncover the truth. Their quest takes them to the factory mills of Salem, on a midnight boat ride to spy on an eerie coastal lair, and back, unexpectedly, to their own homes. What can Alex’s elderly, vampire-hunting grandfather and Sarah’s own rabbi father tell them? And what do Sarah’s continuing visions reveal?No less than Gabriel’s Trumpet, the tool that will announce the End of Days, is at stake, and the forces that have banded to recover it include a 900 year-old vampire, a trio of disgruntled Egyptian gods, and a demon-loving Puritan minister. At the center of this swirling cast is Sarah, who must fight a millennia-old battle against unspeakable forces, knowing the ultimate prize might be herself.

    Away from her family and her Eastern European homeland for the first time, she struggles to adapt to unfamiliar American ways and the challenges of college life—including an enigmatic young man whose brooding good looks and murky past intrigue her. Drawn to the elusive Rhys and his equally handsome and mysterious brother, Jake, she ventures into a sensual mythic underworld as irresistible as it is dangerous.In this shadow world that seems to mimic Greek mythology and the Bulgarian legends of the samodivi or “wildalones”—forest witches who beguile and entrap men—Thea will discover a family secret bound to transform her forever . . . if she can accept that dead doesn't always mean gone, and love doesn't always distinguish between the two.

    They built a radical society of ancestor worship, controlled breeding, and the strict rationing of knowledge and history. Only the Wanderers--chosen male descendants of the original ten--are allowed to cross to the wastelands, where they scavenge for detritus among the still-smoldering fires.The daughters of these men are wives-in-training. At the first sign of puberty, they face their Summer of Fruition, a ritualistic season that drags them from adolescence to matrimony. They have children, who have children, and when they are no longer useful, they take their final draught and die. But in the summer, the younger children reign supreme. With the adults indoors and the pubescent in Fruition, the children live wildly--they fight over food and shelter, free of their fathers' hands and their mothers' despair. And it is at the end of one summer that little Caitlin Jacob sees something so horrifying, so contradictory to the laws of the island, that she must share it with the others.Born leader Janey Solomon steps up to seek the truth. At seventeen years old, Janey is so unwilling to become a woman, she is slowly starving herself to death. Trying urgently now to unravel the mysteries of the island and what lies beyond, before her own demise, she attempts to lead an uprising of the girls that may be their undoing.Gather The Daughters is a smoldering debut; dark and energetic, compulsively readable, Melamed's novel announces her as an unforgettable new voice in fiction.

    The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

    He's longed for adventure, so when the opportunity arises, he escapes from his bowl, clears the balcony railing and finds himself airborne. Plummeting toward the street below, Ian witnesses the lives of the Seville on Roxy residents.There's the handsome grad student, his girlfriend, and the other woman; the construction worker who feels trapped by a secret; the building's super who feels invisible and alone; the pregnant woman on bed rest who craves a forbidden ice cream sandwich; the shut-in for whom dirty talk, and quiche, are a way of life; and home-schooled Herman, a boy who thinks he can travel through time. Though they share time and space, they have something even more important in common: each faces a decision that will affect the course of their lives. Within the walls of the Seville are stories of love, new life, and death, of facing the ugly truth of who one has been and the beautiful truth of who one can become.Sometimes taking a risk is the only way to move forward with our lives. As Ian the goldfish knows, "An entire life devoted to a fishbowl will make one die an old fish with not one adventure had."

