He saved lives, tamed giants. Animals loved him. People loved him. Women loved him (and he loved them back). And he knew more jokes than any man alive.Now, as he lies dying, Edward Bloom can't seem to stop telling jokes -or the tall tales that have made him, in his son's eyes, an extraordinary man. Big Fish is the story of this man's life, told as a series of legends and myths inspired by the few facts his son, William, knows. Through these tales -hilarious and wrenching, tender and outrageous- William begins to understand his elusive father's great feats, and his great failings.

    Gita's beloved Aunty has consulted her astronumerologist and, according to the stars, Gita is soon destined to meet her jori--or, as they say in America, Mr. Right.

    Shan Hai Gaaru". This 2011 U.S. edition features an excerpt of the author’s WNYC Leonard Lopate Essay Contest-winning new novel "Memoirs of a Eurasian". In the post-Cultural Revolution Shanghai of 1984, university senior Sha-fei Hong longs to study in the U.S. for graduate school, ostensibly to pursue the American Dream, but partly to escape her sexually-harassing Communist cadre stepfather. She meets the visiting Chinese-American businessman Gordon Lou, who has political ambitions and ties to the Chinatown underworld in the U.S. He takes Sha-fei to the American Consulate in Shanghai to look into studying in America. There, Sha-fei meets the intern Edward Cook, a young, Caucasian American lawyer who has a strong preference for all things Asian. Within a year, these three people of entirely different cultural and socio-economic backgrounds cross paths in New York. Value systems and self-interests clash. The curtain falls on a dramatic stage of ambition, sex, intrigue, and murder.

    Readers of Denis Johnson, David Foster Wallace, Mary Gaitskill, Susanna Moore, and other contemporary fiction writers will welcome this haunting novel about a 27-year-old woman who flees her failed marriage only to find herself involved in a perplexing spiral of murder, counterfeit, and false identity.

    In fact, he now spends his days crashing funerals for the free food and insight into the Great Beyond. Then he meets Rosamond, a nun playing hooky from the Holy Orders. Hayden is smitten the instant her heavy silver cross smacks him in the face when she leaps up to do the wave at a ball game. Luckily, Rosamond has picked the right person to teach her how to live . . . and to love—because nobody does both better than Hayden MacBride.However, Rosamond’s years in the convent have not prepared her for the oddball characters of Hayden’s world. There’s his ever-fretful, vigilant daughter, Diana, the “Dutchess o’ the Sidelong Glance”; his sweet grandson Joey, struggling to break free of his mother’s overprotective embrace; Hayden’s bagpipe-blowing cronies; the Greyfriars Gang; neighbor Bobbie Anne, a “working girl” full of good advice and tender mercies; and Hank, the sexy architect contemplating the priesthood—a big mistake in Hayden’s book. For Hayden thinks that Hank should be married to his daughter and raising Joey. And he has an elaborate plan to make Hank see things his way. . . .In an uproariously funny novel of love, laughter, and one man’s final call at the riotous watering hole called life, Laura Pedersen proves that miracles are all around us—when we open our eyes and our hearts to embrace them.

    He's best know as the empathetic android Bishop in Aliens and the intuitive criminal profiler Frank Black in the TV series "Millennium," but he has also played gunfighters and gangsters, an astronaut, a vampire, a sadistic monk, Charles Bronson and Abraham Lincoln. He's mentored Tarzan, Evel Knievel and the Antichrist, and fought Terminators, Aliens, Predators, Pinhead, Bigfoot, Superman, the Autobots, Mr. T, Jean Claude Van Damme and Steven Seagal. He's worked with directors James Cameron, Steven Spielberg, Kathryn Bigelow, Walter Hill, Sidney Lumet, Francois Truffaut, John Huston, David Fincher, John Woo, Jim Jarmusch and Sam Raimi... But this is just skimming the surface.Henriksen is a true artist - a painter, a potter and a creative collaborator who brings complexity and humanity to all of his work by drawing on real life experiences that are often stranger than fiction. His biography not only celebrates the actor's screen persona, film by film, but also recounts the chaotic upbringing and early life experiences that shaped him, revealing the man behind the image. As Lance so candidly states, "This isn't just a book about me becoming an actor. It's about all the people I've crossed paths with over the years who have helped me flourish in spite of the chaos in my early life. It's about a lifelong process of becoming a human being."

    Told in four volumes over seven years, with emails, g-chats, and an ‘interview’ with Lydia Davis (and a nod to Ms. Davis’s The End of the Story), the style of Person/a is often experimental, pushing the boundaries between fiction and nonfiction, obsession and mental instability, female independence and a loyalty to current and former lovers, but with the ultimate loyalty being to oneself or one's writing, and is there a difference? and should we be ashamed?

