Alexis de Tocqueville, a young French aristocrat, came to the young nation to investigate the functioning of American democracy & the social, political & economic life of its citizens, publishing his observations in 1835 & 1840. Brilliantly written, vividly illustrated with vignettes & portraits, Democracy in America is far more than a trenchant analysis of one society at a particular point in time. What will most intrigue modern readers is how many of the observations still hold true: on the mixed advantages of a free press, the strained relations among the races & the threats posed to democracies by consumerism & corruption. So uncanny is Tocqueville’s insight & so accurate are his predictions, that it seems as tho he were not merely describing the American identity but actually helping to create it.

    He changed the world of sports and went on to change the world itself. As Muhammad Ali, he would become the most recognized face on the planet. Ali was a transcendent athlete and entertainer, a heavyweight Fred Astaire, a rapper before rap was born. He was a mirror of his era, a dynamic figure in the racial and cultural battles of his time. This unforgettable story of his rise and self-creation, told by a Pulitzer Prize-winning writer, places Ali in a heritage of great American originals. Cassius Clay grew up in the Jim Crow South and came of athletic age when boxers were at the mercy of the mob. From the start, Clay rebelled against everything and everyone who would keep him and his people down. He refused the old stereotypes and refused the glad hand of the mob. And, to the confusion and fury of white sportswriters, who were far more comfortable with the self-effacing Joe Louis, Clay came forward as a rebel, insistent on his political views, on his new religion, and, eventually, on a new name. His rebellion nearly cost him the chance to fight for the heavyweight championship of the world. King of the World features some of the pivotal figures of the 1960s--Malcolm X, Elijah Muhammad, John F. Kennedy--and its pivotal events: the civil rights movement, political assassinations, the war in Vietnam. Muhammad Ali is a great hero and a beloved figure in American life. King of the World takes us back to the days when his life was a series of battles, inside the ring and out. A master storyteller at the height of his powers, David Remnick has written a book worthy of America's most dynamic modern hero.

    It explores how it overtook the conservative movement after Obama became president. The book helps readers make sense of the chaos in the media and offers ideas for bringing a stop to it and help make America sane again Compiling example after example, the editors of Crooks and Liars, a popular blog, examine the torrent of right-wing kookery--the eager willingness of conservatives to fervently believe things that are provably false--and its ramifications both for our national discourse and our national well-being. The authors show how this outlandish, overheated rhetoric--generated by mainstream-media figures like Glenn Beck, Rush Limbaugh, and Lou Dobbs--is accompanied by a wave of lethal right-wing threats and violence. They carefully expose the bias of Fox News contributors Neil Cavuto, Greta, Van Susteren, et al, and political opportunists like Sarah Palin and Newt Gingrich. The book explores the main drivers of this descent into madness: the extremist Radical Right and the longtime Republican willingness--dating back to Nixon, but refined in more recent years by Lee Atwater and his acolytes--to engage in a divisive politics of resentment, both racial and cultural. It takes a critical look at how Tea Party provocateurs like Dick Armey and his Freedom Works organization that take huge contributions from big money interests like former presidential candidate Steve Forbes that are willing to turn a blind eye to bigots, birthers and neo-John Birchers. The book demonstrates how the Tea Party is the true face of the Republican Party. The authors propose simple ways ordinary Americans can help stop the descent into blind opposition for it own sake. They suggest that news audiences demand accountability by from their sources by critically commenting on their Web site and to their editors or producers. They write "confronting the media malfeasance that makes rightwing populism possible is only an important first step in meeting the challenges posed by the rise of this political pathology in American life. Ultimately, it means confronting the movement and its leaders, particularly in their embrace of conspiracy theories, falsehoods, scapegoating, and vicious eliminationist rhetoric."

    He has seen children murdered for sport in Gaza and petty thugs elevated into war heroes in the Balkans. Hedges, who is also a former divinity student, has seen war at its worst and knows too well that to those who pass through it, war can be exhilarating and even addictive: "It gives us purpose, meaning, a reason for living."Drawing on his own experience and on the literature of combat from Homer to Michael Herr, Hedges shows how war seduces not just those on the front lines but entire societies, corrupting politics, destroying culture, and perverting the most basic human desires. Mixing hard-nosed realism with profound moral and philosophical insight, War Is a Force That Gives Us Meaning is a work of terrible power and redemptive clarity whose truths have never been more necessary.Listening Length: 6 hours and 27 minutes

