(doubling possible.) / 5 ints. or unit set. Recently revived on Broadway to great acclaim, this is the rollicking tale of three down and out troupers who decide to head for Hollywood and try their luck with the newly invented talkies. Due to a series of consistent blunders, the most stupid of the three is carried to pinnacles of fame and fortune until he's literally made a god of the industry. It's a fast paced and wild romp and a marvelous spoof of tinsel land.

    My new boss is going to be trouble. I’m the new nanny. I’m here to take care of his daughter, not get caught up in the drama with his ex or, worse, fall for him. Because he’s gorgeous, sexy, ferocious in the most incredible way. He’s rude and demanding, except when it comes to his little girl. He’s so kind and loving with Ivy. It melts my heart the same way his amazing body nearly melts my panties right off. His daughter needs me, so it’s Ivy who keeps me there when Isaac is unreasonable. He’s even starting to let me in, to let me see the real him, the strong and powerful man who is so afraid to risk falling in love again. I know I shouldn’t get involved with my boss. But I just can’t help myself. He’s irresistible. I can see through his temper, his anger—he needs me. This is a standalone, full-length 50,000+ words novel . No cheating, no cliffhanger, and a guaranteed happily ever after. Also includes New Secret Baby Romance. Bonus content!

    She’s been in love with her brother’s best friend for half her life, her dirty little secret. With Luca on the other side of the world, the temptation stayed out of reach, but now he’s back, and he’s not the only one. Brooke’s stalker is watching from the shadows, and he’s got his own ideas about her future…Luca Mendez’s time in the army taught him two lessons—that to survive, he has to shoot straight and guard his heart. But when the woman he turned down all those years ago asks him for help, he finds he’ll do anything to see her smile again.

    The cruel bon mot which has its sting drawn from the laughter that ensues. It was Oscar Wilde who pointed out that no comment was in bad taste if it was amusing - and if for that reason alone it is worth while preserving these delightful examples of verbal dexterity.

    Have you done your TEETH? HAIR? SHOES? Come on, come on, come on, we're going to be bastarding late again. No, I haven't seen Lego Optimus Prime, and nor do I give a shit about his whereabouts. Sam, will you stop winding your sister up and take this model of the Shard that I painstakingly sat up and created for you last night so that I wouldn't be in trouble with your teacher. I mean, so that you wouldn't be in trouble with your teacher. No, it doesn't smell of 'dirty wine'. Well, maybe it does a little bit. Look, Sam, I haven't got time to argue. Just hold your nose and get in the car, okay? AVA! TEETH! HAIR! SHOES!" Gemma is only just holding it together - she's a single parent, she's turning 40 and her seven-year-old daughter has drawn a cruelly accurate picture which locates Gemma's boobs somewhere around her knees. So when her new next-door neighbour, Becky, suggests that Gemma should start dating again, it takes a lot of self-control not to laugh in her face. But Becky is very persuasive and before long Gemma finds herself juggling a full-time job, the increasingly insane demands of the school mums' Facebook group and the tricky etiquette of a new dating world. Not only that, but Gemma has to manage her attraction to her daughter's teacher, Tom, who has swapped his life in the City for teaching thirty six to seven year olds spelling, grammar, basic fractions - and why it's not ok to call your classmate a stinky poo-bum...It's going to be a long year - and one in which Gemma and Becky will learn a really crucial lesson: that in the end, being a good parent is just about being good enough.

    Book annotation not available for this title.Title FortinbrasAuthor Blessing, LeePublisher Dramatists Play ServicePublication Date 19920101Number of Pages Binding Type PAPERBACKLibrary of Congress 92165606

    But, before she had finished, she was involved with Moorish antique dealers, a Belgian woman archaeologist, Purcell, the enigmatic barkeeper, and American airman, the saurian Mr. St. John, and numerous other characters charming or sinister. Julia's search takes her a cargo-boart to Casablanca, and thence to Tangier, Fez and Marrakech. Her 'dumb-blonde' beauty, camouflaging a lively intelligence, gets her through unexpected difficulties and dangers. Colin is found, and the mysterious reason for his disappearance at last revealed...The first in a series of eight Julia Probyn novels, "The Lighthearted Quest" displays a blend of humour and adventure which transports us to exotic places and introduces us to entertaining people, but also throws a good deal of light on the explosive political issues that French Morocco encountered in the 50s.

    His parents retired and moved to Florida. That doesn't mean his family isn't still in Jersey. In fact, he sees both sets of his grandparents every Sunday for dinner. This is routine until he has to tell them that he's been offered a dream job. The job he's been waiting for - marketing executive - would take him away from his beloved, but annoying, grandparents. He tells them. The news doesn't sit so well. Thus begins a series of schemes to keep Nick around. How could he betray his family's love to move to Seattle for a job, wonder his grandparents? Well, Frank, Aida, Nunzio, and Emma do their level best, that includes bringing the lovely - and single - Caitlin O'Hare as bait.

