It's the end of the summer and the seasonal hurricanes loom on the horizon. Set against this background is a romance between two twelve-year-olds: Lucy Bishop, (who lives on the island with her parents [Bill Murray and Frances McDormand] and three younger brothers) and Sam (an orphan who is camping on the island with the Khaki Scout troop). Lucy and Sam hatch a secret plan to run away, and undertake a perilous journey though the woods and across the streams that criss-cross the island, to an isolated cove, where they set up their kingdom. They are pursued by the local sheriff (Bruce Willis) and the scout troop leader Scout Master Ward (Edward Norton). The follies of youth are matched by the compromises of age, and as the conflict between the generations escalates, the hurricane breaks upon the island putting all the characters at risk...

    Winner of the Pulitzer Prize, Justice has been hailed by his contemporary Anthony Hecht as “the supreme heir of Wallace Stevens.” In poems that embrace the past, its terrors and reconciliations, Justice has become our poet of living memory. The classic American melancholy in his titles calls forth the tenor of our collective passages: “Bus Stop,” “Men at Forty,” “Dance Lessons of the Thirties,” “The Small White Churches of the Small White Towns.” This master of classical form has found in the American scene, and in the American tongue, all those virtues of our literature and landscape sought by Emerson and Henry James. For half a century he has endeavored, with painterly vividness and plainspoken elegance, to make those local views part of the literary heritage from which he has so often taken solace, and inspiration.School Letting Out(Fourth or Fifth Grade)The afternoons of going home from schoolPast the young fruit trees and the winter flowers.The schoolyard cries fading behind you then,And small boys running to catch up, as thoughIt were an honor somehow to be near—All is forgiven now, even the dogs,Who, straining at their tethers, used to bark,Not from anger but some secret joy.From the Hardcover edition.

    The Anarchists' Convention is his first short story collection, providing a prism of America through fifteen stories. These everyday people -- a kid on the road heading west, aging political activists, a lonely woman in Boston -- go about their business with humor and resilience, dealing more in possibility than fact. In the widely anthologized and O. Henry Award-winning "I-80 Nebraska," Sayles perfectly renders the image of a pill-popping trucker who has become a legend of the road.

    For the past ten years he has been attempting to decode the numerical pattern beneath the ultimate system of ordered chaos-the stock market. As Max verges on a solution, chaos is swallowing the world around him. He is pursued by an aggressive Wall Street firm set on financial domination as well as by a Kabbalah sect intent on unlocking the secrets behind its ancient holy texts. Max races to crack the code, hoping to defy the madness that looms before him. In succeeding, he uncovers a secret everyone is willing to kill for.Also included with the screenplay is a full journal of how Darren Aronofsky made this award-winning film on a minuscule budget of $60,000, providing practical advice and inspiration to film students and offering film buffs rare insight into how an independent film is made.

    Here the reader is offered a glimpse of Mark Twain's sustained creative process, in what many critics consider the finest fiction of his later years. Begun in 1897 and revised first in 1902 and then 1908, the third version was the only manuscript titled The Mysterious Stranger. These texts offer a rare opportunity to observe Mark Twain's sustained literary struggle with a central theme.

    The complete scripts to six Sam Shepard plays: The Unseen Hand, Forensic and the Navigators, The Holy Ghostly, Back Bog Beast Bait, Shaved Splits, 4-H Club.

    While teenager Abigail parties a few doors away, the pretentious Beverly and her estate agent husband, Laurence, entertain their neighbours – Abigail’s mother, Susan, ex-footballer, Tony, and his wife, Angela. But as the alcohol flows, tensions in the hosts’ barely functional marriage emerge and their obsessions, prejudices and petty competitiveness are ruthlessly, and hilariously, exposed. ‘Goose-Pimples’, meanwhile, is easily as sharp and uncompromising. This time, the action focuses on ambitious casino croupier, Jackie, and Saudi businessman, Muhammad, who meet – and misunderstand – one another spectacularly.