     The chairman of the board, billionaire arms dealer and part-time philanthropist David Soper, decides that it's time to kill or cure. Business School alumnus and Las Vegas hotel genius Max Green is the perfect man for the job. A man of vision. A man with a mission. A man who knows that wealth-care is smarter than healthcare. He's going to make Samaritans great again. Andrew Sharp, star cardio-thoracic surgeon, turns his back on the NHS and buys in to this brave new world of Porsches and payola. But when his American Dream turns into a living nightmare, Andrew discovers that even the new-found love of his assistant, Cathy, may not be enough to save him… Samaritans is the new novel from the co-creator and writer of Yes Minister and Yes, Prime Minister. Praise for Samaritans 'A book George Orwell would have approved of.' The Sunday Times ‘It’s wonderful! I was hooked, mouth open, heart pounding. The catastrophic state of medical care is his story but Samaritans can be read too as a wider allegory, a discourse on a politics of greed, dis-entitlement, deregulation and social brutality that has run quite mad.’ Stephen Fry ‘It is with the highest confidence that I recommend this book, with particularity, to those Members of Congress who remain committed to making access to life saving care far too difficult for far too many people. It is my fondest hope that they might laugh their way to the education they so sorely require.’ Rick Ungar ‘Jonathan Lynn tackles the US healthcare system in satirical splendour. I laughed out loud. It is both hilarious and scary at the same time! Nobody does it better.’ Barbara Broccoli 'There is reason to believe Jonathan Lynn was not born in the US and, while probably not a spy, he has spent some little time observing Americans in the wild. His observations are not always flattering—he’s talking Big Medicine, Big Insurance, Big Business and their cousin, Small Ethics—but he certainly seems to have our number. Samaritans is smart, dark, and very, very funny. Stay healthy, America!' Michael McKean, Better Call Saul, Spinal Tap ‘Jonathan Lynn's Samaritans does for hospitals what Evelyn Waugh's The Loved One did for cemeteries. The book is laugh-aloud funny, but also deadly serious--because it deals with the lethal effect profit-minded health care can have on patient lives...I haven't read satire this hilarious and powerful since Riotous Assembly, the late Tom Sharpe's indictment of apartheid in South Africa. This is essential reading for anyone who has a body and wants to keep it alive.' M.G Lord ‘Comedy genius...as politically and socially important as is it is entertaining.’ Muriel Gray Jonathan Lynn is the multi-award winning author of The Complete Yes Minister and The Complete Yes, Prime Minister, which were drawn from the phenomenally successful BBC series which he created and wrote with Antony Jay, and which sold more than a million copies in hardback.

    He’s had enough. He’s done with people living life wrong. You’ll do it right, or he’ll bury you under the bases at the ballpark where he coaches. It’s just that simple.Tired of poor decisions being made all around him, from the politics of player positions on his son's little league baseball team to the philandering of his wife in his own bedroom, Dwayne decides that breaking is better than bending. What follows is a wild ride full of carnage and revenge, led by a man who will stop at absolutely nothing to bring honor back to his family, his community… and children's baseball.Baseball Dads is a pitch black comedy in which one man takes on the duty of bludgeoning honor back into a sometimes dishonorable world.

    We’re judged by social media’s faceless masses, pressured into maintaining a Pinterest-perfect home, and expected to base our self-worth on retweets, faves, likes, and followers. Our collective FOMO, and the disparity between the ideal and reality, is leading us to spend more and feel worse. No wonder we’re getting twitchy. Save for an Independence Day–style alien invasion, how do we begin to escape from the stressors that make up our days?Jen Lancaster is here to take a hard look at our elevating anxieties, and with self-deprecating wit and levelheaded wisdom, she charts a path out of the quagmire that keeps us frightened of the future and ashamed of our imperfectly perfect human lives. Take a deep breath, and her advice, and you just might get through a holiday dinner without wanting to disown your uncle.

    I am Daniel Handler, the author of this book. Did you know that authors often write the summaries that appear on their book's dust jacket? You might want to think about that the next time you read something like, "A dazzling page-turner, this novel shows an internationally acclaimed storyteller at the height of his astonishing powers.""Adverbs" is a novel about love -- a bunch of different people, in and out of different kinds of love. At the start of the novel, Andrea is in love with David -- or maybe it's Joe -- who instead falls in love with Peter in a taxi. At the end of the novel, it's Joe who's in the taxi, falling in love with Andrea, although it might not be Andrea, or in any case it might not be the same Andrea, as Andrea is a very common name. So is Allison, who is married to Adrian in the middle of the novel, although in the middle of the ocean she considers a fling with Keith and also with Steve, whom she meets in an automobile, unless it's not the same Allison who meets the Snow Queen in a casino, or the same Steve who meets Eddie in the middle of the forest. . . .It might sound confusing, but that's love, and as the author -- me -- says, "It is not the nouns. The miracle is the adverbs, the way things are done." This novel is about people trying to find love in the ways it is done before the volcano erupts and the miracle ends. Yes, there's a volcano in the novel. In my opinion a volcano automatically makes a story more interesting.