    A Fairy Tale Revolution is here to remix and revive our favourite stories. ‘Please don’t even try to get down to the basement. Just leave it alone – okay? Otherwise you’ll ruin things for both of us…’Nia has met the man she wants to marry. Marcus is kind, clever and handsome, with a beard so dark it is nearly blue-black. Nia demands a single promise from him – that Marcus will never enter her study in the basement, her private space.But when Marcus’s curiosity begins to mount Nia feels more and more uneasy. Will he betray her? Can he accept that no means no? Can a woman ever have a room of her own?

    Grandison, director of award-winning spine chillers.To Mathilda Franzier, it meant "Grandy," the man who had sheltered her since childhood and personally saw to it that nobody would rob her of her fortune.To Althea Conover, it meant rescue from the fate of all penniless waifs - the orphanage.But to Francis Howard, the name had the strongest meaning of all...murder!

    This edition contains substantial excerpts from the original four-act version which was never produed, as well as the full test of the final three-act version, selections from Wilde's correspondence, and commentary by George Bernard Shaw, Max Beerbohm, St. John Hankin, and James Agate.

    Bakke Amazon VINE VOICE reviewer When Connie Silverstein agreed to babysit her friend’s four-year-old son, she never dreamed it would end in disaster. Now the usually dependable medical student finds herself responsible for the boy’s near drowning and subsequent brain damage.Connie is desperate to help the boy recover, but the grieving mother no longer trusts her. Consumed by guilt, Connie attempts to deaden her pain with alcohol. But there’s not enough vodka in the world to right the wrong she’s done. Family and friends attempt to intervene in her downward spiral, assuring her that tragic accidents can happen to anyone.But only Connie knows the terrible secret that what happened was no accident. What readers are saying about One Slip: ‘Like a riptide, this book pulls you in—and under.’—Cynthiareads‘hooked from the start’—Staci‘Fantastic! Grabs you right from the get-go and never lets go.’—Lisa‘…had me in knots…pushing throughout the night to find out what happened next…it felt heartbreakingly real’—Craves the Angst Book Review Blog‘…over the edge with wonderment at how someone could capture my attention any better’—Deb H‘…grabs you and takes you on a journey.’—Julie Blaskie‘This story tore me apart.’—Denice‘This story pulls you in, then under…at times you yourself may feel like you’re having trouble breathing.’—Julia Deaton‘…an emotionally charged roller coaster of a read’—Shannon Fetters‘…emotionally charged’—Amazon Customer‘My emotions were all over the place’—lamilo 1562‘I loved that it pulled at my heartstrings yet still had the edge of suspense that kept me guessing the whole time.’—April Shuffler‘If you get emotionally attached to characters, have a box of tissues on hand when you read this one. The ending is totally unexpected…but good!’—PTB‘The ending is perfect!’—escritora

    She's horrified to see a body on the beach. However the 'body' is the very much alive and enigmatic Alfie. The two women become friends and spend time together in Sydney where Alfie's wild nature becomes apparent. When Alfie is attacked the situation takes a turn for the worse and they decide to leave the city.It's a road trip that ends in murder...Who is Alfie? What is Rosie hiding?Detective Sergeant Pete Norton wants answers to these questions.What he will discover is that this case is a killer.

    Not only has her sister, Isabella, been whisked away on a motorcycle up to London, but her astute governess, Miss Taylor is at a loose end, abandoned in the giant family pile, Hartfield, alongside Emma’s anxiety-ridden father. Someone is needed to rule the roost and young Emma is more than happy to oblige.As she gets her fledging design business off the ground, there is plenty to delight her in the buzzing little village of Highbury. At the helm of her own dinner parties and instructing her new little protégée, Harriet Smith, Emma reigns forth. But there is only one person who can play with Emma’s indestructible confidence, her old friend and inscrutable neighbour George Knightly – this time has Emma finally met her match?You don’t have to be in London to go to parties, find amusement or make trouble. Not if you’re Emma, the very big fish in the rather small pond. But for a young woman who knows everything, Emma has a lot to learn about herself.Ever alive to the uproarious nuances of human behaviour, and both the pleasures and pitfalls of village life, beloved author Alexander McCall Smith’s Emma is the busybody we all know and love, and a true modern delight.

    It's in the collisions between pious and rogue thoughts that the play's energy lies. We don't know what to feel. Which is why, once seen, Joe Egg won't go away.'Robert Butler, Independent on Sunday (1993)