    Series editor Richard Beeman, author of The Penguin Guide to the U.S. Constitution, draws together the great texts of American civic life to create a timely and informative mini-library of perennially vital issues. Whether readers are encountering these classic writings for the first time, or brushing up in anticipation of the 50th anniversary of the Civil Rights Act, these slim volumes will serve as a powerful and illuminating resource for scholars, students, and civic-minded citizens. American Political Speeches  includes the best American rhetoric from inside and outside the White House. Some of the greatest words spoken in American history have come from men and women who lacked the biggest bully pulpit in the country, but who nevertheless were able to move the nation with words. Frederick Douglass explained the irony of Independence Day from the perspective of a slave. Martin Luther King, Jr. described his dream of an interracial America. William Jennings Bryan gave voice to social discontent with a single phrase, "a cross of gold." Barbara Jordan summoned the nation"s outrage during the impeachment hearings against Richard Nixon. And the best presidents, not by coincidence, have tended to be those with an appreciation for the use of language: Lincoln explaining a new birth of freedom at Gettysburg; John Kennedy voicing moral outrage at the Berlin Wall; Franklin D. Roosevelt chatting to a nation gathered in front of radios; Ronald Reagan addressing Congress freshly healed from an assassination attempt.

    Kennedy was the nation's crown prince. Magnetic, handsome, and charismatic, his perfectly coifed image overshadowed the successes and failures of his presidency, and his assassination cemented his near-mythological status in American culture and politics. Struck down in his prime, he represented the best and the brightest of America's future, and when he died, part of the nation's promise and innocence went with him. That, at least, is the public version of the story.The private version, according to Pulitzer Prize-winning journalist Seymour M. Hersh, is quite different. His meticulous investigation of Kennedy has revealed a wealth of indiscretions and malfeasance, ranging from frequent liaisons with prostitutes and mistresses to the attempted assassination of Fidel Castro to involvement in organized crime. Though scandals in the White House are nothing new, Hersh maintains that Kennedy's activities went beyond minor abuses of power and personal indulgences: they threatened the security of the nation--particularly in the realm of foreign policy--and the integrity of the office. Hersh believes it was only a matter of time before Kennedy's dealings were exposed, and only his popularity and charm, compounded by his premature death, spared such an investigation for so long. Exposure was further stalled by Bobby Kennedy's involvement in nefarious dealings, enabling him to bury any investigation of his brother and--by extension--himself.Based on interviews with former Kennedy administration officials, former Secret Service agents, and hundreds of Kennedy's personal friends and associates, The Dark Side of Camelot rewrites the history of John F. Kennedy and his presidency.

    Books chronicling the Revolution have largely ranged from multivolume tomes that appeal to scholars and the most serious general readers to microhistories that necessarily gloss over swaths of Independence-era history with only cursory treatment.Written in Ferling's engaging and narrative-driven style that made books like Independence and The Ascent of George Washington critical and commercial successes, Whirlwind is a fast-paced and scrupulously told one-volume history of this epochal time. Balancing social and political concerns of the period and perspectives of the average American revolutionary with a careful examination of the war itself, Ferling has crafted the ideal book for armchair military history buffs, a book about the causes of the American Revolution, the war that won it, and the meaning of the Revolution overall. Combining careful scholarship, arresting detail, and illustrative storytelling, Whirlwind is a unique and compelling addition to any collection of books on the American Revolution.

    Now Phillips takes an uncompromising view of the current age of global overreach, fundamentalist religion, diminishing resources, and ballooning debt under the GOP majority. With an eye to the past and a searing vision of the future, Phillips confirms what too many Americans are still unwilling to admit about the depth of our misgovernment.