    America's most popular pulps--Dime Detective, Black Mask, and Detective Fiction Weekly--published hundreds of his stories. Classic films like Hitchcock's Rear Window, Truffaut's The Bride Wore Black and Mississippi Mermaid, Tournier's Black Alibi, and Siodmak's Phantom Lady, as well as dozens of other movies, were based on his work. Novels like Deadline at Dawn, Rendezvous in Black, and Night Has a Thousand Eyes have won him the epithet "father of noir." Every one of the countless many who have read and loved the work of Cornell Woolrich will welcome and applaud this publication of a new collection of tales--the first in nearly two decades--by the greatest writer of suspense fiction in the twentieth century. Woolrich lived a life of such deep despair and utter terror that he could do little except put those fears onto the printed page. In the masterfully wrought suspense of this volume's twenty stories, readers can enjoy works written at the height of Woolrich's powers, as well as many never before published in book form before now.

    

    Here are thirteen memorable stories by renowned science fiction writers, telling what things might be like if... Elvis Presley weren't the "King" but the President of the United States ("Ike at the Mike" by Howard Waldrop)... The Black Death had killed the entire population of Europe in the fourteenth century ("Lion Time in Timbuctoo" by Robert Silverberg)... John F. Kennedy had survived the 1963 shooting in Dallas ("The Winterberry" by Nicholas A. DiChario). Included, too, is fascinating short fiction by Mike Resnick, Susan Shwartz, Larry Niven, Pamela Sargent, Fritz Leiber, Greg Bear, Barry N. Malzberg, Harry Turtledove, Gregory Benford and Kim Stanley Robinson. After reading these stories - some of the most compelling examples of alternate history anywhere - your mind will keep spinning the question "What If...?"

    Inge has taken us back to the early 1920s and into the home of the Flood family in a small Oklahoma town. Here we find Rubin, a traveling salesman for a harness firm, Cora his sensitive and lovely wife, Sonny their little boy and Reenie their teen-age daughter The plot of Mr. Inge's comedy drama is less one story than a series of short stories the fight between a husband and wife; the fear of an overly shy young girl on going to a dance; the problems of an introverted little boy who feels that the whole world, including his family is against him; the outwardly peaceful and inwardly corroding marriage of Cora's rowdy sister; the tragedy of a military school cadet whose mother has never provided him with a home and who suffers from the stigma of being a Jew in an alien community. What Mr. Inge is saying, with a power and tenderness of speech, is that there is dark at the top of everyone's stairs, but that it can be dissipated by understanding, by tolerance, by compassion and by the brand of companionship that demands not conformity but love For Mr. Inge has made in his play a statement of faith for all people who, if they accepted it, would live in a far better world."

    This beautifully designed and illustrated book tells the story largely through the eyes of an unknown English patient whose mind is awash with a life's worth of secrets and passions after his plane is shot down near the beginning of World War Two.

    Jon's new film is being shown at a festival in Lansing, Michigan, and Vince has come from Oakland to see it. Over the course of the evening, Vince finally gets Jon to admit that ten years ago he date-raped Amy Randall, a girl whom they both dated in high school only then to reveal that he's taped their entire conversation. And not only that, he's invited Amy to have dinner with them that night. Beneath its suspenseful, high-stakes surface, TAPE examines questions of motive, memory, truth and perception.

    Nabokov tells us in "The Waltz Invention" that our salvation today rests on a perfect understanding of the human heart. "The Waltz Invention," written when only a handful of scientists were concerned with atomic possibilities, could have been read as a puzzling, incredible fantasy in those days, but of course today a man like Waltz is at the center of our nightmares. We had better have a realistic understanding especially of a tyrant's heart in our fissionable age, MR. Nabokov says. Salvator Waltz is in possession of an infernal machine. He can operate it at will; and the machine is hidden away from all eye in the symbolical country of which Waltz is a citizen. With the same intricate levels of brilliancy as Vladimir Nabokov's other world acclaimed tales, "The Waltz Invention" write in a play form in 1938, is a classic tragedy and a comedy.

    His slow descent into semi-madness is chronicled here, in The Office, The Scripts volume 2. Following on from the phenomenal success of series 1 voted Comedy of the Year at the British Comedy Awards the second series averaged over 4 million viewers, with a 25% audience share. This book features the scripts from all six episodes and contains over 500 picture screengrabs taken from the broadcast masters and available exclusively in this BBC publication. Original and accurate and painfully funny: it will have every office in the country twitching with spasms of recognition This is a gem. The Times