A collection of cases solved by armchair detective, Nicky Welt

    "Ikiru "(1952) tells the painful and intimate story of a Japanese civil servant coming to terms with old age and death. In "Seven Samurai "(1954) the inhabitants of a small Janpanese village employ a roaming band of samurai to defend them. In "Throne of Blood" (1957), based on "Macbeth," a samurai is encouraged by his wife to kill his lord.This edition also includes a critical introduction to each screenplay.

    With their latest work, O Brother, Where Art Though?, The Oscar-winning team returns to the period-piece films of their earlier career (Miller's Crossing, Barton Fink, The Hudsucker Proxy) and showcase once-again their pitch-perfect ear for hilarious and outrageous dialogue, as well as their penchant for the fantastic. Based on Homer's Odyssey, the movie stars George Clooney as Ulysses Everett McGill, along with Coen-mainstay John Turturro, and Tim Blake Nelson as fugitives from a chain gang who embark on a mystical and musical journey through 1930s Mississippi. History and allegory are expertly entwined as, along the way, the three escapees encounter a blind prophet, are tempted by sirens, do battle with a Cyclops (in the form of a one-eyed Klansman), fall in with George "Baby Face" Nelson on a bank heist, and cut a blues record with a young guitar prodigy who bears a striking resemblance to the real-life Robert Johnson.

    

    This play which won the author a Pulitzer Prize and a Tony award presents the lead character, Willy Loman (played over time by Lee J Cobb, George C Scott, Dustin Hoffman, and Brian Dennehy, among others), who has come to represent the middle-class struggle.

    Pavle leaves town to think things over. Weeks later, a deformed corpse is found washed up on the banks of the Danube and is identifed to be that of Pavle. The case is judged a suicide. Three years later, Pavle, now "the deceased," unexpectedly returns. He discovers that his heirs have not only plundered his estate, but also refuse to recognize him as being "legally" alive, and they unite to keep him "dead" to maintain the status quo. This is the first English translation of a masterful and darkly comic play that will enter its rightful place as a world classic. The fluid and natural translation lends itself to theatrical production. Comically absurd, filled with existential angst, it was ahead of its time in 1937. At once vaudevillian and modernist, it is distinguished by clever plotting and stinging dialogue. The play stands as a lasting and caustic satire of human greed, strangely consonant with todays society.

    One of a hand-picked selection of some of the most popular and cult-worthy titles on Faber and Faber's extensive list of film scripts.

    Laugh and cry over the most poignant love story of them all--about a young enchantress with a short time to live and a lifetime of courage to give.

    He almost made it. Instead, he finds himself free-falling through a world of hallucinatory absurdity, low comedy, and epic degradation. A Hollywood bottom-feeder who moonlights as a limo driver to pay the bills, both tormented and vicariously aroused by his contact with the industry's elite, Mr. Wiggins bears poignant, paranoid witness to the horror and hysteria that are by-products of "the Business." His phantasmagoric saga, by turns picaresque, pornographic, and poetic, Force Majeure is the first of a projected quartet called "Scriptures" that will chronicle the misadventures and transcendental fall and rise -- comic, tragic, and tragicosmic -- of Bud Wiggins, Quixote of Babylon.

    The Bourgeois Gentleman, Moliere's classic treatment of snobbery, presents Monsieur Jordain's obsessive desire to move up out of the ranks of the middle class and associate with the gentry.

