For the sixth year in a row, master anthologist Jonathan Strahan has collected stories to captivate, entertain, and showcase the very best the genre has to offer. Critically acclaimed, and with a reputation for including award-winning speculative fiction, The Best Science Fiction and Fantasy of the Year is the only major �best of” anthology to collect both fantasy and science fiction under one cover. Jonathan Strahan has edited more than thirty anthologies and collections, including The Locus Awards (with Charles N. Brown), The New Space Opera (with Gardner Dozois), and Swords and Dark Magic: The New Sword and Sorcery.Content"The Case of Death and Honey" by Neil Gaiman"The Cartographer Wasps and the Anarchist Bees" by E. Lily Yu"Tidal Forces" by Caitlín R Kiernan"Younger Women" by Karen Joy Fowler"White Lines on a Green Field" by Catherynne M. Valente"All That Touches The Air" by An Owomoyela"What We Found" by Geoff Ryman"The Server and the Dragon" by Hannu Rajaniemi"The Choice" by Paul McAuley"Malak" by Peter Watts"Old Habits" by Nalo Hopkinson"A Small Price to Pay for Birdsong" by K. J. Parker"Valley of the Girls" by Kelly Link"Brave Little Toaster" by Cory Doctorow"The Dala Horse" by Michael Swanwick"The Corpse Painter’s Masterpiece" by M Rickert"The Paper Menagerie" by Ken Liu"Steam Girl" by Dylan Horrocks"After the Apocalypse" by Maureen F. McHugh"Underbridge" by Peter S. Beagle"Relic" by Jeffrey Ford"The Invasion of Venus" by Stephen Baxter"Woman Leaves Room" by Robert Reed"Restoration" by Robert Shearman"The Onset of a Paranormal Romance" by Bruce Sterling"Catastrophic Disruption of the Head" by Margo Lanagan"The Last Ride of the Glory Girls" by Libba Bray"The Book of Phoenix" by Nnedi Okorafor"Digging" by Ian McDonald"The Man Who Bridged the Mist" by Kij Johnson"Goodnight Moons" by Ellen Klages

    Many of these characters live in a utopian future of instant connection and technological gratification that belies an unbridgeable human distance, while others inhabit a post-collapse landscape made primitive by disaster, which they must work to rebuild as we once did millennia ago.In “The Cartographers,” the main character works for a company that creates and sells virtual memories, while struggling to maintain a real-world relationship sabotaged by an addiction to his own creations. In “Saying Goodbye to Yang,” the robotic brother of an adopted Chinese child malfunctions, and only in his absence does the family realize how real a son he has become.Children of the New World grapples with our unease in this modern world and how our ever-growing dependence on new technologies has changed the shape of our society. Alexander Weinstein is a visionary new voice in speculative fiction for all of us who are fascinated by and terrified of what we might find on the horizon.

    Storylines both conventional and outlandish reveal humdrum routines as menacing, or imaginary worlds as perfectly familiar. Allusions to authors such as Edgar Allan Poe and Jules Verne reinforce the fantasy tradition in these tales, while understated humor and moments of sadness add a quirky unpredictability. Also included is the previously unpublished novella, "Botch Town," a coming-of-age story about a boy on Long Island whose family and friends live ordinary lives under threats both real and imagined. Each story is followed by a brief afterword that details its genesis.ContentsIntroduction by Jonathan CarrollThe Annals of Eelin-Ok + Story NotesJupiter's Skull + Story NotesA Night in the Tropics + Story NotesThe Empire of Ice Cream + Story NotesThe Beautiful Gelreesh + Story NotesBoatman's Holiday + Story NotesBotch Town + Story NotesA Man of Light + Story NotesThe Green Word + Story NotesGiant Land + Story NotesCoffins on the River + Story NotesSummer Afternoon + Story NotesThe Weight of Words + Story NotesThe Trentino Kid + Story Notes

    Contents:The Infinite Assassin (1991)The Hundred Light-Year Diary (1992)Eugene (1990)The Caress (1990)Blood Sisters (1991)Axiomatic (1990)The Safe-Deposit Box (1990)Seeing (1995)A Kidnapping (1995)Learning to Be Me (1990)The Moat (1991)The Walk (1992)The Cutie (1989)Into Darkness (1992)Appropriate Love (1991)The Moral Virologist (1990)Closer (1992)Unstable Orbits in the Space of Lies (1992)

    Morgan arrived on the scene. He unleashed Takeshi Kovacs–private eye, soldier of fortune, and all-purpose antihero–into the body-swapping, hard-boiled, urban jungle of tomorrow in Altered Carbon, Broken Angels, and Woken Furies, winning the Philip K. Dick Award in the process. In Market Forces, he launched corporate gladiator Chris Faulkner into the brave new business of war-for-profit. Now, in Thirteen, Morgan radically reshapes and recharges science fiction yet again, with a new and unforgettable hero in Carl Marsalis: hybrid, hired gun, and a man without a country . . . or a planet.Marsalis is one of a new breed. Literally. Genetically engineered by the U.S. government to embody the naked aggression and primal survival skills that centuries of civilization have erased from humankind, Thirteens were intended to be the ultimate military fighting force. The project was scuttled, however, when a fearful public branded the supersoldiers dangerous mutants, dooming the Thirteens to forced exile on Earth’s distant, desolate Mars colony. But Marsalis found a way to slip back–and into a lucrative living as a bounty hunter and hit man before a police sting landed him in prison–a fate worse than Mars, and much more dangerous.Luckily, his “enhanced” life also seems to be a charmed one. A new chance at freedom beckons, courtesy of the government. All Marsalis has to do is use his superior skills to bring in another fugitive. But this one is no common criminal. He’s another Thirteen–one who’s already shanghaied a space shuttle, butchered its crew, and left a trail of bodies in his wake on a bloody cross-country spree. And like his pursuer, he was bred to fight to the death. Still, there’s no question Marsalis will take the job. Though it will draw him deep into violence, treachery, corruption, and painful confrontation with himself, anything is better than remaining a prisoner. The real question is: can he remain sane–and alive–long enough to succeed?2007 1st Ed Del Rey 9 8 7 6 5 4 3 2 1