    Edgar Hoover had created and was operating, in violation of the U.S. Constitution, his own shadow Bureau of Investigation. It begins in 1971 in an America being split apart by the Vietnam War . . . A small group of activists—eight men and women—the Citizens Commission to Investigate the FBI, inspired by Daniel Berrigan’s rebellious Catholic peace movement, set out to use a more active, but nonviolent, method of civil disobedience to provide hard evidence once and for all that the government was operating outside the laws of the land.             The would-be burglars—nonpro’s—were ordinary people leading lives of purpose: a professor of religion and former freedom rider; a day-care director; a physicist; a cab driver; an antiwar activist, a lock picker; a graduate student haunted by members of her family lost to the Holocaust and the passivity of German civilians under Nazi rule.Betty Medsger's extraordinary book re-creates in resonant detail how this group of unknowing thieves, in their meticulous planning of the burglary, scouted out the low-security FBI building in a small town just west of Philadelphia, taking into consideration every possible factor, and how they planned the break-in for the night of the long-anticipated boxing match between Joe Frazier (war supporter and friend to President Nixon) and Muhammad Ali (convicted for refusing to serve in the military), knowing that all would be fixated on their televisions and radios.Medsger writes that the burglars removed all of the FBI files and, with the utmost deliberation, released them to various journalists and members of Congress, soon upending the public’s perception of the inviolate head of the Bureau and paving the way for the first overhaul of the FBI since Hoover became its director in 1924.  And we see how the release of the FBI files to the press set the stage for the sensational release three months later, by Daniel Ellsberg, of the top-secret, seven-thousand-page Pentagon study on U.S. decision-making regarding the Vietnam War, which became known as the Pentagon Papers.             At the heart of the heist—and the book—the contents of the FBI files revealing J. Edgar Hoover’s “secret counterintelligence program” COINTELPRO, set up in 1956 to investigate and disrupt dissident political groups in the United States in order “to enhance the paranoia endemic in these circles,” to make clear to all Americans that an FBI agent was “behind every mailbox,” a plan that would discredit, destabilize, and demoralize groups, many of them legal civil rights organizations and antiwar groups that Hoover found offensive—as well as black power groups, student activists, antidraft protestors, conscientious objectors. The author, the first reporter to receive the FBI files, began to cover this story during the three years she worked for The Washington Post and continued her investigation long after she'd left the paper, figuring out who the burglars were, and convincing them, after decades of silence, to come forward and tell their extraordinary story.  The Burglary is an important and riveting book, a portrait of the potential power of non­violent resistance and the destructive power of excessive government secrecy and spying.

    . . .  Jazz aficionados . . . should be grateful to have so much good writing on the subject in one place."--The New York Times Book Review"Alluring. . . . Capture[s] much of the breadth of the music, as well as the passionate debates it has stirred, more vividly than any other jazz anthology to date."--Chicago TribuneNo musical idiom has inspired more fine writing than jazz, and nowhere has that writing been presented with greater comprehensiveness and taste than in this glorious collection. In Reading Jazz, editor Robert Gottlieb combs through eighty years of autobiography, reportage, and criticism by the music's greatest players, commentators, and fans to create what is at once a monumental tapestry of jazz history and testimony to the elegance, vigor, and variety of jazz writing.          Here are Jelly Roll Morton, recalling the whorehouse piano players of New Orleans in 1902; Whitney Balliett, profiling clarinetist Pee Wee Russell; poet Philip Larkin, with an eloquently dyspeptic jeremiad against bop. Here, too, are the voices of Billie Holiday and Charles Mingus, Albert Murray and Leonard Bernstein, Stanley Crouch and LeRoi Jones, reminiscing, analyzing, celebrating, and settling scores. For anyone who loves the music--or the music of great prose--Reading Jazz is indispensable.  "The ideal gift for jazzniks and boppers everywhere. . . . It gathers the best and most varied jazz writing of more than a century."--Sunday Times (London)

    The seasoned political reporter was at the first campaign rally governor Pence held in his hometown of Columbus, Indiana. He was there when Pence returned to Washington as Donald Trump’s vice president. Drawing on his deep ties both within the Beltway and in Indiana state politics, as well as reams of research and deep access to the vice president and his staff, LoBianco offers a revealing portrait of the devout Christian who shocked many of his closest followers when he joined the campaign and became one of the strongest champions of Donald Trump. He also explores the rumors—much debated inside the Beltway and among pundits in the media—surrounding the Vice President’s ambitions to succeed and even "overthrow" Trump.LoBianco dissects Pence’s entire political life, from his detours in the ’90s, to his rapid ascension through the first decade of the twenty-first century, to the White House, and provides an inside account of how Pence nearly crashed and burned his career while governor, only to miraculously rise from the ashes thanks to the unlikely election of Trump. He also gives a rare look inside the "shadow government" Pence has built—a conservative machine at Trump’s call for now, but one that could just as easily step in if Trump is removed from office.Piety & Power cuts to the core of the nation’s most enigmatic politician, and unearths new, important, and fascinating anecdotes about Pence’s faith, his marriage to Karen Pence, his bizarre, obsequious relationship with Trump, his deeply buried personality, his ascent to power under John Boehner, and his presidential aspirations and plans for America’s future.From the explosive revelations of the Russia investigation to the sea change affecting the Republican party and its direction under Trump, it is vital that Americans know more about the man who could ascend to the Oval Office. Piety & Power provides insights and answers as it sheds light on this ambitious Midwestern politician, his past, and his possible future.