    Baker practices astonishing verbal magic over and over again." - Clancy Martin, Paris Review"Strikingly intimate... Free of the stilted or formal locutions that clutter up some of the more antique-sounding translations... Ms. Baker has given the play a natural but distinctly contemporary American sound." - Charles Isherwood, New York Times"Devastatingly beautiful... People are going to be talking about this one for years." - Jacob Gallagher-Ross, Village Voice"More than a modern-dress treatment of a classic work, it's a fresh rethinking of the material from the perspective of a modern mind." - Marilyn Stasio, VarietyAnnie Baker, one of the most celebrated playwrights in the United States, lends her truthful observation and elegant command of the colloquial to Anton Chekhov's despairing masterpiece Uncle Vanya. A critical hit in its sold-out Off-Broadway premiere, Baker's telling is a refreshingly intimate and modern treatment of a Chekhovian classic.Annie Baker's plays include The Flick (The Susan Smith Blackburn Prize, Obie Award), The Aliens (Obie Award), Circle Mirror Transformation (Obie Award) and Body Awareness. Her work has been produced at more than a hundred theaters in the U.S. and in more than a dozen countries internationally. Recent honors include a Guggenheim Fellowship, Steinberg Playwright Award and New York Drama Critics Circle Award. She is a resident playwright at the Signature Theatre.

    Jake Gittes is a successful 'bedroom dick': a private eye specialising in cases of marital infidelity. Paradoxically he might also be the last truly ethical man in a corrupt town. Lured into an investigation of the death-by-drowning of City Water Commissioner Hollis Mulwray, Gittes gets more than usually entwined with his new client, Mulwray's enigmatic widow Evelyn. He then finds himself crossing swords with Evelyn's redoubtable father, the aging business magnate Noah Cross, who has professional and personal reasons of his own for wanting both Hollis and Evelyn silenced.Academy Award-winner for Best Original Screenplay of 1974, Robert Towne's Chinatown is widely regarded as the finest American movie script of the post-war years. Complex in narrative design, infused with the sordid real-life history of Los Angeles' economic growth and unmistakably adult in its updating of the trademark violence and sexual intrigue of film noir, on the page Chinatown still shines - and cuts - like a blade.

    After accidentally becoming the star of University of Alabama's football team, Forrest goes on to become a Vietnam War hero, a world-class Ping-Pong player, a villainous wrestler, and a business tycoon -- as he wonders with childlike wisdom at the insanity all around him. In between misadventures, he manages to compare battle scars with Lyndon Johnson, discover the truth about Richard Nixon, and survive the ups and downs of remaining true to his only love, Jenny, on an extraordinary journey through three decades of the American cultural landscape. Forrest Gump has one heck of a story to tell -- and you've got to read it to believe it...

    In his haunted, brief life, Crane fashioned a distinctively modern idiom that fused the ornate rhetoric of the Elizabethans, the ecstatic enigmas of Rimbaud, and the prophetic utterances and cosmic sympathy of Whitman, in a quest for wholeness and healing in what he called "the broken world." White Buildings, perhaps the greatest debut volume in American poetry since Leaves of Grass, is but an exquisite prelude to Crane's masterpiece The Bridge, his magnificent evocation of America from Columbus to the Jazz Age that countered the pessimism of Eliot's The Waste Land and became a crucial influence on poets whose impact continues to this day. This edition is the largest collection of Crane's writings ever published. Gathered here are the complete poems and published prose, along with a generous selection of Crane's letters, several of which have never before been published. In his letters Crane elucidates his aims as an artist and provides fascinating glosses on his poetry. His voluminous correspondence also offers an intriguing glimpse into his complicated personality, as well as his tempestuous relationships with family, lovers, and writers such as Allen Tate, Waldo Frank, Yvor Winters, Jean Toomer, Marianne Moore, E. E. Cummings, William Carlos Williams, and Katherine Anne Porter. Several letters included here are published for the first time. This landmark 850-page volume features a detailed and freshly-researched chronology of Crane's life by editor Langdon Hammer, chair of the English Department at Yale University and a biographer of Crane, as well as extensive explanatory notes, and over fifty biographical sketches of Crane's correspondents.

    It dissects the failures of the Eisenhower Administration just as effectively as it details the blunders of Roosevelt, Truman, Kennedy and Johnson. It documents the concurrent decay in America's schools, churches, and press which has conditioned the American people to accept 20 years of retreat in the face of the communist enemy. You won't finish None Dare Call It Treason without concluding that America is in serious trouble.