    As a freak winter storm bears down on an exclusive, affluent suburb in Connecticut, cars skid out of control, men and women swap partners, and their children experiment with sex, drugs, and even suicide. Here two families, the Hoods and the Williamses, come face-to-face with the seething emotions behind the well-clipped lawns of their lives - in a novel widely hailed as a funny, acerbic, and moving hymn to a dazed and confused era of American life.

    In 25 years, Kaufman, along with partner Michael Herz, has built Troma Studios up from a company struggling to find its voice in a field crowded with competitors to its current--and legendary--status as a lone survivor, a bastion of true cinematic independence, and the world's greatest collection of camp on film.As entertaining and funny as it is informative and insightful, Make Your Own Damn Movie! places Kaufman's radically low-budget, independent-studio style of filmaking directly in the reader's hands. Thus we learn how to: develop and write a knock-out screenplay; raise funding; find locations and cast actors; hire a crew; obtain equipment, permits, and music rights (all for little or no money); make incredible special effects for $0.79 each; charm, schmooze, and network while on the film-festival circuit; and, finally, make a bad actor act so bad it's actually good.From scriptwriting and directing to financing and marketing, this book is brimming with utterly off-the-wall, decidedly maverick, yet consistently proven advice on how to fully develop one's idea for an independent film.

    Try something new. Buy a pair of heels. Get a promotion. Fall in love. Seems simple, especially when Christine meets Patrick, the man who could be Mr. Right. He's got the right credentials: a job, a sense of humor, a love of all things Indiana Jones, and best of all, he's actually taller than Christine. But busy schedules take over and gets in the way of Patrick and Christine's budding romance. Life interferes, as it has a way of doing, and Christine wants to throw in the towel. Is the magic of the Christmas season enough to renew Christine's faith in love?

    In fact, even though she craves the all-consuming empty fullness only love can bring, her plan is to stay clear of it and men. She has one goal – to work and gamble her way into her dream business by any mean’s necessary – and love will simply get in the way. As an empath, Joaquin Wallace is forced on a daily basis to feel the emotions and energies of others. Because of his ability to feel deeply, understand greatly and fall in love quickly, Joaquin has closed himself off to love and committed to a life of singleness. He has one goal – to help his city heal as much as he can then leave for a life of solitude. Neither Joaquin or Nayeli want anything to do with love, but it seems to be magnetically pulling them towards each other from the day she steps foot in Memphis. Drawing them together and binding them like the invisible strings of a soul tie. Will they surrender to become one, or spend the rest of their days ignoring their bond and trying to unravel a tie that refuses to become undone?

    With the dead man's horse in tow, Bowdrie ambles into the middle of a dispute between the H&H ranch and the Darcy spread. Seems some H&H hired guns are giving Jack Darcy a hard time . . . and leading the troublemakers is ranch owner Rack Herman, strangely in the middle of many a run-in. But with the help of some friendly locals, Bowdrie pieces together a puzzle of murder, corruption, and the shady dealings of a power hungry rancher. Will Bowdrie travel far to track down Dyson . . . or is this killer closer than he thinks?

    Book annotation not available for this title...Title: .The Location Sound Bible..Author: .Viers, Ric..Publisher: .Ingram Pub Services..Publication Date: .2012/09/01..Number of Pages: .354..Binding Type: .PAPERBACK..Library of Congress: .2012016109

    Taking its cue from Hitchcock, grind-house movies, and the gory Italian giallo thrillers of the 1970s, slasher movies brought a new high in cinematic violence and suspense to mainstream cinema. For six bloody years (1978–1984) - the “golden age” of slashers - cinema screens and video stores were stalked by homicidal maniacs with murder and mayhem on their minds.The Slasher Movie Book details the subgenre’s surprising beginnings, revels in its g(l)ory days, and discusses its recent resurgence. Packed with reviews of the best (and worst) slasher movies and illustrated with an extensive collection of distinctive and often graphic color poster artwork from around the world, this book also looks at the political, cultural, and social influences on the slasher movie and its own effect on other film genres.

    Perhaps more than the gorgeously stylized visuals and impeccably re-created history, it's the show's richly drawn characters stumbling through their personal and professional lives that get under our skin and keep us invested.In Mad Men on the Couch, Dr. Stephanie Newman analyzes the show's primary characters through the lens of modern psychology. Lending her trained professional eye, she poses and expertly answers pressing questions such as:Why does Don constantly sabotage himself? Why is Betty such a cold mother and desperately unhappy housewife? (Hint: It's not just because her "people are Nordic.")Why does Pete prevail in adversity when Roger crumbles?Why is Peggy able to rise profesionally in the male jungle of Madison Avenue when Joan can't?Can these characters ever really change?With critical commentary that is both entertaining and insightful, Mad Men on the Couch will provide viewers with a unique persepctive on the show.