    Bringing his incisive and sharply funny Web postings together in print for the first time, Salam Pax provides one of the most gripping accounts of the Iraq conflict and will be the subject of global media attention.In September 2002, a 29-year old Iraqi architect calling himself 'Salam Pax' began posting daily accounts of everyday life in Baghdad onto the Internet. Written in English, these postings contained everything from descriptions of the hardships of life in Saddam Hussein’s paranoid regime, to reviews of the latest (pirate) CDs by Coldplay and Bjork, to gossip about his employers. Salam daily risked retribution from Saddam’s regime, as over 200,000 people went missing under Saddam, many for far lesser crimes than the open criticism of the regime that he voiced in his diary.Salam Pax’s sharp, candid and often dryly funny articles soon attracted a worldwide readership. In the months that followed, as a huge American-led force gathered to destroy Saddam's hated regime, Salam's internet diary became a unique record of the anticipation, anger, resentment, humor and sheer terror felt by an ordinary man living through the final days of Saddam Hussein's twenty-five year dictatorship, and the aftermath of its destruction.Salam Pax is an astonishing record of the last days of Saddam and the cleandestine diary of an ordinary Iraqi.

    Benjamin Franklin, perhaps the pivotal figure in colonial and revolutionary America, comes vividly to life in this masterly biography.Wit, diplomat, scientist, philosopher, businessman, inventor, and bon vivant, Benjamin Franklin was in every respect America’s first Renaissance man. From penniless runaway to highly successful printer, from ardently loyal subject of Britain to architect of an alliance with France that ensured America’s independence, Franklin went from obscurity to become one of the world’s most admired figures, whose circle included the likes of Voltaire, Hume, Burke, and Kant. Drawing on previously unpublished letters and a host of other sources, acclaimed historian H. W. Brands has written a thoroughly engaging biography of the eighteenth-century genius. A much needed reminder of Franklin’s greatness and humanity, The First American is a work of meticulous scholarship that provides a magnificent tour of a legendary historical figure, a vital era in American life, and the countless arenas in which the protean Franklin left his legacy.

    In the retelling of this oft-told saga, Brown has demonstrated once again his abilities as a master storyteller and an entertaining popular historian. By turns heroic, tragic, and even humorous, The American West brings to life American tragedy and triumph in the years from 1840 to the turn of the century, and a roster of characters both great and small: Red Cloud, Sitting Bull, Geronimo, Dull Knife, Crazy Horse, Captain Jack, John H. Tunstall, Billy the Kid, Pat Garrett, Wyatt Earp, the Hole-in-the-Wall Gang, Wild Bill Hickok, Charles Goodnight, Oliver Loving, Buffalo Bill, and many others. The American West is about cattle and the railroads; it is about settlers who came to claim a land not originally their own and how they slowly imposed law and order on these wild and untamed places; and it is about the wanton destruction of the Native American way of life. This is epic history at its best and popular history at its most readable. This new work is culled from Dee Brown’s highly acclaimed writings, which instantly established him as one of America’s foremost Western authorities. Fully revised, rewritten, and edited into one seamless account of America’s most famous frontier, this epic narrative, along with the introduction and a chronological table of events, etches an unforgettable and poignant portrait. The American West is at once a tribute to the West and a majestic new peak for a writer whose long and successful career has been synonymous with excellence in frontier history.

    Meanwhile, the professional elite—journalists, managers, and establishment politicians—is on the outside looking in, and left to argue over the reasons why. In White Working Class, Joan C. Williams, described as “something approaching rock star status” in her field by the New York Times, explains why so much of the elite’s analysis of the white working class is misguided, rooted in assumptions by what she has controversially coined “class cluelessness.”Williams explains how most analysts, and the corresponding media coverage, have conflated “working class” with “poor.” All too often, white working class motivations have been dismissed as simply racism or xenophobia. Williams explains how the term “working class” has been misapplied—it is, in fact, the elusive, purportedly disappearing middle class. This demographic often resents both the poor and the professionals. They don’t, however, tend to resent the truly rich, nor are they particularly bothered by income inequality. Their dream is not to join the upper middle class, with its different culture, but to stay true to their own values in their own communities—just with more money.White Working Class is a blunt, bracing narrative that sketches a nuanced portrait of millions of people throughout the world who have proven to be a potent political force. For anyone stunned by the rise in populist, nationalist movements, wondering why so many would seemingly vote against their own economic interests or simply feeling like a stranger in their own country, White Working Class will be a convincing primer on how to connect with a crucial set of workers—and voters.